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Descargar Programa En CONTENIDOS CONTENTS 2 MOMENTOS 28 SPECIAL ESPECIALES EN MOMENTS IN NUESTRA AGENDA OUR CALENDAR 4 ROBERTO ALAGNA EN 30 ROBERTO ALAGNA DÚO CON ALEKSANDRA WITH ALEKSANDRA KURZAK KURZAK «Majestuoso y apasionado dúo» «A majestic and passionate duo» 10 DÚO CASSADÓ 36 DÚO CASSADÓ «Brillante representante de la «A brilliant example of Spanish música de cámara española» chamber music» 12 DÚO DEL VALLE 38 DÚO DEL VALLE «Belleza sonora y virtuosismo» «Sonorous beauty and virtuosity» 14 MASTER CLASSES 40 MASTER CLASSES «Entender, disfrutar y vivir «Understanding, enjoying and la música» experiencing music» 16 OLGA PERETYATKO 42 OLGA PERETYATKO «Versátil y encantadora en todas «Versatile and charming, in sus facetas» every facet» 20 ORQUESTA 46 VIENNA PHILHARMONIC FILARMÓNICA DE VIENA ORCHESTRA AND Y GUSTAVO DUDAMEL GUSTAVO DUDAMEL «Genio e historia» «Genius and history» 26 CALENDARIO 52 SCHEDULE 33 MOMENTOS ESPECIALES EN NUESTRA AGENDA MOMENTOS ESPECIALES EN NUESTRA AGENDA Queremos que se sumerja en una experiencia perfecta a través de un atardecer en el Mediterráneo al compás de la mejor música del mundo. Este año hemos preparado una edición sorprendente, exquisita e inspiradora en la que, una vez más contaremos con figuras de primer nivel en la música clásica y continuaremos nuestro decidido apoyo a jóvenes músicos con talentos excepciona- les, gracias a nuestra colaboración con la Fundación Albéniz. El Formentor Sunset Classics en su V edición, presentará dos Conciertos de Temporada: el primero, a cargo del gran tenor Roberto Alagna en un refinado re- cital en dúo con la soprano Aleksandra Kurzak. El segundo, en cabeza de la diva rusa Olga Peretyatko quien actuará como solista, bajo la batuta del director vene- zolano Diego Matheuz con el acompañamiento de la Orquesta Sinfónica de las Islas Baleares. En el Ciclo de Cámara contaremos con la participación de repre- sentantes extraordinarios de la nueva música de cámara española: el Dúo Cassa- dó y el Dúo del Valle. En enero del 2018 llevaremos nuestro festival a Madrid donde viviremos por primera vez la Formentor Sunset Experience, en co-producción con el Teatro Real presentaremos a Gustavo Dudamel con la Orquesta Filarmónica de Viena. Cada una de esas citas es una oportunidad para dejarse llevar a un fascinante mundo a través de los talleres de música clásica y armonizar todos sus sentidos con nuestra fabulosa Cena de Gala, una ocasión irrepetible para conocer a los mejores artistas del mundo. Formentor Sunset Classics es un evento único. Le esperamos. -3- CONCIERTOS DE TEMPORADA 18/05/2017, 20:00 h. ROBERTO ALAGNA TENOR ALEKSANDRA KURZAK SOPRANO JEFF COHEN PIANO «Majestuoso y apasionado dúo» Roberto Alagna es, sin duda, uno de los más grandes tenores de la actualidad. Su amplio repertorio, que va desde el bel canto italiano hasta el verismo de Puccini, pasando por lo más representativo de la lírica francesa, incluye también géneros co- mo las canciones napolitanas o el folclore latinoamericano. Asimismo, la soprano Aleksandra Kurzak ha sido ovacionada en las principales casas de ópera por sus brillantes actuaciones en óperas como Las bodas de Fígaro, Los cuentos de Hoffman o L’elisir d’amore. Estas dos estrellas unidas por la armonía del canto, harán gala