DOCSLIB.ORG

Týdeník České Unie Karikaturistů * X.. Ročník! Číslo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Týdeník České Unie Karikaturistů * X.. Ročník! Číslo Jiří Slíva Č. K. i ECC (65) na roztrhání: (str. 10) 26. 4. 2012 pÚvodní kresba / Vico laureátem Česko-Slovenské Noviná řské ceny * Dokument / 4 nominace a 1 vít ěz ČS. NC 2012 * Slovensko / Opož- děná i Oneskorená reportáž * Glosa / I. H.: „O Za ťatom konate ľi“ * Blíženci / Už i moderní témata ! * Časopis / Nebelspalter Nr. 2 * Archív / Úvod z katalogu 18. ZS * Ze sv ěta / Irán, Itálie, USA, Polsko * Slív ův rok / Smrš ť výstav * Citát týdne / Eliška Holubová o editorial car- toons * KdoKdeKdy / Barták v Písku; Srna ve Smržovce; Polá ček na severu; Čty řka na Smíchov ě; Cagle v Hr. Kr.; Scarfe v Č. Kr.; Sorry v Kamenici * Zem řel Hans Mulder * Komiks-News / # 227 * GAG / Jak v červnu a dál? * Výsledky / Portugalsko, Čína * Propozice / Německo, Ma ďarsko, Rusko / aj. Týdeník České Unie Karikaturistů * X. ročník ! (Zprávy ČUK č. 466/7) http://www.ceska-karikatura.cz Číslo 2012 - 17/18 OBRÁZKY: VICO, ZULETA, GÜREL, POSTELNICU, JANČEVA, BARTÁK, HAVA, CEBULA, GATTO, GALINDO, VALOCKÁ, TAUSSIG, CAGLE, SRNA, POLÁČEK... AJ. Fedor Vico získal Českou a Slovenskou Novinářskou cenu! Danglár (Trend) a Vico (Hospodárske noviny) ze Slovenska + Reisenauer (Respekt) a Teichmann (Hospodá řské noviny) z České republiky byli nominováni na spole čnou Česko- slovenskou noviná řskou cenu v kategorii „nejlepší kreslený vtip, komiks nebo karikatura“; za práci publikovanou v roce 2011 . Z této čtve řice pak byl ve čtvrtek 19. dubna 2012 vyhlášen v Bratislav ě laureátem Fedor Vico z Prešova (viz kresba z ocen ěné kolekce!). 1 Dokument / Čty ři nominace - jeden laureát Noviná řské ceny 2012 Kategorie kreslené žurnalistiky „Nejlepší česko-slovenský kreslený vtip, komiks nebo karikatura“: Nominováni byli (abecední po řadí): Jozef Gertli „Danglár“: Série karikatur (Trend, SK) Za charakteristický styl a formální řešení. Pavel Reisenauer: Spole čnost roku 2011 (Respekt, ČR) Za pozoruhodný rukopis jemn ě glosující sou časnost. Václav Teichmann: Série karikatur (Hospodá řské noviny, Reflex, ČR) Za sérii portrét ů, které autor obohacuje vtipnou charakteristikou. Fedor Vico: Série karikatur (Hospodárske noviny, SK) Za p řesnost, srozumitelnost, specifický styl a um ění pointy. Porota: Martin Ciel , filmový teoretik a kritik / Joachim Dvořák , zakladatel a majitel kulturní revue Labyrint / Ivan Hanousek , zakladatel České unie karikaturistů a editor týdeníku e-GAGA / Alan Lesyk , karikaturista Nominaci prom ěnil a Československou cenu za rok 2011 získal: Fedor Vico (Slovenská republika) Poroty oznámily nominace na vít ěze v sout ěži Noviná řská cena 2011 Poroty sout ěže Noviná řská cena 2011 oznámily ve čtvrtek 12. 4. 2012 nominace na vít ěze. V každé z desíti kategorií byli za konkrétní p řísp ěvky p řihlášené do sout ěže nominováni t ři au- to ři či autorky. Slavnostní vyhlášení vít ězů se uskute ční 24. dubna 2012 v pražském Rock Café (Národní 20, Praha 1) za ú časti zástupc ů českých médií, člen ů porot a dalších osob- ností. Sout ěž v České republice po řádá Nadace Open Society Fund Praha ve spolupráci s českým Googlem. Více než 330 p řísp ěvk ů letos sout ěžilo v 10 kategoriích psané, audiovizuální a online žurnalistiky. O