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Home-Stewart Plagiarism.-Art-As-Commodity-And-Strategies-For-Its-Negation.Pdf
British Library Cataloguing in Publication Data Plagiarism: art as commodity and strategies for its negation 1. Imitation in art — History — 20th century 2. Art — Reproduction — History — 20th century I. Home, Stewart 702.8'7 N7428 ISBN 0-948518-87-1 Second impression Aporia Press, 1987. No copyright: please copy & distribute freely. INTRODUCTION THIS is a pamphlet intended to accompany the debate that surrounds "The Festival Of Plagiarism", but it may also be read and used separately from any specific event. It should not be viewed as a cat alogue for the festival, as it contains opinions that bear no relation to those of a number of people participating in the event. Presented here are a number of divergent views on the subjects of plagiarism, art and culture. One of the problems inherent in left opposition to dominant culture is that there is no agreement on the use of specific terms. Thus while some of the 'essays' contained here are antagonistic towards the concept of art — defined in terms of the culture of the ruling elite — others use the term in a less specific sense and are consequently less critical of it. Since the term 'art' is popularly associated with cults of 'genius' it would seem expedient to stick to the term 'culture' — in a non-elitist sense — when describing our own endeavours. Although culture as a category appears to be a 'universal' experience, none of its individual expressions meet such a criteria. This is the basis of our principle objection to art — it claims to be 'universal' when it is very clearly class based. -
The Dahl House
Microcosm Publishing PO Box 14332 Portland, OR 97293 www.microcosmpublishing.com Welcome to the Dahl House Alienation, Incarceration and Inebriation in the New American Rome by Ken Dahl The new Welcome to the Dahl House book collects 10 years of comic artist Ken Dahl’s best work. Dahl, winner of the Ignatz Award for best mini-comic for his STD nightmare Monsters #1 , gives the goods in equally hilarious and harrowing doses. His comics show a dirty, beaten down, drunk-as-hell America where the underdog always rules—even if he never wins. Dahl’s work is normal ol’ painful life with all the warts and scars and stretch-marks fully visible and well-lit. It’s heavy stuff, and decidedly not for the faint of heart, but Dahl’s caustic sense of humor, courage under fire, and strong undercurrent of hope balance out the dark with light and give his comics a well-rounded, triumphant epicness. Like a graphic novel mash up of Gummo, Jesus’ Son, and Married with Children, Welcome to the Dahl House tells it like it is, the existential American experience in 128 pages. “A double-barreled assault on American culture and consumerism and its dev - astatng results ... Dahl’s writing is simply brilliant. He successfully presents a view of America from the outside.” - Midnight Fiction “Ken Dahl’s comics are really well drawn, imaginative, spirited, and forthright, SUBJECT CATEGORY: Graphic Novel, Comic but best of all, painfully, painfully honest.” - Ivan Brunetti, author of Misery RELEASE: 7/1/08 Loves Company PRICE: Retail: $6 | Wholesale: $4.20 ISBN: 978-1-934620-02-1 FORMAT: paperback, 5.5 x 7”, 128 pgs, illustrated ABOUT THE AUTHOR: Born in Honolulu, raised on the roads of the MARKETING NOTES: continental US, Ken Dahl comes at comix- - Author winner of Ignatz Award for best mini-comic makin' with a wealth of world-weariness and - Book is featured on 25,000 postcards distributed wisdom under his belt. -
Graphic Novels for Children and Teens
J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr. -
SEA TURTLES SWIM in to Essex County Turtle Back Zoo
THE SPIRIT OF SPRING 2017 SEA TURTLES SWIM IN TO Essex County Turtle Back Zoo PAGE 5 PAGE 7 PAGE 10 PAGE 14 Joseph N. DiVincenzo, Jr. A Blossom Event for Any Day Essex County Executive Saturday, April 8 ~ 7am-1pm 2017 CHERRY BLOSSOM and the Board of Essex county CHALLENGE BIKE RACE Oval, Northern Division Chosen Freeholders Sunday, April 9 ~ 10am Start CHERRY BLOSSOM 10K RUN Cherry Blossom Welcome Center, Extension Saturday, April 22 ~ 10am Race Start 1-MILE FUN RUN/WALK Daniel K. Salvante AND ESSEX COUNTY FAMILY DAY Prudential Concert Grove, Southern Division Director of Parks, Recreation Sunday, April 23 ~ 11am-5pm BLOOMFEST! and Cultural Affairs Cherry Blossom Welcome Center, Extension and Prudential Concert