DOCSLIB.ORG

Artists, the Creative Industry & Politics AGENDA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artists, the Creative Industry & Politics AGENDA Digital Dialogue: Artists, the Creative Industry & Politics as part of the WORD! Conference program at Berlin Music Week 2014 An event by IMMF in co•operation with Google/YouTube Date: Thursday, September 4th, 2014 Time: 14:00 – 18:30 Location: FRITZ Lounge, Postbahnhof, Straße der Pariser Kommune 8, 10243 Berlin AGENDA *All sessions will be in German unless specified otherwise 14:00 – 14:05 Introduction/Welcome Speaker: Volker May (Vice-Chair at IMMF) Gudrun Schweppe (Head of Music Publishing /Licensing YouTube EMEA at Google) 14:05 – 14:15 Key Note Is content really king? – Digital challenges and the fixation on numbers For labels and especially musicians the rise of Digital and Social Media has brought up some great chances for creating, distributing and selling their music. In theory, a band from a small town in Bavaria could now grow a fanbase in Brazil. Sounds easy, if there wasn’t this big “BUT”. Undoubtedly labels and musicians are facing both new chances but also new challenges alike. Defining new ways of marketing, being creative, staying up-to-date about platforms – basically they need to wear more hats than ever before. And over all this looms a fixation on numbers. In Social Media it’s common word that content is king. So why are we so fixated on numbers like fans, followers and likes? Speaker: Matthias Brinkmann (Head of Trade Marketing GSA & Scandinavia at Believe Digital) 14:15 – 14:50 Panel discussion Transparency and Fairness in the digital music value chain When it comes to the words “fair” and “transparent” there is always an ample scope for interpretation. Still, the players of the digital music value chain haven’t found a consensus what “fair” and “transparent” means when it comes to the artists’ remuneration. The panel will discuss how to put both constructs in more concrete terms and how creator's needs can be met while understanding those of the other players. DOMUS, the German umbrella association for music creatives, will issue suggestions for a more effective implementation of the German Copyright Act, “Urheberrechtskorb 2”.We can expect an interesting and controversial discussion. Moderator: Olivier Toth (CEO at Rockhal and Executive Director at IMMF) Panelists: Betty Dittrich (Artist) Dr. Eberhard Kromer (Chairman at DOMUS) Oliver Sittl (Senior A&R / Region Manager at Believe Digital) Ronny Boldt (CEO at Boldt Berlin Künstler & Konzertagentur) 15:00 – 15:25 Presentation YouTube’s Monetization Model – what’s in it for the Creative Industry? Besides being a promotional or social video platform YouTube can also be an important source of revenue. This presentation will give you a brief overview of YouTube’s business model, how to monetize your content and earn money for views, and finally how Content ID can help you to protect your rights and how to claim UGC. Speaker: Thomas Dreiseitel (Strategic Partner Manager, YouTube at Google) 15:30 – 15:55 Presentation Top Strategies for Music Artists and Album Promotion on YouTube * English session Music is one of the largest and fastest growing content verticals on YouTube. Today, 31 of the top 100 most subscribed channels are music-related - ranging from individual artists, to label channels, to music publishers. What all of these channels have in common is an ability to connect with the audience and inspire their biggest fans to come back again and again. This session is designed to help music creators recognize and apply music-specific strategies to help achieve success on the platform. Speaker: Valerie Streit (Audience Development Strategist at Google) 16:00 – 16:15 Interview What can Music Channels learn from other successful YouTube stars? Interview with Sami Slimani (Herr Tutorial) With almost 1 Million channel subscribers Sami Slimani is one of Germany’s most successful YouTube stars. In a relaxed and informal fashion he will answer questions and give first-hand insights to his content strategies. Speaker: Sami Slimani (Herr Tutorial) 16:15 – 17:00 Presentation Make yourself discoverable – Myths and Facts about Search This presentation relates to webmasters of music websites. The first part will briefly address how Google Search with its crawling, indexing