každé kategorii rozhodovala samostatná t ří - až p ěti členná porota složená z osobností akademické, mediální a neziskové sféry. Seznam všech nominací a jejich zd ů- vodn ění najdete na adrese: www.novinarskacena.cz a www.novinarskacena.sk . Během večera bude udělena i Česko-slovenská cena veřejnosti za příspěvek, který měl za pos- lední rok největší společenský dopad, nebo zásadně přispěl k posílení práv občanů. O vítězi té- to ceny rozhodla česká a slo- venská veřejnost v online hlaso- vání na adrese: www.novinarskacena.cz/hlasova ni . Na této stránce najdete jméno vítěze. Soutěž Novinářská cena pořádá v České republice Nada- ce Open Society Fund Praha s českým Googlem a Nadáciou otvorenej spoločnosti – Open Society Foundation Bratislava. Mediální monitoring soutěži poskytuje Newton Media a.s. Na snímcích: Zatímco sout ěž organizují ženy (zleva: L. Helienková a B. Horvathová ) - jury bylo i letos výlučně mužskou záležitostí... ( A. Lesyk a I. Hanousek ) 2 Opožd ěná reportáž / z jury NC v Bratislav ě Účast a ú častníci sout ěže očima porotce I. H. Na p řání organizátor ů jsme nezve řejnili tento text v minulém e-GAGu, protože jsme respektovali jejich p řirozené právo ohlásit výsledky své sout ěže jako první. Pozoruhodn ě ve znamení cartoons, resp. portrétní karikatury, se odehrála přehlídka prací z lo ňské bilance, jak ji p ředest řela porot ě ú čast v Noviná řské cen ě 2011. Dnes médii často citované komiksy byly v nabídce zastoupeny jen minimáln ě a na ocen ění nem ěly vlastn ě vůbec šanci. Vhrsti, Koštý ř, Fojtík, Šípoš - důstojné zastoupení m ěli našinci mezi letošními adepty Noviná řské ceny. Jejich docela po četné kolekce upoutaly čty řč lennou porotu sout ěže a by ť nikdo z výše jmenovaných nakonec neprošel do kvarteta nominovaných autor ů z Česka a Slovenska, byli tito auto ři jmenováni nejmén ě jedním, ale i dv ěma porotci p ři nást řelu - tedy v „prvním čtení“ jmenovitých návrh ů na postup. Sout ěž je po řádána jako d ůsledn ě anonymní, by ť u kreslených vtip ů či komiks ů, kde autorský rukopis je daleko výrazn ější než t řeba v kategorii fotografie, už jen trochu pou čen ější laik pozná autora. A to navíc řada z nich opat řuje kresby svou zna čkou, takže ta anonymita je jaksi jen částe čná. Proto m ůžeme už nyní říci, že jsme si všimli kreseb dalších našich autor ů, jako Tomaschoffa, Sigmunda, Frýby, Plot ěné, Va ňka, Hiršla a... ach ta pam ěť ... až budeme mít po ruce odanonymizovaný seznam sout ěžících, ur čit ě bude ta listina českých jmen delší, než zde jmenovaná desítka koleg ů... * Do sout ěže doru čených 36 o- bálek reprezentuje trochu mén ě autor ů (n ěkte ří poslali jednu ko- lekci sami, druhou pak p řihlásily do sout ěže ješt ě redakce kon- krétních časopis ů). Krom zary- tých mimo-ČUK ů, jako Teich- mann, Reisenauer či David , jsme rozpoznali i styl n ěkolika Slová- ků. Třeba obligátních účastník ů Danglára , Vica a Shootovce a také Kotrhu či Kubeše. * A kdo z české strany chyb ěl? Krom obvyklých absentér ů této vrcholné p řehlídky, Jiránka , Ren- čína, Slívy či Douši, zarazila neú čast Kounovského a Kova ří- ka , dvojice celkem pravideln ě v tuzemských novinách publikují- cích českých karikaturist ů... Na čtve řici nominovaných se z původn ě necelé desítky jmen, která uvedli jednotliví porotci cel- kem rychle shodli. Docela brzy jasn ě vykrystalizovala sestava Danglár, Reisenauer, Teichmann a Vico (bráno abecedn ě). Jediným, kdo se mezi n ě mírn ě vtíral byl Šútovec , ale jeho kolekce se p ři porovnávání porotc ům zdála být pon ěkud slabší, než díla od Danglára a Reisenauera. 