Cals Book Club Kits

Total Page:16

File Type:pdf, Size:1020Kb

Cals Book Club Kits CALS BOOK CLUB KITS Updated April 2021 ❑ 22 Britannia Road by Amanda Hodgkinson ❑ The 48 Laws of Power by Robert Greene ❑ 100-Year-Old Man who Climbed Out the Window and Disappeared by Jonas Jonasson ❑ Act Like a Lady, Think Like a Man by Steve Harvey ❑ The Alice Network by Kate Quinn ❑ All Girl Filling Station’s Last Reunion by Fannie Flagg ❑ All the Light We Cannot See by Anthony Doerr ❑ All the Missing Girls by Megan Miranda ❑ All Over but the Shoutin’ by Rick Bragg ❑ The Amateur Marriage by Anne Tyler ❑ American Eve by Paula Uruburu ❑ American Gods by Neil Gaiman ❑ Americanah by Chimamanda Ngozi Adichie ❑ Animal, Vegetable, Miracle by Barbara Kingsolver ❑ Anywhere but Here by Mona Simpson ❑ The Arabian Nights ❑ The Art of Racing in the Rain by Garth Stein ❑ Aviator’s Wife by Melanie Benjamin ❑ Back When We Were Grownups by Anne Tyler ❑ Bastard Out of Carolina by Dorothy Allison ❑ Battle Hymn of the Tiger Mother by Amy Chua ❑ Beautiful Ruins by Jess Walter ❑ Before We Were Yours by Lisa Wingate ❑ Behold the Dreamers by Imbolo Mbue ❑ Being Mortal by Atul Gawande ❑ Belgravia by Julian Fellowes ❑ Bel Canto by Ann Patchett ❑ Beloved by Toni Morrison ❑ Between the World and Me by Ta-Nehisi Coates ❑ Birds of America by Lorrie Moore ❑ The Blind Side by Michael Lewis ❑ The Bluest Eye by Toni Morrison ❑ The Body of Christopher Creed by Carol Plum-Ucci ❑ The Book of Bright Ideas by Sandra Kring ❑ The Book of Lost Things by John Connolly ❑ The Book Thief by Markus Zusak ❑ The Bookmaker’s Daughter by Shirley Abbott ❑ Born a Crime by Trevor Noah ❑ Bossypants by Tina Fey ❑ The Boston Girl by Anita Diamant ❑ The Boys in the Boat by Daniel J. Brown ❑ Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer ❑ Brain on Fire by Susannah Cahalan ❑ Breakfast with Buddha by Roland Merullo ❑ Breathing Lessons by Anne Tyler ❑ The Brief Wondrous Life of Oscar Wao by Junot Diaz ❑ Bringing Maggie Home by Kim Vogel Sawyer ❑ Cage of Stars by Jacquelyn Mitchard ❑ Caleb’s Crossing by Geraldine Brooks ❑ Call the Midwife by Jennifer Worth ❑ Camp Nine by Vivienne Schiffer ❑ Cantoras by Carolina de Robertis ❑ Carry On, Warrior by Glennon Doyle Melton ❑ Caste: The Origins of Our Discontents by Isabel Wilkerson ❑ The Cellist of Sarajevo by Steven Galloway ❑ Cinderella Ate My Daughter by Peggy Orenstein ❑ The Circle by Dave Eggers ❑ Circling the Sun by Paula McLain ❑ Citizens of London: The Americans Who Stood with Britain in its Darkest, Finest Hour by Lynne Olson ❑ The City of Ember by Jeanne Duprau ❑ City of Thieves by David Benioff ❑ Claire of the Sea Light by Edwidge Danticat ❑ Climbing the Mango Trees: A Memoir of a Childhood in India by Madhur Jaffrey ❑ The Color of Water by James McBride ❑ The Complete Stories by Flannery O’Connor ❑ The Condition by Jennifer Haigh ❑ Confederacy of Dunces by John Kennedy Toole ❑ Confederates in the Attic by Tony Horwitz ❑ The Coral Thief by Rebecca Stott ❑ Crazy Brave: A Memoir by Joy Harjo ❑ Crooked Letter, Crooked Letter by Tom Franklin ❑ Crossing the Line by Bibi Belford ❑ The Crying Tree by