Megan Lawson Choreographer | Director
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
A Stylistic Study of Figurative Language in Katy Perry's
A STYLISTIC STUDY OF FIGURATIVE LANGUAGE IN KATY PERRY’S SONG LYRICS FROM WITNESS ALBUM A Thesis Submitted to Faculty of Adab and Humanities In Partial Fulfillment of the Requirements for the Degree of Strata One Alfi Syahrina NIM. 11150260000086 ENGLISH LITERATURE DEPARTMENT FACULTY OF ADAB AND HUMANITIES UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2019 ABSTRACT Alfi Syahrina, A Stylistic Study of Figurative Language in Katy Perry’s Song Lyrics from Witness Album. Thesis: English Literature Department, Faculty of Adab and Humanities, Universitas Islam Negeri Syarif Hidayatullah Jakarta, 2019. This research is aimed at taking comprehensive understanding regarding the type of figurative language within the song lyrics in Katy Perry’s Witness (2017) album to know what her perspectives about her country (USA) especially after the 2016 election. After understanding the type of figurative language, it is then related and connected to the idea of the author. The utilized theories in this research are stylistics by Geoffrey Leech and Mick Short and figurative language by Laurence Perrine. This study uses qualitative method and content analysis approach since the object of the analysis is formed as song lyrics. Adopting the Perrine’s theory of figurative language, it is discovered that there are only seven of twelve types of figurative language i.e. simile, metaphor, personification, metonymy, symbol, hyperbole, and irony. Metaphor mostly dominates in the song lyrics with its total eight times (29,63%) of occurrence. After finding the type of figurative language, the researcher relates the meaning of figurative language to the context in the data. Hence, it is discovered that the author’s political perspective and women empowerment in metaphor which dominates the type of figurative language. -
How Powerful Is God?
1 How powerful is God? GENESIS 18:10-11, 13-14 The LORD said…Sarah your wife shall have a son…11Now Abraham and Sarah were old, advanced in years…13The Lord said to Abraham…14Is anything too hard for the Lord? At the appointed time…Sarah shall have a son. The 4½ million-pound spaceship Columbia blasted off with a long fiery tail. Two minutes later, it had reached an altitude of 23 miles. It circled the globe at 17,000 miles per hour. Imagine the power that it took to push that huge rocket through space at that speed! Did you know God is more powerful than that? The Bible says, “The Lord is…great in power” (Nahum 1:3). He made the heavens and Earth. God spoke and it was there! He is almighty. He rules over all nations. God’s power has no limits. He can make anything happen. The Bible tells about Abraham and Sarah. God promised them that they would have many children, but no children were born. One day, God sent an angel to Abraham when he and Sarah were almost 100 years old. The angel told him that the following year Sarah would have a son. That was impossible! When Sarah laughed, the angel said, “Is anything too hard for the Lord?” (Genesis 18:14). Sure enough, Sarah had a son! Because God is all-powerful, He could make this impossible thing happen. The next time you have a problem, remember that God is very powerful and wants to help you. THINK ABOUT IT! What are some ways God shows His power? TALK TO GOD Tell God how great and powerful He is. -
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The Sentinel The Sentinel The Sentinel Stress Free - Sedation Dentistr y September 14 - 20, 2019 tvweekSeptember 14tv - 20, 2019 week tvweekSeptember 14 - 20,George 2019 Blashford,Blashford, DMD 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com Trailblazer INTRODUCING Trailblazer Trailblazer Benefits & Perks For Our Subscribers Introducing News+ Membership, a program for our Lilly Singh hosts “A Little subscribers, dedicated to ooering perks and benefits taht era Lilly Singh hosts “A Little Late With Lilly Singh” only available to you as a member. News+ Members will Late With Lilly Singh” continue to get the stories and information that makes a Lilly Singh hosts “A Little dioerence to them, plus more coupons, ooers, and perks taht Late With Lilly Singh” only you as a member nac .teg COVER STORY / CABLE GUIDE ...............................................2 COVER STORY / CABLE GUIDE ...............................................2 SUDOKUGiveaways / VIDEO RSharingELEASES ..................................................Events Classifieds Deals Plus More8 SCUDOKUROSSWORD / VIDEO .................................................................... RELEASES ..................................................83 CROSSWORD ....................................................................3 WORD SEARCH...............................................................16 CWOVERSPORTSORD STORY S...........................................................................EARCH / C...............................................................ABLE -