and ranking actually works. The second part deals with practical tips to ensure quality for websites and visibility in search results. Speaker: Johannes Mehlem (Search Quality Associate at Google) 17:00 – 18:30 Reception Meet us in the Backstage Room The event concludes with a get together with drinks and food. Meet Google, YouTube, DOMUS, the IMMF (International Music Managers Forum) and IMUC (Interessenverband Musikmanager und Consultants), the German association for music managers. This will be a good chance for informal questions and answers. Speakers Betty Dittrich (Artist) Betty Dittrich, born Emma Elisabeth Dittrich, is a Swedish musician and songwriter based in Berlin. Her musical journey began at a young age, and as a teenager she embarked on 4 years of musical studies which awoke her desire to write songs. She joined the power-pop band Shebang, with which she released an album in Sweden and Japan in 2007. After the band split up, she began work on her solo material. Upon moving to Germany in 2010, she commenced a German-language project that ultimately led to a solo album released by EMI in 2013 under the name Betty Dittrich. Following this album, she took part in the German final of the Eurovision Song Contest. Recently, Betty took a seat in the producer’s chair, and is working on an album for her new project "Qveen Elizabeth", with its first single coming out this fall. Dr. Eberhard Kromer (Chairman at DOMUS) Eberhard Kromer can look upon many years of professional experience in in the entertainment world. As a legal advisor, he has regularly represented the wealth of known artists. Furthermore, he is co-founder and chairman of DOMUS e.V., the German umbrella organization for music creatives, which is committed to the protection and support of the artists' interests in the digital world. As he puts it "If content is king, the creators of content have to be masters of ceremony. To be master you have to stay on top of things." Johannes Mehlem (Search Quality Associate at Google) Johannes Mehlem is working in the Search Quality Team at Google. He supports Webmasters with the Webmaster Outreach Program and is in charge of the German Webmaster•Blog. Johannes Mehlem arbeitet seit Juni 2012 im Google Search Quality Team bei Google. Unter anderem unterstützt er dort Webmaster im Rahmen des Webmaster Outreach und leitet den deutschsprachigen Google Webmaster•Blog. Matthias Brinkmann (Head of Trade Marketing GSA & Scandinavia at Believe Digital) Matthias Brinkmann is Head of Digital Marketing at Believe Digital in Germany. He advises Believe's partner labels in digital strategies and Social Media marketing. Matthias Brinkmann ist Head Of Digital Marketing bei Believe Digital in Deutschland. Er berät die Believe Partner Labels in digitalen Strategien und im Social Media Marketing. Oliver Sittl (Senior A&R / Region Manager at Believe Digital) As Senior A&R / Region Manager Sales at the digital music distributor Believe Digital Germany/Switzerland/Austria, Olivier is responsible for the acquisition of Entertainment-Labels, Artists & Repertoire for digital distribution, presenting Believe digitals unique online marketing tools & digital marketing solutions on B2B level at industry fairs, conventions and direct customer acquisition meetings. Oliver has proven track record of singing, developing and establishing local and international artist during his time in various Artist & Repertoire and Marketing positions in the music industry that included Bertelsmann’s Music Division BMG/RCA Hamburg, BMG International New York, Zoo Entertainment Los Angeles, edel Records Hamburg, edel America records N.Y. as well as Koch Records Munich and Koch Entertainment New York. Olivier Toth (CEO at Rockhal and Executive Director at IMMF) Olivier Toth joined Luxembourg’s Rockhal as CEO in 2005. He is also the Executive Director of the International Music Managers Forum, the head of Luxembourg’s leading showcase festival Sonic Visions, and a trained lawyer. As co-initiator of Liveurope, Olivier has brought his expertise of the music business to the platform and its members. Ronny Boldt (CEO at Boldt Berlin Künstler & Konzertagentur) Ronny Boldt has been working as a freelance concert and tour promoter and manager since 1996. Together with Massimo Ibrahim, he runs „Boldt Berlin Konzertagentur“ a concert