Women's History Month 2021
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Quiet Talks on Service
Quiet Talks on Service Author(s): Gordon, Samuel Dickey (1859-1936) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: S.D. Gordon's Quiet Talks on Service is filled with riveting stories and examples explaining and supporting the idea of Christian service. Each chapter focuses on a unique side of service that applies to Christians in all walks of life. Not only does this text provide wonderful examples of application, it also supports a great framework by which all Christians can live lives of meaningful service to Christ and the Church. As always, S. D. Gordon's wise and friendly voice provides in- sight for those looking to improve their life and relationship with Christ. Luke Getz CCEL Staff Writer i Contents Title Page 1 Personal Contact with Jesus: The Beginning of Service 2 The Beginning of an Endless Friendship 2 An Ideal Biography 3 The Eyes of the Heart 4 We are Changed 5 The Outlook Changed 7 Talking with Jesus 9 Getting Somebody Else 10 The True Source of Strong Service 12 The Triple Life: The Perspective of Service 13 On An Errand for Jesus 13 The Parting Message 14 A Secret Life of Prayer 16 An Open Life of Purity 19 An Active Life of Service 22 The Perspective of True Service 24 A Long Time Coming 26 Yokefellows: The Rhythm of Service 28 The Master's Invitation 28 Surrender a Law of Life 29 Free Surrender 31 "Him" 32 Yoked Service 33 In Step with Jesus 34 The Scar-marks of Surrender 36 ii Full Power through Rhythm 38 He is Our Peace 40 The Master's Touch 41 A Passion for Winning Men: The Motive-power -
Dreams-041015 1.Pdf
DREAMS My Journey with Multiple Sclerosis By Kristie Salerno Kent DREAMS: MY JOURNEY WITH MULTIPLE SCLEROSIS. Copyright © 2013 by Acorda Therapeutics®, Inc. All rights reserved. Printed in the United States of America. Author’s Note I always dreamed of a career in the entertainment industry until a multiple sclerosis (MS) diagnosis changed my life. Rather than give up on my dream, following my diagnosis I decided to fight back and follow my passion. Songwriting and performance helped me find the strength to face my challenges and help others understand the impact of MS. “Dreams: My Journey with Multiple Sclerosis,” is an intimate and honest story of how, as people living with MS, we can continue to pursue our passion and use it to overcome denial and find the courage to take action to fight MS. It is also a story of how a serious health challenge does not mean you should let go of your plans for the future. The word 'dreams' may end in ‘MS,’ but MS doesn’t have to end your dreams. It has taken an extraordinary team effort to share my story with you. This book is dedicated to my greatest blessings - my children, Kingston and Giabella. You have filled mommy's heart with so much love, pride and joy and have made my ultimate dream come true! To my husband Michael - thank you for being my umbrella during the rainy days until the sun came out again and we could bask in its glow together. Each end of our rainbow has two pots of gold… our precious son and our beautiful daughter! To my heavenly Father, thank you for the gifts you have blessed me with. -
Corvus Review: Fall 2015 Company
[TYPE THE CORVUS REVIEW: FALL 2015 COMPANY NAME] CONTENTS Belle 78 Kopp 84 Editorial 3 Deeren 95 Cover Art/Editor Bio’s 4 Parrish 98 Kratz 101 PROSE Soto 105 Cairns 107 Silver 5 Carlton 119 Davis 17 Ferrell 122 Half-Pillow 21 Wall 124 McNulty 29 Kane 126 Phillips 35 Bensoussan 134 Laing 38 Campbell 137 Duquette 47 Roberts 139 Dukowitz 54 Rank 156 Sheehan 66 Price 77, 89 POETRY George 185 Sears 163 Prihoda 187 Ahern 164 Mydosh 191 Plath 165 Garcia-Bassier 194 Hamilton 167 Corey 195 Ingram 168 Semtex 197 Garrett 169 Plenefisch 199 Pearce 170 Gregg 201 Davis, J 172 Brownstein 203 Grey 173 Scharwath 205 Kanev 175 Bacher 207 Beck 177 Vince 208 Burt 179 Soricelli 210 Demaree 181 Roth 212 Boucheron 182 Haynes 214 Kushner 183 Johnson 216 Del Col Brown 184 3 EDITORIAL Dear Reader, With pleasure, I present the Fall issue of Corvus Review. This is our largest issue to date, over 200 pages of quality work, and I couldn’t be prouder. Each piece offers a glimpse into each writer’s mind. You might like what you see and you might not, but I challenge you, dear reader, to peruse this issue to its end. For this issue, I opened the door to new editors. Andy Tu and Luciana Fitzgerald generously gave of their time and expertise and, as a whole, I feel allowing them into Corvus’ inner sanctum proved most productive. Special thanks to them for their help sorting out the bones. When I began this little lit journal around this time last year, I never imagined it would reach so many. -
Mapping the Landscape of Social Impact Entertainment