3 Ve vlastním finále - o nejvyšší ocen ění Česko-Slovenskou cenu - se de facto rozhodovalo jen mezi Teichmannem a Vicem . Zatímco moravský Václav zap ůsobil p ři své premié ře v této sout ěži na členy jury p ředevším jemnou výtvarnou technikou portrét ů a p řesn ě odm ěř ovanou dávkou prvk ů, charakterizujících osoby bez pot řeby slovního objas ňování, prešovský Fedor nakonec zabodoval skv ěle pointovaným humorem svých vtip ů, který se sice týká aktuálních událostí ve společnosti, ale je srozumitelný i jindy - klidn ě i po roce. V tom je jeho p řednost - není závislý na tvá řích a výrocích osob, které brzy po vzniku vtipu mohou zmizet v milosrdném propadle dějin. Vicovou p ředností, jak konstatovala jury, je v ětší obecnost textové výpov ědi - vtipy se slovy reprezentují nejen danou aktuální situaci, ale zobec ňují a typizují. Reprezentují tak ur čitý názor, sm ěr a nejen jednu konkrétní aféru. Pro v ětší část jury toto zobecn ění a nep řítomnost přímo karikovaných osobností znamenaly p řednost a ne nedostatek. Jistým handicapem se spíš zdála být ona typicky šedá stejnost všech Vicových obrázk ů - v protikladu k pestrobarevným díl ům rovn ěž slovenského Gertliho (Danglára) trvale se prezentujícího moderním komiksovým stylem kresby (viz snímky částí jejich kolekcí na předchozí stran ě). V záv ěre čném doporu čení, o které po řadatelé požádali letošní porotu, se nejspíš prosadí návrh na respektování propozic, v nichž by se asi měl zvýšit nejmenší možný po čet kreseb přihlášených do sout ěže. Kresby by tak lépe prokázaly autorovy kvality. Organizáto ři také připomn ěli, že podle pravidel m ůže kresby do sout ěže p řihlásit a dokumentaci zaslat kdokoliv z ve řejnosti, nejen tedy redakce či sám autor. Tím by se samoz řejm ě zvýšila kvalita příštího ro čníku sout ěže i výstavní kolekce z české strany (kup ř. o Ren čína, Jiránka, Slívu...) Po p ředlo ňském úp ěchu českého Miroslava Kemela z Prahy tedy letos obdržel Česko- Slovenskou cenu za kreslený humor, karikaturu a komiks slovenský autor Fedor Vico z Prešova. Z minule nominované čtve řice se tentokrát prosadili znovu dva slovenští autoři: Danglár a Vico. Připome ňme jen skromn ě na záv ěr, že v osob ě laureáta jde v této sout ěži též o ocenění v ůbec prvého (by ť “jen” čestného) člena České unie karikaturist ů. (ih) Poznámka: Tu čně jsou ozna čena jména člen ů ČUK Oneskorená reportáž... / ...ze Zlatého soudku Při uzáv ěrce minulého čísla GAGu jsme m ěli k dispozici jen pár fotografií, ale žádný text. Mezitím už viróza Fedora Vica opustila a tak p řinášíme ješt ě jeho mírn ě ilustrovanou zprávu o pr ůběhu prvo- dubnového ceremoniálu na východním Slovensku: Jak to bylo na Apríla v Prešov ě... Čo sa týka samotného priebehu, všetko prebehlo štan- dardne, síce pri slne čnom, ale mimoriadne chladnom po- časí, ke ď ani čapovanie piva na pešej zóne nepritiahlo tentoraz to ľko divákov (a konzumentov), ako po iné roky a do poslednej chvíle sme uvažovali, či by nemal celý ceremoniál, teda vernisáž výstavy a slávnostné oce ňova- nie úspešných autorov, prebehnú ť v interiéri Šarišskej galérie.