agency and is responsible, among other things here for the live business of Trailerpark, Alligatoah, Raf Camora and Sierra Kidd. In addition, he and Raf Camora founded „Indipendenza“ - a Hip Hop Label in 2013. Since then, they had already had three publications in the German Top 10 charts since then. One of them - the last Raf 3.0 album - entered the Peak Position in the German Album Chart. Sami Slimani (Herr Tutorial) Der gebürtige Stuttgarter Sami Slimani versorgt seit 2009 seine mittlerweile fast 1.Millionen Abonnenten regelmäßig mit Informationen aus den Themenbereichen Beauty, Fashion und Lifestyle und gilt damit als einer der Vorreiter deutscher Online-Tutorials. Er spricht über alltägliche Themen, gibt DIY-Tipps und testet Produkte. Seit seinem ersten Video über No-Go ś beim ersten Date, welches am 08.März 2009 auf YouTube hochgeladen wurde, veröffentlicht Sami wöchentlich Videos zu den verschiedensten Themen die ihn bewegen und seine Community interessieren. Dabei pflegt er ein sehr enges Verhältnis zu seinen
Load more

Recommended publications
  • MADONNA WORLD TOUR 2012 Final 2.7.2012 300Am ET LN Templatex
    MADONNA WORLD TOUR 2012 th Tickets Go On Sale in Israel and the UK Feb 10 th North American Tickets Go On Sale Beginning Feb. 13 LOS ANGELES, CA (February 7, 2012) - Madonna is having a huge party and everyone’s invited. The Madonna 2012 World Tour begins May 29 th 2012 in Tel Aviv, Israel it was officially announced by Live Nation Entertainment, the tour’s international promoter. The shows will include arenas, stadiums and special outdoor sights including the Plains of Abraham in Quebec and a return visit to South America as well as Australia where she has not performed in 20 years. The tour will stop in 26 European cities including London, Paris, Milan and Berlin. The first of 26 North American shows is scheduled for August 28 th in Philadelphia and includes a September 6 th show in NY’s Yankee Stadium and an October l0th performance at LA’s Staples Center. Tickets are scheduled to go on sale beginning February 10 th in Tel Aviv and the United Kingdom, with North American tickets going on sale beginning February 13 th . Tickets for North America are available at Ticketmaster.com and LiveNation.com . A complete itinerary of Madonna 2012 follows this release. Madonna’s previous tour, the phenomenally successful “Sticky & Sweet” Tour reaffirmed her status as one of the most successful touring artists of all time. The historic tour included such incredible touring feats as a 70,000 seat sell-out in Werchter, Belgium, an 85,000 sell-out in Helsinki (the largest show ever in the Nordic countries by a solo artist), a 40,000 ticket sell-out in Oslo, Norway, and 72,000 tickets sold out in one day in Tallinn Estonia.
    [Show full text]
  • Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should Be Amended to Provide an Exception for Harm Reduction Services
    Chicago-Kent Law Review Volume 93 Issue 3 Comparative and Cross-Border Issues in Article 12 Bankruptcy and Insolvency Law 9-18-2018 Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services Robin Mohr Chicago-Kent College of Law Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the Criminal Law Commons, Entertainment, Arts, and Sports Law Commons, Food and Drug Law Commons, and the Legislation Commons Recommended Citation Robin Mohr, Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services, 93 Chi.-Kent L. Rev. 943 (2018). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol93/iss3/12 This Notes is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. PREVENTING DRUG-RELATED DEATHS AT MUSIC FESTIVALS: WHY THE “RAVE” ACT SHOULD BE AMENDED TO PROVIDE AN EXCEPTION FOR HARM REDUCTION SERVICES ROBIN MOHR INTRODUCTION Amid flashing lights and pulsing beats, nearly 100,000 electronic dance music fans attended Electric Zoo on New York’s Randall’s Island in August 2013.1 Unfortunately the party was cut short. Following the deaths of two young fans, the final day of the three-day music festival was can- celed at the request of city authorities.2 In separate incidents, Olivia Ro- tondo, a twenty-year-old University of New Hampshire student, and Jeffrey Russ, a twenty-three-year-old Syracuse University graduate,3 died after collapsing at Electric Zoo with high body temperatures.4 Toxicology results revealed that Ms.
