DOCSLIB.ORG

Due to Overwhelming Response - New Dates Just Announced for the Monster Ball Tour Starring Lady Gaga

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Due to Overwhelming Response - New Dates Just Announced for the Monster Ball Tour Starring Lady Gaga March 1, 2010 Due to Overwhelming Response - New Dates Just Announced for the Monster Ball Tour Starring Lady Gaga SECOND ROUND OF UK DATES CONFIRMED TOUR TO VISIT EUROPE IN MAY LONDON, March 1 /PRNewswire-FirstCall/ -- International pop superstar and 3-time Brit Award winner Lady Gaga announced today that her hugely successful Monster Ball Tour has been extended. Following her upcoming and sold out concert dates in the UK,A ustralia and Japan, Lady Gaga will perform in Europe beginning May 7th in Sweden, followed by dates in Germany, the Netherlands, Belgium and France before returning the UK. (Logo: http://www.newscom.com/cgi-bin/prnh/20081203/LAW048LOGO-b) "Lady shows why she's the queen of pop." The Independent "Hold onto your hairdo, this is one helluva ride." Times Online In a show that the Sun described as "awe-inspiring" and "the best live show you will see this year," The Monster Ball tour is a visual spectacular bringing the vision of pop music's biggest star to vivid reality. Self-described as "more of a musical than a concert" the journey to the ball takes Gaga and fans on a wild and warped ride from start to finish. From the Gaga'ized Rolls Royce, through 15 costume changes, as the Times say, this is truly "one helluva ride." North American audiences can look forward to her first major arena tour when Lady Gaga returns to North America this June for a 30-city tour. The North American itinerary and on- sale information will be announced soon. It was also announced that Live Nation Global Touring will act as International tour promoter and producer for The Monster Ball Tour under the direction of Arthur Fogel, CEO/Chairman Live Nation Global Touring who said: "We're absolutely thrilled to be taking The Monster Ball Tour to fans around the world. Lady Gaga is a truly exceptional artist and the production is beyond amazing." THE MONSTER BALL TOUR STARRING LADY GAGA with special guest in Europe Semi Precious Weapons 7-May Stockholm, SW Globe Arena On sale Fri. March 5 10-May Hamburg, DE Colorline Arena On sale Fri. March 12 11-May Berlin, DE O2 Arena On sale Fri. March 12 15-May Arnhem, NL Gelredome On sale Sat. March 6 17-May Antwerp, BE Sportspaleis On sale Fri. March 5 21-May Paris, FR Bercy On sale Mon. March 8 24-May Oberhausen, DE Arena On sale Fri. March 12 27-May Nottingham, UK Arena *Rescheduled Event 28-May Birmingham, UK LG Arena On sale Fri. March 12 30-May London, UK O2 Arena On sale Fri. March 12 02-Jun Manchester, UK MEN Arena On sale Fri. March 12 04-Jun Sheffield, UK Arena *Rescheduled Event *Rescheduled Events – Due to logistical issues, The Monster Ball performances inS heffield on March 7th and Nottingham on March 8th have been postponed. Tickets for the previously scheduled performances will be honoured at the new dates in Nottingham on May 27th and in Sheffield on June 4th. Itinerary subject to change. North American tour details to follow shortly. For complete tour and ticket information visit: www.ladygaga.com About Live Nation Live Nation Entertainment is the world's premier live entertainment company, consisting of Live Nation, Ticketmaster and Front Line Management Group. As the world's first artist-to- fan vertically integrated live entertainment platform, the company is improving the fan experience and driving major innovations in ticketing technology, marketing and service. Live Nation is the largest producer of live concerts in the world, annually producing more than 22,000 concerts on behalf of 1,500 artists in 57 countries. In 2008, over 50 million fans attended Live Nation concerts, and the company drove more than 70 million unique visitors to LiveNation.com and other online properties. Ticketmaster serves more than 10,000 clients worldwide in multiple event categories and sold more than 141 million tickets valued at over $8.9 billion on behalf of its clients in 2008. Live Nation is headquartered inL os Angeles, California and is listed on the New York Stock Exchange, trading under the symbol LYV. For additional information about the company, please visit www.livenation.com/investors SOURCE Live Nation.
Load more

Recommended publications
  • MADONNA WORLD TOUR 2012 Final 2.7.2012 300Am ET LN Templatex
    MADONNA WORLD TOUR 2012 th Tickets Go On Sale in Israel and the UK Feb 10 th North American Tickets Go On Sale Beginning Feb. 13 LOS ANGELES, CA (February 7, 2012) - Madonna is having a huge party and everyone’s invited. The Madonna 2012 World Tour begins May 29 th 2012 in Tel Aviv, Israel it was officially announced by Live Nation Entertainment, the tour’s international promoter. The shows will include arenas, stadiums and special outdoor sights including the Plains of Abraham in Quebec and a return visit to South America as well as Australia where she has not performed in 20 years. The tour will stop in 26 European cities including London, Paris, Milan and Berlin. The first of 26 North American shows is scheduled for August 28 th in Philadelphia and includes a September 6 th show in NY’s Yankee Stadium and an October l0th performance at LA’s Staples Center. Tickets are scheduled to go on sale beginning February 10 th in Tel Aviv and the United Kingdom, with North American tickets going on sale beginning February 13 th . Tickets for North America are available at Ticketmaster.com and LiveNation.com . A complete itinerary of Madonna 2012 follows this release. Madonna’s previous tour, the phenomenally successful “Sticky & Sweet” Tour reaffirmed her status as one of the most successful touring artists of all time. The historic tour included such incredible touring feats as a 70,000 seat sell-out in Werchter, Belgium, an 85,000 sell-out in Helsinki (the largest show ever in the Nordic countries by a solo artist), a 40,000 ticket sell-out in Oslo, Norway, and 72,000 tickets sold out in one day in Tallinn Estonia.
    [Show full text]
  • Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should Be Amended to Provide an Exception for Harm Reduction Services
    Chicago-Kent Law Review Volume 93 Issue 3 Comparative and Cross-Border Issues in Article 12 Bankruptcy and Insolvency Law 9-18-2018 Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services Robin Mohr Chicago-Kent College of Law Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the Criminal Law Commons, Entertainment, Arts, and Sports Law Commons, Food and Drug Law Commons, and the Legislation Commons Recommended Citation Robin Mohr, Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services, 93 Chi.-Kent L. Rev. 943 (2018). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol93/iss3/12 This Notes is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. PREVENTING DRUG-RELATED DEATHS AT MUSIC FESTIVALS: WHY THE “RAVE” ACT SHOULD BE AMENDED TO PROVIDE AN EXCEPTION FOR HARM REDUCTION SERVICES ROBIN MOHR INTRODUCTION Amid flashing lights and pulsing beats, nearly 100,000 electronic dance music fans attended Electric Zoo on New York’s Randall’s Island in August 2013.1 Unfortunately the party was cut short. Following the deaths of two young fans, the final day of the three-day music festival was can- celed at the request of city authorities.2 In separate incidents, Olivia Ro- tondo, a twenty-year-old University of New Hampshire student, and Jeffrey Russ, a twenty-three-year-old Syracuse University graduate,3 died after collapsing at Electric Zoo with high body temperatures.4 Toxicology results revealed that Ms.
    [Show full text]
  • VIP- News›› ›› Premium Vol
    WWW.VIP-BOOKING.coM VIP- News›› ›› PREmiUM VOL. 124 APRIL 2010 McGowan’s Musings: Peter Kelly ruled that Prince had commit- ted to perform in Dublin’s 82,300-seat Firstly, I hope that you’re all located where Croke Park in June 2008, but withdrew you wish to be – home, office, the country without explanation just days beforehand, you usually live in, and if you can’t make after 55,000 tickets were sold. Prince (51) it back I hope you’re extending your time did not testify at the hearing. The artist’s on a sunny beach somewhere! Iceland has agency, William Morris, was absolved of li- not had a good time of it of late, what with ability, agent Marc Geiger testified that he financial meltdown and rising debts; this is rarely spoke to Prince directly and found not the sort of new export that they need him one of his toughest clients to under- – we said ‘cash, not ash!’ you can hear the stand or nail down – surely not? When told creditors cry. But this is a serious situation, Allan McGowan that MCD owner Denis Desmond was on and obviously our business is badly af- the warpath, Prince apparently said, “Tell fected, with many acts unable to be in the ever decreasing profit margins, more and the cat to chill. We will work something right place at the right time to fulfill tour- more health and safety obligations and re- out.” Good for Denis! However Prince is ing commitments. Please let us know if strictions, lack of support from other sec- a remarkable performer, so we hope he you have had problems, as we’d like to get tors of the business – particularly record makes his only three concerts this summer.