Grove, Southern Division PUTTING ESSEX COUNTY FIRST COMPLIMENTARY ISSUE A MESSAGE FROM THE COUNTY EXECUTIVE SEA TURTLES SWIM IN TO Dear Friend, Soon, the mercury will rise and the cold temperatures and wet weather of winter will be a ESSEX COUNTY TURTLE BACK ZOO faded shadow in the springtime sunshine. The warm air, flowers in bloom and tranquil blue skies signal a rebirth in all of our lives, beckoning us to shake off the doldrums and explore our community. Spring is the best time to reacquaint yourself with – or discover for the first time – our historic Essex County Parks System and the loveliness of flowers, trees and the beauty of nature. From April through June, visitors can experience a marathon blooming season of unparalleled diversity. There are more than 5,000 cherry trees transforming the canvas of Essex County Branch Brook Park into a canopy of pink and white every April. -
Studies in Literature and Culture: the Graphic Novel
NACAE National Association of Comics Art Educators Studies in Literature and Culture: The Graphic Novel • REQUIRED TEXTS: Chynna Clugston-Major, Blue Monday: Absolute Beginners (Oni Press) Will Eisner, A Contract with God and Other Tenement Stories (DC Comics) Mike Gold (Ed.), The Greatest 1950s Stories Ever Told (DC Comics) Harold Gray, Little Orphan Annie: The Sentence (Pacific Comics Club) Jason Lutes, Jar of Fools (Drawn & Quarterly) Scott McCloud, Understanding Comics (Harper-Perennial) Frank Miller and David Mazzuchelli, Batman: Year One (DC Comics) Art Spiegelman, Maus: A Survivor’s Tale (Vol. I) (Pantheon) James Sturm, The Revival (Bear Bones Press) You will also need the following: • A notebook. I would like you to keep track of major points which come up in my lectures and also in our class discussions. • A folder or binder for reserve readings and class handouts. I would suggest you make copies of the reserve readings available at the library. I will also give you a number of photocopied handouts which include directed-reading questions and material which supplements the primary readings for the course. • GRADES ––Attendance and class participation (including short response papers and reading quizzes): 25% ––Writing Assignment/Mini-comic project: 25% ––Midterm exam: 25% ––Final exam: 25% * Your papers must be turned in on time! I will deduct a full grade for each day a paper is late. If you have any questions about your papers or the assigned paper topics, please see me during my office hours or by appointment. I will be glad to talk with you about our readings and about your essays. -
The Defining and Shaping of the Contemporary Art Curator
THE DEFINING AND SHAPING OF THE CONTEMPORARY ART CURATOR THE DEFINING AND SHAPING OF THE CONTEMPORARY ART CURATOR Susan Ostling DipArt Lond BA Syd MA (Visual Arts) QUT Queensland College of Art, Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy February 2013 2 Abstract Curators have come to figure quite prominently in the cultural landscape of late, such that the concept of a curator is now applied in a wide variety of contexts from art to shopping. It is said curators are now far more linked to the internet and social networks, than to the interiors of museums; and most accounts see the contemporary art curator as caught in the flux of global cultural economies. Why should this be? It is in this volatile terrain I have situated my research on the contemporary art curator. I ask how has the role of the curator been shaped, defined and constrained by competing discourses? Were there other influences, I ask beyond the global market place that may have contributed to the defining and shaping of the contemporary curator? I undertake this study in two ways. Firstly, I conduct an historical overview to explore whether there were precedents of curatorial practice that might lead to a greater understanding of the contemporary curator. Here, following Foucault, I consider the transformations in dominant discourses that have effected the assembling and interpretation of collections of significant objects. Secondly, using interviews conducted with three ‘independent’ curators—Seth Siegelaub, Juliana Engberg and Charles Esche—I undertake discourse analyses, identifying a number of fields of discourse, which I argue have impacted and shaped their curatorial practices. -
Curriculum Vitae - Rose Marasco
