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Buffy at Play: Tricksters, Deconstruction, and Chaos
BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree. -
Slayage, Number 1
J. Lawton Winslade Teen Witches, Wiccans, and “Wanna- Blessed-Be’s”: Pop-Culture Magic in Buffy the Vampire Slayer (1) In an introductory scene of an episode of Buffy the Vampire Slayer, entitled “Hush,” the character of Willow Rosenberg is sitting with a group of young women gathered in what is obviously the lounge of a busy college dorm. She struggles to maintain concentration as one of the women leads the rest in a guided meditation vaguely focusing on feminine energy. The leader then promptly breaks the meditation and begins discussing bake sales and newsletters. This is the Wiccan group of UC-Sunnydale, the fictional college that is the setting for the fourth season of the popular WB show (currently in its fifth season). Though mentioned in previous episodes, this is the only time we see the group and its members. Sunnydale’s young Wiccans toss around all the buzz words associated with the contemporary feminist spirituality movement: empowerment, energy, blessing. Yet when Willow proposes they do actual magical work, like conjuring or casting spells, she is mocked, and accused of both perpetuating negative stereotypes and “sucking energy” from the group. Afterwards, Willow relates her experiences to Buffy. The dialogue ensues: Buffy: So not stellar, huh? Willow: Talk. All talk. Blah Blah Gaia. Blah Blah Moon…menstrual life force power thingy. You know, after a coupla sessions I was hoping we could get into something real but . Buffy: No actual witches in your witch group? Willow: No. Bunch of wanna-blessed-bes. You know, nowadays every girl with a henna tattoo and a spice rack thinks she’s a sister of the Dark Ones. -
Penticton Reads Ballots Results Bad - Good 1 - 5 Title Author Rating Comments Brava Valentine a Trigiani 3 the Woman in the Window A
Penticton Reads Ballots Results Bad - Good 1 - 5 Title Author Rating Comments Brava Valentine A Trigiani 3 The Woman in the Window A. J. Finn 4 First rate mystery/thriller! lots of parts to skip through as writing repetitive and darkness before dawn ace collins 2 unnecessary The Great Nadar Adam Begley 4 Intersting man, colourful and talented Kiss Carlo Adriana Trigiani 4 An intriguing storyline. Started re-reading. Intense and emotional story. Very different women come together in a "Mommy" group to share their experience and support each other as they navigate life being first-time mothers with newborn babies. Tragedy draws them closer but no one is prepared when secrets are revealed. Lots of twists The Perfect Mother: A Novel Aimee Molloy 4 and turns before a surprising ending. Truth Al Franken 4 If you were here Alafair Burke 5 Things I Overheard While … Alan Alda 5 Turned into an amusing writer Excellent very detailed but easy to read about early history of A savage empire alan axelrod 5 North America A book from my book shelf about reirement and how to Advance to go Alan Dickson 3 prepare, over simplistic and not realistic in 2018! Murder Most Malicious Alyssa Maxwell 4 BREATH OF FIRE AMANDA BOUCHET 5 LOTS OF ACTION AND ROMANCE lethal licorice amanda flower 5 Death's daughter Amber Benson 5 lots of action A gentleman in Moscow Amor Towle 5 Interesting, sad and funny. Enjoyable the rift frequency amy foster 3 Not a fast read, but extremely interesting.Every human emotion The Valley of Amazement Amy Tan 5 is in this book. -
Toward a Rhetoric of Scholar-Fandom
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-2009 Toward a Rhetoric of Scholar-Fandom Tanya R. Cochran Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Cochran, Tanya R., "Toward a Rhetoric of Scholar-Fandom." Dissertation, Georgia State University, 2009. https://scholarworks.gsu.edu/english_diss/51 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TOWARD A RHETORIC OF SCHOLAR-FANDOM by TANYA R. COCHRAN Under the Direction of Lynée Lewis Gaillet ABSTRACT Individuals who consider themselves both scholars and fans represent not only a subculture of fandom but also a subculture of academia. These liminal figures seem suspicious to many of their colleagues, yet they are particularly positioned not only to be conduits to engaged learning for students but also to transform the academy by chipping away at the stereotypes that support the symbolic walls of the Ivory Tower. Because they are growing in number and gaining influence in academia, the scholar-fans of the television series Buffy the Vampire Slayer (Buffy) and other texts by creator Joss Whedon are one focus of this dissertation. Though Buffy academics or Whedon scholars are not the only ones of their kind (e.g., academic- fan communities have cropped up around The Simpsons, The Matrix Trilogy, and the Harry Potter franchise), they have produced more literature and are more organized than any other academic-fan community. -