Bonnie Abaunza Neal Baer Diana Barrett Peter Bisanz Dustin Lance Black Johanna Blakley Caty Borum Chattoo Don Cheadle Wendy Cohen Nonny de la Peña Leonardo DiCaprio Geralyn Dreyfous Kathy Eldon Eve Ensler Oskar Eustis Mapping the landscape of Shirley Jo Finney social impact entertainment Beadie Finzi Terry George Holly Gordon Sandy Herz Reginald Hudlin Darnell Hunt Shamil Idriss Tabitha Jackson Miura Kite Michelle Kydd Lee Anthony Leiserowitz David Linde Tom McCarthy Cara Mertes Sean Metzger Pat Mitchell Shabnam Mogharabi Joshua Oppenheimer Elise Pearlstein Richard Ray Perez Gina Prince-Bythewood Ana-Christina Ramón James Redford Liba Wenig Rubenstein Edward Schiappa Cathy Schulman Teri Schwartz Ellen Scott Jess Search Fisher Stevens Carole Tomko Natalie Tran Amy Eldon Turteltaub Gus Van Sant Rainn Wilson Samantha Wright Welcome to the test — a major university research SIE’s work to date: the most effective Welcome center focused on the power of strategies for driving impact through entertainment and performing arts to storytelling; the question of when, inspire social impact. The structure of within the creative process, impact Note this new center would be built upon three should first be considered; the key role pillars: research, education and special of research to explore, contextualize initiatives, and public engagement, and help define the field; and the programming and exhibition. importance of partnering with the right allies across the entertainment At the time, there wasn’t a university and performing arts industries for new model fully focused on this topic that ideas, special projects and initiatives. I could draw upon for information as the field was in its infancy. -
Kenny Barron Fun Adventure
July 2012 | No. 123 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com KENNY BARRON FUN ADVENTURE VERYAN • WEASEL • ERNIE • MATCHLESS • EVENT WESTON WALTER ANDREWS RECORDINGS CALENDAR It was with great joy that the National Endowment for the Arts reversed a 2011 decision to end the Jazz Masters program after decades. Whatever brought them back to their senses (jazz needs more recognition, not less), all jazz fans should be New York@Night happy that legendary performers will still receive this accolade (and the 25,000 4 clams that goes with it). In 2010, alongside fellow pianists Muhal Richard Abrams and Cedar Walton, Philadelphia-born Kenny Barron was elevated. We could Interview: Veryan Weston devote our entire gazette just to printing his massive discography, starting with 6 by Ken Waxman his first recording in 1960 with Yusef Lateef (part of the same Jazz Master class), Artist Feature: Weasel Walter the many done with his older brother/saxophonist Bill, sessions with Dizzy Gillespie and almost everyone else in jazz as well as his over 40 albums as a leader. 7 by Martin Longley Barron brings a quintet to the Village Vanguard this month. On The Cover: Kenny Barron In the category of “And now for something completely different”, Interview (British pianist Veryan Weston) and Artist Feature (Chicagoan drummer Weasel by George Kanzler 9 Walter) subjects present two very different sides to modern improvising, the Encore: Lest We Forget: former often working in the insectile world of European free music with such chaps as Trevor Watts and Lol Coxhill, the latter leaving a trail of destruction in 10 Ernie Andrews Buster Bailey his wake with his defunct Flying Luttenbachers group or in any number of by Marcia Hillman by Donald Elfman aggressive local collaborations. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 9-27-1994 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1994). The George-Anne. 1324. https://digitalcommons.georgiasouthern.edu/george-anne/1324 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. " Wake up!i | Strategies p» At the movies Newspaper urges GSU to take Columnist gives credit to Eagle 'Timecop' criticized in first advantage of computer technology football coach Tim Stowers cinema review of the year Please see editorial, page 4A Please see "Between the Please see Arts and Lines," page 1B Entertainment, page 4B BLUE EDITION Tuesday, September 27,1994 / Vol. 66, No. 21 Morehouse College Georgia Southern George-AnjieUniversity's Official Student Newspaper statesboro. Georgia 30460 Founded 1927 president resigns in face of benefits questions The Associated Press Henry: we should link GSU once again ATLANTA — Morehouse College President Leroy Keith stepped down slowing enrollment on the eve of a trustees' meeting to classroom with campus By Stacy Jordan system is budgeted, there is discuss a report that he may have Staff Writer received thousands of dollars in unap- By Enoch W. Autry a two year [funding] lag, and proved benefits. Editor Returning students do not when we slow down enroll- ment, we have a better Keith resigned effective next Fri- A genuine opportunity to upgrade the qual- have to worry about fighting more students over parking chance of letting the re- day, insisting the report is "filled with ity of campus life and self-awareness is now spaces this year. -
