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Sandspur, Vol 90, No 05, November 22, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry. -
Object Engraving, by N. and S.S. Jocelyn, 1828 Courtesy of New Hampshire State Library
Object Engraving, by N. and S.S. Jocelyn, 1828 Courtesy of New Hampshire State Library There are several conflicting accounts about the discovery of the Old Man of the Mountain, the earliest known dating from 1844. However, most of the accounts agree that the granite profile was first seen—other than presumably by Native Americans—around 1805 and that it was first noticed by members of a surveying party working and camping in Franconia Notch near Ferrin’s Pond (later renamed Profile Lake) and that just one or two members of the party happened to be in just the right spot, looking in just the right direction to see the remarkable face. In 1828, this engraving based on a sketch by “a gentleman of Boston” is the first known image of the natural profile. It was published in the American Journal of Science and Arts, making the natural wonder more widely known. Object Old Man of the Mountain, by Edward New Hampshire Historical Society Hill, 1879 1925.007.01 The White Mountains tourism boom of the nineteenth century came along with a demand from visitors for images that captured the places they had seen. During the 19th century, more than 400 artists painted White Mountain landscape scenes. Among them was Edward Hill (1843– 1923), who immigrated to New Hampshire from England as a child, bought land in Lancaster, NH, in the 1870s and established a reputation as a landscape painter. For 15 years he was the artist-in-residence at the famed Profile House, and it was during that time that he painted the Old Man of the Mountain. -
Mountains of Maine Title
e Mountains of Maine: Skiing in the Pine Tree State Dedicated to the Memory of John Christie A great skier and friend of the Ski Museum of Maine e New England Ski Museum extends sincere thanks An Exhibit by the to these people and organizations who contributed New England Ski Museum time, knowledge and expertise to this exhibition. and the e Membership of New England Ski Museum Glenn Parkinson Ski Museum of Maine Art Tighe of Foto Factory Jim uimby Scott Andrews Ted Sutton E. John B. Allen Ken Williams Traveling exhibit made possible by Leigh Breidenbach Appalachian Mountain Club Dan Cassidy Camden Public Library P.W. Sprague Memorial Foundation John Christie Maine Historical Society Joe Cushing Saddleback Mountain Cate & Richard Gilbane Dave Irons Ski Museum of Maine Bruce Miles Sugarloaf Mountain Ski Club Roland O’Neal Sunday River Isolated Outposts of Maine Skiing 1870 to 1930 In the annals of New England skiing, the state of Maine was both a leader and a laggard. e rst historical reference to the use of skis in the region dates back to 1871 in New Sweden, where a colony of Swedish immigrants was induced to settle in the untamed reaches of northern Aroostook County. e rst booklet to oer instruction in skiing to appear in the United States was printed in 1905 by the eo A. Johnsen Company of Portland. Despite these early glimmers of skiing awareness, when the sport began its ascendancy to popularity in the 1930s, the state’s likeliest venues were more distant, and public land ownership less widespread, than was the case in the neighboring states of New Hampshire and Vermont, and ski area development in those states was consequently greater. -
Shoes & Brews Kicks Off Handing Over History. Old Man Site to Be Turned Over to the State in 2020. Pages 2
A1 GET OUT Shoes & Brews Kicks Off FRIDAY, JAN. 3, 2020 Page 13 Cyan Magenta Yellow Yellow Black Handing Over History. Old Man Site To Be Turned Over To The State In 2020. Pages 2 A2 2 The Record Friday, January 3, 2020 Cyan FILE PHOTO Magenta A steel “profiler” recreates the image of the Old Man as seen from Profile Plaza on Friday, Aug. 28, 2015. Yellow Yellow Old Man Memorial Site To Be Turned Over To State In 2020 Black them engraved with their names and messages. BY ROBERT BLECHL Remaining are just two more projects - the first, Staff Writer a walkway to Profile Lake, to the deepest part, that will accommodate those with disabilities and For a decade in Franconia Notch State Park, the include small fishing platform, and the second, a Old Man of the Mountain Legacy Fund has been larger