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(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Ogg Audio Codec Download
Ogg audio codec download click here to download To obtain the source code, please see the xiph download page. To get set up to listen to Ogg Vorbis music, begin by selecting your operating system above. Check out the latest royalty-free audio codec from Xiph. To obtain the source code, please see the xiph download page. Ogg Vorbis is Vorbis is everywhere! Download music Music sites Donate today. Get Set Up To Listen: Windows. Playback: These DirectShow filters will let you play your Ogg Vorbis files in Windows Media Player, and other OggDropXPd: A graphical encoder for Vorbis. Download Ogg Vorbis Ogg Vorbis is a lossy audio codec which allows you to create and play Ogg Vorbis files using the command-line. The following end-user download links are provided for convenience: The www.doorway.ru DirectShow filters support playing of files encoded with Vorbis, Speex, Ogg Codecs for Windows, version , ; project page - for other. Vorbis Banner Xiph Banner. In our effort to bring Ogg: Media container. This is our native format and the recommended container for all Xiph codecs. Easy, fast, no torrents, no waiting, no surveys, % free, working www.doorway.ru Free Download Ogg Vorbis ACM Codec - A new audio compression codec. Ogg Codecs is a set of encoders and deocoders for Ogg Vorbis, Speex, Theora and FLAC. Once installed you will be able to play Vorbis. Ogg Vorbis MSACM Codec was added to www.doorway.ru by Bjarne (). Type: Freeware. Updated: Audiotags: , 0x Used to play digital music, such as MP3, VQF, AAC, and other digital audio formats. -
Multimedia Compression Techniques for Streaming
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-12, October 2019 Multimedia Compression Techniques for Streaming Preethal Rao, Krishna Prakasha K, Vasundhara Acharya most of the audio codes like MP3, AAC etc., are lossy as Abstract: With the growing popularity of streaming content, audio files are originally small in size and thus need not have streaming platforms have emerged that offer content in more compression. In lossless technique, the file size will be resolutions of 4k, 2k, HD etc. Some regions of the world face a reduced to the maximum possibility and thus quality might be terrible network reception. Delivering content and a pleasant compromised more when compared to lossless technique. viewing experience to the users of such locations becomes a The popular codecs like MPEG-2, H.264, H.265 etc., make challenge. audio/video streaming at available network speeds is just not feasible for people at those locations. The only way is to use of this. FLAC, ALAC are some audio codecs which use reduce the data footprint of the concerned audio/video without lossy technique for compression of large audio files. The goal compromising the quality. For this purpose, there exists of this paper is to identify existing techniques in audio-video algorithms and techniques that attempt to realize the same. compression for transmission and carry out a comparative Fortunately, the field of compression is an active one when it analysis of the techniques based on certain parameters. The comes to content delivering. With a lot of algorithms in the play, side outcome would be a program that would stream the which one actually delivers content while putting less strain on the audio/video file of our choice while the main outcome is users' network bandwidth? This paper carries out an extensive finding out the compression technique that performs the best analysis of present popular algorithms to come to the conclusion of the best algorithm for streaming data. -
Legacy – the All Blacks
LEGACY WHAT THE ALL BLACKS CAN TEACH US ABOUT THE BUSINESS OF LIFE LEGACY 15 LESSONS IN LEADERSHIP JAMES KERR Constable • London Constable & Robinson Ltd 55-56 Russell Square London WC1B 4HP www.constablerobinson.com First published in the UK by Constable, an imprint of Constable & Robinson Ltd., 2013 Copyright © James Kerr, 2013 Every effort has been made to obtain the necessary permissions with reference to copyright material, both illustrative and quoted. We apologise for any omissions in this respect and will be pleased to make the appropriate acknowledgements in any future edition. The right of James Kerr to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. A copy of the British Library Cataloguing in Publication data is available from the British Library ISBN 978-1-47210-353-6 (paperback) ISBN 978-1-47210-490-8 (ebook) Printed and bound in the UK 1 3 5 7 9 10 8 6 4 2 Cover design: www.aesopagency.com The Challenge When the opposition line up against the New Zealand national rugby team – the All Blacks – they face the haka, the highly ritualized challenge thrown down by one group of warriors to another. -