Load more

Recommended publications
  • The Dahl House
    Microcosm Publishing PO Box 14332 Portland, OR 97293 www.microcosmpublishing.com Welcome to the Dahl House Alienation, Incarceration and Inebriation in the New American Rome by Ken Dahl The new Welcome to the Dahl House book collects 10 years of comic artist Ken Dahl’s best work. Dahl, winner of the Ignatz Award for best mini-comic for his STD nightmare Monsters #1 , gives the goods in equally hilarious and harrowing doses. His comics show a dirty, beaten down, drunk-as-hell America where the underdog always rules—even if he never wins. Dahl’s work is normal ol’ painful life with all the warts and scars and stretch-marks fully visible and well-lit. It’s heavy stuff, and decidedly not for the faint of heart, but Dahl’s caustic sense of humor, courage under fire, and strong undercurrent of hope balance out the dark with light and give his comics a well-rounded, triumphant epicness. Like a graphic novel mash up of Gummo, Jesus’ Son, and Married with Children, Welcome to the Dahl House tells it like it is, the existential American experience in 128 pages. “A double-barreled assault on American culture and consumerism and its dev - astatng results ... Dahl’s writing is simply brilliant. He successfully presents a view of America from the outside.” - Midnight Fiction “Ken Dahl’s comics are really well drawn, imaginative, spirited, and forthright, SUBJECT CATEGORY: Graphic Novel, Comic but best of all, painfully, painfully honest.” - Ivan Brunetti, author of Misery RELEASE: 7/1/08 Loves Company PRICE: Retail: $6 | Wholesale: $4.20 ISBN: 978-1-934620-02-1 FORMAT: paperback, 5.5 x 7”, 128 pgs, illustrated ABOUT THE AUTHOR: Born in Honolulu, raised on the roads of the MARKETING NOTES: continental US, Ken Dahl comes at comix- - Author winner of Ignatz Award for best mini-comic makin' with a wealth of world-weariness and - Book is featured on 25,000 postcards distributed wisdom under his belt.
    [Show full text]
  • Graphic Novels for Children and Teens
    J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr.
    [Show full text]
  • Studies in Literature and Culture: the Graphic Novel
    NACAE National Association of Comics Art Educators Studies in Literature and Culture: The Graphic Novel • REQUIRED TEXTS: Chynna Clugston-Major, Blue Monday: Absolute Beginners (Oni Press) Will Eisner, A Contract with God and Other Tenement Stories (DC Comics) Mike Gold (Ed.), The Greatest 1950s Stories Ever Told (DC Comics) Harold Gray, Little Orphan Annie: The Sentence (Pacific Comics Club) Jason Lutes, Jar of Fools (Drawn & Quarterly) Scott McCloud, Understanding Comics (Harper-Perennial) Frank Miller and David Mazzuchelli, Batman: Year One (DC Comics) Art Spiegelman, Maus: A Survivor’s Tale (Vol. I) (Pantheon) James Sturm, The Revival (Bear Bones Press) You will also need the following: • A notebook. I would like you to keep track of major points which come up in my lectures and also in our class discussions. • A folder or binder for reserve readings and class handouts. I would suggest you make copies of the reserve readings available at the library. I will also give you a number of photocopied handouts which include directed-reading questions and material which supplements the primary readings for the course. • GRADES ––Attendance and class participation (including short response papers and reading quizzes): 25% ––Writing Assignment/Mini-comic project: 25% ––Midterm exam: 25% ––Final exam: 25% * Your papers must be turned in on time! I will deduct a full grade for each day a paper is late. If you have any questions about your papers or the assigned paper topics, please see me during my office hours or by appointment. I will be glad to talk with you about our readings and about your essays.
    [Show full text]
  • Writing About Comics
    NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose.