de su gran carisma escénico, interpretando arias y dúos de ópera cargados de lirismo, intensidad y belleza dramática. MALLORCA FORMENTOR, A ROYAL HIDEAWAY HOTEL -4- -5- BIOGRAFÍA BIOGRAFÍA ROBERTO ALAGNA ALEKSANDRA KURZAK Ha cantado en los mejores escenarios y festivales del mundo. En sus treinta La soprano Aleksandra Kurzak, nacida en Polonia, inició su educación musi- años de carrera, el tenor franco-siciliano Roberto Alagna ha incorporado más de cal a los 7 años de edad, tocando el violín y el piano. Estudió canto en los conserva- sesenta papeles a su repertorio: Alfredo, Calaf, Cavaradossi, Don Carlo(s), Don Jo- torios de Breslavia y Hamburgo. Debutó como cantante de ópera profesional a los sé, Fausto, Manrico, Nemorino, Otello, Radames, Rodolfo, Romeo, Ruggero, Wer- 21 años en el Teatro de la Ópera de Breslavia, interpretando a Susanna en Le Nozze ther... las interpretaciones de todos estos personajes han convertido a Alagna en el di Figaro. tenor francés con mayor fama mundial. Además, su gusto por la investigación se expresa a través de su amor por obras y compositores menos habituales, mediante Entre 2001 y 2007, Aleksandra Kurzak fue miembro del coro de la Ópera Es- producciones, conciertos y grabaciones como Le jongleur de Notre-Dame, Le Cid o tatal de Hamburgo, donde interpretó numerosos papeles. En 2004 debutó en The La Navarraise de Massenet, el Fiesque de Lalo, Cyrano de Bergerac de Alfano, Fran- Metropolitan Opera con el papel de Olympia en Les Contes d’Hoffmann. En esa cesca da Rimini de Zandonai, Gianni Schicchi de Puccini o Le roi Arthus de Chaus- misma temporada debutó también en el Royal Opera House-Covent Garden. En son. A finales de 2015 hace su debut en Berlín representando el papel protagonista aquella ocasión interpretó a Aspasia en Mitridate, Re di Ponto. Regresó al Met para en la ópera Vasco da Gama de Meyerbeer, la versión crítica –y pocas veces estre- interpretar los papeles de Blonde en Entführung aus dem Serail, Gilda en Rigoletto, nada en vivo– de L’Africaine. Además, se han compuesto dos óperas contemporá- Gretel en Hansel & Gretel y, más tarde, Adina en L’Elisir d’amore. neas expresamente para él: Marius et Fanny, de Vladimir Cosma (basada en obras de teatro de Marcel Pagnol) y Le dernier jour d’un condamné (basada en una nove- En febrero de 2010, Kurzak hizo su debut en el Teatro alla Scala, donde se metió la de Víctor Hugo), compuesta por David Alagna y estrenada por primera vez en en el papel de Gilda, y regresó como Susanna y la Condesa en Le Comte Ory. En la Francia en 2014. temporada 2015/2016 tuvo un exitoso debut con el papel principal en Maria Stuar- da, en el Teatro de los Campos Elíseos de París, y ganó el premio de los lectores en El auténtico amor que siente por un número desmesurado de personajes (y por la edición 2015 de los «Premios Internacionales de Ópera» que concede la revista la genialidad de sus creadores) ha cristalizado en una discografía tan prolífica como Ópera. Además, cantó por primera vez sobre el escenario de la Ópera Bastille, en la curiosidad insaciable de Alagna por la ópera y su pasión por cantar. Las grabacio- L’Elisir d’amore, y a continuacion debutó como Rachel (La Juive) en el Teatro de nes que ha realizado en los diez últimos años para Erato, Sony, EMI y actualmente la Ópera de Bavaria, en Munich. En