Consumption Corridors; Living a Good Life Within Sustainable Limits
“This lively, reader-friendly book sets out the case for ‘consumption corridors’ – a novel route to enjoyable but sustainable lives for all of us in the rich world of the 2020s. It makes a compelling – almost obvious – case, clarifes the obstacles, and sketches a practical vision to propel us on the journey to ‘living well within limits’.” — Ian Gough, Visiting Professor in CASE and Associate of GRI, London School of Economics, UK “This book masterfully explains why sustainable limits, in the form of consumption corridors, are a central concept for addressing fundamental issues of justice and power, and to imagine workable pathways to a better future. Too often sustainability remains apoliti- cal and vague: sustainable consumption corridors bring research into the reality we all need to transform.” — Julia K. Steinberger, Professor of Societal Challenges of Climate Change, University of Lausanne, Switzerland “Dominant understandings of sustainability over the past three decades have maintained a resolute fxation on effciency improvements and individualized strategies of social change. These conceptions have also fetishized technological breakthroughs and underplayed the existence of biophysical limits. By placing suffciency at the center of transformation, the notion of consumption corridors opens credible and equitable windows of opportunity for system innovation that can meaningfully engage all global citizens.” — Maurie J. Cohen, Professor of Sustainability Studies, New Jersey Institute of Technology, USA Consumption Corridors Consumption Corridors: Living a Good Life within Sustainable Limits explores how to enhance peoples’ chances to live a good life in a world of ecological and social limits. Rejecting familiar recitations of problems of ecological decline and planetary boundaries, this compact book instead offers a spir- ited explication of what everyone desires: a good life. -
A Song Only Dead Men Know Cassidy Foust Macalester College, [email protected]
Macalester College DigitalCommons@Macalester College English Honors Projects English Department Spring 5-1-2015 A Song Only Dead Men Know Cassidy Foust Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/english_honors Recommended Citation Foust, Cassidy, "A Song Only Dead Men Know" (2015). English Honors Projects. Paper 32. http://digitalcommons.macalester.edu/english_honors/32 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. 1 A Song Only Dead Men Know Cassidy Foust 2 One In old maps, the sea drips off at the edge of the parchment in what is supposed to be the end of the world. Mapmakers would draw monsters here: great sea beasts and serpents with mouths tall as a ship’s mast; winged harpies, their talons raised; beautiful sirens, selkies, and mermaids, their soft lips parted in deadly song. These were always Marin’s favorites, these wicked women, these horrible temptresses. Her grandfather, a grizzled old man who had once served as a mapmaker to the King of England himself, would set her down on his knee and unfurl long parchments of map, teaching her the names of all the waterways as her fingers traced the faded ink. “That’s the Irish Sea,” he would say, “It swirls down towards Europe right past the Salinges.” “Have you ever seen a selkie, Granddad?” Marin would ask, thumbing over the creature’s hair as if she could draw it into life. -
Therapeutic Songwriting with a Man Living with Complex Trauma
I AM YOUR SON: THERAPEUTIC SONGWRITING WITH A MAN LIVING WITH COMPLEX TRAUMA Jeffrey Hatcher, MTA Open University of British Columbia, 200 1 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Department of Psychology O Jeffrey Hatcher 2004 Simon Fraser University July 2004 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author APPROVAL NAME Jeffrey Henry Hatcher DEGREE Master of Arts TITLE I Am Your Son: Therapeutic Songwriting With A Man Living With Complex Trauma EXAMINING COMMITTEE: Chair Allan MacKinnon ----------- Carolyn Kenny, Senior Researcher, U.ofCal, Santa Barbara Senior Supervisor _C_______----- David Paterson, Assistant Professor Member -- Dr. Celeste Snowber, Assistant Professor, Faculty of Education, SFU Examiner Date July 19, 2004 Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without the author's written permission. -
' Feminist Conversations and Controversial