platform over the wetlands that will connect making a lasting memorial to the Old Man of the to the Pemigewasset Trail. Mountain, the state’s most famous rock formation “When the turnover to the state happens will resembling a human profile that crumbled in May depend on when we complete these two projects,” 2003. said Hamilton. In 2020, once the last phase is completed, the The walkway of crushed stone to the lake will legacy fund will turn the memorial site over to the lead to the small platform. state. “It’s for fishermen to cast their flies and for peo- “We’re excited,” Dick Hamilton, a founding ple to enjoy the view from there, because it’s really member and past president of the OMMLF, said spectacular,” said Hamilton. -
The Old Man of the Mountain
The Old Man Of The Mountain High above the Franconia Notch gateway to northern New Hampshire there is an old man. He has been described as a relentless tyrant, a fantastic freak, and a learned philosopher, feeble and weak about the mouth and of rarest beauty, stern and solemn, one of the most remarkable wonders of the mountain world. Daniel Webster once said, ..."Men hang out their signs indicative of their respective trades; shoe makers hang out a gigantic shoe; jewelers a monster watch, and the dentist hangs out a gold tooth; but up in the Mountains of New Hampshire, God Almighty has hung out a sign to show that there He makes men." Thus it happens that New Hampshire has her Profile, "The Old Man of the Mountain," sublimely outlined against the western sky; a sign unique, distinctive, and inspirational as to the kind of men the sons of the Granite State should be. ** The Old Man of the Mountain has several names including "The Profile", "The Great Stone Face", "The Old Man," and "The Old Man of the Mountains". The Profile is composed of Conway red granite and is an illusion formed by five ledges, that when lined up correctly give the appearance of an old man with an easterly gaze, clearly distinct and visible from only a very small space near Profile Lake. When viewed from other locations in Franconia Notch, the same five ledges have a very rough and ragged appearance, and there is no suggestion of The Profile.* Geological opinion is that The Profile on Profile Mountain is supposed to have been brought forth partly as the result of the melting and slipping away action of the ice sheet that covered the Franconia Mountains at the end of the glacial period, and partly by the action of the frost and ice in crevices, forcing off, and moving about certain rocks and ledges into profile forming positions. -
Passing Through: the Allure of the White Mountains
Passing Through: The Allure of the White Mountains The White Mountains presented nineteenth- century travelers with an American landscape: tamed and welcoming areas surrounded by raw and often terrifying wilderness. Drawn by the natural beauty of the area as well as geologic, botanical, and cultural curiosities, the wealthy began touring the area, seeking the sublime and inspiring. By the 1830s, many small-town tav- erns and rural farmers began lodging the new travelers as a way to make ends meet. Gradually, profit-minded entrepreneurs opened larger hotels with better facilities. The White Moun- tains became a mecca for the elite. The less well-to-do were able to join the elite after midcentury, thanks to the arrival of the railroad and an increase in the number of more affordable accommodations. The White Moun- tains, close to large East Coast populations, were alluringly beautiful. After the Civil War, a cascade of tourists from the lower-middle class to the upper class began choosing the moun- tains as their destination. A new style of travel developed as the middle-class tourists sought amusement and recreation in a packaged form. This group of travelers was used to working and commuting by the clock. Travel became more time-oriented, space-specific, and democratic. The speed of train travel, the increased numbers of guests, and a widening variety of accommodations opened the White Moun- tains to larger groups of people. As the nation turned its collective eyes west or focused on Passing Through: the benefits of industrialization, the White Mountains provided a nearby and increasingly accessible escape from the multiplying pressures The Allure of the White Mountains of modern life, but with urban comforts and amenities. -