Naseem Rakha ❑ Cuckoo’s Calling by Robert Galbraith (pen name of J.K. Rowling) ❑ The Curious Incident of the Dog in the Night-time by Mark Haddon ❑ Cutting for Stone by Abraham Verghese ❑ Dad is Fat by Jim Gaffigan ❑ Dark Places by Gillian Flynn ❑ Dead Until Dark by Charlaine Harris ❑ Dead Wake by Erik Larson ❑ The Devil in the White City: Murder, Music, and Madness at the Fair That Changed America by Erik Larson ❑ Devil’s Knot: The True Story of the West Memphis Three by Mara Leveritt ❑ The Die Is Cast: Arkansas Goes to War, 1861 edited by Mark Christ ❑ The Dinner by Herman Koch ❑ The Dirty Life by Kristin Kimball ❑ Dispatches from Pluto by Richard Grant ❑ Divergent by Veronica Roth ❑ The Dovekeepers by Alice Hoffman ❑ Dreams from My Father by Barack Obama ❑ East of the Sun by Julia Gregson ❑ Eat, Pray, Love by Elizabeth Gilbert ❑ Edie: American Girl by Jean Stein ❑ Educated by Tara Westover ❑ Eighty-Dollar Champion by Elizabeth Letts ❑ Eleanor Oliphant is Completely Fine by Gail Honeyman ❑ The Elegance of the Hedgehog by Muriel Barbery ❑ Emma by Jane Austen ❑ Empire of the Summer Moon by S. C. Gywnne ❑ Everyone Brave Is Forgiven by Chris Cleave ❑ Everything I Never Told You by Celeste Ng ❑ Evicted: Poverty and Profit in the American City by Matthew Desmond ❑ Exit West by Mohsin Hamid ❑ Five Days at Memorial by Sheri Fink ❑ Flat Broke with Two Goats: A Memoir of Appalachia by Jennifer McGaha ❑ Flight of Dreams by Ariel Lawhon ❑ The Forgotten Garden by Kate Morton ❑ Fourth of July Creek by Smith Henderson ❑ Freakonomics by Steven D. Levitt & Stephen J. Dubner ❑ Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee by Casey Cep ❑ Garden Spells by Sarah Addison Allen ❑ A Gentleman in Moscow by Amor Towles ❑ The Gift of Fear: Survival Signals That Protect Us from Violence by Gavin De Becker ❑ The Ginger Tree by Oswald Wynd ❑ The Girl with the Dragon Tattoo by Stieg Larsson ❑ Girl on the Train by Paula Hawkins ❑ Girls of Atomic City by Denise Kiernan ❑ The Glass Castle by Jeannette Walls ❑ The Glass Universe by Dava Sobel ❑ Going Away Shoes by Jill McCorkle ❑ Gone Girl by Gillian Flynn ❑ Good Talk: A Memoir in Conversations by Mira Jacob ❑ The Graveyard Book by Neil Gaiman ❑ The Great Alone by Kristin Hannah ❑ Gregor the Overlander by Suzanne Collins ❑ The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows ❑ H is for Hawk by Helen MacDonald ❑ Half Broke Horses by Jeannette Walls ❑ The Handmaid’s Tale by Margaret Attwood ❑ The Happiness Project by Gretchen Rubin ❑ The Hearts of Horses by Molly Gloss ❑ Heaven is For Real: A Little Boy’s Astounding Story of His Trip to Heaven and Back by Todd Burpo ❑ The Hemingway Book Club of Kosovo by Paula Huntley ❑ Her Fearful Symmetry by Audrey Niffenegger ❑ Her Mother’s Hope by Francine Rivers ❑ Here on Earth by Alice Hoffman ❑ The Heretic’s Daughter by Kathleen Kent ❑ Hidden Figures by Margot Lee Shetterly ❑ Highest Duty: My Search for what Really Matters by Chesley Sullenberger ❑ Hillbilly Elegy: A Memoir of Family and Culture in Crisis by J.D. Vance ❑ History of Love by Nicole Krauss ❑ Homegoing by Yaa Gyasi ❑ Hotel on the Corner of Bitter