Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN

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Dealers in Antique Prints & Books

Catalogue 44

Item 288: Jacob Bates. The Famous English Horse Rider..

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1. [Bohemia] Brahmahl. Ihrer Excell. 4. [Venice] Bellini's Pictures being Bafandt Craffen Johann Wenzel Bratislaw von Conveyed to the Church of the Redentore. Mitrowiz, welches im Jahr 1714 in der kirchen Painted by J.N.W. Turner, R.A / Engraved by J.T. ben St. Jacob zu Brag durch Beranstaltung Willmore, A.R.A / Printed by M. Dunn. Art Union of Seines S:Schwagern Ihro Excell: Craffen Londn - 1858. Leopold Schlik, König: höhm: Obristen Engraving in between 1st & 2nd Published State. Laid Canzlern auff gerichtet worden ist. Monument on India paper. Sheet size: 390 x 780mm (15¼ x 30¾"). Trimmed inside platemark at bottom edge of De feu Son, Excellence Le Comte Wratislaw de sheet. Damaged. £480 Mitro=wiz, erigé dans l'Eglise de St. Jacques à A scene after Joseph Mallord William Turner (1775 - Prague, l'an 1714 par les soins de son Beau 1851) depicting the transportation of Bellini's paintings frere S:E: Monseigneur le Comte Schlik Grand on the canals in Venice. Giovanni Bellini (1430 - 1516) Chancelier de sa Majesté Imperiale et was an Italian Renaissance painter, considered to have Catholique pour le Rojaume de Bohéme. revolutionized Venetian painting, moving it towards a I: B: Fischers d'Erl: inv: et delin: [1725] more colouristic style. Rawlinson: 677A Engraving with very large margins. Plate 439 x Stock: 32612 310mm. 17¼ x 12¼". £180 The monument erected by Feldmarschall and Governor 5. [St Mark's Place, Venice - Juliet and her of the Czech Kingdom, Leopold Anton Joseph Schlik Nurse.] (1663-1723) for his brother Johann Wenzel Wratislaw Painted by J. M. W. Turner R.A / Engr.d by G. Hollis. von Mitrowitz (c.1670-1712) the High Chancellor of London published June 23rd 1842, by Tho.s Griffith, Bohemia. ESG.re 14 Waterloo Place, for J.M.W. Turner, R.A. Plate from the 'Entwurf einer historischen Architektur' Engraving with large margins. Platemark: 535 x ('Outline of Historical Architecture', first published 650mm (21 x 25½"). 1st published state. Turner's sale 1721) by Austrian architect Johann Bernard Fischer blind stamp and collector's blind stamp in bottom right von Erlach, the first comparative architecture of all corner. £620 periods and nations. A scene depicting St. Mark's Place or Piazza San Stock: 33294 Marco in Venice, after one of the most important and influential paintings of Turner's later career, based on a 2. [View of a Folly] Prospect Eines Lust- scene from 'Romeo and Juliet'. In the foreground to the Gartten [...] right, Shakespeare's heroine Juliet is seen on a balcony, J.B.F. vo. E: inventor et delin: Cum Privil: Sacr: overlooking the square, with the Nurse stood behind Caesar Majest. [Leipzig, 1725] her. The square is bustling with activity as large Engraving with very large margins, platemark 300 x crowds gather, mainly around an illuminated cross on 430mm (11¾ x 17"). Text in French and German; the right. The tower of St Mark's Campanile can be slight foxing to margins. £280 seen in the centre of the image beneath a star filled 'View of a folly which I invented and for which I gave night sky, as fireworks are lit to the left and right in the the design to Mr. *** in Vienna'. distance. Rawlinson: 654 Plate from the 'Entwurf einer historischen Architektur' Stock: 32611 ('Outline of Historical Architecture', first published 1721) by Austrian architect Johann Bernard Fischer 6. [A diary for 1836 used as a notebook.] von Erlach, the first comparative architecture of all [Compiled 1836-1841.] periods and nations. 8vo, full morocco but covered with vellum; paginated Stock: 33397 to 208 but ending on 26th December, other pages excised, many other pages added, both stitched and 3. [View of a Folly with a pond; with two loose. Some wear. £250 free-standing statues pulling nets made from A collection of clippings and manuscript notes copper wire] Prospect eines Garten-gebaüdes covering news items, poetry, quotations from [...] Shakespeare, gardening tips and other useful facts. J.B. Fischers v. Erlach delin. et inven. C:P:S:C:M Of particular interest are: a working manuscript [Leipzig, 1725] volvelle showing world time zones, including Port Engraving with very large margins, platemark 300 x Jackson, Canton & Monterey; and three indentures for 430mm (11¾ x 17"). Text in French and German; maritime apprenticeships. Stock: 33209 slight foxing to margins. £280 Unidentified (possibly imagined) folly overlooking grounds, with a fountain in the form of a sea monster, 7. An Italian Sea - Port. From a most on top of a wire net 'pulled' by two statues. capital picture painted by Salvator Rosa, in the Plate from the 'Entwurf einer historischen Architektur' collection of the right Hon.ble Welbore Ellis, ('Outline of Historical Architecture', first published Baron Mendip, to whom this print is dedicated 1721) by Austrian architect Johann Bernard Fischer by his most oblisged humble servant, John von Erlach, the first comparative architecture of all Boydell. periods and nations. Painted by Salvator Rosa / Engraved by Sam.l Stock: 33396 Middiman. Pub.d March 25 1800, by John & Josiah Boydell. No. 90, Cheapside & at the Shakespeare La Tentation de St. Antoine (The Temptation of St. Gallery, Pall Mall, London. Anthony) by Jacques-Philippe Le Bas (1707-1783), Engraving. Platemark: 570 x 795mm (22¼ x 31¼"). draughtsman, etcher, and engraver, after a painting by £480 David Teniers, the younger, (1610-1690). St Anthony, A landscape scene depicting sailing boats and rowing praying in a cave before a crucifix and surrounded by boats of all sizes docked among