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Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
A Cultural Exploration Via the Mediums of Music and Poetry
The University of Maine DigitalCommons@UMaine Honors College 5-2012 A Cultural Exploration Via the Mediums of Music and Poetry Colin S. Kolmar Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the International and Area Studies Commons, and the Music Commons Recommended Citation Kolmar, Colin S., "A Cultural Exploration Via the Mediums of Music and Poetry" (2012). Honors College. 63. https://digitalcommons.library.umaine.edu/honors/63 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. A CULTURAL EXPLORATION VIA THE MEDIUMS OF MUSIC AND POETRY by Colin S. Kolmar A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (International Affairs) The Honors College University of Maine May 2012 Advisory Committee: Laura Artesani, D.M.A., Associate Professor of Music, Advisor Amy Fried, Ph.D., Professor of Political Science James Artesani, Ed.D., Associate Professor of Special Education Mimi Killinger, Ph.D., Honors College Rezendes Preceptor for the Arts Mr. Daniel Williams, M.A., University of Maine Foundation Planned Giving Officer Abstract In order to prove the effectiveness of educational explorations conducted in extra- institutional settings, this thesis focuses on information collected in unconventional learning environments. The information gathered during these experiences was subsequently synthesized and conveyed via non-traditional scholastic mediums. This particular extra-institutional learning experience involved the investigation into jazz and hip hop music styles through cultural immersion. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Madonna: Like a Crone
ROCK ON: WOMEN, AGEING AND POPULAR MUSIC MADONNA: LIKE A CRONE Reaching fifty in 2008 was a watershed year not just for Madonna, but also for her millions of fans. She is a vital figure for women across generations: through her performances she has popularised feminist politics and debate, and promoted a message of sexual empowerment. Much of her career has hinged on this concept of self-liberation and sexual expressiveness. As a young star she was powerfully seductive - one of the first female performers in the pop mainstream to capitalise on video as a marketing tool, and to make that nexus between sex, pop and commerce so explicit. She also challenged notions of the male/female gaze with her book Sex, and videos like 'Justify My Love'. Much of her allure was centred around her visual image, and her ability to combine an inclusive sexuality with compelling costume changes and personae. Female stars in her wake, from Britney Spears to Lady Gaga, have been clearly influenced by her ideas on performance and sexuality However, becoming a mature woman and a mother has presented her with a dilemma. She is fiercely competitive and it is a matter of personal pride to 'stay on top' in the singles market. But in having to compete with younger women, she is subject to the same pressures to look young, slim and beautiful. As a result, she has to continually sculpt and resculpt her body through rigorous workouts and diet regimes. The sculpted body first emerged when she shed the voluptuous 'Toy Boy' look of her early career for her 'Open Your Heart' video. -
Madonna Still Provocative but Wistful on New Epic Tour
SATURDAY, SEPTEMBER 19, 2015 Madonna performs at Madison Square Garden in New York City. — AFP photos Madonna still provocative but wistful on new epic tour wo hours into a show in which transgender nuns twirled on More sex and shock gay, similarly transformed several of her giddiest ‘80s tracks-”Dress stripper poles and hot-bodied dancers simulated most imagina- Madonna helped revolutionize the concept of a concert with her You Up,” “Into the Groove” and “Lucky Star” into an acoustic, Spanish- Tble sex acts, Madonna’s eyes glistened. “I’m so lucky to have sur- 1990 “Blond Ambition” tour, giving a new aura to her music through tinged medley brought joyously to stage as a flamenco dance. vived