and Sweet by Jamie Ford ❑ The Hours Count by Jillian Cantor ❑ The House on Mango Street by Sandra Cisneros ❑ The House of the Spirits by Isabel Allende ❑ How Doctors Think by Jerome Groopman, M.D. ❑ The Hunger Games by Suzanne Collins ❑ I Am Malala by Malala Yousafzai ❑ I Feel Bad About My Neck by Nora Ephron ❑ I Know Why the Caged Bird Sings by Maya Angelou ❑ I Was Told There’d be Cake by Sloane Crosley ❑ The Immortal Life of Henrietta Lacks by Rebecca Skloot ❑ In Defense of Food by Michael Pollan ❑ In the Garden of Beasts by Erik Larson ❑ In the Woods by Tana French ❑ The Indifferent Stars Above by Daniel J. Brown ❑ Inkheart by Cornelia Funke ❑ Into the Beautiful North by Luis Alberto Urrea ❑ Into the Wild by Jon Krackauer ❑ The Invention of Wings by Sue Monk Kidd ❑ Jeremy Fink and the Meaning of Life by Wendy Mass ❑ Just Kids by Patti Smith ❑ Just Mercy: A Story of Justice and Redemption by Bryan Stevenson ❑ Killers of the Flower Moon by David Grann ❑ Kindred by Octavia Butler ❑ The King’s Speech by Mark Logue ❑ Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain ❑ Kitchen House by Kathleen Grissom ❑ Kitchens of the Great Midwest by J. Ryan Stradal ❑ The Lace Reader by Brunonia Barry ❑ The Lacuna by Barbara Kingsolver ❑ Land More Kind Than Home by Wiley Cash ❑ Language of Flowers by Vanessa Diffenbaugh ❑ The Last Girls by Lee Smith ❑ The Leavers by Lisa Ko ❑ Leaving Atlanta by Tayari Jones ❑ Liberating Paris by Linda Bloodworth Thomason ❑ Life After by Katie Ganshert ❑ Life of Pi by Yann Martel ❑ The Life and Times of the Thunderbolt Kid by Bill Bryson ❑ The Life We Bury by Allen Eskens ❑ Light Between Oceans by M.L. Stedman ❑ Light in the Ruins by Chris Bohjalian ❑ Lilac Girls by Martha Hall Kelly ❑ Little Bee by Chris Cleave ❑ Little Black Lies by Sharon Bolton ❑ Little Fires Everywhere by Celeste Ng ❑ Lone Wolf by Jodi Picoult ❑ The Lost City of Z by David Grann ❑ Lost in Shangri La: A True Story of Survival, Adventure, and the Most Incredible Rescue Mission of World War II by Mitchell Zuckoff ❑ The Love of a Good Woman by Alice Munro ❑ Loving Frank by Nancy Horan ❑ The Madonnas of Leningrad by Debra Dean ❑ The Magicians by Lev Grossman ❑ The Magician’s Elephant by Kate DiCamillo ❑ Magpie Murders by Anthony Horowitz ❑ Magyk by Angie Sage ❑ Maine by J. Courtney Sullivan ❑ Maisie Dobbs by Jacqueline Winspear ❑ Major Pettigrew’s Last Stand by Helen Simonson ❑ A Man Called Ove by Fredrik Backman ❑ Manhunt: The 12-Day Hunt for Lincoln’s Killers by James L. Swanson ❑ March by Geraldine Brooks ❑ March, Book One by John Lewis and Nate Powell ❑ The Marriage Plot by Jeffrey Eugenides ❑ The Memory Keeper’s Daughter by Kim Edwards ❑ Me Before You by Jojo Moyes ❑ Me Talk Pretty One Day by David Sedaris ❑ The Middle Place by Kelly Corrigan ❑ Miss Julia Speaks Her Mind by Ann B. Ross ❑ Missoula: Rape & the Justice System in a College Town by Jon Krakauer ❑ The Mistress of Spices by Chitra Divakaruni ❑ Mockingbird: A Portrait of Harper Lee by Charles J. Shields ❑ The Moonflower Vine by Jetta Carlton ❑ Mostly Dead Things by Kristen Arnett ❑ Mountains Beyond Mountains by Tracy Kidder ❑ Mrs.