great rocky cliffs, with monstrous creatures, is interrupted by a demon who many sailors working, and a few buildings dotted in the points out at a courtesan to the right, with claws instead cliff. A group of men are scraping the hull of a boat to of feet, walking toward him, with a glass in her hand. the left, which is propped up on planks of wood, as She is urged forward by a creature that seems half- many others work in the foreground. human and half-fowl. Other bizarre creatures fly Lettered below image with the title, a dedication from through a doorway in the center or hover over the the publisher to the then owner of the painting, the saint's head. "Honble. Welbore Ellis, Baron Mendip", and the An inscription in French below the image gives the dimensions of the painting, with a coat of arms in the provenance of the original painting; in the bottom right centre. corner: '41e Teniers'. Stock: 32623 Stock: 33437

8. [Crossing the Brook.] 11. [Gunmaker's Advertisement] Will.m J.M.W. Turner / R. Brandard. London published June Pritchard, N.14 Bull Ring, Birmingham / 23rd 1842, by Tho.s Griffith, ESQ.re 14 Waterloo Manufacturer of Fire Arms in every Branch Place, for J.M.W. Turner, R.A. for Home & Foreign Markets, Percussion Guns Engraving with large margins. 1st published state. & Pistols on the most Approved Principle. Platemark: 640 x 490mm (25¼ x 19¾). £420 [c.1800] A decorative landscape scene after Joseph Mallord Etching, sheet 135 x 235mm (5¼ x 9¼"). £160 William Turner (1775 - 1851) with a girl wading in the Advertisement for a Birmingham gunmaker, with foreground, her dog following her with a bonnet in its elaborate vignette demonstrating the usage of 'rifle mouth, as another girl sitting on the bank removes her guns of the most modern invention'. Ex: Norman shoes. The Tamar valley can be seen in the distance Blackburn with a bridge and industrial building in the centre. Stock: 33081 Rawlinson: 656 Stock: 32608 12. [Forged banknote, dated 16 June 1818] Etching, 120 x 205mm (4¾ x 8"). Glued to backing 9. The Voyage of the Sable Venus from sheet; ms both sides. £300 Angola to the West Indies, Banknote with stamps identifying it as a forgery. T. Stotherd pinx.t. W. Grainger sculp.t. [n.d., c.1801]. Stock: 33193 Engraving. Sheet size: 280 x 200mm (11 x 8"). £220 This etching is a plate by Thomas Stothard from the 13. [Archery supplies Invoice.] Bo.t of third edition of Bryan Edwards’ 'The history, civil and James Buchanan, Archery Manufacturer to commercial, of the British colonies in the West Indies', (1801). Thomas Stothard was a highly prolific artist the Royal Family and the Empreror of Russian and book illustrator. Inspired by Sandro Botticelli’s [...] fifteenth-century masterpiece 'The Birth of Venus', [c.1860] Stothard presents an African woman (the ‘Sable Engraved invoice with manuscript, sheet 170 x 200mm Venus’) standing on a half-shell, attended by cherubs, (6¾ x 7¾"). Folds; pinholes upper left. £140 being towed by dolphins to the Americas. To the left is Invoice for the purchases from London James Triton carrying the British flag and guiding the Buchanan, whose premises was located by Piccadilly procession across the ocean, looking the woman. This Circus. Buchanan also provided bows and arrows for depiction of the Middle Passage lacks any reference to his archer friend Horace Alfred Ford (1821/2-1880), the horrors endured by those transported across the author of 'The Theory and Practice of Archery'. Ex: Atlantic on slave ships. Norman Blackburn Stock: 33622 Stock: 33082

10. La Tentation de St. Antoine. Estampe 14. [Artists' supplies Invoice] Bo.t of Cullen graveé d'apres un tableau peint par david at his Oil and Colour Stores [...] Teniers de l'Hotel de Matignon, appartenant a 1844 Monseigneur le Duc de Valentinoir, Pair de Engraved invoice with manuscript, sheet 140 x 195mm (5½ x 7½"). Folds; hole upper centre. £160 . Invoice for the purchases from a Wexford colour seller, D. Teniers pinxit. Jac. Ph. Le Bas Sculpsit. A cez with vignette of the premises upper left. Ex: Norman Jac. Ph. Le Bas graveur du Cabinet du Roy au bas de la Blackburn rue de la Harpe. [n.d., c.1747]. Stock: 33083 Engraving. Platemark: 370 x 490mm (14½ x 19¼"). Small tears to left and bottom edges of sheet. Very large margins. Very fine. £430 15. [Bookseller's invoice.] Mrs. Leckie / Bo.t W.H. Lizars sc. [mss. dated 1823.] of William Whyte & Co / Booksellers, Engraved invoice with manuscript, sheet 225 x 180mm Stationers and Music Sellers. / No 13 George (9 x 7"). Remains of wax seal. Folds, tear from opening Street, east of St Andrew's Church. / of wax seal. £130 Edinburgh [...] A billhead illustrated with an elevation of the 'Shawl Warehouse'. Drawn & Eng.d by C. Thomson [vignette of George W.H. Lizars was Edinburgh's most famous engraver: Street] 1830 he was employed to engrave the first of Audubon's Engraved invoice with manuscript, sheet 160 x 200mm 'Birds of America', including the Wild Turkey. (6¼ x 7¾"). Folds; hole in centre. £180 However, because of a conflict of interest (his working Invoice for the purchases from Edinburgh bookseller on John Prideaux Selby's series of life-size birds), William Whyte in 1830. Whyte also published- in 1817 Audubon dropped him for Havell. However this he jointly published Thomas Chalmers' 'Astronomical billhead shows that even the best engravers had to Discourses' which sold 20,000 copies within a year. engrave more than bookplates. Ex: Norman Blackburn Ex: Norman Blackburn Stock: 33080 Collection. Stock: 33493