Cirque Du Soleil Michael Jackson ONE
Cirque du Soleil Michael Jackson ONE Case Study Lightware Visual Engineering 1 Peterdy 15, Budapest H-1071, Hungary +36 1 255 3800 [email protected] www.lightware.com Cirque du Soleil – Michael Jackson ONE Market Country Rental & Staging USA Lightware Equipment Used in Project 1 - Lightware MX-FR65R frame 41 - Lightware fiber receivers 3 - Lightware fiber transmitters “I’m a perfectionist; it’s part of who I am,” Michael Jackson is purported to have said. Given the quality of his work and his reputation for high standards, the expectations for a show revolving around Michael Jackson will always be exceedingly high. Cirque du Soleil’s Michael Jackson ONE, produced in conjunction with Jackson’s estate, aspires to meet the level of perfection the star would demand. The show, which combines Jackson’s music with Cirque’s distinctive acrobatic feats, is at the Mandalay Bay Resort and Casino in Las Vegas in a space that was formerly occupied by a production of The Lion King; it was completely renovated specifically for MJ ONE. CDS anchored a team that included Auerbach Pollock Friedlander, Moser Architecture Studio, and Jaffe Holden Acoustics for the design and specification of the rigging and automation, lighting control, and audio-video systems. The show’s story line was written by choreographer Jamie King, who danced in Michael Jackson’s 1992 Dangerous World Tour. The musical director, Kevin Antunes (New Kids on the Block, Marky Mark and the Funky Bunch, Britney Spears, ‘N Sync, Justin Timberlake), made his selections from “Michael’s entire treasure vault” and remixed it specifically for the show. -
Johanna Sapakie Johanna Sapakie’S Passion for Dance and Love for Choreography Have Always Played an Important Role in Her Life
Johanna Sapakie Johanna Sapakie’s passion for dance and love for choreography have always played an important role in her life. Her diligent work ethic and dedication to the craft have gotten her far in the ever-expanding world of entertainment. While coming from a strong ballet background, Johanna is an athletic aerialist and dancer schooled in a variety of forms including contemporary, jazz, hip-hop, lyrical, tap, modern, partnering, point work and aerial & pole acrobatics. She was trained from a very young age and has worked with such master teachers as Joe Tremaine, Debbie Allen, Liz Imperio, Marguerite Derricks, Wade Robson and Savion Glover. More recently, on the performance side of her career, Johanna has been involved in many projects on stage and on camera including the newest Cirque Du Soleil shows in Las Vegas Michael Jackson ONE with Jamie King and Viva ELVIS with Vincent Paterson, Super Bowl LIV with Jennifer Lopez, Dancing With the Stars, the Arabesque Festival at the Kennedy Center, "One Love..." with Franco Dragone, Songs of Soul and Inspiration with, among others, Debbie Allen, Queen Latifah and Chaka Khan, MEIFF with Otis Salid, The Mexican Billboard Awards with Liz Imperio, Miss USA, The MTV Movie Awards, New Year’s Eve Live at Mandalay Bay, the first animated ring tone for "Boom di Boom di", the lead female pole acrobat in That Rogue Romeo’s music video "Domino", Jazz Dance World Congress, The Professional Dancers’ Society Benefit with Dick Van Dyke, Steps In Time for Disney’s California Adventure, Mental Head Circus with Terry Beeman, the Hysterica Dance Company with Bubba Carr, NY’s Performance Outlet with Dee Caspary, Gucci, Redken, Volvo and Tarbell Realty industrials, a featured female aerialist in Argentum Silvereye, photography for the Dance Resource Center and much more. -
The 2015 Brit Awards the Brit Awards 2015 in Association with Mastercard Were Held for the Fifth Year Running at the 02, London