Recommended publications
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
    [Show full text]
  • Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple
    ’Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple To cite this version: James Dalrymple. ’Gosford Park, the ”Altmanesque” and Narrative Democracy’. ”Narrative Democ- racy in 20th- and 21st-Century British Literature and Visual Arts”, SEAC 2018 conference, Nov 2018, Université Toulouse Jean Jaurès, France. hal-01911889 HAL Id: hal-01911889 https://hal.archives-ouvertes.fr/hal-01911889 Submitted on 25 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. James Dalrymple (ILCEA4) – Gosford Park, the ‘Altmanesque’ and democracy Gosford Park, the ‘Altmanesque’ and democracy James Dalrymple, Institut des langues et cultures d'europe, amérique, afrique, asie et australie (ILCEA4), Université Grenoble-Alpes, France. Often working with large casts of actors—and many featuring on screen simultaneously, with dialogues frequently overlapping one another and given little hierarchy in the sound design—US director Robert Altman (1925–2006) came to be associated with a signature style despite working in a range of genres, mostly in order to subvert their conventions. The adjective ‘Altmanesque’ has come to apply to this aesthetic, one in which much is also left to chance, with actors given space to improvise and create their own characters within a larger tableau or ‘mural’ (del Mar Azcona 142).
    [Show full text]
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler
    Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler Press Pack CONTENTS Cast ..................................................................................................................................................6 Guest Cast .......................................................................................................................................7 Filmmakers & Creatives ....................................................................................................................7 Downton Abbey Synopsis ................................................................................................................8 The Genesis of Downton Abbey .......................................................................................................9 The Making of the Downton Abbey Film by Julian Fellowes..........................................................14 Filmmakers & Creative Interviews: Gareth Neame ................................................................................................................................16 Liz Trubridge ...................................................................................................................................21 Michael Engler ................................................................................................................................25 Donal Woods ..................................................................................................................................28 Anna Robbins
    [Show full text]
  • Hliebing Dissertation Revised 05092012 3
    Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.
    [Show full text]
  • Screenwriters' Lecture
    Screenwriters. On Screenwriting. The BAFTA and BFI Screenwriters’ Lecture Series in association with the JJ Charitable Trust Julian Fellowes 26 September 2012 at BFI Southbank Julian Fellowes : I always feel a bit of a fraud in principal drama department at the BBC. I had these situations, because I know that one ought done a couple of things for them, I’d been in to be supplying some kind of answers to the Swallows and Amazons and something else, and whole condition of being a screenwriter – which I knew Anna Home who was running it. This is what I seem to be – but I never feel I know seemed to me a good place to start, and I anything you don’t know. One is given these invited a chap called Andrew Morgan who had jobs, and of course it’s perfectly thrilling when directed me in Swallows and Amazons , and I you are, and you kind of tackle each one knew got on very well with Anna. individually. I thought if we formed this little company, by this I never had any training at all in screenwriting, time I had sugared the pill to such a degree that and like almost everything else in my life it all she would swallow it. We did get a project going, came about completely by accident. What and they offered to develop it, to do one happened was that I was in Hollywood, episode of it, pay for it and everything else. They attempting to be a star – I saw myself as the new chose a writer, and when it came back – this is Robert Morley – but this did not come to pass.