16. [Coal Merchants] Bo.t of James Poole, 20. [Drapers] R. Atkinson & Co. Jun.r Coal Merchant &c. Park End & Pen Manufacturers of Poplins Gold & Silver Tissue Van Wharf, Hotwell-Road, Clifton, and St Tabinets To Her most Gracious Majesty The Stephen's Wharf, Quay. Queen & their Excellencies the Lord [mss. dated 1839.] Engraved invoice with manuscript, sheet 205 x 250mm Lieutenant and Countess Mulgrave. 31 College (8 x 9¾"), folded vertically, remains of wax seal. Green, Dublin. Poplins Forwarded to any Part Creases, torn when opening wax seal. £140 of Great Britain. Brocades Damasks Silks & A billhead illustrated with a vignette of a sailing Tabinets, for Clergyman's & Lawyers Gowns. collier, addressed to Mrs. Codrington [in ink]. Ex: [mss. dated 1839.] Norman Blackburn Collection. Engraved invoice with manuscript, sheet 235 x 190mm Stock: 33500 (9¼ x 7½"). Folds. £160 A billhead illustrated with an elevation of Atkinson's 17. [Drapers] Printed Furniture and Moreen premises and Queen 's crest. Ex: Norman Warehouse. 7 George Street, Edinburgh. Bo.t Blackburn Collection. Stock: 33498 of Richard Whytock & Co., Manufacturers of

Merino & Silk Damask, Taborets, Brussels and 21. [Drapers] Linlithgow. Bo.t of David Wilton Carpets, Fringes, &c. C. Tompson sc. Edin. [mss. dated 1831.] Shiels, Linen & Woollen Draper. Engraved invoice with manuscript, sheet 160 x 200mm Haberdasher, Silk Mercer, Hosier, Hatter & (6¼ x 8"). Folds, hole from a paper spike. £130 Glover. West of England & Yorkshire - Broad A billhead illustrated with a vignette of Whytock's & Narrow Cloths & Cassimeres - Cantoons & premises, with a column in the background. Ex: Cassinets, Drills & Vestings - Tartan Mantles. - Norman Blackburn Collection. Prints, Ginghams, Shawls &c - Sareenets, Stock: 33462 Merinos, Bombazeens, Crapes, - & every description of Family Mourning. 18. [Mercers] No 20. New Street [mss. dated 1838.] Birmingham. Boucher & Jackson, Clothiers Engraved invoice with manuscript, sheet 110 x 180mm and Man's Mercers. Successors to Bate's (4¼ x 7"). Folds. £130 Tailoring Establishment, Exactly opposite King With a vignette of a man shearing a sheep. Ex: Norman Edward's School. Blackburn Collection. W.H. Lizars sc. [mss. dated 1842.] Stock: 33449 Engraved invoice with manuscript, sheet 250 x 400mm (9¾ x 15¾"), folded vertically. Creases. £160 22. [Drapers] Melrose. Bought of James A billhead illustrated with an elevation of King Isaac, Woollen Draper, Haberdasher & Silk Edward's School and a vignette of a tailor taking a Mercer, Grocer, Wine & Spirit Merchant. man's measurements, with a text 'Funerals Completely [mss. dated 1830.] Furnished'. Addressed to Charles Hancock Executor Engraved invoice with manuscript, sheet 300 x 185mm [in ink]. A very detailed bill of over 20 items. Ex: (12 x 7¼"). Folds. £160 Norman Blackburn Collection. A billhead illustrated with an elevation of Melrose Stock: 33494 Abbey. The very detailed bill covers over 35 items everything from stockings to sugar. Ex: Norman 19. [Mercers] No 32 Princes Street Blackburn Collection. Edinburgh. Bo.t of Leechman & Edington, Silk Stock: 33497 Mercers. India & British Muslins and French Cambrics. Foreign & British Laces. 23. [Drapers] Bought of the Albion Cloth Muffs, Tippets, &c. [With a notarised receipt Company Clothiers Hatters & Mercers to His of payment.] Majesty. 65 New Buildings, North Bridge [mss. dated 1824 & 1825.] Edinburgh. Engraved invoice with manuscript, Snelgrove W.H. Lizars sculp.t. [mss. dated 1831.] watermark; sheet 165 x 210mm (6½ x 8¼"); with mss Engraved invoice with manuscript, sheet 160 x 200mm receipt with blindstamp, sheet 85 x 210mm (3¼ x (6¼ x 8"). Folds. £130 8¼"), attached with wax. Folds. £160 A bill for a hat, illustrated with a Royal Crest and an With a vignette view of South Bridge Street. Ex: elevation of the company's premises. Norman Blackburn Collection. W.H. Lizars was Edinburgh's most famous engraver: Stock: 33448 he was employed to engrave the first of Audubon's 'Birds of America', including the Wild Turkey. 28. [Florist] 53 George Street Edinburgh. However, because of a conflict of interest (his working Boought of John Mozzi Artificial Florist and on John Prideaux Selby's series of life-size birds), Feather Manufacturer. Importer of French Audubon dropped him for Havell. However this Flowers. Wholesale and Retail. A large billhead shows that even the best engravers had to assortment always on hand. Feathers engrave more than bookplates. Ex: Norman Blackburn redressed, dyed and altered. Gold and Silver Collection. Stock: 33452 Laces, Cords, Tassels &c. Scarfs, Bandeus. Gold, silver and Pearl Head Ornaments. [mss. dated 1834.] 24. [Outdoor Supplier] Bought of James Engraved invoice with manuscript, sheet 160 x 200mm Smith, Merchant & Manufacturer. Wide (6¼ x 8"), with 1d receipt stamp. Folds. £130 Bargate, Boston. Sheep netting. Mill-cloths, A billhead illustrated with a vignette of the Prince of Tarpaulings, & Stack Covers, on the most Wales's Feathers. Ex: Norman Blackburn Collection. Reasonable Terms. Dealer in Twines & Lines Stock: 33459 of every Description Oil Cloths, Varnishes, Pitch Tar, &c. 29. [Grocer.] Bo.t of John Macfarlaine [mss. dated 1827.] Wholesale Grocer, 16 & 18 Stirling St. Engraved invoice with manuscript, sheet 160 x 190mm Glasgow. No allowance made for returned (6¼ x 7½"). Folds. £130 Packages untill Actually Received. A billhead illustrated with a vignette of a man pulling John Maclure sculp.t. [mss. dated 1827.] line from a spindle, a ship behind. Ex: Norman Engraved invoice with manuscript, sheet 155 x 190mm Blackburn Collection. (6 x 7½"). Watermarked 1824. Folds, small tear. £130 Stock: 33455 With a vignette of a Chinaman sitting on a chest under a parasol, an East Indiaman ship in the background. 25. [Drapers] Edinburgh. Bo.t of John Ex: Norman Blackburn Collection. Clapperton & Co. Stock: 33439 [mss. dated 1824.] Engraved invoice with manuscript, sheet 155 x 195mm 30. [Apothecaries] Apothecaries Hall, 11 & (6½ x 7¾"). Folds. £130 12 Church Place, Dumfries. Bo.t of Walter A billhead illustrated with a vignette elevation titled Duncan, Manufacturer of Soda Water & 'John Clapperton & co, Drapers. 