Requiem Babette Babich Fordham University, [email protected]
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Thinking the Ecological Present
THINKING THE ECOLOGICAL PRESENT by Eva Perez de Vega THINKING THE ECOLOGICAL PRESENT ABSTRACT p.1 ECOLOGICAL THINKING p.2 1.1 The nature‐culture dialectic 1.2 Deep and dark ecology 1.3 Flat ecology EXPRESSIVE ECOLOGY p.8 2.1 Ecology beyond essences 2.2 Non‐human expressivity 2.3 Ecology as abstract machine ACTING ECOLOGICALLY p.15 3.1 Practicing and acting 3.1 Matter and transformation 3.2 Intentional omissions NOTES p.19 BIBLIOGRAPHY p.21 ABSTRACT Thinking about the present ecological situation necessarily implies a re‐thinking of the thinking about nature. This paper will look at some of the recent critiques to this thinking (deep, dark and flat ecology) in an attempt to extract and formulate possibilities for action. As will be developed, deep ecology subjectifies nature; shallow ecology objectifies nature; dark ecology rejects nature; while flat ecology intensifies it, treating it as a comprehensive ontology of nonhierarchical complex material systems, both human and non‐human, defined by their process of production within an energetic environment.1 This generalized ecology turns ecology into a complex transdisciplinary project linking philosophy, sociology, anthropology, art, literature, politics, music, history, and the sciences. With disciplinary promiscuity2 we introduce more questions and unknowns that could possibly be answered. Yet with all its problems, it is this promiscuity that gives rise to potentiality; to the emergence of the possible and the possible emergence of a new way of operating on the environment. Eva Perez de Vega 1 ECOLOGICAL THINKING 1.1 The nature‐culture dialectic Vase made by bees Thinking about the present ecological situation necessarily implies a re‐thinking of the thinking about nature. -
Deterritorializing the Canadian Museum for Human Rights Adam Muller
82 Deterritorializing the Canadian Museum for Human Rights Adam Muller Abstract: This article asserts the value of assemblage theory to making sense of a museum like the Canadian Museum for Human Rights (CMHR), which has struggled with the formidable challenge of comparatively representing human rights in ‘difficult’ cultural and historical contexts. While acknowledging the many merits and productive outcomes of the relatively recent intersectional and interdisciplinary turn in ‘new’ museology, I argue that a fully realized assemblage theory such as that developed by the Mexican-American filmmaker and philosopher Manuel DeLanda holds the potential to substantially refine and extend the explanatory power of this kind of approach. With particular reference to the CMHR’s interactions/ intersections (and so positionality) with the various legacies of Canadian settler colonialism, and more specifically debates over the question of genocide and the nation’s commitment to upholding the right to water, I argue that ‘assemblage thinking’ permits us to appreciate more richly, and in a more nuanced way, the museum’s evolving identity, representational strategies, and growing accumulation of expressive power. More broadly, I contend that assemblage theory is ideally configured to map the dynamic interaction/intersection of overlapping clusters of large- and small-scale objects, spaces, ideologies, memories, feelings, structures, histories, and experiences constitutive of institutions and sites of conscience such as the CMHR. Key words: Assemblage; -
Nietzsche: Looking Right, Reading Left
Educational Philosophy and Theory ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rept20 Nietzsche: Looking right, reading left Babette Babich To cite this article: Babette Babich (2020): Nietzsche: Looking right, reading left, Educational Philosophy and Theory, DOI: 10.1080/00131857.2020.1840974 To link to this article: https://doi.org/10.1080/00131857.2020.1840974 Published online: 16 Nov 2020. Submit your article to this journal Article views: 394 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rept20 EDUCATIONAL PHILOSOPHY AND THEORY https://doi.org/10.1080/00131857.2020.1840974 EDITORIAL Nietzsche: Looking right, reading left The far right appropriates a Nietzsche invented out of its own fantasies, likewise the left in its critique of these appropriations, battles a projection cobbled in response to that of the far right. If centrist visions likewise exist, many, for want of likely suspects, relegate these to the left. Indeed, in their lead contribution to their collection on The Far Right, Education, and Violence, Michael Peters and Tina Besley point out that the cottage industry of Nietzsche mis- appropriations, especially those kipped to the right, has been booming for more than a cen- tury (Peters & Besley, 2020, p. 5; cf. Alloa, 2017; Illing, 2018; Kellner, 2019). Beyond the pell-mell of misreadings and prototypically ‘Nazi’ bowdlerization under Hitler, Peters and Besley rightly point out that what they name the “‘pedagogical problem’” (Peters & Besley, 2020, p. 10) can be located at the heart of such a political free for all, on the right as on the left. -