    [Show full text]
  • Le LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones
    volume 6 issue 1 2013 Greg Lake Comes Full Circle LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones PLUS: Clair Robe GMatter MADONNA IT’S A MATTER OF SCALE photo credit: Southern Reel “You guys saved the day…we couldn’t have WWW.AIRCHARTERSERVICE.COM done it without you! I’m sure thousands of fans are thanking you as I type” Use your smartphone to scan and watch our corporate video Air Charter Service (ACS) are longstanding experts providing aircraft charter solutions for artist HELICOPTERS management companies and tour managers worldwide - successfully flying equipment, crew TURBOPROPS and some of the world’s most renowned artists on large scale music tours. Our global network PRIVATE JETS of offices are able to provide flexible and bespoke solutions to meet your exact requirements, EXECUTIVE AIRLINERS whatever your aircraft charter needs. COMMERCIAL AIRLINERS Contact us today to see how we can look after your logistical requirements. CARGO AIRCRAFT A GLOBAL LEADER IN MUSIC INDUSTRY CHARTERS N.AMERICA | S.AMERICA | EUROPE | AFRICA | CIS | MIDDLE EAST | ASIA volume 6 issue 1 2013 contents IN THE NEWS 6 SOUND “The Stones Roll at 50 with Clair” 7 LIGHTING “Robe Adds its Voice to Top German Talent Competition” 8 VIDEO+CHARITY “GMatter Delivers Video Content Design for Journey’s World Tour” “The Hands That Rock Massages the Future for Underprivilaged Children” 9 REHEARSAL FACILITY “S.I.R. Opens New Rehearsal Studios in Vegas” 10 NEW HIRES FEATURES 12 “GREG LAKE COMES FULL CIRCLe” 16 LE BAS “23 Successfully Safe Years of White Glove Charter Service” 20 MADONNA’S MDNA “It’s A Matter Of Scale” 27 MDNA CREW/PRODUCTION 30 BUFORD JONES 32 Obituary: Ed Hopson FROM THE Publisher Is it possible? Is it 2013 already? Where did the last year go? Maybe this is a function of age, but it seems that it we went from Spring to Christmas in a blink of an eye! Tour Link is on us and that is where our year begins.
    [Show full text]
  • Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
    Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith
    [Show full text]
  • European Identity: Symbols to Sport
    ) European identity: symbols to sport Commission of the European Communities Directorate-General for Information. Communication and Culture 6/87 Rue de Ia Loi 200- B-1049 Brussels March 1987 t is 30 years since the signature, in Rome on 25 March 1957, of the treaty which I is more or less the constitution of the European Community. The Community continues to strengthen its identity and to make progress towards one of its fundamental objectives: a Europe that is more united and closer to its people. Symbols and the gestures of sport can help. There is a clear need for steps to strengthen the Coriununity's identity. It will be remembered that in the last European elections in June 1984, only 60% of the electorate actually voted; many people felt little involvement and preferred to go fishing or whatever. Perhaps even more worrying is the fact that Europe and the European Parliament were often ignored in the election campaign. Some days after the elections, at Fontainebleau on 26 June 1984, the Heads of State or Government of the Coinmunity celebrated the success of their 'summit'. They had not only solved current problems but had laid the foundation for the Com­ munity of tomorrow. The aims: to initiate new common policies, to move forward with the political unification of the Old Continent and also to make its people more aware of the European Community. To give concrete expression to these grand designs, the participants at Fontaine­ bleau set up an 'ad hoc' committee on a People's Europe. This body was chaired by Pietro Adonnino, representing Bettino Craxi, the President of the Italian Council of Ministers.
