NEXUS 01 Edita: Antonio Ballesteros
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Durham E-Theses
Durham E-Theses Archetypal elements in the poetry of Sylvia Plath. Soutter, Jennifer How to cite: Soutter, Jennifer (1989) Archetypal elements in the poetry of Sylvia Plath., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/954/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ARCHETYPAL ELEMENTS IN THE POETRY OF SYLVIA PLATH Jennifer Soutter Submitted for the Degree of Doctor of Philosophy 1989 Abstract Jungian psychology underpins much of this thesis, specifically the central concept of that psychology, the process of individuation. Sylvia Plath's work and thought is responsive to Jungian analysis, and her poetry is examined within this framework, utilisation being made of her prose writings as additional evidence of that responsiveness. The hypothesis is that the process of individuation can be traced through the use of certain archetypal elements in her literary oeuvre, and that she used that oeuvre as a method of constructing her identity. -
Iii.—Morality by Convention
Obituary RUTH MORTIMER Downloaded from https://academic.oup.com/library/article/s6-16/2/142/950246 by guest on 27 September 2021 16 September 1931-31 January 1994 President, Bibliographical Society of America, 1988-92 SEVERAL YEARS AGO someone entered the Rare Book Room at Smith College and, on being introduced to its curator, said 'Oh, did you know that there is a famous bibliographer with that name?' Ruth Mortimer enlightened him: she was that bibliographer. Such is her reputation, founded firmly on her catalogues of French and Italian sixteenth-century illustrated books in the , Hofer collection at Harvard University, that she passed almost thirty years ago into the strata of bibliographers who are cited by surname and number. Those catalogues reveal much about Ruth. They are bibliographically exemplary, giving detailed physical descriptions, noting variants, and citing other copies where relevant. But they go beyond strict bibliography to follow the previous and subsequent life of the illustrations and make connections between author, artist, text, and printer. Ruth continued to pursue these connections, and they formed the subject of her lectures as Rosenbach fellow at the University of Pennsylvania in 1984. Author portraits in particular had interested her since working on the Hofer collection, and she was able to synthesize her work in 1980 when she delivered (and published) the Hanes lecture marking the fiftieth anniversary of the Hanes Foundation. Ruth had a strong creative streak, and it is probably this which made her work with illustrated books so insightful. She was interested in the tech- nique of illustrations and artistic influences in addition to the content and iconography of the image. -
Woolf in the Real World
Woolf in the Real World Selected Papers from the Thirteenth International Conference on Virginia Woolf Woolf in the Real World Selected Papers from the Thirteenth International Conference on Virginia Woolf Smith College, Northampton, Massachusetts 5–8 June 2003 Edited by Karen V. Kukil A full-text digital version of this book is available on the Internet, at the Center for Vir- ginia Woolf Studies, California State University, Bakersfield. Go to http://www.csub.edu/ woolf_center and click the Publications link. Works produced at Clemson University by the Center for Electronic and Digital Publishing, including The South Carolina Review and its themed series “Virginia Woolf International,” may be found at our Web site: http://www. clemson.edu/caah/cedp. Contact the director at 864-656-5399 for information. Copyright 2005 by Clemson University ISBN 0-9771263-2-3 Published by Clemson University Digital Press at the Center for Electronic and Digital Publishing, Clemson University, Clemson, South Carolina. Produced at CEDP using Adobe Photoshop Elements CS, Adobe InDesign CS, and Micro- soft Word 2000. This book is set in Adobe Garamond Pro and was printed by University Printing Services, Office of Publications and Promotional Services, Clemson University. Copy editing and layout at the press by Christi Conti, assisted by Charis Chapman and Wayne Chapman (Executive Editor). To order copies, contact the Center for Electronic and Digital Publishing, Strode Tower, Box 340522, Clemson University, Clemson, South Carolina 29634-0522. An order form is available at the digital press Web site (see above) under “SCROLL” and linked to the themed issue page entitled “Virginia Woolf International.” Front cover illustration: Vanessa Bell (British 1879-1961) Virginia Woolf, ca.