    [Show full text]
  • Drawn & Quarterly
    DRAWN & QUARTERLY FALL 2018 BERLIN jAsoN lutes DIRTY PLOTTE: ThE cOMPLETE JuLIE DOUCET jULiE DoUcET COYOTE DOGGIRL LisA hanawalt WOMAN WORLD AmiNDER DhALiwal PYONGYANG NEW PAPERBA cK EDiTioN gUY DELisLE BAD FRIENDS ancco BLAME THIS ON THE BOOGIE RiNA AYUYANg art cOMIC matthEW ThURBER THE SNOOTY BOOKSHOP Tom gauld BEAUTIFUL DARKNESS NEW PAPERBA cK EDiTioN FABiEN VEhLmANN AND KERAscoET BERLIN BOOK 3: CITY OF LIGHT JasoN lutes BERLIN JASON LUTES Twenty years in the making, this sweeping masterpiece charts Berlin through the rise of Nazism ALSO: BERLIN BOOK 3! See pg. 26 During the past two decades, Jason Lutes bling sidewalks, dusty attics, and train sta- has quietly created one of the masterworks tions: all these places come alive in Lutes’s of the graphic novel golden age. Serialized masterful hands. Weimar Berlin was the in twenty-two issues, collected in two vol- world’s metropolis, where intellectual- umes, with a third to be co-released at the ism, creativity, and sensuous liberal val- same time as this omnibus, Berlin has over ues thrived, and Lutes maps its tragic, in- 100,000 in print. Berlin is one of the high- evitable decline. Devastatingly relevant and water marks of the medium: rich in its re- beautifully told, Berlin is one of the great searched historical detail, compassionate in epics of the comics medium its character studies, and as timely as ever in its depiction of a society slowly awaken- ing to the stranglehold of fascism. PRAISE FOR BERLIN Berlin is an intricate look at the fall of the “As the Weimar Republic has declined, Weimar Republic through the eyes of its the art of Jason Lutes has only ascended.” citizens—Marthe Müller, a young woman —Washington Post escaping the memory of a brother killed in World War One; Kurt Severing, an ide- “The longest, most sophisticated work of alistic journalist losing faith in the printed historical fiction in the medium.”—Time word as fascism and extremism take hold; the Brauns, a family torn apart by poverty “A history of [Berlin] that’s accessible and and politics.
    [Show full text]
  • A Guide to Series
    THE CENTERA FORGUIDE CARTOON STUDIES TO PRESENTS SERIES EDUCATOR’S GUIDE Disney • HYPERION ABOUT THE CENTER FOR CARTOON STUDIES PRESENTS e Center for Cartoon Studies Presents series takes premier talent from the world of cartooning and pairs these writers and artists with important gures from history to create a fresh, graphic take on biography for young readers. Important moments from the lives of Harry Houdini, Satchel Paige, Henry David oreau, Annie Sullivan and Helen Keller, and Charlotte Brontë are carefully and accurately rendered, the stunning illustrations bringing the worlds of these historical gures to life for the reader. With a reliance on primary sources within the text, back matter that includes panel discussions o ering further insight into the life of each subject, and a bibliography, these books make valuable classroom tools. Not only do the books in this series provide an accessible entry point for young readers of biography, but they can also serve as an additional resource for high school or college students studying primary sources. In the more than ten years since the rst book was published, the series has received much acclaim, including two Eisner Awards, and raves from many respected sources, including Kirkus Reviews, Booklist, Publishers Weekly, and the New York Times Book Review. Illustrations this page: Kevin Huizenga Illustrations this page: Illustration this page: Kevin Huizenga Kevin page: this Illustration THE CENTER FOR CARTOON STUDIES produces comics, zines, posters, and graphic novels (like this book about Houdini!). For those interested in making comics themselves one day, the Center for Cartoon Studies is also Huizenga Kevin page: this Illustration THE CENTER FOR CARTOON STUDIES produces comics, zines, posters, and graphicAmerica’s novels nest cartooning (like this school—oering one- and two-year courses of White Riv Juncti, Vmt book about Charlotte Brontë!).
    [Show full text]
  • Weimar Germany: Promise and Tragedy
    University of Wyoming Fall 2019: Thursday History Building, Rm 156 4:10 – 6:40 p.m. HIST 5400-01: Weimar Germany: Promise and Tragedy Instructor: Dr. Adam A. Blackler Office: History Building, Rm 256 E-mail: [email protected] Office Hours: Mon., Tues., 10-11 a.m. (Source: Jeanne Mammen, Sie repräsentiert, ca. 1928) Course Introduction: Peter Gay writes in the opening chapter of his Weimar Culture: The Outsider as Insider that the “Weimar Republic was an idea seeking to become reality.” After four years of war, economic ruin, and social strife, Weimar symbolized “a prediction, or at least a hope, for a new start.” Women attained the right to vote a full year before the United States ratified the 19th Amendment. Religious minorities practiced their faiths without fear of state interference. Gay men and lesbian women found new freedom in Berlin, which was unofficially known as the “gay capital” of the world. Magnus Hirschfeld revolutionized sex education in his Institute for Sexology. Federal programs guaranteed financial, health, and unemployment benefits to urban and industrial workers, while artists, writers, architects, and musicians created stirring masterpieces that continue to inspire onlookers today. The prewar “outsiders became insiders,” a historic change that shifted the scope of German society in a more open direction. Nevertheless, the dangerous potentials of the postwar period also galvanized right-wing and völkisch movements that sought the revocation of the so-called “Diktat of Versailles,” a return of all forfeited territories in Europe and overseas, the right of national self-determination, and, for some, the expulsion of all internal “foreign elements” beyond Germany’s borders.