    [Show full text]
  • 360° Deals: an Industry Reaction to the Devaluation of Recorded Music
    360° DEALS: AN INDUSTRY REACTION TO THE DEVALUATION OF RECORDED MUSIC SARA KARUBIAN* I. INTRODUCTION In October of 2007, Radiohead released In Rainbows without a record label. The band’s contract with record company EMI had been fulfilled in 2003, and Radiohead did not bother finding a new deal as they began recording their seventh album.1 Radiohead then made the album available at www.inrainbows.com, where fans were instructed to “pay-what-you- want” for the digital download.2 Shortly after the album’s release, the band’s front man, Thom Yorke, said “I like the people at our record company, but the time is at hand when you have to ask why anyone needs one. And, yes, it probably would give us some perverse pleasure to say ‘F___ you’ to this decaying business model.”3 It was no surprise that Radiohead received critical acclaim for the artistic merits of the album,4 or that millions of fans found a way to acquire the music. Its financial success, however, was less predictable. Radiohead declined to release statistics related to its pay-what-you-want model, but a conservative estimate suggests that the band’s profits from this digital release exceeded six and a half million.5 Furthermore, when Radiohead contracted with iTunes and a distributor to sell the album on iTunes and in stores, its high sales pushed it to the top of traditional album charts6 in early * J.D. Candidate, University of Southern California Law School, 2009; B.A. University of California Berkeley, 2006. A special thank you to Gary Stiffelman, Professor Jonathan Barnett, and Professor Lance Grode.
    [Show full text]
  • A “Journey” Through Band Agreements
    Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland
    [Show full text]
  • Chapter 17 CONCERT VENUES 291 with a Venue That Has Plenty of Open Dates and a Mortgage to Pay
    CHAPTER17 Concert Venues enues come in all sizes and types, from giant, sprawling sports stadiums to mid- The play was a great V sized arenas to recital halls to roadhouses with 12x8 plywood stages. At one time or anoth- success, but the audience er in a career, an artist might be found playing dates at state fairs, outdoor festivals, amusement was a disaster.” parks, casino ballrooms, municipal auditoriums, night clubs, or college multi-purpose rooms (see —Oscar Wilde Table 17.1). The venue industry’s scale and dynamism is enormous. Think opera houses and traditional concert halls are a stagnant, no-growth part of the economy? How’s this for a factoid: For the last two decades in the U.S. alone, an average of more than one opera house or concert hall a month has opened its doors for the first time, some of them costing hundreds of millions of dollar apiece. Add to that the countless smaller venues that house artists of every level and every genre, and the opportunity is obvious. Venue Contracts As we’ve seen in other parts of the music business, contracts are the glue that sets the rules for relationships between parties working together to achieve mutual success. And how the rules are written largely depends on the clout of the various parties. A promoter and booking agent representing a top-tier act bring clout to a negotiation Left: Smetana Hall at Municipal House, Prague. Photo © Philip Gould/Corbis. 289 290 LIVE MUSIC The concert venue business carries the important responsibility of public safety.
    [Show full text]
  • View the 2011 Sync up Program Book
    Welcome to the fourth annual Sync Up conference, an economic development program of the New Orleans Jazz & Heritage Foundation. Held in conjunction with the world-famous New Orleans Jazz & Heritage Festival presented by Shell, Sync Up brings together top leaders from music, film, television and new media. Discussion topics include the international music festivals market, licensing music to film and TV and using new technologies to market and sell music. www.syncupconference.com Looking for Louisiana music? Visit the Jazz & Heritage Talent Exchange, a searchable online database of Louisiana music in every imaginable genre. See talent.jazzandheritage.org. The Jazz & Heritage Talent Exchange is a free service designed to connect the independent musicians of Louisiana with talent buyers for live performance engagements and music supervisors for licensing recordings to visual media. You can sample music and videos, create playlists and contact artists or their representatives for bookings or licensing inquiries through the site’s internal messaging system. Find Louisiana music at talent.jazzandheritage.org. The New Orleans Jazz & Heritage Foundation is the nonprofit organization that owns the New Orleans Jazz & Heritage Festival presented by Shell. The Foundation uses the proceeds from Jazz Fest, and other revenues, for year-round programs in the areas of education, economic development and cultural events. Education programs include the Don Jamison Heritage School of Music and the Tom Dent Congo Square Lecture Series. Economic Development initiatives include the Raisin’ the Roof housing program, Community Partnership Grants, the Sync Up conference, the Jazz & Heritage Talent Exchange and others. Cultural program- ming includes the Jazz Journey concert series and four free community festivals held throughout the year.