White Mountains of New Hampshire PO Box 10 • Rte. 112 / Kancamagus Highway • North Woodstock, New Hampshire, USA 03262 W
MOUN E T T A I I N H S White Mountains of New Hampshire PO Box 10 • Rte. 112 / Kancamagus Highway • North Woodstock, New Hampshire, USA 03262 W N E E W IR H HAMPS contact: Kate Wetherell, [email protected], or call 603-745-8720 | VisitWhiteMountains.com TAKE A TRAIN RIDE The Conway Scenic and Hobo Railroads offer scenic excursions along the river and through the valley. The Mt. Washington Cog Railway offers locomotive rides to the top of Mt. Washington, New England’s highest peak. At Clark’s Trading Post, ride across the world’s only Howe-Truss railroad covered bridge. DISCOVER NATURE At The Flume Gorge, discover Franconia Notch through a free 20 minute High Definition DVD about the area. Enjoy scenic nature walks, PEI stroll along wooden boardwalks and marvel at glacial gorges and boulder caves at Lost River Gorge and Polar Caves Park. TIA TO CONNECTICUT LAKES TO DIXVILLE NOTCH LANCASTER O BERLIN A SC 3 2 CONNECTICUT RIVER Halifax 135 D 16 SANTA’S VILLAGE WHITEFIELD 116 MOUNT WASHINGTON VA JEFFERSON GORHAM A LITTLETON PRESIDENTIAL RANGE 2 3 2 AINE 18 M 93 NO 115 N BETHLEHEM MT. WASHINGTON 16 eal A 95 302 93 302 TWIN MOUNTAIN AUTO ROAD NEW HAMPSHIRE FRANCONIA MOUNT Montr C 302 WASHINGTON LISBON 117 3 WILDCAT Yarmouth COG RAILWAY MOUNTAIN 10 CANNON MOUNTAIN FRANCONIA RANGE AERIAL TRAMWAY PINKHAM NOTCH BATH FRANCONIA NOTCH APPALACHIAN CRAWFORD NOTCH rtland 116 WHITE MOUNTAIN MOUNTAIN CLUB Po 93 STATE PARK 89 112 KINSMAN NOTCH VERMON NATIONAL FOREST JACKSON THE FLUME GORGE LOST RIVER WHALE'S TALE CRAWFORD NOTCH GORGE and WATER PARK STORY LINCOLN BARTLETT GLEN LAND 93 BOULDER CAVES CLARK’S LOON MOUNTAIN RESORT TRADING POST ALPINE ADVENTURES The White Mountains Trail 302 HOBO RAILROAD ATTITASH 112 25 NORTH A National Scenic Byway MOUNTAIN NORTH W 91 WOODSTOCK RESORT CONWAY o NE PASSACONAWAY T 93 CONWAY CRANMORE 81 anchester MOUNTAIN ront M oston KANCAMAGUS HIGHWAY SCENIC RAILROAD ORK B 118 RESORT To Y 25C WARREN 16 ASS. -
Download It FREE Today! the SKI LIFE
SKI WEEKEND CLASSIC CANNON November 2017 From Sugarbush to peaks across New England, skiers and riders are ready to rock WELCOME TO SNOWTOPIA A experience has arrived in New Hampshire’s White Mountains. grand new LINCOLN, NH | RIVERWALKRESORTATLOON.COM Arriving is your escape. Access snow, terrain and hospitality – as reliable as you’ve heard and as convenient as you deserve. SLOPESIDE THIS IS YOUR DESTINATION. SKI & STAY Kids Eat Free $ * from 119 pp/pn with Full Breakfast for Two EXIT LoonMtn.com/Stay HERE Featuring indoor pool, health club & spa, Loon Mountain Resort slopeside hot tub, two restaurants and more! * Quad occupancy with a minimum two-night Exit 32 off I-93 | Lincoln, NH stay. Plus tax & resort fee. One child (12 & under) eats free with each paying adult. May not be combined with any other offer or discount. Early- Save on Lift Tickets only at and late-season specials available. LoonMtn.com/Tickets A grand new experience has arrived in New Hampshire’s White Mountains. Arriving is your escape. Access snow, terrain and hospitality – as reliable as you’ve heard and as convenient as you deserve. SLOPESIDE THIS IS YOUR DESTINATION. SKI & STAY Kids Eat Free $ * from 119 pp/pn with Full Breakfast for Two EXIT LoonMtn.com/Stay HERE Featuring indoor pool, health club & spa, Loon Mountain Resort slopeside hot tub, two restaurants and more! We believe that every vacation should be truly extraordinary. Our goal Exit 32 off I-93 | Lincoln, NH * Quad occupancy with a minimum two-night stay. Plus tax & resort fee. One child (12 & under) is to provide an unparalleled level of service in a spectacular mountain setting. -
Skiing with Sven When a Powder Day Arrives, Don’T Ever Forget Powder Day Rules by Sven Cole Tried to Get My Mind Back on Work