    [Show full text]
  • Brainfag Forever (BFF)
    Microcosm Publishing PO Box 14332 Portland, OR 97293 www.microcosmpublishing.com Brainfag Forever (BFF) by Nate Beaty The Brainfag Forever! book (aka BFF ) collects nearly a decade of illustrator and Zinester’s Guide to Portland co-creator Nate Beaty's self-published comics. (FYI: “Brainfag” is a medical term for "brain fatigue," culled from a turn-of-the-century Grape-Nuts ad and brought back into the lexicon by the intrepid Beaty.) Using comics to explore self-expression, Nate’s work goes deep into ideas of sex and love lost, vig - orous humiliation, and everyday social politics. Its 224 pages show Nate contemplat - ing big city existence versus living off the grid and generally struggling to maintain his sanity in a world gone mad. Featuring extensive new material explaining each issue (including the first 25 years of his life in five pages) Brainfag Forever! is a spelunking mission inside the head of deeply disturbed/deeply hilarious cartoonist. “Nate Beaty’s honest and straightforward comics are striking in their variety, and they form a captivating document of his growing skill and evolving soul.” - Ivan Brunetti, creator of Schizo “Nate breaks down the structure of the comics page the way he takes apart an old bicy - ble or a vintage laptop. His seething psyche rolls to the surface, whether he’s slapping his inks down over a carefully observed landscape or painstakingly delineating how another relationship went wrong.” - Sarah Oleksyk, creator of Ivy “BFF is hilarious and heartbreaking. It’s an amazing collection from one of my favorite SUBJECT CATEGORY: Graphic Novel, Comic illustrators.” - Willy Vlautin, author of The Motel Life RELEASE: 8/1/08 PRICE: Retail: $12 | Direct: $10 | Wholesale: $8.40 “There are a lot of autobio comics out there, and let’s be honest, most of them are ISBN: 978-1-934620-00-7 pretty boring.
    [Show full text]
  • The Comics Grid. Journal of Comics Scholarship. Year One, Edited by Ernesto Priego (London: the Comics Grid Digital First Editions, 2012)
    The Comics Grid Journal of Comics Scholarship Year One Contributor Jeff Albertson James Baker Roberto Bartual Tiago Canário Esther Claudio Jason Dittmer Christophe Dony Kathleen Dunley Jonathan Evans Michael Hill Nicolas Labarre Gabriela Mejan Nina Mickwitz Renata Pascoal s Nicolas Pillai Jesse Prevoo Ernesto Priego Pepo Pérez Jacques Samson Greice Schneider Janine Utell Tony Venezia Compiled by Ernesto Priego Peter Wilkins This page is intentionally blank Journal of Comics Scholarship Year One The Comics Grid Digital First Editions • <http://www.comicsgrid.com/> Contents Citation, Legal Information and License ...............................................................................................6 Foreword. Year One ...................................................................................................................................7 Peanuts, 5 October 1950 ............................................................................................................................8 Ergodic texts: In the Shadow of No Towers ......................................................................................10 The Wrong Place – Brecht Evens .........................................................................................................14 Sin Titulo, by Cameron Stewart, page 1 ...............................................................................................16 Gasoline Alley, 22 April 1934 ...............................................................................................................
