Archive Preserves Hawaiian Heritage

Total Page:16

File Type:pdf, Size:1020Kb

Archive Preserves Hawaiian Heritage KA LEO TV Watch the best UH Mānoa TTopop 1010 news from last week at kaleo.org/video Sports Tourism: mmost-wantedost-wanted THE VOICE Touchdown or aalbumslbums ooff A fumble? 22009009 K LEEOO Opinions 4 Features 6 Serving the students of the University of Hawai‘i at Mānoa since 1922 MONDAY to TUESDAY, FEB. 2 to 3, 2009 www.kaleo.org Volume 103 Issue 66 Archive preserves Hawaiian heritage Kris DeRego “These archives will enable collective memory through the News Editor the sharing and perpetuation of development of a facility with the culture, collective memory the ability to transfer existing The University of Hawai‘i is and history of a community that films, television shows and pri- soliciting proposals for a digital Henry Giugni so dearly loved,” vately recorded histories,” said archive of Native Hawaiian his- Akaka said. “It will ensure that Dr. Stephen Itoga, the project’s tories. future generations have access technical representative. Named for the first to the traditional knowledge and Many Native Hawaiian arti- Polynesian United States Senate wisdom of all indigenous people.” facts are deteriorating with age, sergeant at arms, who died Due to the efforts of Henry according to Lee, who hopes that in 2005, the Henry Ku‘ualoha Giugni’s daughter, local film- the newly formed archives will Giugni Archives will feature maker Heather Giugni of Juniroa save indigenous relics before Hawaiian photographic artifacts Productions Inc., the Henry K. they become obsolete. and personal narratives. The Giugni Archives will be hosted “We have a society that U.S. Department of Education by UH’s Academy for Creative is rapidly losing our collective awarded $191,593 to the univ- Media. Giugni and Academy for memory in the passing of every eristy for the project, earlier this Creative Media founder Chris kupuna and the destruction of month. Lee are currently leading a recorded media due to age, cli- “The Giugni Archives will nationwide search for a develop- mate conditions and neglect,” perpetuate and share the special ment consultant. said Lee, who recently served history and culture of Native Once hired, the consultant as executive producer for United Hawaiians, and allow voices will craft plans for a virtual Artists’ “Valkyrie,” a film starring from the past to touch future and physical repository capable generations,” said Sen. Daniel K. of transferring existing recorded Hawaiian Heritage, page 2 Inouye in a written release. “It histories onto a permanent digi- will be especially valuable as a tal format. The project’s coordi- resource for creating educational nators will also record oral his- materials and for researchers.” tories in a high-definition format The Henry Kuʻualoha Giugni Archives will Inouye’s sentiment on the suitable for mass distribution. preserve Native Hawaiian oral and visual cultural significance of the archive “The consultant will advise histories, as well as rare documents, such as is shared by U.S. Sen. Daniel K. on the best practices to facilitate the Womenʼs Petition Against the Annexation Akaka, the first U.S. senator of the sharing, perpetuating and Native Hawaiian ancestry and a preserving of Hawai‘i’s culture, of Hawaiʻi, signed on Sept. 11, 1897. supporter of the program. traditions, oral histories and NATIONAL ARCHIVES DATING CONSTRUCTION OnlineReg.html. [email protected], soest. [email protected] Mānoa Minute AND USE OF IFUGAO RICE Info: Center for Teaching hawaii.edu/met TERRACE Excellence, 956-6978, cte@ JUDGING GENES: hawaii.edu, cte.hawaii.edu Compiled by Alice Kim + Monday, Noon to 1:30 EVOLUTION AND IMPLICATIONS OF THE [email protected] p.m., Moore Hall 319 DEVELOPMENT ʻ ON-THE- Info: Clemen Montero, SECOND GENERATION OF ASPECTS OF DYNAMICAL WINGʼ : DISCOVERING GENETIC TESTS IN THE 956-6086, [email protected], CLIMATE PREDICTION: hawaii.edu/cps EVOLUTIONARY COURTROOM ISOLATED SHOWERS INITIALIZATION AND DEVELOPMENTAL +Wednesday, 5:30 to 8 p.m., MODEL DEVELOPMENT Law School Classroom 2 H:77° L:65° CREATING AN DIFFERENCES IN INSECT + Wednesday, 3:30 to 5 p.m., ADAPTATIVE RADIATIONS Presenter: Karen Rothen- ASSESSMENT PLAN AND Marine Science Building, 100 NORTH 2–4+ WEST 1–3 + Wednesday, 3:30 to 4:30 berg, professor and dean, USING ASSESSMENT Presenter: In-Sik Kang, p.m., St. John Hall 011 University of Maryland SOUTH 0–1.5 EAST 1–3 TEMPLATES Professor, Seoul National Presenter: Durrell Kapan, Pacifi c School of Law. SOURCE: NATIONAL WEATHER SERVICE + Tuesday, 11:30 a.m. to 12:45 University, South Korea Biosciences Research Center Info: Cynthia Quinn, 956- p.m., Kuykendall Hall 106 Info: Cherlyn, meteorol- Info: Lynne, zoology 6545, [email protected], A moderate northwest swell will build late Register at cte.hawaii.edu/ ogy department, 956-8775, department, 956-8617, hawaii.edu/law today and peak Tuesday. 