VOLUME 33, NUMBER 40 FEBRUARY 26, 2009 FREE THE WEEKLY NEWS & LIFESTYLE JOURNAL OF MT. WASHINGTON VALLEY Musical Delight: The new North Conway Music Shop will hopefully serve as a meeting place for the many talented musicians in and around the Valley … A 2 Fun-raiser for Arts Jubilee: Come one, come all to an Arts Jubilee pre-season concert by Dennis & Davey at Salyards Center for the Arts, Feb. 28… B1 MAILING LABEL A SALMON PRESS PUBLICATION • (603) 447-6336 • PUBLISHED IN CONWAY, NH Give a gift of family Page Two togetherness & lifelong memories… Owner working to establish center for professional musicians North Conway Music Shop operates in heart of North Conway By Paul Stuart years and are now establishing a real place Taking part will be Mary Bastoni- Contributing Writer where people can come and interact. You Rebmann, a professional voice and theatre NORTH CONWAY — Brian Charles, in could say we moved in a backwards order, teacher and performer who is affiliated October of last year, launched the North from Internet to bricks and mortar.” with the Denmark Arts Center, the Conway Music Shop at 2988 White Charles has been interviewed a number Schoolhouse Center for the Arts, the Lakes Mountain Highway. of times, and in his back office made it easy Region Community Theatre, as well as the But 14 years ago Brian Charles was liv- to understand what his operation was all Gould Academy in Bethel and other musi- ing in downtown Manhattan, operating the about. cal institutions. She has recently appeared Charles Double Reed Company there. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
Pressetext (PDF / Download)
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] I KEEP IT TO MYSELF – THE BEST OF WILKO JOHNSON VÖ: 10. März 2017 auf Chess Der legendäre Gitarrist und Songwriter Wilko Johnson setzt seine Zusammenarbeit mit Chess, dem Label, das viele der Songs, die ihn ursprünglich während seiner Jugend inspiriert haben, veröffentlichte, fort. Für I Keep It To Myself - The Best Of Wilko Johnson wurden 25 zwischen 2008 und 2012 entstandene Tracks zusammengestellt. Die Band besteht hauptsächlich aus Norman Watt- Roy von den Blockheads (Bass) und Dylan Howe (Drums) – dergleichen Rhythmusgruppe, die auch auf Wilkos Erfolgsalbum Going Back Home mit Roger Daltrey mitgewirkt hatte. Mit neuen Interpretationen der von ihm selbst geschriebenen Dr Feelgood Tracks ‘She Does It Right’, ‘Twenty Yards Behind’, ‘Sneaking Suspicion’ und ‘Roxette’, sowie weiteren lebhaften Songs wie ‘Turned 21’, ‘Some Kind Of Hero’, ‘Out In The Traffic’, Barbed Wire Blues’, ‘Down By The Waterside’ und ‘I Really Love Your Rock 'n' Roll’ ist das Album I Keep It To Myself - The Best Of Wilko Johnson eine wunderbare Sammlung mit energiegeladenem Rhythm & Blues. Und das Rückgrat des Albums bildet Wilko Johnsons charakteristischer Fendersound. Wilko ist ein einzigartiger Künstler. Wenn Sie das Glück haben sollten, ihn live zu sehen, achten Sie mal darauf, wie seine Hände (nicht das Plektrum) diese harten Riffs und brutalen Gitarrensolos herausprügeln. Dabei ist er ständig in Bewegung – auf das Publikum zu, vom Publikum weg – rastlos, genau wie seine Musik. Die meisten Songs sind kürzer als drei Minuten. Und wenn sie vorbei sind, dann weiß man, dass man bei einem Konzert war. -
Book Review with TTU Libraries Cover Page
BOOK REVIEW: BEYOND AND BEFORE: THE FORMATIVE YEARS OF YES BY PETER BANKS The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (2008). [Review of the book Beyond and Before: The Formative Years of Yes by Peter Banks]. Popular Music and Society, 31(1), 136-139. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1546 Terms of Use CC-BY Title page template design credit to Harvard DASH. 136 Book Reviews Hammond’s myopic vision, his unrelenting determination, and his deep personal sorrows, but to his friends and supporters Hammond was a trying project. Perhaps, as Prial suggests, Hammond’s relationship to the Vanderbilts did him more good in his early years in music than his social skills. There are questions unanswered and undeveloped in this biography related to Hammond the man, such as his falling out with Aretha Franklin or his quick parting with Dylan. Each chapter of this book comes (another assault on your pocketbook) with a wonderful ‘‘discography’’ that should slow down the pace of reading but will contribute to a great start in building a library of American music of the 20th century. It is quite something how much music Hammond had a role in, and this portion of the book is an important reminder of the times and genres Hammond touched. As with all biographies there are problems and limitations. For those of us raised in the second half of the century, The Producer fails to deliver the same magic surrounding the discovery and signing of ‘‘our’’ heroes as it does around the early stars.