Become a Pierce-Arrow Museum Legacy Partner and Leave a Lasting Legacy for Tomorrow
PIERCE-ARROW FOUNDATION Operating the Pierce-Arrow Museum on the Campus of the Gilmore Car Museum Driving the Future Become a Pierce-Arrow Museum Legacy Partner and leave a lasting legacy for tomorrow. Making a bequest to the Pierce-Arrow Museum is a simple way to preserve and protect the automobiles and history you value. You can name the Pierce-Arrow Museum as a beneficiary of your will, trust, retirement plan, life insurance policy or financial accounts. Anyone can make a bequest, and no amount is too small. How to Become a PIERCE-ARROW FOUNDATION Operating the Pierce-Arrow Museum on the Campus of the Gilmore Car Museum Legacy Partner The Pierce-Arrow Museum Legacy Partner Program provides long-term sustained funding for the Museum through its Foundation. January 2017 Donations to this Program are invested for perpetuity, and your bequest SPECIFIC will perpetuate your support for the Museum. TRUSTEES BEQUEST Dear Pierce-Arrow Friends, One of the easiest ways to make a gift to the Pierce-Arrow CHAIRMAN Foundation is through a Bequest in your will. Because the Pierce-Arrow Wills a specific dollar amount or a MERLIN SMITH Thank you for your interest in the Pierce-Arrow Museum at Hickory Corners, Michigan. Located on the 90-acre campus of the Gilmore Car Museum, a world class automotive destination, the Pierce-Arrow Foundation is a qualified 501(c)(3) tax exempt organization, this planned specific piece of property CHAIRMAN EMERITUS Museum is host to more than 100,000 visitors every year. giving can be an excellent way to support the Museum while reducing DAVID HARRIS “I give to the Pierce-Arrow Foundation, a not-for- the taxes on larger Estates. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
EMA Mezzanine File Creation Specification and Best Practices Version 1.0.1 For
16530 Ventura Blvd., Suite 400 Encino, CA 91436 818.385.1500 www.entmerch.org EMA Mezzanine File Creation Specification and Best Practices Version 1.0.1 for Digital Audio‐Visual Distribution January 7, 2014 EMA MEZZANINE FILE CREATION SPECIFICATION AND BEST PRACTICES The Mezzanine File Working Group of EMA’s Digital Supply Chain Committee developed the attached recommended Mezzanine File Specification and Best Practices. Why is the Specification and Best Practices document needed? At the request of their customers, content providers and post‐house have been creating mezzanine files unique to each of their retail partners. This causes unnecessary costs in the supply chain and constrains the flow of new content. There is a demand to make more content available for digital distribution more quickly. Sales are lost if content isn’t available to be merchandised. Today’s ecosystem is too manual. Standardization will facilitate automation, reducing costs and increasing speed. Quality control issues slow down today’s processes. Creating one standard mezzanine file instead of many files for the same content should reduce the quantity of errors. And, when an error does occur and is caught by a single customer, it can be corrected for all retailers/distributors. Mezzanine File Working Group Participants in the Mezzanine File Working Group were: Amazon – Ben Waggoner, Ryan Wernet Dish – Timothy Loveridge Google – Bill Kotzman, Doug Stallard Microsoft – Andy Rosen Netflix – Steven Kang , Nick Levin, Chris Fetner Redbox Instant – Joe Ambeault Rovi -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
SEPTEMBER Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 6 7
FALL TELEVISION GUIDE SEPTEMBER Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Season 4 10pm TV Movie 9pm The Legend of Korra 7pm Ghost Bait 10pm Season 2 - Nickelodeon New Series - Bio Wander Over Yonder 9pm New Series - Disney 15 16 17 18 19 20 21 Sleepy Hollow 9pm Dreamworks Dragons 7:30pm The Neighbors 8:30pm New Series - FOX Season 2 - Carton Network Season 2 - ABC 22 23 24 25 26 27 28 New Series 10pm Marvel's Agents of S.H.I.E.L.D. 8pm The Big Bang Theory 8pm New Series - ABC Season 7 - CBS Person of Interest 10pm Revolution 8pm Elementary 10pm Season 3 - CBS Season 2 - NBC Season 2 - CBS 29 30 Once Upon a Time 8pm Season 3 - ABC A Haunting 10pm Season 6 - Destination America FALL TELEVISION GUIDE OCTOBER Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 Movie 9pm The Vampire Diaries 8pm Season 5 - The CW Transformers Prime Beast 8pm Wolfblood 8pm Arrow: Year One 8pm The Originals 9pm Hunters Predacons Rising Scarecrow 9pm New Series - Disney Special Season 1 Review - The CW New Series Sneak Peak - The CW Movie - The Hub Movie - Syfy 6 7 8 9 10 11 12 Season 9B 9pm The Originals 8pm Timeslot Premiere - The CW Arrow 8pm Sabrina: Secrets of a 12pm Season 2 - The CW Supernatural 9pm Teenage Witch Drop Dead Diva 9pm Season 9 - The CW The Tomorrow People 9pm New Animated Series - The Hub Season 5B - Lifetime New Series - The CW R.L. -