    [Show full text]
  • Sunset Playhouse Production History 2020-21 Season Run for Your Wife
    Sunset Playhouse Production History 2020-21 Season Run for your Wife by Ray Cooney presented by special arrangement with Concord Theatricals for Samuel French 9 to 5, The Musical by Dolly Parton presented by special arrangement with MTI Elf by Thomas Meehan & Bob Martin presented by special arrangement with MTI 4 Weddings and an Elvis by Nancy Frick presented by special arrangement with Concord Theatricals for Samuel French The Cemetery Club by Ivan Menchell presented by special arrangement with Concord Theatricals for Samuel French Young Frankenstein by Mel Brooks presented by special arrangement with MTI An Inspector Calls by JB Priestley presented by special arrangement with Concord Theatricals for Samuel French Newsies by Harvey Fierstein presented by special arrangement with MTI _________________________________________________________________________________________________________ 2019-2020 Season A Comedy of Tenors – by Ken Ludwig presented by special arrangement with Samuel French Mamma Mia – presented by special arrangement with MTI The Game’s Afoot – by Ken Ludwig presented by special arrangement with Samuel French The Marvelous Wonderettes – by Roger Bean presented by special arrangement with StageRights, Inc. Noises Off – by Michael Frayn presented by special arrangement with Samuel French Cabaret – by Joe Masteroff presented by special arrangement with Tams-Witmark Barefoot in the Park – by Neil Simon presented by special arrangement with Samuel French (cancelled due to COVID 19) West Side Story – by Jerome Robbins presented by special arrangement with MTI (cancelled due to COVID 19) 2018-2019 Season The Man Who Came To Dinner – by Moss Hart and George S. Kaufman presented by special arrangement with Dramatists Play Mary Poppins - Original Music and Lyrics by Richard M.
    [Show full text]
  • From Downton Abbey to Mad Men: Tv Series As the Privileged Format for Transition Eras
    NARRATIVES / AESTHETICS / CRITICISM FROM DOWNTON ABBEY TO MAD MEN: TV SERIES AS THE PRIVILEGED FORMAT FOR TRANSITION ERAS MARIE MAILLOS Name Marie Maillos transition, genuine intervals that are full of contrasts and con- Academic centre LARA-SEPPIA Laboratory, Université de frontations and even propel the narrative forward. Toulouse, UT2J, France This new approach to time periods results as much from E-mail address [email protected] the TV series format as from its mass medium nature: on the one hand, these shows use the apparent invariability required KEYWORDS by the serial form to reveal by contrast the transition at work Transition eras; Downton Abbey; Mad Men; period drama; and provide the narrative with the necessary conflict; on the costume drama. other hand, through their depictions of transitional eras, they offer a commentary on our contemporary period, a charac- ABSTRACT teristic device of television series. On each side of the Atlantic, the Downton Abbey and Mad Therefore, both shows, notwithstanding their differ - Men shows have contributed to the transformation of the ences in themes, locations and craftmanship, play a part in period drama genre on television: instead of being set in a making the transition period drama become a serial genre single precise era, they take place over periods of historical in its own right. 21 SERIES VOLUME II, Nº 1, SPRING 2016: 21-34 DOI 10.6092/issn.2421-454X/6161 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X NARRATIVES / AESTHETICS / CRITICISM > MARIE MAILLOS FROM DOWNTON ABBEY TO MAD MEN : TV SERIES AS THE PRIVILEGED FORMAT FOR TRANSITION ERAS In the collective imagination, the “Period Drama” genre in REPRESENTATION OF EVOLUTION cinema is mostly associated with the adaptations of the AND CHANGE Brontës’ or Jane Austen’s romances.