la temporada 2016/2017, Aleksandra Kurzak Deutsche Grammophon abarcan una amplia variedad de registros: cajas de discos añadió nuevos papeles a su repertorio, interpretando por primera vez a (Pagliacci) completas, duetos, oratorios, óperas, antologías de grandes obras, así como cancio- en el Teatro de la Ópera de Zúrich y a Mimi (La Bohème) en el Teatro de la Ópera de nes religiosas y populares. Credo, Viva Opéra, Airs de Berlioz, Bel canto, Robertis- Berlín. Además, tiene previsto meterse por primera vez en los papeles de Micaëla simo, Luis Mariano, Sicilien o Pasión son algunos de los numerosos álbumes que (Carmen) en la Opéra Bastille y Liù (Turandot) en Londres. En Covent Garden in- integran su extensa discografía, fiel reflejo del eclecticismo musical que caracteri- terpretará asimismo a Adina, un papel que volverá a asumir posteriormente en la za su carrera. En su temporada de ópera 2016/2017 tiene previsto interpretar los Deutsche Staatsoper. A lo largo de la próxima temporada tiene ya comprometida la papeles siguientes: Turiddu y Canio (Zúrich), Eleazar (Múnich), Don José (Ber- interpretación de los cuatro personajes de Les contes d’Hoffmann (Olympia, Anto- lín, París), Manrico (Viena), Cyrano de Bergerac (Nueva York), Nemorino (Berlín, nia, Giuletta y Stella) en el Teatro de la Ópera de Baviera, en Múnich. Londres), Calaf (Londres)... -6- -7- PROGRAMA PROGRAMA CONCIERTO DE TEMPORADA GEORGES BIZET (1838−1875) Dúo «Parle-moi de ma mère!», de Carmen (MICAËLA, DON JOSÉ) ROBERTO ALAGNA | TENOR ALEKSANDRA KURZAK | SOPRANO FRANCESCO CILEA (1866−1950) Aria «Ecco: respiro appena...», de Adriana Lecouvreur (ADRIANA) JEFF COHEN | PIANO Aria «È la solita storia del pastore», de L’arlesiana (FEDERICO) 18/05/2017, 20:00 H. Piano solo GASPAR ANTONIO OLAVARRÍA MAYTÍN (1840−1891) GIUSEPPE VERDI (1813−1901) Dúo «A la luz de la luna» (Letra: Fernando Michelena) Dúo «Oh qual pallor!», de La traviata (VIOLETTA, ALFREDO) FRANZ LEHÁR (1870−1948) PIOTR I. CHAIKOVSKY (1840−1893) Aria «Meine Lippen», de Giuditta (GIUDITTA) Aria «Kuda, kuda», de Eugene Onegin (LENSKY) JOSÉ SERRANO (1873−1941) GIUSEPPE VERDI (1813−1901) «Te quiero, morena» (Jota), de El trust de los tenorios (GIUDITTA) Aria « Mercè, dilette amiche» (Bolero), de I vespri siciliani (ELENA) CARLOS ELETA ALMARÁN (1918−2013) GIACOMO PUCCINI (1858−1924) «Historia de un amor» (Versión en dúo) Aria «Non piangere, Liù!», de Turandot (CALAF) Aria «Tu che di gel sei cinta», de Turandot (LIÙ) DAVID ALAGNA (1975) «Libertà» (Versión en dúo) Piano solo AGUSTÍN LARA (1897−1970) GAETANO DONIZETTI (1797−1848) «Granada» (Versión en dúo) Dúo «Caro elisir!», de L’elisir d’amore (ADINA, NEMORINO) * * * * -8- -9- CICLO DE CÁMARA 21/07/2017, 20:30 h. DÚO CASSADÓ DAMIAN MARTÍNEZ MARCO CELLO MARTA MOLL DE ALBA PIANO «Brillante representante de la música de cámara española» El Dúo Cassadó ha ido cosechando en la última década numerosos éxitos, tan- to en España como fuera del continente europeo. Movidos por un especial interés en el repertorio español, Marta Moll y Damian Martínez se consolidan como dos de los instrumentistas más prometedores de su generación. El programa que inter- pretarán incluye, además de verdaderos clásicos de la literatura para chelo, como la Sonata «Arpeggione» (de F.
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