Format Support
Episode 6 Format Support FILE FORMAT CODEC Episode Episode Episode Pro EngineCOMMENTS Adaptive bitrate streaming Microsoft Smooth Streaming H.264 (AAC audio) O Windows OS only. Available with Episode Engine License. Apple HLS H.264 (AAC audio) O Available with Episode Engine License. Windows Media WMV, ASF VC-1 O O O WM9 I/O I/O I/O WMV7 and 8 through F4M component on Mac WMA I/O I/O I/O WMA Pro I/O I/O I/O Flash FLV Flash 8 (VP6s/VP6e) I/O I/O I/O SWF Flash 8 (VP6s/VP6e) I/O I/O I/O MOV/MP4/F4V Flash 9 (H.264) I/O I/O I/O F4V as extension to MP4 WebM WebM VP8 O O O Vorbis O O O 3GPP 3GPP AAC I/O I/O I/O H.263 I/O I/O I/O H.264 I/O I/O I/O MainConcept and x264 MPEG-4 I/O I/O I/O 3GPP2 3GPP2 AAC I/O I/O I/O H.263 I/O I/O I/O H.264 I/O I/O I/O MainConcept and x264 MPEG-4 I/O I/O I/O MPEG Elementary Streams MPEG-1 Elementary Stream MPEG-1 (video) I/O I/O I/O MPEG-2 Elementary Stream MPEG-2 I/O I/O I/O MPEG Program Streams PS AAC O O O MainConcept and x264 H.264 I/O I/O I/O MPEG-1/2 (audio) I/O I/O I/O MPEG-2 I/O I/O I/O MPEG-4 I/O I/O I/O MPEG Transport Streams TS AAC I O O AES I I/O I/O H.264 I I/O I/O MainConcept and x264 AVCHD I I I HDV I I/O I/O MPEG - 1/2 (audio) I I/O I/O MPEG - 2 I I/O I/O MPEG - 4 I I/O I/O PCM I I I Matrox MAX H.264 I/O I/O I/O QT codec (*output possible via QT), Requires Matrox MAX hardware - Mac OS X only MPEG System Streams M1A MPEG-1 (audio) I/O I/O I/O M1V MPEG-1 (audio) I/O I/O I/O Episode 6 Format Support Format Support FILE FORMAT CODEC Episode Episode Episode Pro EngineCOMMENTS MPEG-4 MP4 AAC I/O I/O I/O -
Wake of the Flood
NEWS Local news and entertainment since 1969 Bottom Line Inside Refurbished FRIDAY, AUGUST 20, 2021 I Volume 54, Number 34 I lascrucesbulletin.com apartments combat homelessness page 4 A&E Cast of ‘Harvey’ a true family affair page 22 WELLBEING Wake of the flood Hospital dedicates BULLETIN PHOTO BY ELVA K. ÖSTERREICH chapel to longtime U.S. Highway 70 was shut down all day Saturday, Aug. 14, while repairs were done to mitigate rain and flood damage, including collapsed pavement and mud across the road. Opening late Saturday night, the road was still down a southbound lane when this photo was taken Sunday, Aug. 15. One of the main corridors for pastoral care chief northeast-bound New Mexico traffic and for White Sands Missile Range, this is the second time the highway through San Augustin Pass has been closed because page 34 of flood damage this monsoon season. For more on the impact that flooding has had in Doña Ana County, see the story on page 2. 2 | FRIDAY, AUGUST 20, 2021 NEWS LAS CRUCES BULLETIN La Union families escape homes ahead of floodwaters By ELVA K. ÖSTERREICH Union in southern Doña Moses said. “The last one Las Cruces Bulletin Ana County was deluged to climb was my brother. by rain and flooding in Then, the wall came The Aguirre home floor which several resident down. The water was like is a plane of slippery, families found themselves a little tsunami.” sticky mud. Everything is in trouble and fearing for He went on to say the covered with the stuff. -
Employer Reference
Updated: May, 2012 WebDT Signage Player 4.X Supported Media & Performance Guideline Table of Contents Preface ....................................................................................................................................................................................................................................... 1 Media Supported Guideline ...................................................................................................................................................................................................... 2 Video Performance Guideline ................................................................................................................................................................................................... 8 Glossary ................................................................................................................................................................................................................................... 12 Preface This document outlines supported media formats and video performance reference on the WebDT Signage Appliance Version 4.X. We strongly recommend you to read related information for the SA model you have purchased before you start to play your media contents. 1 Updated: May, 2012 Media Supported Guideline i. Supported Formats Supported File Format Video Encoding Audio Encoding Remark File Extension MP4 .mp4 MPEG4 AAC, MP3 H.264 AAC, MP3 MOV .mov MP4 AAC, AMR Narrowband, IMA 4:1, PCM, Note: Apple lossless, MACE3-1,