    [Show full text]
  • VIP- News›› ›› Premium Vol
    WWW.VIP-BOOKING.coM VIP- News›› ›› PREmiUM VOL. 124 APRIL 2010 McGowan’s Musings: Peter Kelly ruled that Prince had commit- ted to perform in Dublin’s 82,300-seat Firstly, I hope that you’re all located where Croke Park in June 2008, but withdrew you wish to be – home, office, the country without explanation just days beforehand, you usually live in, and if you can’t make after 55,000 tickets were sold. Prince (51) it back I hope you’re extending your time did not testify at the hearing. The artist’s on a sunny beach somewhere! Iceland has agency, William Morris, was absolved of li- not had a good time of it of late, what with ability, agent Marc Geiger testified that he financial meltdown and rising debts; this is rarely spoke to Prince directly and found not the sort of new export that they need him one of his toughest clients to under- – we said ‘cash, not ash!’ you can hear the stand or nail down – surely not? When told creditors cry. But this is a serious situation, Allan McGowan that MCD owner Denis Desmond was on and obviously our business is badly af- the warpath, Prince apparently said, “Tell fected, with many acts unable to be in the ever decreasing profit margins, more and the cat to chill. We will work something right place at the right time to fulfill tour- more health and safety obligations and re- out.” Good for Denis! However Prince is ing commitments. Please let us know if strictions, lack of support from other sec- a remarkable performer, so we hope he you have had problems, as we’d like to get tors of the business – particularly record makes his only three concerts this summer.
    [Show full text]
  • Le LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones
    volume 6 issue 1 2013 Greg Lake Comes Full Circle LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones PLUS: Clair Robe GMatter MADONNA IT’S A MATTER OF SCALE photo credit: Southern Reel “You guys saved the day…we couldn’t have WWW.AIRCHARTERSERVICE.COM done it without you! I’m sure thousands of fans are thanking you as I type” Use your smartphone to scan and watch our corporate video Air Charter Service (ACS) are longstanding experts providing aircraft charter solutions for artist HELICOPTERS management companies and tour managers worldwide - successfully flying equipment, crew TURBOPROPS and some of the world’s most renowned artists on large scale music tours. Our global network PRIVATE JETS of offices are able to provide flexible and bespoke solutions to meet your exact requirements, EXECUTIVE AIRLINERS whatever your aircraft charter needs. COMMERCIAL AIRLINERS Contact us today to see how we can look after your logistical requirements. CARGO AIRCRAFT A GLOBAL LEADER IN MUSIC INDUSTRY CHARTERS N.AMERICA | S.AMERICA | EUROPE | AFRICA | CIS | MIDDLE EAST | ASIA volume 6 issue 1 2013 contents IN THE NEWS 6 SOUND “The Stones Roll at 50 with Clair” 7 LIGHTING “Robe Adds its Voice to Top German Talent Competition” 8 VIDEO+CHARITY “GMatter Delivers Video Content Design for Journey’s World Tour” “The Hands That Rock Massages the Future for Underprivilaged Children” 9 REHEARSAL FACILITY “S.I.R. Opens New Rehearsal Studios in Vegas” 10 NEW HIRES FEATURES 12 “GREG LAKE COMES FULL CIRCLe” 16 LE BAS “23 Successfully Safe Years of White Glove Charter Service” 20 MADONNA’S MDNA “It’s A Matter Of Scale” 27 MDNA CREW/PRODUCTION 30 BUFORD JONES 32 Obituary: Ed Hopson FROM THE Publisher Is it possible? Is it 2013 already? Where did the last year go? Maybe this is a function of age, but it seems that it we went from Spring to Christmas in a blink of an eye! Tour Link is on us and that is where our year begins.
    [Show full text]
  • Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
    Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith
    [Show full text]
  • European Identity: Symbols to Sport
    ) European identity: symbols to sport Commission of the European Communities Directorate-General for Information. Communication and Culture 6/87 Rue de Ia Loi 200- B-1049 Brussels March 1987 t is 30 years since the signature, in Rome on 25 March 1957, of the treaty which I is more or less the constitution of the European Community. The Community continues to strengthen its identity and to make progress towards one of its fundamental objectives: a Europe that is more united and closer to its people. Symbols and the gestures of sport can help. There is a clear need for steps to strengthen the Coriununity's identity. It will be remembered that in the last European elections in June 1984, only 60% of the electorate actually voted; many people felt little involvement and preferred to go fishing or whatever. Perhaps even more worrying is the fact that Europe and the European Parliament were often ignored in the election campaign. Some days after the elections, at Fontainebleau on 26 June 1984, the Heads of State or Government of the Coinmunity celebrated the success of their 'summit'. They had not only solved current problems but had laid the foundation for the Com­ munity of tomorrow. The aims: to initiate new common policies, to move forward with the political unification of the Old Continent and also to make its people more aware of the European Community. To give concrete expression to these grand designs, the participants at Fontaine­ bleau set up an 'ad hoc' committee on a People's Europe. This body was chaired by Pietro Adonnino, representing Bettino Craxi, the President of the Italian Council of Ministers.