The 'New' Heidegger
Fordham University Masthead Logo DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 1-2015 The ‘New’ Heidegger Babette Babich [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Continental Philosophy Commons, Digital Humanities Commons, Ethics and Political Philosophy Commons, Other German Language and Literature Commons, Physical Sciences and Mathematics Commons, Radio Commons, and the Reading and Language Commons Recommended Citation Babich, Babette, "The ‘New’ Heidegger" (2015). Articles and Chapters in Academic Book Collections. 65. https://fordham.bepress.com/phil_babich/65 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Chapter 10 The ‘New’ Heidegger Babette Babich 10.1 Calculating Heidegger: From the Old to the New The ‘new’ Heidegger corresponds less to what would or could be the Heidegger of the moment on some imagined ‘cutting edge’ than it corresponds to what some wish they had in Heidegger and above all in philosophical discussions of Heidegger’s thought. We have moved, we suppose, beyond grappling with the Heidegger of Being and Time . And we also tend to suppose a fairly regular recurrence of scandal—the current instantiation infl amed by the recent publication of Heidegger’s private, philosophical, Tagebücher, invokes what the editor of these recently published ‘black notebooks’ attempts to distinguish as Heidegger’s ‘historial antisemitism’ — ‘historial’ here serving to identify Heidegger’s references to World Jewry in one of the volumes. -
A Historical Materialist Response to New Materialism Abstract
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kingston University Research Repository Science, Agency, and Ontology: A Historical Materialist Response to New Materialism Abstract In recent years the work of a diverse range of thinkers has been grouped together under the label ‘new materialism’. This article offers a critical introduction to new materialism that challenges its understanding of historical materialism. It aims to demonstrate not that historical materialism is superior to new materialism, but rather that the latter would benefit from engaging with rather than ignoring or dismissing the former. It begins by defining new materialism in relation to its reappraisal of science, its concept of agency, and its underlying ontology. Second, it locates new materialism by demonstrating how and why many new materialists are hostile to historical materialism. Finally, it responds to new materialist criticisms of historical materialism, arguing both that there are potential areas of agreement between the two materialisms and that historical materialism offers valuable resources for analysing historically specific and asymmetric power relations. 1 Science, Agency, and Ontology: A Historical Materialist Response to New Materialism In the final two decades of the twentieth century, radical Anglophone social and political theory frequently took its cue from post-structuralism, with its emphasis on the discursive and linguistic production of subjectivity. In contrast, numerous commentators have suggested that the first few years of this century have witnessed a materialist turn within the humanities and social sciences, with a new interest in the relevance of the material world to social and political concerns (e.g. -
MANUEL DELANDA and the NONORGANIC LIFE of AFFECT Alan Boardman
59 CARBON MONOCHROME: MANUEL DELANDA AND THE NONORGANIC LIFE OF AFFECT Alan Boardman Abstract This paper focuses on the new-materialist philosophy of Manuel DeLanda and its application to visual-art theory through the material of contemporary monochrome painting. It asks: can the monochrome act as a ‘material of thought’ to orient DeLanda’s new materialism toward theorising the materiality of art in the context of the anthropocene? The raw- earth pigment monochromes and landscape interventions of Onya McCausland and the lab-grown nanotube pigment monochrome and sculpture works of Frederik De Wilde provide iterations of the monochrome for this analysis. An analysis of carbon through these artworks as a ‘material of thought’ facilitates access to the materiality of artworks more generally. This article proposes a new-materialist interpretative framework that goes beyond the parameters where meaning is produced through a phenomenological