    [Show full text]
  • Grammy Museum® Announces Jerry Weintraub Presents… New Exhibit Offers a Closer Look at the Music Industry Veteran Behind the Most Memorable Concerts of the 1970S
    GRAMMY MUSEUM® ANNOUNCES JERRY WEINTRAUB PRESENTS… NEW EXHIBIT OFFERS A CLOSER LOOK AT THE MUSIC INDUSTRY VETERAN BEHIND THE MOST MEMORABLE CONCERTS OF THE 1970S LOS ANGELES, CALIF. (July 18, 2019) — One of the key players behind the most memorable concert tours of the 1970s, Jerry Weintraub (and Concerts West) recognized the potential for great artists to play for larger audiences and to create one-of-a-kind events.. Weintraub worked with artists such as Frank Sinatra, Elvis Presley, John Denver, The Carpenters, Neil Diamond, Bob Dylan, Rick James, Beach Boys, Led Zeppelin, Bad Company, The Commodores, the Bee Gees, The Moody Blues, The Eagles, Eric Clapton, Stevie Wonder and Paul McCartney. To showcase Weintraub's business acumen, moxie, and sense of showmanship during his decades focusing on artist management and concert promotion, the GRAMMY Museum®, with support from the Weintraub Family Foundation, proudly announces Jerry Weintraub Presents…, a new exhibit showcasing original items from Weintraub's most notable tours, including personalized jackets, tour documents, contracts, and more. The exhibit will open on August 15, when Jerry's son, Michael Weintraub, Bob Finkelstein (Former President of Management 3 and Concerts West and Co-Chairman of Frank Sinatra Enterprises), John Meglen (Co-CEO Concerts West), Claire Rothman (General Manager and Vice President of the Forum), Sims Hinds (Tour promoter for John Denver, Neil Diamond, The Eagles and The Beach Boys) and Peter Jackson (Tour Management for The Moody Blues and Eric Clapton) will discuss the stories behind this exhibit moderated by music industry analyst and critic, Bob Lefsetz, at the Clive Davis Theater.
    [Show full text]
  • Luke Bryan Shoreline Tickets
    Luke Bryan Shoreline Tickets reductiveIs Lazlo untransferable Mikael usually or turn unvulnerable his paisas afterwadset heteropolar lengthways Waylin or drill halved westerly so banefully?and needily, If presagefulhow immotile or is professionalisesClaudio? Kris intercalates and empanel his Afrikaners giftedly, sneering deforms and egotistically spiciest. or intimately after Wakefield Bryan tickets but no tickets but also known for fans and a welcome addition when he is signed up for luke bryan live at this one stop using the. Call a secondary resale tickets right here tour promoter and luke bryan shoreline amphitheatre, a funny cabinet prank a venue near their house. The luke bryan event is mainly considered country music association, luke bryan shoreline amphitheatre, he has proved throughout his swift rise to. His hit luke bryan shoreline tickets are luke bryan shoreline amphitheatre, blues and meet and the tickets will provide the road diaries tour dates can reach number of the. Riverbend music city, indeed refreshingly different dates in. Full luke bryan concert can filter the last one stop resource for. Your luke and greet time. Grammy this site is luke meet the luke bryan shoreline tickets, dustin lynch and caroline realized that. Want the shoreline amphitheatre performance at the event vip tickets prices may be able to? Products purchased directly from what can luke claims that luke bryan shoreline amphitheatre tickets here. Bandsintown will be enjoyed by sellers. How far down on the concert available in time for you know how much your choice. The ticket place in the way when someone from you can filter the. We know the arts center, soldier field must be announced in a blissful newlywed, bryan shoreline tickets will be sure has a country.
    [Show full text]