    [Show full text]
  • 360° Deals: an Industry Reaction to the Devaluation of Recorded Music
    360° DEALS: AN INDUSTRY REACTION TO THE DEVALUATION OF RECORDED MUSIC SARA KARUBIAN* I. INTRODUCTION In October of 2007, Radiohead released In Rainbows without a record label. The band’s contract with record company EMI had been fulfilled in 2003, and Radiohead did not bother finding a new deal as they began recording their seventh album.1 Radiohead then made the album available at www.inrainbows.com, where fans were instructed to “pay-what-you- want” for the digital download.2 Shortly after the album’s release, the band’s front man, Thom Yorke, said “I like the people at our record company, but the time is at hand when you have to ask why anyone needs one. And, yes, it probably would give us some perverse pleasure to say ‘F___ you’ to this decaying business model.”3 It was no surprise that Radiohead received critical acclaim for the artistic merits of the album,4 or that millions of fans found a way to acquire the music. Its financial success, however, was less predictable. Radiohead declined to release statistics related to its pay-what-you-want model, but a conservative estimate suggests that the band’s profits from this digital release exceeded six and a half million.5 Furthermore, when Radiohead contracted with iTunes and a distributor to sell the album on iTunes and in stores, its high sales pushed it to the top of traditional album charts6 in early * J.D. Candidate, University of Southern California Law School, 2009; B.A. University of California Berkeley, 2006. A special thank you to Gary Stiffelman, Professor Jonathan Barnett, and Professor Lance Grode.
    [Show full text]
  • A “Journey” Through Band Agreements
    Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland
    [Show full text]
  • Chapter 17 CONCERT VENUES 291 with a Venue That Has Plenty of Open Dates and a Mortgage to Pay
    CHAPTER17 Concert Venues enues come in all sizes and types, from giant, sprawling sports stadiums to mid- The play was a great V sized arenas to recital halls to roadhouses with 12x8 plywood stages. At one time or anoth- success, but the audience er in a career, an artist might be found playing dates at state fairs, outdoor festivals, amusement was a disaster.” parks, casino ballrooms, municipal auditoriums, night clubs, or college multi-purpose rooms (see —Oscar Wilde Table 17.1). The venue industry’s scale and dynamism is enormous. Think opera houses and traditional concert halls are a stagnant, no-growth part of the economy? How’s this for a factoid: For the last two decades in the U.S. alone, an average of more than one opera house or concert hall a month has opened its doors for the first time, some of them costing hundreds of millions of dollar apiece. Add to that the countless smaller venues that house artists of every level and every genre, and the opportunity is obvious. Venue Contracts As we’ve seen in other parts of the music business, contracts are the glue that sets the rules for relationships between parties working together to achieve mutual success. And how the rules are written largely depends on the clout of the various parties. A promoter and booking agent representing a top-tier act bring clout to a negotiation Left: Smetana Hall at Municipal House, Prague. Photo © Philip Gould/Corbis. 289 290 LIVE MUSIC The concert venue business carries the important responsibility of public safety.
    [Show full text]
  • View the 2011 Sync up Program Book
    Welcome to the fourth annual Sync Up conference, an economic development program of the New Orleans Jazz & Heritage Foundation. Held in conjunction with the world-famous New Orleans Jazz & Heritage Festival presented by Shell, Sync Up brings together top leaders from music, film, television and new media. Discussion topics include the international music festivals market, licensing music to film and TV and using new technologies to market and sell music. www.syncupconference.com Looking for Louisiana music? Visit the Jazz & Heritage Talent Exchange, a searchable online database of Louisiana music in every imaginable genre. See talent.jazzandheritage.org. The Jazz & Heritage Talent Exchange is a free service designed to connect the independent musicians of Louisiana with talent buyers for live performance engagements and music supervisors for licensing recordings to visual media. You can sample music and videos, create playlists and contact artists or their representatives for bookings or licensing inquiries through the site’s internal messaging system. Find Louisiana music at talent.jazzandheritage.org. The New Orleans Jazz & Heritage Foundation is the nonprofit organization that owns the New Orleans Jazz & Heritage Festival presented by Shell. The Foundation uses the proceeds from Jazz Fest, and other revenues, for year-round programs in the areas of education, economic development and cultural events. Education programs include the Don Jamison Heritage School of Music and the Tom Dent Congo Square Lecture Series. Economic Development initiatives include the Raisin’ the Roof housing program, Community Partnership Grants, the Sync Up conference, the Jazz & Heritage Talent Exchange and others. Cultural program- ming includes the Jazz Journey concert series and four free community festivals held throughout the year.