Table of Contents
Table of Contents RULES DERBY DAY ADVENTURE Credits 1 Introduction 22 About the Creators 1 Image of Derby Day 22 Introduction 2 Plot Synopsis 22 Background 2 Derby Day 22 Image of Queen Victoria 3 The Cast 23 Characters 4 Act One: Set-up 24 Tamara Swift 5 Rundown 24 William Swift 7 Joining the Festivities 24 Nigel Townsend 9 Class Information 24 Queen Bodicea 11 Aristocracy 24 Lord Byron 13 Middle Class 25 Lord Nelson 15 Working Class 25 The Rules of Play 17 The People’s Charter 25 The Basic Roll 17 The Cane Gentlemen 26 Resisted Actions 17 Gypsy Visions 26 Modifiers 17 The Chase Is On! 27 Base Modifiers Table 17 Act Two: Complications 28 Success Level (SL) 17 Rundown 28 Success Level Table 17 Mystic Battle 28 Penny Dreadfuls 18 Cane Gentleman 29 Fear Table 18 The Urchins 30 Combat 18 A Finnegan 30 Close Combat Sample18 Act file Three: Revelations 31 Ranged Combat 19 Rundown 31 Ranged Modifiers Table 19 Coachhouse Fight 31 Damage 19 Brulshar Demon 32 Effects of Injury 19 The Coin 33 Getting Better 19 Drama Points 19 Act Four: Climax 34 Uses for Drama Points 20 Image of Derby Day Race 34 Rundown 34 Magic 20 Lording Over 34 Spellcasting 20 Angus MacTaggert 36 Spell Backfire Table 20 A Grand Brouhaha 36 Repeat Casting 20 Viscount Duncannon 37 Dispelling 21 William Atherton 38 Spell Defense 21 Defensive Magics 21 Act Five: Resolution 39 Defensive Magic Types 21 Rundown 39 Lesser Sensing 21 The Aftermath 39 Blank Character Sheet 40 More Skulduggery? 39 Director Quick Sheet II I CREDITS Garner Johnson is a life long gamer who has been associated with Task Force Games, TimeLine Ltd., Producers: M. -
Buffy and Angel
buffy and angel PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 01 Jul 2011 03:42:14 UTC Contents Articles buffy and angel 1 Buffy the Vampire Slayer (film) 1 Buffy the Vampire Slayer (TV series) 5 Buffy the Vampire Slayer (season 1) 25 Buffy the Vampire Slayer (season 2) 30 Buffy the Vampire Slayer (season 3) 37 Angel (TV series) 42 Buffy the Vampire Slayer (season 4) 58 Angel (season 1) 65 Buffy the Vampire Slayer (season 5) 72 Angel (season 2) 78 Angel (season 3) 84 Buffy the Vampire Slayer (season 6) 90 Buffy the Vampire Slayer (season 7) 97 Angel (season 4) 103 Angel (season 5) 110 Buffy the Vampire Slayer Season Eight 118 References Article Sources and Contributors 131 Image Sources, Licenses and Contributors 133 Article Licenses License 134 1 buffy and angel Buffy the Vampire Slayer (film) Buffy the Vampire Slayer Theatrical release poster Directed by Fran Rubel Kuzui Produced by Howard Rosenman Written by Joss Whedon Starring Kristy Swanson Donald Sutherland Paul Reubens Rutger Hauer Luke Perry Music by Carter Burwell Cinematography James Hayman Editing by Jill Savitt Distributed by 20th Century Fox Release date(s) July 31, 1992 Running time 86 minutes Country United States Language English Budget $7 million Gross revenue $16,624,456 Buffy the Vampire Slayer is a 1992 American action/comedy/horror film about a Valley girl cheerleader named Buffy (Kristy Swanson) who learns that it is her fate to hunt vampires. The original script for the film was written by Joss Whedon, who later created the darker and more acclaimed TV series of the same name starring Sarah Michelle Gellar as Buffy. -
Buffy 5Th Season Transcripts