    [Show full text]
  • TITLE a Beautiful Day in the Neighborhood / Tristar Pictures Presents
    TITLE A beautiful day in the neighborhood / TriStar Pictures presents ; in association with Tencent Pictures, a Big Beach production ; directed by Marielle Heller ; written by Micah Fitzerman-Blue & Noah Harpster ; produced by Youree Henley, Peter Saraf, Marc Turtletaub, Leah Holzer. A time to kill / Warner Bros. presents in association with Regency Enterprises ; an Arnon Milchan production ; a Joel Schumacher film. Acadia : Sights and Sounds/ produced by Jeff Dobbs ; photography by Jeff Dobbs and Bing MIller. Agatha Christie's Miss Marple the complete collection / a BBC/A & E Networks/Seven Network Australia co-production Alien / produced by Gordon Carroll, David Giler and Walter Hill; directed by Ridley Scott; screeplay by Dan O'Bannon. Alpha / Columbia Pictures and Studio 8 present a film by Albert Hughes; produced by Andrew Rona ; written by Daniele Sebastian Wiedenhaupt ; directed by Albert Hughes. Be here to love me / Palm Pictures and Rakefilms present ; produced by Sam Brumbaugh and Margaret Brown ; director, Margaret Brown ; cinematographer Lee Daniel. Being John Malkovich / Gramercy pictures presents a propaganda films/Single Cell Picture production. Best laid plans / Fox Searchlight Pictures ; Fox 2000 Pictures presents a Dogstar Films production ; produced by Alan Greenspan ... [et al.] ; written by Ted Griffin ; directed by Mike Barker. BlindFear / Lance Entertainment in association with Allegro Films ; screenplay by Sergio Altieri ; produced by Pierre David, France Battista ; directed by Tom Berry. Bruce Almighty / Universal Pictures and Spyglass Entertainment present a Shady Acres/Pit Bull production, a Tom Shadyac film ; director, Tom Shadyac. Captain America : the first avenger / Paramount Pictures and Marvel Entertainment present ; a Marvel Studios production ; directed by Joe Johnston.
    [Show full text]
  • Click Here to Download The
    NEWS Local news and entertainment since 1969 Remain Resilient, Las Cruces! Remain Inside resilient Las Cruces! Yoli Diaz: Volunteer of the year FRIDAY, NOVEMBER 27, 2020 I Volume 52, Number 48 I lascrucesbulletin.com A TRIBUTE TO OUR AMAZING COMMUNITY • NOV. 27, 2020 page 14 Sponsored by Cavill & Co. Investment Managers and the Las Cruces Bulletin (Photos by Elva Österreich) NEWS AA quietquiet autumnautumn Mayfield students plant city trees page 16 A&E Arts Council plans December show page 29 PETS & PEOPLE Barkhouse seeks a BULLETIN PHOTO BY ELVA K. ÖSTERREICH plane, a pilot As the weather cools and fall takes hold, the city’s playgrounds stand silent. Las Cruces maintains its #HealNowPlayLater policy to keep residents safe. Like other page 47 city facilities, Meerscheidt Recreation Center remains closed pending better COVID-19 news. 2 | FRIDAY, NOVEMBER 27, 2020 LAS CRUCES BULLETIN LAS CRUCES BULLETIN NEWS FRIDAY, NOVEMBER 27, 2020 | 3 Third grader organizes dessert drive to feed those in need at Thanksgiving By MIKE COOK Las Cruces Bulletin AJ Narvaez, a third grader at J. Paul Taylor Academy (JPTA) in Las Cruces, is continuing his commitment to helping those in need. This year, he helped host a school-wide dessert drive to feed those in need during Thanksgiving, as the school collected des- serts and turned them PHOTOS COURTESY OF ROBYN REHBEIN over to chef Frank Duran AJ Narvaez with his brother, Mateo, making a holiday dessert collection box to include with the holiday J. Paul Taylor Academy third-grader AJ Narvaez with the sign he made to encourage donations to his passion project.