CURRICULUM VITAE - ROSE MARASCO DISTINGUISHED PROFESSOR EMERTIA OF ART, UNIVERSITY OF SOUTHERN MAINE rosemarasco.com [email protected] 207. 780.1965 SOLO EXHIBITIONS upcoming 2018 Rose Marasco: index, Munson-Williams-Proctor Art Institute, Utica, New York 2015 Rose Marasco: index, Portland Museum of Art, Portland, Maine 2015 Patrons of Husbandry, Ogunquit Museum of American Art, Ogunquit, Maine 2014 New York City Pinhole Photographs, Meredith Ward Fine Art, New York, New York 2010-11 Projections, Houston Center for Photography, Houston, Texas 2008 The Invented Photograph, Universite de Bretagne Occidentale, Brest, France 2004-05 Domestic Objects: Past and Presence, University of Southern Maine; traveled to: Southwest Harbor Public Library, University of Maine Museum of Art, Bangor, & University of Maine at Farmington 2003 Circles, Sarah Morthland Gallery, New York, New York 2002 Open House: Margaret Jane Mussey Sweat, Portland Museum of Art, Portland, Maine 2000 Leafing, Sarah Morthland Gallery, New York, New York 1999 Ritual and Community: The Maine Grange, College of The Atlantic, Bar Harbor, Maine 1998 New England Diary, Sarah Morthland Gallery, New York, New York 1998 Rose Marasco Photographs, Port Washington Library, Port Washington, New York 1996 Ritual and Community: the Maine Grange, Latvian Museum of Photography, Riga, Latvia 1995 Tender Buttons: Women’s Domestic Objects, Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, Lucy Flint-Gohlke curator 1992-93 Ritual and Community: The Maine Grange, with -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Drawn & Quarterly
DRAWN & QUARTERLY FALL 2018 BERLIN jAsoN lutes DIRTY PLOTTE: ThE cOMPLETE JuLIE DOUCET jULiE DoUcET COYOTE DOGGIRL LisA hanawalt WOMAN WORLD AmiNDER DhALiwal PYONGYANG NEW PAPERBA cK EDiTioN gUY DELisLE BAD FRIENDS ancco BLAME THIS ON THE BOOGIE RiNA AYUYANg art cOMIC matthEW ThURBER THE SNOOTY BOOKSHOP Tom gauld BEAUTIFUL DARKNESS NEW PAPERBA cK EDiTioN FABiEN VEhLmANN AND KERAscoET BERLIN BOOK 3: CITY OF LIGHT JasoN lutes BERLIN JASON LUTES Twenty years in the making, this sweeping masterpiece charts Berlin through the rise of Nazism ALSO: BERLIN BOOK 3! See pg. 26 During the past two decades, Jason Lutes bling sidewalks, dusty attics, and train sta- has quietly created one of the masterworks tions: all these places come alive in Lutes’s of the graphic novel golden age. Serialized masterful hands. Weimar Berlin was the in twenty-two issues, collected in two vol- world’s metropolis, where intellectual- umes, with a third to be co-released at the ism, creativity, and sensuous liberal val- same time as this omnibus, Berlin has over ues thrived, and Lutes maps its tragic, in- 100,000 in print. Berlin is one of the high- evitable decline. Devastatingly relevant and water marks of the medium: rich in its re- beautifully told, Berlin is one of the great searched historical detail, compassionate in epics of the comics medium its character studies, and as timely as ever in its depiction of a society slowly awaken- ing to the stranglehold of fascism. PRAISE FOR BERLIN Berlin is an intricate look at the fall of the “As the Weimar Republic has declined, Weimar Republic through the eyes of its the art of Jason Lutes has only ascended.” citizens—Marthe Müller, a young woman —Washington Post escaping the memory of a brother killed in World War One; Kurt Severing, an ide- “The longest, most sophisticated work of alistic journalist losing faith in the printed historical fiction in the medium.”—Time word as fascism and extremism take hold; the Brauns, a family torn apart by poverty “A history of [Berlin] that’s accessible and and politics. -
The Christmas Revels Program Book
The 48th annual production With David Coffin Merja Soria The Kalevala Chorus The Solstånd Children Infrared listening devices and The Briljant String Band large print programs are available The Northern Lights Dancers at the Sanders Theatre Box Office. The Midnight Sun Mummers The Pinewoods Morris Men for Please visit our lobby table Karin’s Sisters Revels recordings, books, cards Cambridge Symphonic Brass Ensemble and more. Our new CD, The Gifts of Odin: A Nordic Christmas Revels, features much of the music from Lynda A. Johnson, Production Manager this year’s show! Jeremy Barnett, Set Design Jeff Adelberg, Lighting Design Heidi Hermiller, Costume Design Bill Winn, Sound Design Ari Herzig, Projection Design Thanks to our generous Corporate Partners With support and Media Sponsors: from: TM www.cambridgetrust.com CONTENTS Introduction Please join us in “All Sings” on pages 5, 10, 12, 14 and 16! Welcome to the 48th annual