371, High Street'. Ex: Lemonade. Fancy Snuffs & Cigars. Paints, Norman Blackburn Collection. Stock: 33457 Oils, Colors & Varnishes. Dealer in Patent Medicines & Perfumery. 26. [Drapers] Kendal. Bo.t of Edw.d & Cha.s Reeves & Hoare f.c London. [mss. dated 1844.] Dawson, Linen & Woollen Drapers, Silk Engraved invoice with manuscript, sheet 170 x 140mm (6¾ x 5½"). Folds, hole from a paper spike. £120 Mercers, Hosiers, Hatters &c. With a vignette elevation of the Apothecaries Hall. Ex: [mss. dated 1838.] Norman Blackburn Collection. Engraved invoice with manuscript, sheet 165 x 205mm Stock: 33446 (6½ x 8"). Folds. £130 A billhead illustrated an elevation of the draper's 31. [Grocer.] Aberdeen. Bought of William premises, Waterloo House. Ex: Norman Blackburn Smith (Late Cornwall & Smith) Wine & Tea Collection. Stock: 33491 Merchant. 106, Union Street, (Importer of Foreign Wines.) 27. [Drapers] Bo.t of James Spittal & Son, [mss. dated 1834.] Silk Mercers Lace Men & Drapers. Wholesale Engraved invoice with manuscript, sheet 140 x 195mm & Retail. No 84 South Bridge Street , West (5½ x 7¾"). Folds. £130 With a vignette of an Indian standing before crates, Side. Edinburgh. India Shawls & Muslins, titled 'Teas direct from the India House'. Ex: Norman Silks, Velvets, Laces, Straw & Chip Hats, Blackburn Collection. Stock: 33445 32. [Grocer.] Bought of W.m Edward 37. [Grocers] Market Place Huddersfield. Grocer. Wines, Spirits, Teas, &c. as Imported. Bo.t of John Carr, Wholeslae & Retail Grocer King Street, Aberdeen. Pickles and Fish and Tea-Dealer. Fine Virginia Tobacco. Sauces. Oils. Wax and Sperm Candles. Curious Pontefract Moulds & Dip Candles. Old Brandys. French Liqueurs. Green & Dry [mss. dated 1831.] Fruits & Provision Merchants. Hams, Tongues. Engraved invoice with manuscript, sheet 115 x 125mm Claret. (4½ x 5"). Folds. £95 [mss. dated 1840.] With a vignette of a chest of 'Superfine Teas'. Ex: Engraved invoice with manuscript, sheet 150 x 190mm Norman Blackburn Collection. (6 x 7½"). Folds £130 Stock: 33447 With a vignette of a beehive marked 'Industry'. Ex: Norman Blackburn Collection. 38. [Nursery invoice.] Bought of Dickson's Stock: 33442 Brothers, Nursery, Seeds=Men & Florists. / & Seeds exported to all parts of the 33. [Grocer.] Bought of John Teeds, Tea United Kingdoms. Dealer & Grocer. No. 85, Bishopsgate St.t. 1823 Without. Engraved invoice with manuscript, sheet 255 x 210mm [mss. dated 1841.] (10 x 8¼"). Folds; paper watermarked 'M. Booth 1818' Engraved invoice with manuscript, sheet 200 x 155mm £230 (8 x 6"). Folds £130 Billhead for Dicksons' Brothers at the Adelphi [ie With a vignette of a Chinaman sitting on a chest 'brothers'] seed warehouse, Edinburgh, decorated with marked 'Foreign Fruits, &c.'. Ex: Norman Blackburn a vignette of a bread fruit tree. Pacific interest. Collection. The family running this business were apparently Stock: 33441 unrelated to the London seedsman James Dickson (1738?-1822), and was seemingly run by James 34. [Wine merchants.] Bought of F. Dickson (1777-1834) and his half-brother George Townsend, Importer of Foreign Wines and (1783-1825). Ex: Norman Blackburn; see Mark Lawley, 'James Dickson 1738-1822'. Spirits. Hastings. Bottled Porter, Ale, and Stock: 33084 Cider. Neele and Son, 352 Strand. [mss. for the church 39. [Nursery invoice.] Bo.t of Eagle and wardens of Ewhurst, dated 1826.] Engraved invoice with manuscript, sheet 170 x 210mm Henderson, Nursery, Seedsmen & Florists. No (6¾ x 8¼"). Tear with loss of blank area, folds, 99 High Street Edinburgh. Nurseries Princes remains of wax stamp. £90 Street Fronting the Castle. Nurseries With a vignette of a castellated building. Ex: Norman Wigmoneyebank West Side Leigh Walk. Fine Blackburn Collection. Kent Hops. Best Durham Mustard. Stock: 33435 [mss. dated 1834.] Engraved invoice with manuscript, sheet 250 x 200mm 35. [Confectioner.] Edinburgh. Bought of (9¾ x 7¾"). Folds. £140 James Weddell, Confectioner and Grocer, No Despite listing hops and mustard on the billhead the 8 South Hanover Street, West Side. invoice relates to trees, including 150 oaks, 15 limes C. Thomson sculp. Edin. [mss. dated 1827.] and 10 horse chesnuts. Ex: Norman Blackburn Engraved invoice with manuscript, sheet 115 x 185mm Collection. (4½ x 7¼") Folds, hole from a paper spike. £130 Stock: 33429 A billhead illustrated with a vignette elevation of Weddell's premises. Ex: Norman Blackburn Collection. 40. [Nursery invoice.] Bo.t of Francis & Stock: 33454 James Dickson, Nurserymen, Seedsmen & Florists. Plants & Seeds exported to all parts 36. [Grocer.] Quay, Waterford. Bo.t of of the United Kingdoms. Seed Warehouse, James Doyle, Importer of Teas, Raw & Refined Eastgate Street, Chester. Nurseries at Rache Sugars, Wines, Spirits, &c. Cheese, Foreign Pool and Pipers Ash. Fruits, Pickles, Sauces &c. Coffee, Cocoa & W. Dean at the +. [mss. dated 1840.] Chocolate. Wax, Spermaceti & Kensington Engraved invoice with manuscript, sheet 250 x 205mm Candles. White and Brown Windsor Soup. (9¾ x 8"). Paper watermarked 'A Fonwen 1837'. Folds, Fancy snuffs & cigars. Teas direct from China. pair of small holes from paper spike. £140 Fox J. Pool. [mss. dated 1837.] Billhead for Dickson's Nursery in Chester, decorated Engraved invoice with manuscript, plate 60 x 175mm with a vignette of sprig of oak with acorns. Ex: (2½ x 7"), sheet 155 x 190mm (6 x 7½"). £130 Norman Blackburn Collection. Stock: 33426 With one vignette of a Chinaman with a pagoda, chests & barrels, and another of an East Indiaman ship. Ex: Norman Blackburn Collection. Stock: 33438 41. [Nursery invoice.] Bought of Thomas 46. [Tailor] Bought of William Purves. No Kennedy, Seedsman, Nurseryman & Florist. 46. Princes Street. Edinburgh. Seed Shop 110 High Street Dumfries. Nurseries [mss. dated 1822.] at Pleasants and Nith Bank. Engraved invoice with manuscript, sheet 110 x 180mm [mss. dated 1833.] (4¼ x 7"). Folds. £130 Engraved invoice with manuscript, sheet 155 x 195mm A bill for a jacket, with a vignette elevation of Purves's (6 x 7¾"). Folds. £130 premises on Princes Street. Ex: Norman Blackburn Ex: Norman Blackburn Collection. Collection. Stock: 33431 Stock: 33451