PRODUCTION PROFILE: The BRIT Awards THE 2015 BRIT AWARDS THE BRIT AWARDS 2015 IN ASSOCIATION WITH MASTERCARD WERE HELD FOR THE FIFTH YEAR RUNNING AT THE 02, LONDON. WITH A SET DESIGN BY ES DEVLIN BUILT BY STEEL MONKEY. A HOST OF OTHER TOP SUPPLIERS INCLUDING LIGHT INITIATIVE, BRITANNIA ROW, PRG, OUTBACK RIGGING, STAGECO AND STRICTLY FX ENABLED THIS CHALLENGING SHOW TO HAPPEN. PRESENTED BY TV FAVOURITES ANT & DEC, THE AWARDS FEATURED LIVE PERFORMANCES FROM NINE GLOBAL SUPERSTARS CULMINATING IN A GRAND FINALE FROM MADONNA, HER FIRST APPEARANCE AT THE BRIT AWARDS FOR 20 YEARS. SIMON DUFF REPORTS ON A NIGHT OF AMBITION AND COURAGE. The trophy for 2015 BRIT Awards was and Lisa Shenton of Papilo Productions, read: ‘congratulations on your talent, on your designed by British artist Tracey Emin who is to manage the production of the event, life - on everything you give to others - thank famed for her innovative conceptual art. A contracted on behalf of the BPI. Other you’, were almost invisibly arrayed above the bold and triumphant design, it set the tone key suppliers included Steel Monkey, Eat stage and audience. Bryn Williams, Managing for this year’s main event, which included Your Hearts Out, Show & Event Security, Director for Light Initiative: “There were a a 36-metre wide video screen. A total of Showstars, Stage Miracles, Oglehog and number of practical issues we had to confront 14 large neon writing signs - inspired by Lovely Things. when delivering this project,” he explained. Emin’s work - were brought into the room LED powerhouse, Light Initiative, worked “Our biggest challenges were time constraints by Es Devlin’s bold design, hung over the in collaboration with scenery builders Steel and the scale of the project itself. -
2019 03 18 14 23 28 Progra
NEW ORLEANS, LA MARCH, 23-24, 2019 JUDGES Mason Trueblood was born and raised in Bakersfield, California. His parents were the founders (and current owners) of Civic Dancer Center - the studio where he began his training in the arts. He then attended the University of California Irvine where he received both his Bachelor of Fine Arts in Dance Performance and his Bachelor of Arts in Film & Media Studies. Since then Mason has toured the world with the International revival of the Broadway Musical Bring it On: The Musical and is now currently residing in Los Angeles. Mason has had the opportunity to pursue both film and television, which he has done with great success. He can be seen on such shows as Glee, 2 Broke Girls, Switched at Birth, Girlboss, Best Friend’s Whenever, and Shake it Up! He can also be seen in films such as 1 Chance 2 Dance and Girlfriend’s Day (both on Netflix). Most recently Mason could be seen in Valley Girl (Choreographed by Mandy Moore) and as Fender in NBC’s Hairspray Live!" Glenda Menisa Morales grew up in the studio, loving the competition life! After high school she trained as a dance major until she was offered professional representation at a dance competition. It was then that she decided to finish school as an advertising major and begin her career in the dance industry. Since then she's danced for young artists like Keke Palmer, Ashley Tisdale, and Raven Simone. She's assisted and worked with well known choreographers including Tabitha and Napoleon, Tony G., and Zach Woodley. -
Katy Perry's Witness
CONCERTS Copyright Lighting &Sound America January 2018 http://www.lightingandsoundamerica.com/LSA.html 60 • January 2018 • Lighting &Sound America I Witne ss Katy Perry’s Witness: The Tour has all the grand gestures any good diva expects By: Sharon Stancavage The illumination of the flying star is controlled via 12 RC4 Wireless RC4Magic S3 2.4 SX DMXio-HG transceivers. n a l p a aty Perry’s Witness: The Tour is the result of a pen to paper and saying, ‘I want an eye on the screen, K d d long collaborative process. Perry takes a very because we’re about witnessing, and being a witness to o T k © : active role, gathering inspiration from fashion something’,” states Perry’s producer/lighting designer Baz s o t o shows, sculptures, theatre, opera, and other sources. “At Halpin, of Silent House Productions. Once Perry deter - h P l l A the end of all of those discussions, we had Katy taking mined the direction, scenic designer Es Devlin came back lightingandsoundamerica.com • December 2017 • 61 CONCERTS Marchwinski and Gnagey used the XYZ positioning feature in the grandMA2 for special focus positions. with sketches. Halpin adds: “Katy looked at it and said: leads to a stylized B stage. Halpin adds: “There is an ‘That’s what we want,’ and then we began the process of island stage that we call teardrop stage; it is a bit isolated, putting a show together.” Halpin asked longtime collabora - at stage right of center, about 30' from the main stage. It’s tors Ashley Evans and Antony Ginandjar, of the Squared used during the flying section.” It’s where Perry lands after Division, to come onboard as creative directors and chore - her journey—via a Tait Navigator controller automation ographers, completing the creative team. -
Enjoy Your Journey with the Lord!