Christmas Revels! Sven is a dreamer and his father’s patience is wearing THE PROGRAM page 4 thin. It is Christmas and the big house is bustling with preparations for a party that will bring together ministers PARTICIPANTS page 17 and dignitaries from all the Scandinavian countries to meet the new Ambassador of Finland. The seasonal festivities do little to reduce Sven’s moodiness that FEATURED ARTISTS page 22 seems to be tied to the loss of his favorite uncle. Change comes in the guise of three unusual Christmas presents. They usher Sven into an alternative universe populated by witches, A NOTE ON THE KALEVALA snakes and superheroes, where he is reunited with his late uncle Finland Finds Its National Identity page 35 in a series of life-changing adventures. -
Three World Premieres FRIDAY JANUARY 17, 2014 8:00 Triple Threat Three World Premieres
Triple Threat Three World Premieres FRIDAY JANUARY 17, 2014 8:00 Triple Threat Three World Premieres FRIDAY JANUARY 17, 2014 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Pre-concert talk with the composers – 7:00 ELENA RUEHR Summer Days (2013) KEN UENO Hapax Legomenon, a concerto for two-bow cello and orchestra (2013) Frances-Marie Uitti, cello INTERMISSION DAVID RAKOWSKI Piano Concerto No. 2 (2011) Amy Briggs, piano GIL ROSE, Conductor Summer Days and Piano Concerto No. 2 were made possible by a grant from the Jebediah Foundation New Music Commissions. Hapax Legomenon was commissioned by the Harvard Musical Association and composed at Civitella Rainieri. PROGRAM NOTES 5 By Robert Kirzinger A true representative microcosm of the stylistic range of BMOP’s repertory history would be absurd, albeit maybe entertaining: forty-seven two-minute pieces for thirty-one different ensemble types? Something of that ilk might come close. The present program, though, TINA TALLON is at least an indicator of the range of the orchestra’s repertoire: all three composers of tonight’s world premieres have collaborated with BMOP before, but their individual compositional voices are highly distinctive. All three works were commissioned for and TONIGHT’S PERFORMERS written for the Boston Modern Orchestra Project. There are some broad connections, though: David Rakowski’s and Ken Ueno’s pieces are both concertos, and both Ueno’s FLUTE TROMBONE VIOLA and Elena Ruehr’s pieces were partly inspired by visual art. Sarah Brady Hans Bohn Noriko Herndon Rachel Braude Martin Wittenberg Emily Rideout Dimitar Petkov ELENA RUEHR (b. 1963) OBOE PERCUSSION Lilit Muradyan Summer Days (2013) Jennifer Slowik Nick Tolle Willine Thoe Laura Pardee Aaron Trant Kim Lehmann Mike Williams Elena Ruehr was BMOP’s first composer in residence from 2000 until 2005. -
Gallim, Recently Described Herself As an Artist Who Has Found Annual Gifts of $10,000 and Above
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Debra Cash TO OUR VISIONARY LEADERS The PillowNotes series comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through Andrea Miller, the founder and choreographer of the Brooklyn-based Gallim, recently described herself as an artist who has found annual gifts of $10,000 and above. her niche working “in new arrangements of constriction.” Constriction is, of course, relative. But Miller has spent over a decade interrogating—and sometimes seeking out—boundaries to embrace and cross. Their deep affiliation ensures the success and longevity of the In her dozen years at the helm of Gallim, these constrictions have included creating site-specific dance that brought living Pillow’s annual offerings, including educational initiatives, free public bodies, including students from The Juilliard School, into the priceless materiality of the 2,000 year old Temple of Dendur at the programs, The School, the Archives, and more. Metropolitan Museum, where she was the first choreographer to be named an artist-in-residence; working on a commercial fashion event for Hermès, where the dancers engaged joyfully with collectible shoes and handbags (Miller was quoted in The New Yorker $25,000+ as explaining “What we have in mind is that they have a secret—and it’s in her purse”), and a dance on the theme In This Life Carole* & Dan Burack Christopher Jones* & Deb McAlister of unavoidable grief for Robbie Fairchild and Bat-Sheva Guez’s experimental film , where Gallim’s performance is PRESENTS The Barrington Foundation Wendy McCain juxtaposed with works by Fairchild and choreographers James Alsop, Warren Craft, and Christopher Wheeldon.