    [Show full text]
  • Sunday, June 9, 2019 | 3 & 7:30 Pm
    SUNDAY, JUNE 9, 2019 | 3 & 7:30 PM YEARS10 ENCOURAGE, RECOGNIZE & HONOR EXCELLENCE IN HIGH SCHOOL MUSICAL THEATER MARK FROHNA Wahlin Foundation, LLC on Konya & Matt Schuh behalf of Stoughton Trailers OVERTURE.ORG/JERRYAWARDS RECOMMENDED WHEN USED FOR REPRODUCTIONS SMALLER THAN 1.25” WIDE. B.F.A. Music Theatre B.F.A. Theatre (Emphasis in Acting or Stage Management) B.A. Theatre WHITEFISH BAY HIGH SCHOOL THEATER: INSPIRING PASSION Congratulations to the Whitefish Bay High School cast, crew, pit, and production team of Chicago: High School Edition for earning Outstanding Musical for the third straight year! A Special Congratulations to: Outstanding Lead Performer: Jessie Potter Spirit Award Recipient: Ingrid Stollenwerk Check out what passion inspires at WFBHSTHEATER.COM Professional Training for Exceptional Students Apply Now—www.viterbo.edu/theatre La Crosse, Wisconsin Jerry Awards | OVERTURE.ORG 3 Encourage, recognize and honor excellence in high school musical theater Congratulations on Hitting the High Notes! Old National is proud to be the Presenting Sponsor of 2018 – 2019 the High School Musical Theater Program and Awards. Title Sponsor: The Jerry Awards Program is funded in part by Old National Bank, American Girl’s Fund for Children and Wisconsin Arts Board with additional funding provided by Wahlin Foundation, LLC on behalf of Stoughton Trailers, Konya & Matt Schuh and contributions to Overture Center for the Arts. Broadcast produced in collaboration with Wisconsin Public Television. With 30 locations throughout Wisconsin. | oldnational.com
    [Show full text]
  • At the Gateway Playhouse
    WE’RE MAKING A Scene! We’re In The Money Lullaby Of Broadway Shuffle Off To Buffalo TICKETS Go Into Your Dance INDIVIDUAL SHOWS ADULTS: Starting at $50. Order early to get the best seats at the lowest price. STUDENT RUSH: $30 w/valid Student ID. Available at the Box Office starting one hour before curtain (two rush tickets per ID) CHILDREN: $25 for ages 3-9. Mainstage shows not MAY 21– JUNE 8 recommended for children ages three and younger. at the GATEWAY PLAYHOUSE 3-4-5 PLAN Pick three, four or five shows in the 2014 season and receive Lyrics by AL DUBIN $5, $10 or even $15 off each ticket! See the centerfold for Book MICHAEL STEWART & more information. MARK BRAMBLE Music HARRY WARREN GROUP DISCOUNTS Ask about discounts for parties of 15+. START YOUR VISIT “The liveliest and one of the most tuneful screen musical comedies ONLINE & MOBILE BY PHONE that has come out of Hollywood.” gatewayplayhouse.org 631-286-1133 -The New York Times Sponsored by: SUNRISE TOYOTA Starting March 26 at 10:01am. 1-888-4TIXNOW 2nd Street tells the story of a small town chorus girl who must save a huge 4Broadway blockbuster. Directed by three time Tony nominee Randy Skinner IN PERSON (42nd St., White Christmas). #GATEWAY42NDSTREET Bellport Box Office Patchogue Theatre Box Office MAY JUNE 215 South Country Rd. 71 East Main St. W T F S S T W T F S S T W T F S S BEFORE MAY 21 STARTING JULY 2 21 22 23 24 25 27 28 29 30 31 1 3 4 5 6 7 8 Monday – Saturday: 10am-6pm Open beginning one hour prior Sunday: 11am-6pm (starting March 23) to Gateway performances (show days only) 8:00 PM AFTER MAY 21 2:00 PM 8:00 PM 8:00 PM 3:00 PM 8:30 PM 2:00 PM 7:00 PM 8:00 PM 2:00 PM 8:00 PM 2:00 PM 8:00 PM 8:00 PM 3:00 PM 8:30 PM 7:00 PM 8:00 PM 2:00 PM 8:00 PM 2:00 PM 8:00 PM 8:00 PM 3:00 PM 8:30 PM 2:00 PM Monday: 10am-6pm Based on the Novel by BRADFORD ROPES.
    [Show full text]