    [Show full text]
  • Recommended Reading List: Historical Fiction/Non-Fiction Those Who Do Not Learn from History Are Doomed to Repeat It
    www.sequentialtart.com Recommended Reading List: Historical Fiction/Non-Fiction Those who do not learn from history are doomed to repeat it. And, if that's the case, you won't be repeating anything. If you like Oliver Stone movies, A&E biographies, or you're always switched on to the History Channel, these comics will open you to the histories of everything from global Dignifying Science conflict to the Wild West. by Jim Ottaviani G.T. Labs (www.gt-labs.com) Holliday http://read.sequentialtart.com/?dignifyingscience by Dave Samuelson, Jason Wright You'll like this if you enjoy: Science, A&E Biographies These are the stories of the women of science. From Saddle Tramp Press (www.sunsofsam.com) Heddy Lamar to Rosalind Franklin, various artists illus- http://read.sequentialtart.com/?holliday You’ll enjoy this if you like: My Darling Clementine, Tombstone trate the stories of these scientists and their contributions The fictionalized, well-researched adventures of Doc to science. Holliday are presented here, along with an interest in Safe Area Gorazde supernatural Western stories. by Joe Sacco Berlin Fantagraphics Books (www.fantagraphics.com) by Jason Lutes http://read.sequentialtart.com/?safeareagorazde Drawn & Quarterly (www.drawnandquarterly.com) You'll like this if you enjoy: Modern Eastern European history, http://read.sequentialtart.com/?berlin politics, and current affairs You'll enjoy this if you like: Das Boot and Cabaret, Berlin Diaries From 1995 to 1996, journalist Joe Sacco traveled to In a captivating portrait of Germany's capital city between Gorazde and experienced, first hand, the results of the the two world wars, this is the story that illustrates the Bosnian War.
    [Show full text]
  • The Comics & Graphic Novel Bulletin of IT's a LONG WAY BACK to GERMANY: JASON LUTE's AWARD-WINNING NOVEMBER 2018
    MEANWHILE IT’S A LONG WAY BACK TO GERMANY: JASON LUTE’S AWARD-WINNING Aminder Dhaliwal BERLIN AND I, RENE TARDI, PRISONER OF WAR IN STALAG 11B NOVEMBER 2018 - NO. 23 PLUS...KUPER’S KAFKAESQUE Robert Kirkman Lorenzo De Felici Anne Opo- towsky Aya Morton David Small Hugo Pratt Dhaliwal The Comics & Graphic Novel Bulletin of “Have you ever seen such madness? Look at weakness comes as no surprise to those like them all racing about in their machines! A real the schoolteacher (image right) who hold those affront to the German sense of order. And ideals as fervently as the radicals who strive to think of that poor fellow up there, trying to undermine them. Such radicals include Otto, make sense of it all.” That’s how writer Kurt the Red organizer who talks Gudrun Braun Severing (top right) introduces artist Marthe into attending the demonstration where she’s Muller to Berlin, center of German life. The shot by the police, leaving her daughter Rachel city’s raging traffic is a symbol of the furious (image bottom right) and son Heinz to very changes shaking Berlin to its foundations, the different fates. And they include various mem- struggling government the traffic cop isolated bers of the burgeoning Nazi movement, from in his tower among yet above the melee. Sev- the slum-dwelling, Jew-baiting guttersnipes ering plays City Mouse to Muller’s Country mentored by Gudrun’s embittered widower to Mouse in Jason Lutes’ Berlin. A historical epic Adolf Hitler himself. A bland little man who twenty years in the making, Berlin follows Sev- seethes with ambition, he listens to his favorite ering and Muller as the Weimar Republic be- spokesman Goebbels discuss the Party’s path gins to collapse.
    [Show full text]
  • Graphica on the Internet Itunes U App on the Ipad
    Graphica on the Internet iTunes U app on the iPad Overview Instructor Outline Outline continued Outline continued Question & Resources Answer Application Discussion Web Links Web Links continued Web Links continued Web Links continued Web Links continued Web Links continued Web Links continued iBooks on iTunes Store iBooks on iTunes Store continued iBooks on iTunes Store continued iPad apps on iTunes Store Graphica on the Internet iTunes U app on the iPad Question & Resources (2 pts) What graphic novels and graphic novel resources are available for high school students on the Internet? A sub question might be: What is the quality of the graphic novels and graphic novel resources on the Internet? I have enjoyed computers for their creative possibilities for years. I took my first computer science class in college in 1978. We used cardstock punch cards to enter our programming code into the mainframe computer. I earned an A+ when I was able to program the computer to beat me at MasterMind in less than 5 tries. I purchased by first personal computer in 1987, the year my 25-year old daughter was born! I have used professionally a computer ever since that time. In addition to many of the routine computer uses like writing and spreadsheets, I have experimented with creative applications like presentation tools, photography, and video. I use a LOT of technology in my teaching pedagogy. My school began an Apple 1-to-1 iPad program this year, and I LOVE it! This is what motivates me to look into what graphic novel resources are available on the Internet, especially for the iPad.
    [Show full text]