57Th Berlinale 2007
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Adolf Eichmann in Buenos Aires
CAPTURING THE DEVIL The real story of the capture of Adolph Eichmann Based on the memoirs of Peter Zvi Malkin A feature film written and directed by Philippe Azoulay PITCH Peter Zvi Malkin, one of the best Israeli agents, is volunteering to be part of the commando set up to capture Adolf Eichmann in Buenos Aires. As the others, he wants to take revenge for the killing of his family, but the mission is to bring Eichmann alive so that he may be put on trial in Jerusalem. As Peter comes to consider his prisoner an ordinary and banal being he wants to understand the incomprehensible. To do so, he disobeys orders. During the confrontation between the soldier and his prisoner, a strange relationship develops… CAPTURING THE DEVIL HISTORICAL CONTEXT 1945 The Nuremberg trial is intended to clear the way to for the rebuilding of Western Europe Several Nazi hierarchs have managed to hide or escape Europe 1945 Adolph Eichmann who has organized the deportations and killings of millions of people is hiding in Europe. 1950 Eichmann is briefly detained in Germany but escapes to South America thanks to a Red Cross passport. In Europe and in Israel, Jews who survived the camps try to move into a new life. The young state of Israel fights for its survival throughout two wars in 1948 and 1956. The Nazi hunt is considered a “private“ matter. 1957 the Bavarian General Attorney Fritz Bauer, who has engaged into a second denazification of Germany’s elite, gets confirmation that Eichmann may be located in Argentina. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
6182 Rhodes & Singer.Indd
Consuming Images 6182_Rhodes & Singer.indd i 18/12/19 3:04 PM Robert Abel’s Bubbles (1974) 6182_Rhodes & Singer.indd ii 18/12/19 3:04 PM Consuming Images Film Art and the American Television Commercial Gary D. Rhodes and Robert Singer 6182_Rhodes & Singer.indd iii 18/12/19 3:04 PM Dedicated to Barry Salt and Gerald “Jerry” Schnitzer Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Gary D. Rhodes and Robert Singer, 2020 Edinburgh University Press Ltd The Tun—Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 6068 2 (hardback) ISBN 978 1 4744 6070 5 (webready PDF) ISBN 978 1 4744 6071 2 (epub) The right of Gary D. Rhodes and Robert Singer to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 6182_Rhodes & Singer.indd iv 18/12/19 3:04 PM Contents List of Figures vi Acknowledgments ix Introduction 1 1. Origins 16 2. Narrative 36 3. Mise-en-scène 62 4. -
Includes Our Main Attractions and Special Programs 215 345 6789
County Theater 79 PreviewsMARCH – MAY 2012 DAMSELS IN DISTRESS DAMSELS INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS C OUNTY T HEATER.ORG 215 345 6789 Welcome to the nonprofit County Theater The County Theater is a nonprofit, tax-exempt 501(c)(3) organization. How can you support ADMISSION COUNTY THEATER the County Theater? MEMBER General ..............................................................$9.75 Be a member. Members ...........................................................$5.00 Become a member of the nonprofit County Theater and Seniors (62+) show your support for good Students (w/ID) & Children (<18). ..................$7.25 films and a cultural landmark. See back panel for a member- Matinees ship form or join on-line. Your financial support is tax-deductible. Mon, Tues, Thurs & Fri before 4:30 Make a gift. Sat & Sun before 2:30 .......................................$7.25 Your additional gifts and support make us even better. Your Wed Early Matinee before 2:30 ..........................$5.00 donations are fully tax-deductible. And you can even put your Affiliated Theaters Members* .............................$6.00 name on a bronze star in the sidewalk! You must present your membership card to obtain membership discounts. Contact our Business Office at (215) 348-1878 x117 or at The above ticket prices are subject to change. [email protected]. Be a sponsor. *Affiliated Theaters Members Receive prominent recognition for your business in exchange The County Theater, the Ambler Theater, and the Bryn Mawr Film for helping our nonprofit theater. Recognition comes in a variety Institute have reciprocal admission benefits. Your membership will of ways – on our movie screens, in our brochures, and on our allow you $6.00 admission at the other theaters. -
The Release: a Thesis
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-16-2014 The Release: A Thesis Jonathan Frey [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Film and Media Studies Commons Recommended Citation Frey, Jonathan, "The Release: A Thesis" (2014). University of New Orleans Theses and Dissertations. 1798. https://scholarworks.uno.edu/td/1798 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Release A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Fine Arts In Film Production By Jonathan Frey B.A. Tulane University, 2003 May 2014 © 2014, Jonathan Frey ii Table of Contents Abstract ......................................................................................................................................... -