42. [Roper.] Hyde Park Rope Work. Office, 47. [Broadside against ] Second Foot of Steam Boat Quay, 41 Argyll Street. Edition. An Address To those Brave, Gallant, Glasgow. Bo.t of John Stewart. and Loyal Hearts, the Commanders, Officers, [mss. dated 1833.] Seamen, and Marines, of The British Navy [...] Engraved invoice with manuscript, sheet 160 x 195mm [c.1803] London: Printed for J. Asperne, (Successor to (6¼ x 7¾"). Folds. £140 Mr. Sewell,) at the Bible, Crown, and Constitution, No. A hand-written invoice for cordage, with a vignette of 32, Cornhill; by J. Gold, Shoe-Lane; Price One Penny, their offices with boats on the Clyde. Ex: Norman or 6s. the 100 and 9d. per Dozen. Blackburn Collection. Letterpress, sheet 375 x 280mm (14¾ x 11"). £350 Stock: 33432 Broadside published at the time when fears of an invasion of the British Isles by Napoleon were at their 43. [Shippers.] London Shipping Co.s Office. height, addressing sailors to prepare them for invasion: Banff 'British Seamen! At this important crisis you have Eng.d on steel by J. Swan, Glas.w. [mss. dated 1826.] arduous duties to perform: you must submit to many Engraved invoice with manuscript, sheet 125 x 200mm privations, and encounter many hardships and dangers (5 x 8"). Folds. £65 [...] every Tar who has a Sweetheart on shore, or a A bill for the frieght of a chest on 'the Banffshire from Wife, or a Daughter, or a Sister that is dear to him, London', illustrated with a vignette of a sailing boat must feel how much it is his interest and duty to make passing a . Ex: Norman Blackburn every exertion in his power, to defeat the infamous Collection. designs of the enemy, and to hold all danger trifling, Stock: 33433 and all labour cheap, which may conduce to place these tender and valued connections in a state of security'. 44. [Shoemakers] Liverpool. 18 South John Reprinted from the 'Naval Chronicle' magazine. Street. Bought of Tho.s Slater, Ladies & The publisher James Asperne (1757-1820) was best- known for publishing the popular 'European Magazine'. Gentlemen's Fashionable Boot and Shoe A note at the end suggests: 'Noblemen, Magistrates, Maker. Orders Carefully Executed. and Gentlemen, residing near the Coast, would do well [mss. dated 1838.] by ordering a few Dozen of the above of their Engraved invoice with manuscript, sheet 110 x 190mm Booksellers, and causing them to be stuck up in their (4¼ x 7½"). Folds. £140 respective Vicinities, and distributed amongst the A billhead illustrated with a man's knee-length boot Sailors.' and a woman's ankle-length boot. Ex: Norman Stock: 33284 Blackburn Collection. Stock: 33490 48. Plain Answers to plain Questions, in a

Dialogue between John Bull and Bonaparte, 45. [Tailors] Bo.t oF Alex.r Craig & Co. Met Half-Seas over between Dover and Calais. (Late of Gibsons Thomson & Craig) John Bull. How do you do? / Bonaparte. Pretty Edinburgh 104 South Bridge Street. well; but hope to be better when I am in Forrester Scrip.t. Lizars sculp.t. [mss. dated 1823.] Engraved invoice with manuscript, 1822 watermark; London. / John Bull. When do you expect to get sheet 160 x 190mm (6¼ x 7½"). Folds. £130 there? / Bonaparte. About the end of A bill for a coat, illustrated with an elevation of the September; or October at latest. [...] company's premises. [c.1803] London: Printed for J. Hatchard, No. 190, W.H. Lizars was Edinburgh's most famous engraver: Piccadilly [...] Printed by J. Brettell, 54, Great he was employed to engrave the first of Audubon's Windmill Street, Hay [...] 'Birds of America', including the Wild Turkey. Letterpress, sheet 520 x 440mm (20½ x 17¼"). Folds However, because of a conflict of interest (his working and creases; large area missing lower right. £150 on John Prideaux Selby's series of life-size birds), Large broadside published at the time when fears of an Audubon dropped him for Havell. However this invasion of the British Isles by Napoleon were at their billhead shows that even the best engravers had to height, in the form of a dialogue between Napoleon engrave more than bookplates. Ex: Norman Blackburn and John Bull (representing Britain), in which Bull Collection. questions Napoleon about his reasons for various Stock: 33453 conflicts, freedom of the press, religion, and invading Britain. Published by John Hatchard (1768-1849), who founded height. This broadside, essentially a call for increased the Piccadilly bookseller still thriving over two participation in the volunteer corps, is voiced by the hundred years on. ghost of a Shoreditch shopkeeper, aroused from his Stock: 33291 peace by rumours of the planned invasion. The ghost is initially confident of the Britons' ability to repel the 49. [Broadside against Napoleon] James French, but soon finds that 'the exercise of Arms had Asperne Reprints the following Resolutions of been long laid aside, except upon particular the Inhabitants of the Parish of St. Mary emergencies' and fears that the country will be overrun Lambeth, held at the Royal Oak, Vauxhall, unless military participation is strengthened. July 26th, 1803, Robert Slade, Esq. in the Contains references to Finsbury, Clerkenwell and Shoreditch. Chair, from a Conviction of their Utility at the The publisher James Asperne (1757-1820) was best- present important Critis, and that he may have known for publishing the popular 'European Magazine'. an Opportunity of dispersing them with his Stock: 33276 other loyal Papers, which he has already circulated to the amount of nearly 300,000 in 51. [Broadside against Napoleon] Substance Number. [...] Robert Slade, Chairman. of the Speech of Jacob Bosanquet, Esq. At the [c.1803] London: Printed for J. Asperne, (Successor to Royal Exchange, July the 26th, 1803 Mr. Sewell,) at the Bible, Crown, and Constitution, No. [1803] Printed for J. Asperne (Successor to Mr. 