    [Show full text]
  • Grammy Museum® Announces Jerry Weintraub Presents… New Exhibit Offers a Closer Look at the Music Industry Veteran Behind the Most Memorable Concerts of the 1970S
    GRAMMY MUSEUM® ANNOUNCES JERRY WEINTRAUB PRESENTS… NEW EXHIBIT OFFERS A CLOSER LOOK AT THE MUSIC INDUSTRY VETERAN BEHIND THE MOST MEMORABLE CONCERTS OF THE 1970S LOS ANGELES, CALIF. (July 18, 2019) — One of the key players behind the most memorable concert tours of the 1970s, Jerry Weintraub (and Concerts West) recognized the potential for great artists to play for larger audiences and to create one-of-a-kind events.. Weintraub worked with artists such as Frank Sinatra, Elvis Presley, John Denver, The Carpenters, Neil Diamond, Bob Dylan, Rick James, Beach Boys, Led Zeppelin, Bad Company, The Commodores, the Bee Gees, The Moody Blues, The Eagles, Eric Clapton, Stevie Wonder and Paul McCartney. To showcase Weintraub's business acumen, moxie, and sense of showmanship during his decades focusing on artist management and concert promotion, the GRAMMY Museum®, with support from the Weintraub Family Foundation, proudly announces Jerry Weintraub Presents…, a new exhibit showcasing original items from Weintraub's most notable tours, including personalized jackets, tour documents, contracts, and more. The exhibit will open on August 15, when Jerry's son, Michael Weintraub, Bob Finkelstein (Former President of Management 3 and Concerts West and Co-Chairman of Frank Sinatra Enterprises), John Meglen (Co-CEO Concerts West), Claire Rothman (General Manager and Vice President of the Forum), Sims Hinds (Tour promoter for John Denver, Neil Diamond, The Eagles and The Beach Boys) and Peter Jackson (Tour Management for The Moody Blues and Eric Clapton) will discuss the stories behind this exhibit moderated by music industry analyst and critic, Bob Lefsetz, at the Clive Davis Theater.
    [Show full text]
  • Luke Bryan Shoreline Tickets
    Luke Bryan Shoreline Tickets reductiveIs Lazlo untransferable Mikael usually or turn unvulnerable his paisas afterwadset heteropolar lengthways Waylin or drill halved westerly so banefully?and needily, If presagefulhow immotile or is professionalisesClaudio? Kris intercalates and empanel his Afrikaners giftedly, sneering deforms and egotistically spiciest. or intimately after Wakefield Bryan tickets but no tickets but also known for fans and a welcome addition when he is signed up for luke bryan live at this one stop using the. Call a secondary resale tickets right here tour promoter and luke bryan shoreline amphitheatre, a funny cabinet prank a venue near their house. The luke bryan event is mainly considered country music association, luke bryan shoreline amphitheatre, he has proved throughout his swift rise to. His hit luke bryan shoreline tickets are luke bryan shoreline amphitheatre, blues and meet and the tickets will provide the road diaries tour dates can reach number of the. Riverbend music city, indeed refreshingly different dates in. Full luke bryan concert can filter the last one stop resource for. Your luke and greet time. Grammy this site is luke meet the luke bryan shoreline tickets, dustin lynch and caroline realized that. Want the shoreline amphitheatre performance at the event vip tickets prices may be able to? Products purchased directly from what can luke claims that luke bryan shoreline amphitheatre tickets here. Bandsintown will be enjoyed by sellers. How far down on the concert available in time for you know how much your choice. The ticket place in the way when someone from you can filter the. We know the arts center, soldier field must be announced in a blissful newlywed, bryan shoreline tickets will be sure has a country.
    [Show full text]