Buffy vs. Dracula Transcript by Joan the English Chick <[email protected]> Transcriber’s Notes I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. Nomar the Wonder Kitty also helped, mostly by attacking the keyboard cable. Please feel free to link to this transcript. Please do not redistribute it, or post it on a website (other than the Psyche transcript site), without first emailing me. There were several instances during this episode where a line of dialogue was heard but did not appear in the closed captions. I have indicated this in the transcript by using underlines. I do this because I consider it interesting. If you don’t, please accept my apologies. I also apologize in advance for my lame transcription of the fight scenes. I don’t know the names of different punches and kicks. Use your imagination. Teaser Fade in on Buffy in bed. She closes her eyes, opens and snuggles up next to him, closing her eyes. them, fidgets, closes them, opens them. She looks at Wolf howl. Opening credits. Since it’s the sea- the clock, looks over to Riley who’s asleep next to her. son premiere I’ll point out that the cast is listed in Buffy frowns and gets up. the opening credits as follows: Sarah Michelle Gel- Cut to Buffy running through a graveyard, night. lar, Nicholas Brendon, Alyson Hannigan, Marc Blu- She’s chasing a vampire. -
May 22-24, 2015 • Hyatt Regency Santa Clara Contents Chairs' Welcome to Baycon 2015
May 22-24, 2015 • Hyatt Regency Santa Clara Contents Chairs' Welcome to BayCon 2015 .................................................3 BayCon 2015 Variety Show ......................................................... 22 Seanan McGuire • Writer Guest of Honor ...................................5 BayCon DIY Room ...................................................................... 22 Stephanie Pui-Mun Law • Artist Guest of Honor .......................6 Birds of a Feather .......................................................................... 23 Caradwen Braskat-Arellanes • Fan Guest of Honor ...................8 Fan Tables ...................................................................................... 23 Amber Benson • Toastmaster ........................................................9 Writers Workshop ........................................................................ 23 The Winner Twins • YA Special Guests ..................................... 11 Gofers • Convention Volunteers ................................................. 24 BayCon 2015 Charity ................................................................... 15 Art Show ........................................................................................ 25 BayCon Staff .................................................................................. 16 BayCon Marketplace • Dealers Room ....................................... 26 Hotel Information ........................................................................ 17 Charity Events .............................................................................. -
Published Bi-Monthly Volume 29 • No. 4 August/September 2018
PUBLISHED BI-MONTHLY VOLUME 29 • NO. 4 AUGUST/SEPTEMBER 2018 NON-SPORT UPDATE Aug.-Sept. 2018 • u.S. $5.99 • CAN. $6.49 Issue Code: 2018-08 • Display until 10/16/18 PRINTED IN THE U.S.A. 08 0 71486 02957 1 VOLUME 29 • NO. 4 AUGUST/SEPTEMBER 2018 FEATURES DEPARTMENTS OUR STAFF 4 CARDBOARD CONVERSATION: 6 PROMO PICKS EDITORIAL DIRECTOR - Mike Payne ROLLING IN DʼOH! “Whatever, Iʼll be at Moeʼs.” 8 NON-SPORT NEIGHBORHOOD: EDITOR-IN-CHIEF - Alan Biegel MEET MICHAEL BEAM 10 TRUE LOVE IS NEVER LOST Time to Beam up with this PRODUCTION MANAGER - Harris Toser What if your future was the past? experienced card collector. Find out with Outlander Season 3. ART DIRECTOR - Lindsey Jones 26 NEW & NOTEWORTHY GRAPHIC DESIGN - Eric Knagg, Chris Duncan 16 VINTAGE SPOTLIGHT: LOVE ME DO Classic Mythology III: Goddesses, COLLECTIBLES DATA PUBLISHING Get a ticket to ride with this Beatles beauty. Topps Star Wars Archives Signatures, Manager, Senior Market Analyst - Brian Fleischer 22 STAR TREK: THE ORIGINAL DC Bombshells Trading Cards II. SERIES CAPTAINʼS COLLECTION 28 DATELINE PRICE GUIDE STAFF: Jeff Camay, Arsenio Tan, Captain on the bridge for this new Lloyd Almonguera, Kristian Redulla, Justin Grunert, Matt 30 NON-SPORT NEWS compilation from Rittenhouse. Bible, Eric Norton, Irish Desiree Serida, Paul Wirth, Ian 32 DANGER, WILL ROBINSON! 38 THE HOT LIST McDaries, Sam Zimmer, Steve Dalton Jump aboard the Jupiter 2 for a 41 HOW TO USE THE PRICE GUIDE WRITERS: Arnold Bailey, Matt Bible, Alan Biegel, wild non-sport ride. 42 PRICE GUIDE Ryan Cracknell, Don Norton, Charlie Novinskie, Rudy Panucci, Harris Toser, Chick Veditz Non-Sport Update (ISSN: 10598383) is Beckett Collectibles Inc. -
Buffy Vs. Dracula"'S Use of Count Famous (Not Drawing "Crazy Conclusions About the Unholy Prince")
Journal of Dracula Studies Volume 8 2006 Article 2 2006 "Buffy vs. Dracula"'s Use of Count Famous (Not drawing "crazy conclusions about the unholy prince") Tara Elliott York University Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Elliott, Tara (2006) ""Buffy vs. Dracula"'s Use of Count Famous (Not drawing "crazy conclusions about the unholy prince")," Journal of Dracula Studies: Vol. 8 , Article 2. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/2 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "Buffy vs. Dracula"'s Use of Count Famous (Not drawing "crazy conclusions about the unholy prince") Cover Page Footnote Tara Elliott is a Ph.D. candidate in English at York University. Her dissertation examines the potential of the genre of speculative fiction for eministf readings. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/2 1 “Buffy vs. Dracula”’s Use of Count Famous (Not drawing “crazy conclusions about the unholy prince”) Tara Elliott [Tara Elliott is a PhD candidate in English at York University. Her dissertation examines the potential of the genre of speculative fiction for feminist readings.] Buffy the Vampire Slayer’s episode “Buffy vs. -
A PDF Copy of This Issue of Slayage Is Available Here
Slayage: Number One Slayage 1 January 2001 [1.1] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. Rob Breton and Lindsey McMaster (University of British Columbia), Dissing the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the Vampire Slayer PDF Version (Acrobat Reader Required) Hilary M. Leon (Loyola University, Chicago), Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy PDF Version (Acrobat Reader Required) Bruce McClelland, By Whose Authority? The Magical Tradition, Violence, and the Legitimation of the Vampire Slayer PDF Version (Acrobat Reader Required) William Wandless (Emory University), Undead Letters: Searches and Researches in Buffy the Vampire Slayer PDF Version (Acrobat Reader Required) J. Lawton Winslade (DePaul University), Teen Witches, Wiccans, and “Wanna- Blessed-Be’s”: Pop-Culture Magic in Buffy the Vampire Slayer PDF Version (Acrobat Reader Required) Recommended. Here and in each 1 [1.1] 2 [1.2] 3 [1.3] 4 [1.4] issue of Slayage the editors will recommend writing on BtVS available 5 [2.1] 6 [2.2] 7 [2.3] 8 [2.4] on the Internet. Grace Anne DeCandido: Rupert 11-12 9 [3.1] 10 [3.2] Giles and Search Tools for [3.3-4] Wisdom in Buffy the Vampire Slayer 13-14 15 [4.3] [4.1-2] Archives file:///C|/Documents%20and%20Settings/David%20Lavery/Lavery%20Documents/SOIJBS/Numbers/slayage1.htm12/21/2004 4:22:47 AM Slayage 1: Breton and McMaster Rob Breton and Lindsey McMaster Dissing the Age of MOO: Initiatives, Alternatives, and Rationality It is not the slumber of reason that engenders monsters but vigilant and insomniac rationality. -
An Ethnographic Analysis of an On-Line Buffy the Vampire Slayer Fan Community
ABSTRACT Title of Document: SUBJACENT CULTURE, ORTHOGONAL COMMUNITY: AN ETHNOGRAPHIC ANALYSIS OF AN ON-LINE BUFFY THE VAMPIRE SLAYER FAN COMMUNITY Asim A. Ali, Ph.D., 2013 Directed By: Professor John L. Caughey Department of American Studies This dissertation presents an ethnographic analysis of the community of fans of the television series Buffy the Vampire Slayer whose members frequented the online linear posting board known as The Bronze. Buffy originally aired from 1997 until 2003, but the community that formed at the official Buffy fan site in 1997 continues on in real life and on line, having survived the end of Buffy and the closure of all three of its official posting boards. This study uses an interdisciplinary combination of textual analysis and ethnographic techniques (interviews, participant observation, autoethnography, cyberethnography) to ascertain the importance, relevance, and meaning of The Bronze community to its members, known as Bronzers. I argue that the nature of the linear posting board allowed Bronzers to form a unique and long-lived community by using The Bronze in creative and imaginative ways. In particular, language—to some degree appropriated from Buffy—was used by Bronzers to write a better world for themselves on line. Hence, the community is built on (and maintained by) language that is used in an unusually postmodern manner. As a group, Bronzers tend to be highly educated, literary, and artistic. To Bronzers, much of Buffy’s appeal was its emotional realism and imaginative depth. Unusually for television, these elements were combined with strong female leading roles, a cast of bookish and somewhat countercultural characters, and a foregrounding of emotionality and interpersonal relationships.