2 Monday, Feb. 2, 2009 [email protected] Obama Beat A PHOTO FINISH ENGINEERING EXPO AT UH MĀNOA Mark Brislin a company created an existing Associate News Editor payroll to pay two people doing the same job diff erent wages. In the fi rst 10 days since his inauguration, Pres. Barack Obama has ordered the shut- AKAKA BILL down of the Guantanamo Bay Obama has voiced support prison within a year, promised for the Akaka Bill, saying he that his administration would would sign the bill if Con- be more transparent and gress passes it. The Akaka Bill signed a bill that promotes TERRENCE ANTONIO JAMES/CHICAGO TRIBUNE/MCT asks for federal recognition equal pay for both genders. Pres. Barack Obama nominates Gen. Eric of Native Hawaiians’ right to Ken Shinseki to become the next U.S. self-governance, calling for the ECONOMIC STIMULUS Secretary of Veterans Affairs during a creation of an indigenous gov- The U.S. House of Rep- press conference at the Hilton in down- erning body to negotiate with resentatives has given the go town Chicago. state and federal governments ahead for Obama’s proposed over Native Hawaiian rights. executive order to close the $819 billion stimulus package The bill is being rewritten, in a 244-188 vote that found controversial detention center after it failed in the Senate in no support from House Re- at Guantanamo Bay, which 2007. There is no timeframe publicans. came under fi re for housing for Congress to vote on the If the stimulus plan is the possible use of torture. revised bill. approved, Hawai‘i could get Obama and his administration a piece of the package worth must now decide what to do over $2 billion to help plug a with the 245 prisoners before CRACKBERRY hole in the state’s defi cit. the camp is closed. If the adjustment to one of Republicans criticized the most powerful titles in the Obama for not including The same day, Obama said more tax cuts in the plan and that his administration would world is tough, at least Obama said that it won’t have much be more open with government will have the comfort of his of an eff ect on the struggling information that had been dif- BlackBerry. economy. Democrats said the fi cult to obtain in the past. Obama has decided to keep stimulus package is needed and Last Thursday, Obama signed the multi-featured handheld should, at least, stop the reces- the Lilly Ledbetter Fair Pay Act, instrument, though it will be sion from worsening. which extends the amount of protected with greater securi- The measure now moves time an employee has to fi le a ty. Anything that Obama sends to the Senate. claim against his or her employ- or receives through the device er for fi nancial discrimination. could be subject to the Presi- FIRST DAYS IN OFFICE The bill changes the previous dential Records Act, which CHARLES BRODIE/KA LEO O HAWAIʻI The day after he became law, under which employees makes public all presidential Nathan Kane of Hawaiʻi Mission Elementary and Intermediate School struts while president, Obama signed an had 180 days to fi le a claim after records. retrieving his teamʼs car after winning a semifinal round of the solar car challenge during the Engineering Invitational held at the engineering department expo on THE VOICE Friday, Jan. 30. A EDITORIAL K LEEOO Editor in Chief Taylor Hall Associate Features Editor Carly Yonamine Managing Editor Vanessa Sim Commentary Editor Chris Mikesell Ka Leo O Hawai‘i Chief Copy Editor Kyle Mahoney Sports Editor Ashley Nonaka University of Hawai‘i at Mānoa Associate Copy Editor Nichole Catlett Associate Sports Editor Russell Tolentino 1755 Pope Road, 31-D News Editor Kris DeRego Comics Editor Will Caron Honolulu, HI 96822 Associate News Editor Glendalyn Junio Design Editor Nicole Gilmore Hawaiian Heritage Associate News Editor Mark Brislin Photo Editor Kent Nishimura from page 1 Newsroom (808) 956-7043 Features Editor Yasmin Dar Web Editor Alexis E. Jamison Advertising (808) 956-3210 Tom Cruise. “Our personal his- “Hawai‘i has needed an Facsimile (808) 956-9962 ADVERTISING tories need to be recorded and archive that cares for its photo- E-mail [email protected] Ad Manager Erica Hwang preserved before we lose these graphic treasures both moving Web site www.kaleo.org Business office parallel to the bottom entrance of the Bookstore. treasures and their experiences and still, treasures that will not forever.” only be saved but shared,” said Ka Leo O Hawai‘i is the campus newspaper of the University of Hawai‘i at Mānoa. It is published by the Board of Publications three times a week except on holi- Giugni believes the archives Guigni. “Working alongside dedi- days and during exam periods. Circulation is 10,000. Ka Leo is also published once a week during summer sessions with a circulation of 10,000. Ka Leo is funded will allow the global commu- cated individuals such as Chris by student fees and advertising.
Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • Annual Report 2016/17 01 VICE-CHANCELLOR’S INTRODUCTION
    Front cover image: Extending our Canterbury Campus, part of our £150 million Estate Master Plan R CONTENTS Pro-Chancellor’s foreword ..................... 01 Honorary Doctors .................................. 33 Vice-Chancellor’s introduction............... 02 New Professors, Readers and Principal Lecturers .................................. 34 Key achievements for 2016/17 ............... 04 Governors and Officers ......................... 34 Bold future ............................................. 06 Accounts ................................................ 36 Research, enterprise, engagement .........11 Statistics ................................................. 38 Our student experience ......................... 20 Our people ............................................ 26 PRO-CHANCELLOR’S FOREWORD his year, I have had the pleasure of taking up the This Annual Report helps to illustrate the role of Pro-Chancellor and Chair of Canterbury University’s impact and reach. It shows how Christ Church University’s Governing Body. the day-to-day diversity of its work – from large-scale projects to smaller initiatives This follows seven years as a Governor, during – make a difference to people and lives. Twhich time I have witnessed the significant and sustained contribution which the University, its I would like to take this opportunity to thank students and staff make to local communities staff for their hard work and dedication, and and the wider region. Collectively, they bring our students for their commitment to study and vitality, diversity and prosperity to the area, University education. widening education opportunities for all generations and innovating for the benefit My thanks also go to my predecessor, Stephen of society. Clark, who so ably chaired the Governing Body over four years, and to Governors for their It has been a remarkable year for Christ Church. ongoing support and important contribution The city council’s approval of plans to extend to our thriving University community.
    [Show full text]
  • The Future of The
    The Future of Public Service Broadcasting Some thoughts Stephen Fry Before I can even think to presume to dare to begin to expatiate on what sort of an organism I think the British Broadcasting Corporation should be, where I think the BBC should be going, how I think it and other British networks should be funded, what sort of programmes it should make, develop and screen and what range of pastries should be made available in its cafés and how much to the last penny it should pay its talent, before any of that, I ought I think in justice to run around the games field a couple of times puffing out a kind of “The BBC and Me” mini‐biography, for like many of my age, weight and shoe size, the BBC is deeply stitched into my being and it is important for me as well as for you, to understand just how much. Only then can we judge the sense, value or otherwise of my thoughts. It all began with sitting under my mother’s chair aged two as she (teaching history at the time) marked essays. It was then that the Archers theme tune first penetrated my brain, never to leave. The voices of Franklin Engelman going Down Your Way, the women of the Petticoat Line, the panellists of Twenty Questions, Many A Slip, My Word and My Music, all these solid middle class Radio 4 (or rather Home Service at first) personalities populated my world. As I visited other people’s houses and, aged seven by now, took my own solid state transistor radio off to boarding school with me, I was made aware of The Light Programme, now Radio 2, and Sparky’s Magic Piano, Puff the Magic Dragon and Nelly the Elephant, I also began a lifelong devotion to radio comedy as Round The Horne, The Clitheroe Kid, I’m Sorry I’ll Read That Again, Just A Minute, The Men from The Ministry and Week Ending all made themselves known to me.