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price Sewell,) at the Bible, Crown, and Constitution, No. 32, One Penny, or 6s the 100. Cornhill; by W. Lane, Leadenhall Street. Price One Letterpress, sheet 445 x 280mm (17½ x 11"). On laid Penny each, or 6s the 100 / Where may be had, at the paper watermarked 1802. £250 same Price, Sheridan's Address to the People. Also a Broadside published at the time when fears of an Collection of all the Loyal Papers that have been and invasion of the British Isles by Napoleon were at their will be Published. height. The text publishes resolutions made at a Letterpress, sheet 435 x 280mm (17 x 11"). Creasing meeting of inhabitants of St. Mary Lambeth (the parish lower right. £250 stretching along the south of the Thames from Broadside published at the time when fears of an Vauxhall to Waterloo), that in the face of possible invasion of the British Isles by Napoleon were at their invasion, all able-bodied residents of the parish must height, taken from a speech by Jacob Bosanquet (1755- enrol to assist in the defence of their country. The 1828), who was Chairman of the East India Company wider application of the broadside was both to serve as in 1803. This speech, made at an assembly of an example to other parishes for increasing enrolment, commercial interests, calls for the solidarity of those and to defame Napoleon (much of the text consists of present with British interests, and to'unite in an allegations of attrocities and tyrannical acts carried out unanimous declaration to stand or fall with our Country by the consul). and our King'. Bosanquet compares Britain with A note at the bottom of the sheet suggests 'Noblemen, and Constantinople, and sees the Sack Magistrates, and Gentlemen, would do well by of those cities as examples to be avoided, of how even ordering a few Dozen of the above Tracts of their great cities can fall through inadequate vigilance. different Booksellers, and causing them to be stuck up A note at the bottom of the sheet suggests 'Noblemen, in the respective Villages where they reside, that the Magistrates, and Gentlemen, would do well by Inhabitants may be convinced of the Cruelty of the ordering a few Dozen of the above Tracts of their Corsican Usurper.' different Booksellers, and causing them to be stuck up The publisher James Asperne (1757-1820) was best- in the respective Villages where they reside, that the known for publishing the popular 'European Magazine'. Inhabitants may be convinced of the Cruelty of the Stock: 33282 Corsican Usurper.' The publisher James Asperne (1757-1820) was best- 50. [Broadside against Napoleon] The Duke known for publishing the popular 'European Magazine'. of Shoreditch, or, Barlow's Ghost. / Stock: 33287 Countrymen: After my Spirit had rested in peace more than two hundred years, I was, in a 52. [Broadside against Napoleon] "Britons manner, called from my grave by a report in never will be Slaves!!!" / An Address To every circulation, that the French intended to invade Loyal Briton on the threatened Invasion of his the now United Kingdoms of England and Country. / When Rome's proud Legions fought Ireland [...] the Albion Shore,/ To give insatiate Pow'r one London: Printed for J. Asperne, Successor to Mr. Trophy more,/ The hardy Britons scorn'd to Sewell, at the Bible, Crown, and Constitution, No. 32, basely fly,/ Determined to repel the Foe, or die Cornhill, by T. Maiden. [Price 1d. or 6s. the 100.] [...] W.T. Fitzgerald August 10th, 1803. [c.1803] London: Printed for J. Asperne, (Successor to Letterpress, with 1802 watermark; sheet 445 x 270mm Mr. Sewell,) at the Bible, Crown, and Constitution, No. (17½ x 10½"). Creasing on right. £350 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price Broadside published at the time when fears of an One Penny, or 6s the 100. invasion of the British Isles by Napoleon were at their Letterpress, sheet 370 x 250mm (14½ x 9¾"). On laid Enemy fleet was sunk at Sea, those that landed were paper watermarked 1802. £350 immediately put to the Sword, and their Commander Broadside published at the time when fears of an slain. invasion of the British Isles by Napoleon were at their Published by John Hatchard (1768-1849), who founded height, recounting British bravery in the face of the Piccadilly bookseller still thriving over two invasion from the Romans and the Spanish Armada as hundred years on. evidence that any French invasion would inevitably Stock: 33292 fail. The poem was written by William Thomas Fitzgerald (1759-1829). Fitzgerald specialised in 55. [Broadside against Napoleon] Address patriotic verses of this kind, and in 1814 published a to the People of Great Britain. By W.J. collected edition of his many verses against Napoleon. Denison, Esq. A note at the bottom of the sheet suggests 'Noblemen, [1803] Printed for J. Asperne (Successor to Mr. Magistrates, and Gentlemen, would do well by Sewell,) at the Bible, Crown, and Constitution, No. 32, ordering a few Dozen of the above Tracts of their Cornhill; by W. Lane, Leadenhall Street. Price One different Booksellers, and causing them to be stuck up Penny each, or 6s the 100 / Where may be had, at the in the respective Villages where they reside, that the same Price, Sheridan's Address to the People. Also a Inhabitants may be convinced of the Cruelty of the Collection of all the Loyal Papers that have been and Corsican Usurper.' will be Published. The publisher James Asperne (1757-1820) was best- Letterpress, sheet 455 x 280mm (18 x 11"). Creasing. known for publishing the popular 'European Magazine'. £250 Stock: 33281 Patriotic poem published at the time when fears of an invasion of the British Isles by Napoleon were at their 53. [Broadside against Napoleon] Britons height, by William Joseph Denison (1770-1849), Triumph or Bonapartes Knell / Come, with all banker and politician, and a founder of the Reform thy slaves around thee,/ Bonaparte! haughty Club. Like several other 'loyal Papers' of the time, it foe!