“Daily Confession of Faith” In Christ I am anointed and a powerful person of God. I am a joint-heir with Jesus and more than a conqueror. I am a doer of the Word of God and a channel for His blessings. If God be for me, who can be against me? I am blessed coming in and I am blessed Going out. My enemies are fleeing before me. God has commanded His blessing on my storehouses. He has opened His Good treasures and I shall lend and not borrow. I am the head and not the tail. He has given me power to make wealth. I dwell in the secret place I have His protection and provision. God is my refuge, my fortress I am not afraid of the snare of the fowler. No Evil shall befall me and no plague shall come nigh My dwelling. God has given his angels Charge over me and they are bearing me up in their hands lest I dash my foot against a stone, as declared in Psalms 91. I Peter 2:9 establishes I am a chosen generation, A royal priesthood, a holy nation. I am a peculiar person called out of darkness Into His marvelous light. I Peter 2:24 states, I have been healed by the stripes of Jesus. Cancer, sugar diabetes, heart disease, sickness, Afflictions, infections, or any other disease can not enter my body. I am without spot or blemish, An intercessor, the righteousness of God, saved, and washed in the Blood of Jesus. “No weapon formed against me shall prosper, and every tongue Which rises against me in judgment You shall condemn. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Come, Meet Your Gladiator Page 10
No. 628 • July 11, 2019 • outwordmagazine.com Come, Meet Your Gladiator page 10 California State Fair Concerts Return page 18 Natural Cork “Spider-Man” & An vs. Screw Cap Exciting “Star Wars” On Audiodork’s page 14 Summertime The Big Screen Fantasy Xmas Exhibits page 17 page 13 page 16 Performance. Art. The 2019 Subaru BRZ®. A classic, rear-wheel drive sports car layout. A 205-hp22 Direct-Injection SUBARU BOXER® engine. An available Performance Package, including Brembo® brakes and SACHS® shock absorbers. It’s precisely engineered for the art of driving. Subaru, BRZ, Impreza, Legacy, WRX, EyeSight, and SUBARU BOXER are registered trademarks. Brembo is a registered trademark of Freni Brembo S.p.A. Pandora is a registered trademark of Pandora Media, Inc. Recaro is a registered trademark of Recaro GmbH & Co. KG. SACHS is a registered trademark of ZF Friedrichshafen AG. 2EPA-estimated highway fuel economy for 2019 Subaru Legacy 2.5i models. Actual mileage may vary. 7EPA-estimated highway fuel economy for 2019 Subaru Impreza CVT Sport sedan models. Actual mileage may vary. 15EyeSight is a driver-assist system that may not operate optimally under all driving conditions. The driver is always responsible for safe and attentive driving. System effectiveness depends on many factors, such as vehicle maintenance, weather, and road conditions. See your owner’s manual for complete details on system operation and limitations. 22Manual transmission models only. 23Performance Package models are equipped with brake pads that may produce higher levels of