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • Barny Barnicott Producer/Mixer
    Barny Barnicott Producer/Mixer Since his success with The Enemy’s debut No. 1 album ‘We’ll Live and Die in these Towns’, Barny has gained a reputation as one of the UK’s leading Mixers and Producers collaborating with artists from Elastica to the Sunshine Underground. This diverse catalogue has seen Barny develop a long- standing relationship with Jim Abbiss, mixing records for him such as Arctic Monkeys’ debut ‘Whatever People Say I Am, That’s What I’m Not’ and The Temper Trap’s ‘Confessions’, all of which have been received to great international acclaim. Sam Fender ‘Play God’ / Single Mix Dan Croll Forthcoming Album Mix Half Moon Run ‘Sun Leads Me On’ / Album Mix Tibet Forthcoming Tracks Prod / Mix Compny Forthcoming Tracks Prod / Mix Peace ‘Happy People’ / Album Mix ‘In Love’ / Album Mix ‘Delicious’ / EP Mix Racing Glaciers Forthcoming Tracks Prod / Mix Whales In Cubicles Forthcoming Tracks Mix Cloud Control ‘Dream Cave’ / Album Prod / Mix The Crowns Forthcoming Album Prod / Mix The Red Lapels Forthcoming Album Prod / Mix Cave Painting ‘Votive Life’ / Album Prod / Mix Duologue Forthcoming Album Mix Ladytron ‘Gravity The Seducer’ / Album Prod / Mix ‘Witching Hour’ / Album Eng / Mix ‘Blue Jeans’ Mix Engineer ‘Oops Oh My’ Mix Engineer O Children ‘O Children’ / Album Prod / Mix Turin Breaks ‘Outbursts’ / Album Add Prod / Mix Stereophonics ‘Keep Calm And Carry On’ / Album Mix Temper Trap ‘Conditions’ / Album Mix Animal Kingdom ‘Now Go And Multiply’ / Album Mix The Sunshine Underground ‘Nobody’s Coming To Save You’ / Album Prod / Mix Bombay
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
    Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC).
    [Show full text]
  • Download the Art of Smallfilms: the Work of Oliver Postgate & Peter
    THE ART OF SMALLFILMS: THE WORK OF OLIVER POSTGATE & PETER FIRMIN DOWNLOAD FREE BOOK Oliver Postgate, Peter Firmin, Stewart Lee, Jonny Trunk, Richard Embray | 320 pages | 24 Feb 2015 | FOUR CORNERS BOOKS | 9781909829022 | English | London, United Kingdom RIP Oliver Postgate 1925-2008 Retrieved 23 September Surprisingly for the Guardian, they are recommending a man who hates the Top Gear presenters and co wrote a hit show that offended Christians. Amazon Business Service for business customers. Or push it down hill. I could just close my eyes, but fantasizing about punching Stewart Lee is still more fun than sitting in complete, stony silence. No The Art of Smallfilms: The Work of Oliver Postgate & Peter Firmin, if we don't laugh at your material then it's just not good enough. Arnold Schwarzenegger. A fabulous big book for all oliver postgate and peter firmin fans. More Details To gain experience, he accepted a contract as a television director in the BBC Children's Department inon a show entitled Little Lauraanother animated series made on film, written and drawn by V. Gianmarco Milesi. Categories : Television production companies of the United Kingdom British animation studios Mass media companies established in British companies established in Ivor the engine, bagpuss, clangers, pogles, noggin, tottie and pinny are all included. Bruce Lee. He addressed an insular cadre of socially challenged, prematurely middle-aged, pseudo-intellectual men, I thought. Add to Wish List. In short, if you're a bigoted, socialist worker, civil servant, teacher, social worker or NHS employee then Stuart Lee is the comedian for you.
    [Show full text]
  • Known Nursery Rhymes Residencies Fruit Eaten Remembered World
    13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.
    [Show full text]
  • The Seducer, the Free
    FREE THE SEDUCER, THE PDF Madeline Hunter | 448 pages | 01 Oct 2003 | Bantam Doubleday Dell Publishing Group Inc | 9780553585896 | English | New York, United States The Seducers Series by Madeline Hunter Appearing in two volumes in under the pseudonymous editorship of Victor Eremita Latin for "victorious hermit"it outlines a theory of human existence, marked by the distinction between The Seducer essentially The Seducer, aesthetic mode of life and the ethical life, which is predicated upon commitment. Each life view is written and represented by a The Seducer pseudonymous author, with the prose of the work reflecting and depending on The Seducer life view being discussed. For example, the aesthetic life view is written in short essay form, with poetic imagery and allusionsdiscussing aesthetic the such as musicseductiondramaand beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibilitycritical reflectionand marriage. The book's central concern is the primal question asked by Aristotle"How should we live? The aesthetic is the personal, subjective realm of existence, where an individual lives and extracts pleasure from life only for The Seducer own sake. In this realm, one has the possibility of the highest as well as the lowest. The ethical, on the other hand, is the civic realm of existence, where The Seducer value and identity are judged and at times superseded by the objective The Seducer. In simple terms, one can choose either to remain oblivious to all that goes on in the world, or to become involved. More specifically, the ethic realm starts with a conscious effort to choose one's life, with a choice to choose.