approach, through artistic intention or viewer interaction, and instead locates the artwork within assemblages constituted by human and non-human affects. It provides the basis for a new-materialist theory of art that is grounded in materiality, that constitutes the contemporary art object as a nonorganic life and one that opens up new territories for thinking art in the anthropocene. Keywords: new materialism, Manuel DeLanda, materiality, affect, contemporary monochrome painting, nonorganic life, anthropocene Full text: https://openartsjournal.org/issue-7/article-4 DOI: http://dx.doi.org/10.5456/issn.2050-3679/2019s04 Biographical note Alan Boardman is an artist and researcher based in Ireland. His practice is engaged with painting and the materiality of art in the context of the anthropocene. -
Unflat Ontology: Essay on the Poverty of Democratic Materialism
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kvachev, Vadim Article — Published Version Unflat Ontology: Essay on the Poverty of Democratic Materialism Stasis Provided in Cooperation with: The Bichler & Nitzan Archives Suggested Citation: Kvachev, Vadim (2020) : Unflat Ontology: Essay on the Poverty of Democratic Materialism, Stasis, ISSN 2500-0721, European University at Saint-Petersburg, Saint Petersburg, Vol. 9, Iss. 1, July, pp. 13-34, http://bnarchives.yorku.ca/652/ This Version is available at: http://hdl.handle.net/10419/223346 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative -
On Nietzsche's Schopenhauer, Illich's
Fordham University Masthead Logo DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections Spring 2014 “Who do you think you are?” On Nietzsche’s Schopenhauer, Illich’s Hugh of St. Victor, and Kleist’s Kant Babette Babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Continental Philosophy Commons, History of Philosophy Commons, and the Social and Philosophical Foundations of Education Commons Recommended Citation Babich, Babette, "“Who do you think you are?” On Nietzsche’s Schopenhauer, Illich’s Hugh of St. Victor, and Kleist’s Kant" (2014). Articles and Chapters in Academic Book Collections. 68. https://fordham.bepress.com/phil_babich/68 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. J P S E Journal for the Philosophical Study of Education Vol. 2 (2014) Editors: Allan Johnston, DePaul University and Columbia College Chicago Guillemette Johnston, DePaul University Outside Readers: Charles V. Blatz, University of Toledo (emeritis) Tom Falk, University of Dayton Tom Friedrich, SUNY Plattsburgh Charles Howell, Youngstown State University Emery Hyslop-Margison, Florida Atlantic University Cheu-jey Lee, Indiana University-Purdue University, Fort Wayne Alexander Makedon, Arellano University David Mosley, Bellarmine University Linda O’Neill, Northern Illinois University Sam Rocha, University of North Dakota Zachary Rohrbach, Independent Scholar Elias Schwieler, Stockholm University The Society for the Philosophical Study of Education JPSE: Journal for the Philosophical Study of Education II (2014) “Who do you think you are?” On Nietzsche’s Schopenhauer, Illich’s Hugh of St. -
Transaction Machines The
TRANSACTION MACHINES THE INFRASTRUCTURE OF FINANCIAL MARKETS Bogdan Dragos PhD Thesis Centre for Cultural Studies Goldsmiths, University of London May 2016 Declaration The work presented in this thesis is the candidate’s own. Bogdan DraGos London, October 2015 2 Abstract This thesis describes financial markets as complex machines in the broader sense, as systems for organizing informational flows and performing certain functions in regards to the processing of transactions. We focus on the transaction infrastructure of financial markets, on the flow architecture that allows transactions to happen in the first place. First, in order for a financial market to function there needs to be some mechanism for aggregating and matching disparate transactional requests. Another mechanism is then needed in order to untangle and reduce the complexity of overlapping exposures between participants. The history of finance shows us that there are indeed certain patterns and regularities, procedures and mechanisms present in any system that processes financial transactions. The thesis describes this sequence of functions as transaction machines, understood as complex socio- technical systems for the execution of financial transactions. This is achieved by leveraging a specific philosophical account of technology coupled with a computational and evolutionary account of financial markets. We ultimately focus two types of transaction machines, performing the matching and clearing of financial flows, acting as the infrastructure of financial markets. We also provide a sketch for an evolutionary trajectory of these machines, evolving under the demands and needs of marker participants. From medieval fairs to the millisecond electronic platforms of today, transaction machines have gradually transitioned from human- based ‘hardware’ to electronic automated platforms. -