‘I AIN’T NO SIZE TWO:’ FEMINIST CONVERSATIONS AND CONTROVERSIAL MESSAGES IN MEGHAN TRAINOR’S EMPOWERMENT SONGS ______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _______________________________________ by ERIN SCHLABACH Dr. Maya C. Gibson, Thesis Supervisor MAY 2017 APPROVAL PAGE The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled ‘I AIN’T NO SIZE TWO:’ FEMINIST CONVERSATIONS AND CONTROVERSIAL MESSAGES IN MEGHAN TRAINOR’S EMPOWERMENT SONGS presented by Erin Schlabach, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________ Professor Maya C. Gibson ____________________________________ Professor Tina L. Bloom ____________________________________ Professor Michael J. Budds ____________________________________ Professor Judith Mabary ____________________________________ Professor Stephanie Shonekan ii ACKNOWLEDGEMENTS I would like to thank the musicology faculty at the University of Missouri for encouraging me in this project specifically as well as the entirety of my time in graduate school. Dr. Budds, Dr. Mabary, and Dr. Shonekan have each assisted me in learning and growing as a musicologist in countless ways. I would also like to thank Dr. Bloom for her support and advice throughout the thesis writing process. I could not have completed this work without the many meetings and conversations that were had with Dr. Maya Gibson. As the head of my committee she pushed me to think more deeply and broadly while refining the work I was presenting. I am lucky to count her as a teacher, mentor, and friend. -
FIRST-GENERATION UNDERGRADUATE LIBRARY USERS: EXPERIENCES and PERCEPTIONS of the LIBRARY AS PLACE by KAREN A. NEUROHR Master Of
FIRST-GENERATION UNDERGRADUATE LIBRARY USERS: EXPERIENCES AND PERCEPTIONS OF THE LIBRARY AS PLACE By KAREN A. NEUROHR Master of Library Science University of North Texas Denton, Texas 1995 Bachelor of Arts in Education Northeastern State University Tahlequah, Oklahoma 1988 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF EDUCATION May 2017 FIRST-GENERATION UNDERGRADUATE LIBRARY USERS: EXPERIENCES AND PERCEPTIONS OF THE LIBRARY AS PLACE Dissertation Lucy E. Bailey, Ph.D. ________________________________________________ Dissertation Advisor Kerri S. Kearney, Ed.D. _______________________________________________ Committee Chair Bernita L. Krumm, Ph.D. ______________________________________________ Joshua L. Wiener, Ph.D. _____________________________________________ ii ACKNOWLEDGEMENTS Completing this doctoral degree fulfills a dream and goal I first had many years ago. This would not have been possible without the support of many people. First, I wish to thank my loving husband George for his patience and support, and our sons and their families- Chris, Libby, Grant and Evan; and Ryan, Emily, Cate, Charlie and Callie for understanding the time I needed to commit to this project. I look forward to spending more time with all of you! The support of my siblings Connie and Rob, and all of my extended family is also deeply appreciated. Their words of encouragement always helped! I wish my mom and dad were here to celebrate this significant accomplishment with me. I am grateful to my committee chair, Dr. Bailey for her guidance, and insight throughout this research. She taught me everything I needed to know about methodology, and she and my committee chair Dr. -
Viewed These Women About the Voices They Have Heard, Their Understanding of the Voices, Their Interpersonal Relationships, and Their General Mood and Functioning
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Emily K. Reese Candidate for the Degree: Doctor of Philosophy _________________________________ Chair Larry M. Leitner, Ph.D. _________________________________ Reader Ann Fuehrer, Ph.D. _________________________________ Reader Aaron Luebbe, Ph.D. _________________________________ Graduate School Representative Elise Radina, Ph.D. ABSTRACT VOICES, RELATIONSHIPS, AND MEANING MAKING by Emily K. Reese In this study, I explored the experiences of four women who hear voices and are not part of a clinical population. Each woman had a much different voice hearing experience from the other women in terms of duration, regularity, consistency, and sensory modality. I interviewed these women about the voices they have heard, their understanding of the voices, their interpersonal relationships, and their general mood and functioning. A robust meaning making system and healthy interpersonal relationships were associated with lower distress about the voices, and with lower distress in daily life in general. In addition, connection with a validational community, and to the integral universe (Leitner, 2010), also were associated with lower distress. I present several implications for clinical practice, elaboration of Experiential Personal Construct Psychotherapy theory, and future research. In particular, I challenge the notion that hearing voices is an automatic indicator of “mental illness.” Instead, I argue that relationships and meaning making are far better indicators of psychological health. VOICES, RELATIONSHIPS, AND MEANING MAKING A Dissertation Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Psychology by Emily K. Reese Miami University Oxford, Ohio 2014 Dissertation Chair: Dr.