Course Description Fall 2013
COURSE DESCRIPTION FALL 2013 TEL AVIV UNIVERSITY TEL AVIV UNIVERSITY INTERNATIONAL STUDY ABROAD ‐ FALL SEMESTER 2013 COURSE DESCRIPTION MAIN OFFICE UNITED STATES CANADA The Carter Building , Room 108 Office of Academic Affairs Lawrence Plaza Ramat Aviv, 6997801, Israel 39 Broadway, Suite 1510 3130 Bathurst Street, Suite 214 Phone: +972‐3‐6408118 New York, NY 10006 Toronto, Ontario M6A 2A1 Fax: +972‐3‐6409582 Phone: +1‐212‐742‐9030 [email protected] [email protected] Fax: +1‐212‐742‐9031 [email protected] INTERNATIONAL.TAU.AC.IL 1 TABLE OF CONTENTS ■ FALL SEMESTER 2013 DATES 3‐4 ■ ACADEMIC REQUIREMENTS 6‐17 O INSTRUCTIONS FOR REGISTRATION 6‐7 O REGULAR UNIVERSITY COURSES 7 O WITHDRAWAL FROM COURSES 8 O PASS/FAIL OPTION 8 O INCOMPLETE COURSES 8 O GRADING SYSTEM 9 O CODE OF HONOR AND ACADEMIC INTEGRITY 9 O RIGHT TO APPEAL 10 O SPECIAL ACCOMMODATIONS 10 O HEBREW ULPAN REGULATIONS 11 O TAU WRITING CENTER 11‐12 O DESCRIPTION OF LIBRARIES 13 O MOODLE 13 O SCHEDULE OF COURSES 14‐16 O EXAM TIMETABLE 17 ■ TRANSCRIPT REQUEST INSTRUCTIONS 18 ■ COURSE DESCRIPTIONS 19‐97 ■ REGISTRATION FORM FOR STUDY ABROAD COURSES 98 ■ EXTERNAL REGISTRATION FORM 99 2 FALL SEMESTER 2013 IMPORTANT DATES ■ The Fall Semester starts on Sunday, October 6th 2013 and ends on Thursday, December 19th 2013. ■ Course registration deadline: Thursday, September 8th 2013. ■ Class changes and finalizing schedule (see hereunder): October 13th – 14th 2013. ■ Last day in the dorms: Sunday, December 22nd 2013. Students are advised to register to more than the required 5 courses but not more than 7 courses. -
Masaki Kobayashi: KWAIDAN (1965, 183M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
March 10, 2020 (XL:10) Masaki Kobayashi: KWAIDAN (1965, 183m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Directed by Masaki Kobayashi Writing Credits Yôko Mizuki (screenplay), Lafcadio Hearn (novel) (as Yakumo Koizumi) Produced by Takeshi Aikawa, Shigeru Wakatsuki Music by Tôru Takemitsu Cinematography by Yoshio Miyajima Film Editing by Hisashi Sagara The film won the Jury Special Prize and was nominated for the Palme d’Or at the 1965 Cannes Film Festival and was nominated for an Oscar for Best Foreign Language Film at the 1966 Academy Awards. CAST for the Palme d'Or at Cannes, and Samurai Rebellion “The Black Hair” (1967), and Kwaidan (1964), for which he, once again, Michiyo Aratama…First wife both won the Jury Special Prize and was nominated for the Misako Watanabe…Second Wife Palme d’Or. He was also nominated for the Palm d’Or for Rentarō Mikuni…Husband Nihon no seishun (1968). He also directed: Youth of the Son (1952), Sincerity (1953), Three Loves* (1954), “The Woman of the Snow” Somewhere Under the Broad Sky (1954), Beautiful Days Tatsuya Nakadai…Minokichi (1955), Fountainhead (1956), The Thick-Walled Room Jun Hamamura…Minokichi’s friend (1956), I Will Buy You (1956), Black River (1957), The *Keiko Kishi…the Yuki-Onna Inheritance (1962), Inn of Evil (1971), The Fossil (1974), Moeru aki (1979), Tokyo Trial* (Documentary) (1983), “Hoichi” and Shokutaku no nai ie* (1985). -
Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952), -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
Kihachi Okamoto Nace En 1924 En Yonago, Totori
Kihachi Okamoto Nace en 1924 en Yonago, Totori. Se traslada a Tokio en 1941 para ingresar en la Universidad Meiji. Allí se convierte en un ávido cinéfago, aficionado a las películas estadounidenses de acción y a las comedias francesas. Se gradúa en 1943 y entra en la Toho como ayudante de producción. Poco después es reclutado y llevado a la escuela del ejército para oficiales en la reserva, desde donde vio el final de la guerra. En 1945 vuelve a Tokio y trabaja como ayudante de dirección para Taniguchi, Makino o Naruse. En 1957 la Toho anuncia un proceso de selección para ascender a los ayudantes de dirección que presentaran el mejor guión. La sinopsis de ¡Oh, mi bomba! y el guión de El forajido solitario le hicieron ganar el ascenso y para su debut se le asignó la comedia Todo sobre el matrimonio, en 1958. El forajido solitario, su quinta película, basada en su propio guión, fue un enorme éxito en 1959. Su reputación se construyó en paralelo a la de otros cineastas jóvenes del momento: Suzuki, Masumura, Imamura y Oshima. Se convirtió en el director habitual de las películas de acción de la Toho. En 1974 creó la productora Kihachi y se despidió de Toho. Aunque es un director relativamente desconocido en Occidente, sus historias llenas de humor y ritmo son muy populares en Japón. Murió el 19 de febrero de 2005 cuando estaba a punto de comenzar su película número 40. Una reescritura del cine de género “Si Kurosawa es el John Ford de las películas de samuráis, Okamoto es el Samuel Fuller del género” dijo en una ocasión el crítico estadounidense Bruce Eder.