The Nonhuman Lives of Videogames
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 8-12-2014 The Nonhuman Lives of Videogames Cameron Kunzelman Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Kunzelman, Cameron, "The Nonhuman Lives of Videogames." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/communication_theses/110 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE NONHUMAN LIVES OF VIDEOGAMES by CAMERON KUNZELMAN Under the direction of Alessandra Raengo ABSTRACT Videogames are not subjects to be operated on, but rather bodies that humans live both with and inside of. In order to reconcile human existence with this nonhuman life, this thesis looks to evaluate the exact relationships developed between humans and assemblages in order to understand how humans are disciplined to return to games time and time again. The recognition of the nonhuman life of videogames necessitates a rethinking of the word “life,” as well as a reformulation of ethics around the new sets of obligations humans have toward videogames if we begin to recognize them as alive. INDEX WORDS: Nonhumans, Videogames, Game studies, Life THE NONHUMAN LIVES OF VIDEOGAMES by CAMERON KUNZELMAN -
This Version of Delanda's Text Is Quite Different Than the One Already Posted to Nettime in the Fall
Short Note: This version of DeLanda's text is quite different than the one already posted to nettime in the fall. Markets and Anti-Markets Manuel DeLanda Delivered at MetaForum III/UNDER CONSTRUCTION/Budapest Content Conference Oct. 1996, www.isys.hu/metaforum INTRODUCTORY REMARKS Before I begin my reading this essay, I would like to introduce some background to you so you can see where I am coming from. Though I began my career as an artist and still make my living as a computer artist, I consider myself a philosopher. I have been publishing for fifteen or sixteen years, specializing in the Philosophy of Science. This is important because what I will read is a criticism of economic ideas. Since I am not an economist, you might wonder, "How does he dare to do this criticism?" The answer is that there exists a large branch of the Philosophy of Science, called the Philosophy of Economics, concerned with issues of methodology and conceptual structure of economic theories. It is a branch that has grown in the last two or three decades. And it is from the point of view of the Philosophy of Economics that I would like to speak today. The Philosophy of Science up to the early 1960s was dominated by Positivism, beginning with the Vienna Circle which espoused a very idealistic vision of what science is. Scientists were pictured as these rational human beings who pursued truth at the expense of anything else: constantly engaging with one another in perfectly logical dialogues and basically elaborating on those theories that could be reduced to logic and logistic rationality. -
Media Ecology Through Assemblage Theory Razón Y Palabra, Vol
Razón y Palabra ISSN: 1605-4806 [email protected] Universidad de los Hemisferios Ecuador Ralón, Laureano Beyond the organicist metaphor: Media ecology through assemblage theory Razón y Palabra, vol. 21, núm. 96, enero-marzo, 2017, pp. 511-539 Universidad de los Hemisferios Quito, Ecuador Available in: http://www.redalyc.org/articulo.oa?id=199551160027 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative RAZÓN Y PALABRA Primera Revista Electrónica en Iberoamérica Especializada en Comunicación http://revistas.comunicacionudlh.edu.ec/index.php/ryp Beyond the organicist metaphor: Media ecology through assemblage theory Além da metáfora organicista: ecologia da mídia através da teoria assemblage Más allá de la metáfora organicista: Ecología de los medios a través de la teoría del ensamblaje Laureano Ralón Figure/Ground (Argentina) [email protected] Fecha de recepción: 3 de octubre de 2016 Fecha de recepción evaluador: 15 de diciembre de 2017 Fecha de recepción corrección: 1 de febrero de 2017 Abstract This article conducts a speculative analysis of the media ecology framework and, in particular, of Marshall McLuhan’s media philosophy, through the prism of assemblage theory – a Deleuzian-inspired philosophy of multiplicities systematized over the last decade by Mexican-born thinker Manuel DeLanda. Through an interventionist approach seeking to push McLuhanism beyond its very limits, the article is concerned with a certain dimension of its conceptual body which cannot be accommodated by its own parameters.