/ This little Island shall confound thee,/ invokes historical precedents such as conflicts with the And lay thy giant projects low [...] Romans and Spanish, as well as past and present [c.1803] A. Hamilton Printer 221 Piccadilly British military and naval heroes such as Marlborough, Letterpress, sheet 395 x 250mm (15½ x 9¾"). Creasing Duncan, St. Vincent, and Nelson. upper left; paper watermarked 'Neckinger Mill 1800' A note at the bottom of the sheet suggests 'Noblemen, £300 Magistrates, and Gentlemen, would do well by Broadside published at the time when fears of an ordering a few Dozen of the above Tracts of their invasion of the British Isles by Napoleon were at their different Booksellers, and causing them to be stuck up height. This ballad lists Napoleon's triumphs and in the respective Villages where they reside, that the atrocities on the continent and in the Middle East, but Inhabitants may be convinced of the Cruelty of the insists that any attempted invasion of Britain would be Corsican Usurper.' unsuccessful. The publisher James Asperne (1757-1820) was best- Stock: 33274 known for publishing the popular 'European Magazine'. Stock: 33288 54. [Broadside against Napoleon] Countrymen! / The City of Syracuse (in ) 56. A Second Dialogue between Buonaparte had maintained a successfull Contest with the and John Bull / Scene---Calais Buonaparte. Carthaginians; lulled into Security, however, How do you do, Monsieur Anglois? / John. by an advantageous Peace, she had reduced What's that to you? / Buon. Nay, John, don't her Fleets and Armies, and the Carthaginians, be angry. / John. Angry! I am angry, and I will who still retained their Envy and Hatred of be angry [...] her, seized the Opportunity to renew the War [c.1803] London: Printed for J. Hatchard, No. 190, [...] Piccadilly. Price Sixpence per Dozen. [Hales, Printer, Old Boswell Court, London. [c.1803] London: Printed for J. Hatchard, 190, Letterpress with large margins, and 18th century Piccadilly. Price One Shilling per Dozen. [Hales, watermark; sheet 530 x 440mm (21 x 17¼"). Folds and Printer, Old Boswell Court, London. creases. £450 Letterpress, sheet 555 x 450mm (21¾ x 17¼"). Folds Largeand impressive broadside published at the time and creases; paper tone; on laid paper with fleur-de-lys when fears of an invasion of the British Isles by watermark. £450 Napoleon were at their height, entreating Britons to Large broadside published at the time when fears of an assist in the defence of the country by entrol for the invasion of the British Isles by Napoleon were at their country's defences and discourage the French from height. It reprints a passage from Act1, Scene 3 of invading. 'Lose not therefore a Moment in preparing Philip Massinger's play 'The Bondman' (c.1624), a play the Means of atchieving so much Glory for your which concerns the siege of Syracuse by the Country, of gaining so much Honour for Yourselves, Carthaginians. The general Timoleon's call to arms is and your proud Posterity!!!' here used to encourage Britons to show similar bravery. The text concludes 'it is needless to mention what followed this animating Debate. A Part of the Published by John Hatchard (1768-1849), who founded Designs of French Spies [...] suffer no the the Piccadilly bookseller still thriving over two poisonous Language of the Enemies of their hundred years on. Country, however high in Rank, or the vain Stock: 33290 Promises of the designing Spies of a Corsican

Usurper and Murderer [...] 57. [Broadside against Napoleon.] An Irishman, and a Soldier. Craven Hotel, Strand, Englishmen! You have been unjustly charged August 8, 1803. John Ginger, No. 169, Piccadilly / W with Supineness and Despondency. The Glindon, Printer, 48, Rupert Street, Hay-Market Enemies of Government and the Admirers of Letterpress, sheet 430 x 280mm (17 x 11"). Creases to the Corsican Tyrant, have interpreted your top corners. £450 silent Confidence, into despair and dismay [...] Broadside published at the time when fears of an Timoleon. invasion of the British Isles by Napoleon were at their [c.1803] London: Printed by J. Brettell, for J. Hatchard, height. This one is specifically addressed to Irishmen No. 190, Piccadilly....Price 6d. per Dozen. resident in England, imploring them to 'be foremost on Letterpress, sheet 540 x 440mm (21¼ x 17¼"). Folds the Shores of your Island, in repelling a Barbarous and £450 Ferocious Enemy, and save your Wives and Children Large broadside published at the time when fears of an from their Savage Lust and murderous Hands'. Mention invasion of the British Isles by Napoleon were at their of 'the patriotic Language of a Sheridan (that Ornament height, in the form of a dialogue between Napoleon of his Country)' refers to Richard Brinsley Sheridan's and John Bull (representing Britain). Napoleon is calm (1751-1816) strong support of the volunteer corps in and complacent about his achievements, where John the face of Napoleon's imperial expansion. Bull angrily disputes these as a sacrifice of 6000 men Includes a list of other 'patriotic publications' sold by (the Battle of