    [Show full text]
  • 1 UK@Kidscreen 2014
    1 UK@Kidscreen 2014 Organised by 3 UK@Kidscreen 2014 Contents Forewords 5-7 Fun Crew Ltd 28 Danny Lopez 5 Gateley LLP 29 Greg Childs and Sarah Baynes 6 Happy Films 30 HIT Entertainment 31 HoHo Entertainment 32 UK Delegate Companies 8-49 Kickback Media Ltd 33 1973 Films 8 Kindle Entertainment 34 Absolutely Cuckoo 9 Lion Television 35 Accorder Music Publishing 10 Magic Light Picture 36 Adobe Systems Europe Ltd. 11 MIDAS 37 Beakus 12 MCC Media 38 Beyond Distribution 13 Plug-in Media 39 Bigmouth Audio Ltd 14 Pluto Entertainments Ltd 40 Blue-Zoo Productions 15 Saffery Champness 41 Bob & Co 16 Saltbeef Productions 42 Box of Frogs Media 17 Serious Lunch Ltd 43 Bright Box Creative 18 SyncScreen.tv and The Little Big Partnership 44 CAKE 19 The Children’s Media Conference 45 CHF Entertainment Ltd 20 The Creative Garden 46 Coolabi Limited 21 Tinyworld 47 Cutlass Productions Ltd 22 Walker Productions 48 Darrall Macqueen 23 World of Wishes 49 Dog Ears Ltd 24 Dominic Macdonald 25 Dot to Dot Productions 26 Contacts 50 Factory Transmedia 27 Main image: Mike the Knight (© 2013 HIT (MTK) / Nelvana Limited) Top: Ella Bella Bingo (August Media Holdings / Kool Produktions) Middle: Room on the Broom Bottom left: Bookaboo Bottom middle: Puffin Rock Bottom right: Absolute Genius with Dick & Dom Truth0389_CMCKidscreen Ad 21/1/14 12:15 pm Page 1 cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 2,3 &4JULY 2014SHEFFIELD UK CONTENT INDUSTRIES The number of children born every minute Welcome to the world of children and children’s content at CMC 2014.
    [Show full text]
  • Dreamscapes and Dark Places / Music Video Spawned From
    Johannes Goebel, Director Kathleen Forde, Curator, Time-Based Arts Dara Greenwald, Research Assistant Shannon Johnson, Web Director Hélène Lesterlin, Associate Curator, Dance Jason Steven Murphy, Project Manager Elizabeth Palazzo, Business Coordinator Todd Vos, 3rd Floor Elf www.empac.rpi.edu UPCOMING EMPAC EVENTS: DANCE MOViES 3: ICE BREA K E R :: Salute the end of winter with one last snowy romp through an international line-up of new dance films and experimental videos! :: Thurs 03.23.2006 :: 7:30 PM :: Location :: Academy Hall, Rensselaer Campus DANCE MOViES 4: STREET WISE:: A sassy collection of short films featuring dancing in the streets, alleys, delis and various cramped quarters of cities all over the world. :: Thurs 04.20.2006 :: 7:30 PM (7:00 PM Pre-show video) :: Location :: Sage 3303, Rensselaer Campus MUSIC VIDEOS SPAWNED FROM SURREALISM Fortress Music: Pinback In the 1920’s, artists like Andre Breton, Salvador Dali and Man Ray Director: Elliot Jokelson w/ Loyalkaspar mashed bizarre imaginary happenings with the “real world” on Courtesy: Touch and Go film and called it surrealism. Today artists use computer generated animation and recent digital technologies to integrate the physi- 4 Ton Mantis Music: Amon Tobin cal world with layers that are much more fantastic. Now we call it Director: Floria Sigismondi augmented reality, virtual reality or perhaps even magical realism. Courtesy: Ninja Tune But frankly, we’re all getting at the same thing... the seduction of the dream world and other dark subconscious places is never going to go out of style as long as human nature still exists. In the past decade, the structure of the short snappy music video has not only become fodder for the likes of the commercial MTV set, but a gold mine for major artists and film directors to work with - and within - the limitations of the specific structure of the music video clip.
    [Show full text]