this long,” the pop legend told a sold-out crowd Wednesday prolific costume changes and heavy overtones of sex including simu- “This is the first time my manager told me I’m wearing too much night at New York’s Madison Square Garden. “I’m feeling pretty nos- lated masturbation, which even brought condemnation by The clothing,” Madonna said at she donned a Latin floral dress. Madonna talgic tonight. I first performed here 30 years ago,” she said. On one of Vatican. Madonna has not toned down the sex on the “Rebel Heart” opened the tour last week in Montreal and plans a total of 76 shows the first dates of her new “Rebel Heart” tour, Madonna still proved her tour. She even entered the stage to a recording of her voice declaring, through March 27 when “Rebel Heart” closes in Brisbane, Australia. -
Eight-One-Prod-Resum
jason young|paul kirkland choreographers selected credits contact: 818 509-0121 < TELEVISION/ FILM > Rachel Platten Invictus Games Creative Directors/Choreographers Hello Ladies Choreographers Trophy Wife Choreographers Beyond Dance MTV Associate Choreographers Rachel Platten Today Show Concert Series Creative Directors/Choreographers Madonna 2015 Grammy Performance Supervising Choreographers Andy Grammer Today Show Wedding Episode Creative Directors/Choreographers Your Chance To Dance CMT Contributing Choreographers Dancing with the Stars Choreographers Kiss Florence & The Machine “Dog Days”, Enrique Inglasias “Heart Attack” Demi Lovato “Heart Attack” Red Foo “Juicy Wiggle” Charlie White “Supercalifrgilisticexpialidocious” Nick Carter “Backstreets Back” & “Larger Than Life” Naoh Gallway “American Soldier”& “Titanium” Andy Grammer “Good To Be Alive” Ricky Martin Pan-American Games Choreographers Bruno vs Carrie Anne “Dance Wars” ABC Choreographers Zumba 2 Video Game (Commercial) Choreographers Street Dance 2 Vertigo Films Assistant Choreographers Alvin & The Chipmunks 4 Assistant Choreographers Duets Choreographers Rachel Platten 2016 Latin Grammy’s Creative Directors/Choreographers < LIVE CONCERT DIRECTOR > “When The Lights Go Out” Directors/ Choreographers Kellogg’s USA Gymnastics Tour 2016 Choreographers Madonna “Rebel Heart Tour” Live Nation Supervising Choreographers Ricky Martin (Australia) Choreographers Madonna “MDNA Tour” Live Nation Co-Supervising Choreographers DWTS 2015 Live Tour – “Good To Be Alive” Choreographer Rachel Platten -
Madonna's Postmodern Revolution
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 26-32 doi: 10.17265/2159-5836/2021.01.004 D DAVID PUBLISHING The Rebel Madame: Madonna’s Postmodern Revolution Diego Santos Vieira de Jesus ESPM-Rio, Rio de Janeiro, Brazil The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities. Keywords: Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality Introduction Madonna is not only the world’s highest earning female entertainer, but a pop culture icon. Her career is based on an overall direction that incorporates vision, customer and industry insight, leveraging competences and weaknesses, consistent implementation, and a drive towards continuous renewal. She constructed herself often rewriting her past, organized her own cult borrowing from multiple subaltern subcultures, and targeted different audiences. As a postmodern icon, Madonna also reflects social contradictions and attitudes toward sexuality and religion and addresses the complexities of race and gender. Her use of multiple media—music, concert tours, films, and videos—shows how images and symbols associated with multiracial, LGBT, and feminist groups were inserted into the mainstream. She gave voice to political interventions in mass popular culture, although many critics argue that subaltern voices were co-opted to provide maximum profit. -
Jason-Young-Chor-Res
