Vanifesto a Meditation on Van Lust
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Leonie Dickinson Interviewer: Emma Shield, Project Co-Curator
Project: Small Town Queer podcast interviews Interviewee/s: Leonie Dickinson Interviewer: Emma Shield, Project Co-curator. Location recorded: Murwillumbah, New South Wales, Australia. Date: 01/02/2021 Transcription by: Emma Shield, Project Co-Curator. Small Town Queer Podcast Series Episode Seven: Creating A Community (Music) (Introduction) Emma: You are listening to the Small Town Queer podcast produced by Tweed Regional Museum in Northern New South Wales, Australia. Follow us as we uncover and explore Tweed's rich queer history from the early 1900s to the present. The Museum has collaborated with LGBTQIA+ community members to collect, share and preserve the histories of Tweed's many and varied queer voices. (Music) (Aboriginal Acknowledgement) Emma: We wish to recognize the generations of local Aboriginal people of the Bundjalung Nation who are the traditional owners and custodians of the land on which we are recording this podcast today. (Music) (Podcast Hosts) My name is Emma Shield, and my name is Erika Taylor, and we are the curators of the Small Town Queer digital project and exhibition. (Interviewer) Emma: Hello! On today's podcast, we're talking with Leonie Dickinson. Leonie works in vocational education and training, dividing her time between the Tweed and the Northern Territory, where she specializes in working with Aboriginal people from remote communities. Before moving to the Tweed Coast from Melbourne in 2004, Leonie studied at the Australian Film Television and Radio School in the late 1980s. Leonie became a Film Director and Digital Content Producer and was the first female in the audio department at Channel 7 1 in Melbourne. -
A Queer Liberation Movement? a Qualitative Content Analysis of Queer Liberation Organizations, Investigating Whether They Are Building a Separate Social Movement
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Summer 8-13-2015 A Queer Liberation Movement? A Qualitative Content Analysis of Queer Liberation Organizations, Investigating Whether They are Building a Separate Social Movement Joseph Nicholas DeFilippis Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Civil Rights and Discrimination Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Social Work Commons Let us know how access to this document benefits ou.y Recommended Citation DeFilippis, Joseph Nicholas, "A Queer Liberation Movement? A Qualitative Content Analysis of Queer Liberation Organizations, Investigating Whether They are Building a Separate Social Movement" (2015). Dissertations and Theses. Paper 2466. https://doi.org/10.15760/etd.2464 This Dissertation is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A Queer Liberation Movement? A Qualitative Content Analysis of Queer Liberation Organizations, Investigating Whether They are Building a Separate Social Movement by Joseph Nicholas DeFilippis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Social Work and Social Research Dissertation Committee: Ben Anderson-Nathe, Chair Laura Nissen Stephanie Wahab Sally McWilliams Portland State University 2015 © 2015 Joseph Nicholas DeFilippis i Abstract In the last forty years, U.S. national and statewide LGBT organizations, in pursuit of “equality” through a limited and focused agenda, have made remarkably swift progress moving that agenda forward. -
Here Was a Time, Briefly, When Women Ruled the World. Well
5/27/2014 Lesbian separatists in the nineteen-seventies : The New Yorker AMERICAN CHRONICLES LESBIAN NATION When gay women took to the road. by Ariel Levy MARCH 2, 2009 Print More Share Close Reddit Linked In Email StumbleUpon Lesbianism in the seventies promised a life of radical empowerment, and women were drawn by ideology as well as by desire. here was a time, briefly, when women ruled the Tworld. Well, their world, anyway. In the late nineteenseventies, several thousand women in North America decided not to concern themselves with equal pay for equal work, or getting http://www.newyorker.com/reporting/2009/03/02/090302fa_fact_levy?printable=true¤tPage=all 1/13 5/27/2014 Lesbian separatists in the nineteen-seventies : The New Yorker their husbands to do the dishes, or convincing their boyfriends that there was such a thing as a clitoris. Why capitulate, why compromise, when you could separate, live in a world of your own invention? On the fringes, utopian separatists have been part of the American story since at least the early eighteenth century—the Shakers, in New England; the millennial Rappites, in Pennsylvania; the Oneida Perfectionists, in upstate New York—and these women decided to turn away from a world in which female inferiority was enforced by culture and law. Better to establish their own farms and towns, better to live only among women. This required dispensing with heterosexuality, but many of these women were gay, and, for the rest, it seemed like a reasonable price to pay for real independence. The lesbian separatists of a generation ago created a shadow society devoted to living in an alternate, penisless reality. -
MS 10.2.14 Dissertation
Table of Contents Acknowledgements Abstract ..............................................................................................................................1 Overview………….............................................................................................................3 Introduction………………………………………………………………………………8 Chapter 1 Identity, Recognition.......................................................................................55 Chapter 2 Engendering and Visibility Politics………………………................................83 Chapter 3 Presence in the Penumbra: Rethinking the Visibility Paradigm…................100 Chapter 4 Televisuality, Identity, and the Spectac(L)e..................................................125 Chapter 5 Exclusion as an Alternative to the Identity Model........................................158 Bibliography...................................................................................................................240 Acknowledgments My sincerest thanks to my committee for their unflagging support: Dr. Judith Roof, committee chair; Dr. Cary Wolfe; and Dr. Cymene Howe. Without their enduring guidance, encouragement, and invaluable appraisals, the dissertation surely would have floundered. For my grandmother, Laura Perez-Hill “para que así conozcan la razón de mi canto.” ! 1! Abstract( This genealogical study examines the ways in which the discourse of identity shapes lesbianism activism as it surfaced in response to the misogynistic lesbophobia inherent to US feminist and homophilic identity -
2020 Sollfrank Etal Beautifulw
Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons.