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Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Catalogue 44 Item 288: Jacob Bates. The Famous English Horse Rider.. For other images from this list please see our web site www.grosvenorprints.com 1. [Bohemia] Brahmahl. Ihrer Excell. 4. [Venice] Bellini's Pictures being Bafandt Craffen Johann Wenzel Bratislaw von Conveyed to the Church of the Redentore. Mitrowiz, welches im Jahr 1714 in der kirchen Painted by J.N.W. Turner, R.A / Engraved by J.T. ben St. Jacob zu Brag durch Beranstaltung Willmore, A.R.A / Printed by M. Dunn. Art Union of Seines S:Schwagern Ihro Excell: Craffen Londn - 1858. Leopold Schlik, König: höhm: Obristen Engraving in between 1st & 2nd Published State. Laid Canzlern auff gerichtet worden ist. Monument on India paper. Sheet size: 390 x 780mm (15¼ x 30¾"). Trimmed inside platemark at bottom edge of De feu Son, Excellence Le Comte Wratislaw de sheet. Damaged. £480 Mitro=wiz, erigé dans l'Eglise de St. Jacques à A scene after Joseph Mallord William Turner (1775 - Prague, l'an 1714 par les soins de son Beau 1851) depicting the transportation of Bellini's paintings frere S:E: Monseigneur le Comte Schlik Grand on the canals in Venice. Giovanni Bellini (1430 - 1516) Chancelier de sa Majesté Imperiale et was an Italian Renaissance painter, considered to have Catholique pour le Rojaume de Bohéme. revolutionized Venetian painting, moving it towards a I: B: Fischers d'Erl: inv: et delin: [1725] more colouristic style. Rawlinson: 677A Engraving with very large margins. Plate 439 x Stock: 32612 310mm. 17¼ x 12¼". £180 The monument erected by Feldmarschall and Governor 5. [St Mark's Place, Venice - Juliet and her of the Czech Kingdom, Leopold Anton Joseph Schlik Nurse.] (1663-1723) for his brother Johann Wenzel Wratislaw Painted by J. M. W. Turner R.A / Engr.d by G. Hollis. von Mitrowitz (c.1670-1712) the High Chancellor of London published June 23rd 1842, by Tho.s Griffith, Bohemia. ESG.re 14 Waterloo Place, for J.M.W. Turner, R.A. Plate from the 'Entwurf einer historischen Architektur' Engraving with large margins. Platemark: 535 x ('Outline of Historical Architecture', first published 650mm (21 x 25½"). 1st published state. Turner's sale 1721) by Austrian architect Johann Bernard Fischer blind stamp and collector's blind stamp in bottom right von Erlach, the first comparative architecture of all corner. £620 periods and nations. A scene depicting St. Mark's Place or Piazza San Stock: 33294 Marco in Venice, after one of the most important and influential paintings of Turner's later career, based on a 2. [View of a Folly] Prospect Eines Lust- scene from 'Romeo and Juliet'. In the foreground to the Gartten [...] right, Shakespeare's heroine Juliet is seen on a balcony, J.B.F. vo. E: inventor et delin: Cum Privil: Sacr: overlooking the square, with the Nurse stood behind Caesar Majest. [Leipzig, 1725] her. The square is bustling with activity as large Engraving with very large margins, platemark 300 x crowds gather, mainly around an illuminated cross on 430mm (11¾ x 17"). Text in French and German; the right. The tower of St Mark's Campanile can be slight foxing to margins. £280 seen in the centre of the image beneath a star filled 'View of a folly which I invented and for which I gave night sky, as fireworks are lit to the left and right in the the design to Mr. *** in Vienna'. distance. Rawlinson: 654 Plate from the 'Entwurf einer historischen Architektur' Stock: 32611 ('Outline of Historical Architecture', first published 1721) by Austrian architect Johann Bernard Fischer 6. [A diary for 1836 used as a notebook.] von Erlach, the first comparative architecture of all [Compiled 1836-1841.] periods and nations. 8vo, full morocco but covered with vellum; paginated Stock: 33397 to 208 but ending on 26th December, other pages excised, many other pages added, both stitched and 3. [View of a Folly with a pond; with two loose. Some wear. £250 free-standing statues pulling nets made from A collection of clippings and manuscript notes copper wire] Prospect eines Garten-gebaüdes covering news items, poetry, quotations from [...] Shakespeare, gardening tips and other useful facts. J.B. Fischers v. Erlach delin. et inven. C:P:S:C:M Of particular interest are: a working manuscript [Leipzig, 1725] volvelle showing world time zones, including Port Engraving with very large margins, platemark 300 x Jackson, Canton & Monterey; and three indentures for 430mm (11¾ x 17"). Text in French and German; maritime apprenticeships. Stock: 33209 slight foxing to margins. £280 Unidentified (possibly imagined) folly overlooking grounds, with a fountain in the form of a sea monster, 7. An Italian Sea - Port. From a most on top of a wire net 'pulled' by two statues. capital picture painted by Salvator Rosa, in the Plate from the 'Entwurf einer historischen Architektur' collection of the right Hon.ble Welbore Ellis, ('Outline of Historical Architecture', first published Baron Mendip, to whom this print is dedicated 1721) by Austrian architect Johann Bernard Fischer by his most oblisged humble servant, John von Erlach, the first comparative architecture of all Boydell. periods and nations. Painted by Salvator Rosa / Engraved by Sam.l Stock: 33396 Middiman. Pub.d March 25 1800, by John & Josiah Boydell. No. 90, Cheapside & at the Shakespeare La Tentation de St. Antoine (The Temptation of St. Gallery, Pall Mall, London. Anthony) by Jacques-Philippe Le Bas (1707-1783), Engraving. Platemark: 570 x 795mm (22¼ x 31¼"). draughtsman, etcher, and engraver, after a painting by £480 David Teniers, the younger, (1610-1690). St Anthony, A landscape scene depicting sailing boats and rowing praying in a cave before a crucifix and surrounded by boats of all sizes docked among great rocky cliffs, with monstrous creatures, is interrupted by a demon who many sailors working, and a few buildings dotted in the points out at a courtesan to the right, with claws instead cliff. A group of men are scraping the hull of a boat to of feet, walking toward him, with a glass in her hand. the left, which is propped up on planks of wood, as She is urged forward by a creature that seems half- many others work in the foreground. human and half-fowl. Other bizarre creatures fly Lettered below image with the title, a dedication from through a doorway in the center or hover over the the publisher to the then owner of the painting, the saint's head. "Honble. Welbore Ellis, Baron Mendip", and the An inscription in French below the image gives the dimensions of the painting, with a coat of arms in the provenance of the original painting; in the bottom right centre. corner: '41e Teniers'. Stock: 32623 Stock: 33437 8. [Crossing the Brook.] 11. [Gunmaker's Advertisement] Will.m J.M.W. Turner / R. Brandard. London published June Pritchard, N.14 Bull Ring, Birmingham / 23rd 1842, by Tho.s Griffith, ESQ.re 14 Waterloo Manufacturer of Fire Arms in every Branch Place, for J.M.W. Turner, R.A. for Home & Foreign Markets, Percussion Guns Engraving with large margins. 1st published state. & Pistols on the most Approved Principle. Platemark: 640 x 490mm (25¼ x 19¾). £420 [c.1800] A decorative landscape scene after Joseph Mallord Etching, sheet 135 x 235mm (5¼ x 9¼"). £160 William Turner (1775 - 1851) with a girl wading in the Advertisement for a Birmingham gunmaker, with foreground, her dog following her with a bonnet in its elaborate vignette demonstrating the usage of 'rifle mouth, as another girl sitting on the bank removes her guns of the most modern invention'. Ex: Norman shoes. The Tamar valley can be seen in the distance Blackburn with a bridge and industrial building in the centre. Stock: 33081 Rawlinson: 656 Stock: 32608 12. [Forged banknote, dated 16 June 1818] Etching, 120 x 205mm (4¾ x 8"). Glued to backing 9. The Voyage of the Sable Venus from sheet; ms both sides. £300 Angola to the West Indies, Banknote with stamps identifying it as a forgery. T. Stotherd pinx.t. W. Grainger sculp.t. [n.d., c.1801]. Stock: 33193 Engraving. Sheet size: 280 x 200mm (11 x 8"). £220 This etching is a plate by Thomas Stothard from the 13. [Archery supplies Invoice.] Bo.t of third edition of Bryan Edwards’ 'The history, civil and James Buchanan, Archery Manufacturer to commercial, of the British colonies in the West Indies', (1801). Thomas Stothard was a highly prolific artist the Royal Family and the Empreror of Russian and book illustrator. Inspired by Sandro Botticelli’s [...] fifteenth-century masterpiece 'The Birth of Venus', [c.1860] Stothard presents an African woman (the ‘Sable Engraved invoice with manuscript, sheet 170 x 200mm Venus’) standing on a half-shell, attended by cherubs, (6¾ x 7¾"). Folds; pinholes upper left. £140 being towed by dolphins to the Americas. To the left is Invoice for the purchases from London James Triton carrying the British flag and guiding the Buchanan, whose premises was located by Piccadilly procession across the ocean, looking the woman. This Circus. Buchanan also provided bows and arrows for depiction of the Middle Passage lacks any reference to his archer friend Horace Alfred Ford (1821/2-1880), the horrors endured by those transported across the author of 'The Theory and Practice of Archery'. Ex: Atlantic on slave ships. Norman Blackburn Stock: 33622 Stock: 33082 10. La Tentation de St. Antoine. Estampe 14. [Artists' supplies Invoice] Bo.t of Cullen graveé d'apres un tableau peint par david at his Oil and Colour Stores [...] Teniers de l'Hotel de Matignon, appartenant a 1844 Monseigneur le Duc de Valentinoir, Pair de Engraved invoice with manuscript, sheet 140 x 195mm (5½ x 7½").