jason young choreographer selected credits contact: 818 509-0121 < TELEVISION > Beyond Dance MTV Hello Ladies HBO Your Chance To Dance (Contributing Choreographer) CMT Dance War: Bruno vs. Carrie Ann ABC < MUSIC VIDEOS > Madonna “Turn Up The Radio” Live Nation Cee Lo Green “Cry Baby” Rock Hard Films J. Lewis ft. Flo Rida “Dancin’ For Me” Dir. Jeffrey Elmont Britney Spears “3” (Assistant Choreographer/Dancer) Dir. Diane Martel < STAGE / LIVE EVENTS > Ricky Martin “All In” Vegas Residency Co-Choreographer Sam Hunt Tour Stage Direction / Movement Coach Kellogg’s Tour of Gymnastics Choreographer Madonna “Rebel Heart” Tour 2015, 2016 Co-Supervising Choreographer Machel Montano 2014, 2015 Zen Arts Enrique Iglesias Choreographer Ricky Martin, Australia Choreographer Madonna, “MDNA” Tour Co-Supervising Choreographer Madonna Superbowl XLVI Co-Supervising Choreographer Britney Spears “Femme Fatale” World Tour Associate Supervising Choreographer Ricky Martin “M.A.S.” World Tour Co-Supervising Choreographer Tino Coury Mix Fest 2010 Eleventh Records Tino Coury Jingle Ball Miami 2009 Eleventh Records Ricky Martin Black & White Tour 2007 Ricky Martin Black & White Tour 2007 DVD LAX Blackground Records New Year’s 2007 Aladdin Hotel Las Vegas Mafia Style Clothing Mafia Style Clothing L.A. Wedding Conceptions Caesar’s Palace Las Vegas New Year’s 2005 Mandalay Bay Las Vegas Carnival Key Club Mar. 2006 Consumer Electronics Show Las Vegas, Nevada Carnival Key Club Nov. 2005 ATLANTA SUPER SHOW FUBU M.A.G.I.C. FUBU & Request Jeans < SELECTED PERFORMANCE CREDITS > I’m Going to Tell You a Secret Principal Dancer - Maverick Films You Got Served Dancer – Sony Pictures Madonna “Confessions Tour” 2006 Dancer Madonna “Re-Invention Tour” 2004 Dancer Mariah Carey MTV VMA Performance 2006 MTV JC Chasez “Wango Tango” 2003 Dancer Kylie Minogue “Showgirl Tour 2006” Dancer Missy Elliot “We Run This” Music Video Dancer Anastacia – World Cup 2002 Dancer Anastacia/Mary J. -
[2005] EWHC 449 (Ch) [2005] E.C.D.R
[2006] E.M.L.R. 2 Page 1 [2005] EWHC 449 (Ch) [2005] E.C.D.R. 21 [2006] E.M.L.R. 2 [2005] F.S.R. 34 (2005) 28(6) I.P.D. 28046 Official Transcript [2005] EWHC 449 (Ch) [2005] E.C.D.R. 21 [2006] E.M.L.R. 2 [2005] F.S.R. 34 (2005) 28(6) I.P.D. 28046 Official Transcript (Cite as: [2006] E.M.L.R. 2) to be regarded as the relevant work for copyright [2005] EWHC 449 (Ch) purposes. The claimant indicated that, if this was right, she would not seek to amend her claim by *21 Coffey v Warner/ Chappell Music Ltd pleading reliance on the song “Forever After” as a whole. High Court, Chancery Division H4 HELD, dismissing the claim: J. (Blackburne H5 1. It was not open to a claimant to pick and March 18, 20051 choose the elements of a work upon which he relied in order to make the question of whether a substan- Copyright; Musical works; Originality; Striking tial part had been copied more likely to be out; answered in his favour.IPC Media Ltd v Highbury Leisure Publishing Ltd [2004] EWHC 2985; [2005] H1 Copyright in a musical work—work alleged to F.S.R. 20 followed. be infringed was the combination of vocal charac- teristics in and around a single lyrical line of a H6 2. What the copyright work was in any given song—features claimed were not sufficiently separ- case was not governed by what the claimant chose able from the rest of the song as to constitute a mu- to say that it was. -
Universidade Do Algarve Bodybuilders: A
UNIVERSIDADE DO ALGARVE BODYBUILDERS: A CONSTRUÇÃO DO CORPO, DO SUJEITO E DA ALTERIDADE ENQUANTO OBJECTO ARTÍSTICO Rafael Alvarez Dissertação Doutoramento em Artes, Comunicação e Património (Especialidade em Comunicação, Cultura e Artes) 2016 UNIVERSIDADE DO ALGARVE BODYBUILDERS: A CONSTRUÇÃO DO CORPO, DO SUJEITO E DA ALTERIDADE ENQUANTO OBJECTO ARTÍSTICO Rafael Alvarez Dissertação Doutoramento em Artes, Comunicação e Património (Especialidade em Comunicação, Cultura e Artes) Trabalho efectuado sob a orientação de: Professora Doutora Eugénia Vasques e co-orientação de: Professor António Branco 2016 BODYBUILDERS: A CONSTRUÇÃO DO CORPO, DO SUJEITO E DA ALTERIDADE ENQUANTO OBJECTO ARTÍSTICO Rafael Alvarez RESUMO PALAVRAS-CHAVE: corpo, identidade, sujeito, self, outro, espelho, performance, género, pós-modernidade, pós-colonialismo, liberdade, pluralismo, pop. BODYBUILDERS, incide na análise e reflexão em torno de um conjunto de obras e criadores cujo discurso e prática autoral se foca no corpo enquanto matéria, forma e objecto, através da sua espectacularização/especulação. A auto- representação do corpo e a construção de identidade(s)/subjectividade(s) e do lugar do outro, surgem como problemáticas centrais desta investigação, Falamos de artistas e obras que vivem de imagens construídas, coladas, esculpidas, materializadas, subtraídas, travestidas e inscritas no corpo – o corpo do artista/criador/autor, ele mesmo, corporalizadas na primeira pessoa do singular. O corpo funciona aqui como canvas, como folha em branco, palco vazio, cenário -
When Jacolby Satterwhite Was Eleven, He Was Diagnosed with Cancer
Jacolby Satterwhite. Room for Demoiselle Two, 2019. C-Print; 45 x 60 inches. © Jacolby Satterwhite. Courtesy of the artist and Mitchell-Innes Nash. When Jacolby Satterwhite was eleven, he was diagnosed with cancer. While laid up in the hospital, he played a lot of videogames. His mother Patricia dreamed up inventions, recorded in glittery crayon, that might one day be sold on the Home Shopping Network. Satterwhite lost the use of one arm following a surgery that removed parts of his shoulder bone and the surrounding muscles. He underwent years of chemotherapy, successfully putting the cancer in remission. He went to art school and trained as a painter, using his left arm to support his right. He attended the Skowhegan residency, experimented with various computer processes, and eventually jettisoned painting—and its weighty, Eurocentric history—in favor of video and a multilayered, rococo style of 3D animation. Jacolby Satterwhite’s Reifying Desire 5,(2013). Production still from the New York Close Upepisode, Jacolby Satterwhite Dances with His Self. © Art21, Inc. 2013. It’s hard to be a queer Black painter without being interpreted as acting in opposition to several centuries of hegemonic whiteness. Working with new media allowed Satterwhite a certain freedom: the ability to extend the body into space without having to contend with a whole lot of conceptual baggage. However, he didn’t leave painting behind so much as transpose its compositional logic, saying in a June 2019 phone conversation: “Sometimes you can take time off to deal with other materials, to interrogate the formal relationships that are between some of the things paint interrogates. -
JAMIE KING Creative Director / Creative Producer
JAMIE KING Creative Director / Creative Producer Jamie King is the leading live tour / concert director in the world of pop music today. In 2011, Variety published a twelve-page career tribute issue naming King “Variety’s Billion Dollar Tour Director” acknowledging his combined box office tally of over two billion dollars in ticket sales. In 2019, King was Director of Nicki Minaj’s WRLD tour and related promotional appearances, Director of Madonna’s Eurovision, Billboard Music Awards and NY PRIDE appearances, and Creative Producer of Madonna’s Madame X tour. Leading up to this, King was Director of Ricky Martin’s ALL IN residency at the Park Theater Las Vegas. For the past two decades, King has served as Madonna’s Creative Director. Madame X marks King’s seventh tour with Madonna having served as Director of her 2015 Rebel Heart tour, Creative Producer of her 2012 MDNA tour, Director of her 2008 Sticky & Sweet tour and Director of her 2006 record-breaking Confessions tour. He was also Director & Choreographer of Madonna’s Re- Invention and Drowned World tours and Director of her hit music video Sorry. King was Writer and Director of the critically-acclaimed Cirque du Soleil Michael Jackson Immortal world tour, which grossed over three hundred and fifty million dollars worldwide, and subsequently Co-Writer & Director of Cirque du Soleil’s critically-acclaimed MJ ONE residency now in its sixth hit year at Mandalay Bay, Las Vegas. In 2011, King was Director of Rihanna’s Loud tour and Director of Britney Spears’ Femme Fatale tour. In 2012 he was Director of Madonna's epic Superbowl Halftime Show, and Creative Director of Bruno Mars' 2014 Superbowl Halftime Show performance.