Lodi); a massacre (the Battle of John Ginger on Piccadilly, including 'Horrors upon Alexandria), and poisoning the French army's injured Horrors' and 'Publicolia Addresses'. For Ginger's soldiers. The 'scene' is Calais, a common point for 'Publicolia Addresses' see refs. 10044 and 27538; for channel crossings previously depicted in Hogarth's Sheridan see ref. 17993. similarly anti-Gallican 'The Calais Gate'. The Stock: 33271 pseudonym 'Timoleon' is taken from Massinger's play 'The Bondman', in which Timoleon led the defence of 60. [Broadside against Napoleon] The Syracuse against the Carthaginians. That play was a Bishop of Llandaff's Thoughts on the French popular source for anti-Napoleon broadsides. Invasion, originally addressed to the Clergy of Published by John Hatchard (1768-1849), who founded his Diocese. the Piccadilly bookshop still on the same premises two [c.1803] Printed for J. Asperne, (Successor to Mr. hundred years later. For Hogarth's 'Calais Gate' see Sewell,) at the Bible, Crown, and Constitution, No. 32, ref. 31474; for another use of Massinger in this context Cornhill, by S Rousseau, Wood Street, Spa Fields; see ref. 33292. Price One Penny, or 6s the 100 / Where may be had, at Stock: 33289 the same Price, Sheridan's Address to the People. Also a Collection of all the Loyal Papers that have been and 58. [Broadside against Napoleon] A Peep will be Published. into Hanover; or, A faint Description of the Letterpress, sheet 390 x 255mm (15¼ x 10"). Crease Atrocities committed by the French in that top right. £220 City. [...] Broadside published at the time when fears of an Britannicus. [1803] Printed for J. Ginger, No. 169, invasion of the British Isles by Napoleon were at their Piccadilly / Price Sixpence per Dozen, for Distribution. height, extracted from 'A Charge delivered to the / W. Marchant, Printer, 3, Greville-Street, Holborn. Clergy of the Diocese of Llandaff, in June, 1798, by R. Letterpress, sheet 435 x 280mm (17 x 11"). Creasing to Watson, D.D. F.R.S. Bishop of Llandaff'. Watson's edges; hole upper right. £390 thoughts are addressed to any sympathisers with the Broadside published at the time when fears of an French cause: 'I would say to the most violent invasion of the British Isles by Napoleon were at their Democrat in the kingdom,- Suppose the business done: height. This one reports attrocities committed in after Seas of Blood have been shed, Millions of Lives Hanover by Napoleon's army, 'such are the Gangs of lost, Towns plundered, Villages, burned, the Royal ferocious Banditti, whom the Murderer of Jaffa let Family exterminated, and unutterable calamity has loose on the civilized World! Such, and ten thousand been endured by persons of all ranks:- after all this has times worse, is the Fate prepared for England, if the been done, what Advantages will you have obtained valour of her people do not avert it'. beyond what you now possess [?]'. Stock: 33272 A note at the bottom of the sheet suggests 'Noblemen, Magistrates, and Gentlemen, would do well by 59. [Broadside against Napoleon] Address ordering a few Dozen of the above Tracts of their to Irishmen Residing in England. / Fellow different Booksellers, and causing them to be stuck up Countrymen, The Calamaties which have so in the respective Villages where they reside, that the Inhabitants may be convinced of the Cruelty of the lately threatened your native Country, by a few Corsican Usurper.' of your Bretheren being misled by the artful The publisher James Asperne (1757-1820) was best- Reign of our especially dear Son King George known for publishing the popular 'European Magazine'. The Third [...] Stock: 33286 [1803] London: Printed for J. Asperne, Successor to Mr. Sewell, at the Bible, Crown, and Constitution, No. 61. [Broadside against Napoleon] Loyal 32, Cornhill, by J. and E. Hodson. [Price 1d. each, or Songs. / The Voice of the British Isles [&] The 6s. the 100] / Where may also had, A Collection of all True Briton. the Loyal Papers that have been and will be Published. [c.1803] London: Printed for J. Asperne, [Successor to Letterpress, sheet 310 x 195mm (12¼ x 7¾"). On laid the late Mr. Sewell], at the Bible, Crown, and paper watermarked 'C Badd 1799' £220 Constitution, No. 32, Cornhill, by W. Lane. [Price One Broadside published at the time when fears of an Penny, Ninepence per Dozen, or Six Shillings per invasion of the British Isles by Napoleon were at their Hundred.] height, stating the risk posed by Napoleon, the 'Murder, Letterpress, sheet 410 x 265mm (16 x 10½"). £250 Rapine, Slavery and Death, in Cruel and horrible Broadside published at the time when fears of an Wantonness' he has committed, and the duty of the invasion of the British Isles by Napoleon were at their British to assist in the defence of their country. height, consisting of two songs adapted to popular The publisher James Asperne (1757-1820) was best- tunes, proclaiming British readiness for any invasion. known for publishing the popular 'European Magazine'. The publisher James Asperne (1757-1820) was best- Stock: 33285 known for publishing the popular 'European Magazine'. Stock: 33277 64. The Prophecy! or, Bonaparte Killed at Last by his Own Troops! A True Story, just 62. [Broadside against Napoleon] No. 2 brought from Paris [...] This Story is founded Loyal Songs. / The Briton's Song [&] Song of on a Dream of Bonaparte [...] The Dream is the Highland Armed Association. here given in Verse. [...] London: Printed for J. Asperne, [Successor to the late [1803] Printed for J. Hatchard, 190, Piccadilly. 1d. Mr. Sewell], at the Bible, Crown, and Constitution, No. each; 6d. per dozen; or, 3s. 6d. per 100. [Brettell, 32, Cornhill, by S. Rousseau. Price One Penny, or 6s Printer] the 100. August 12, 1803 Letterpress, sheet 425 x 315mm (16¼ x 12½"). Letterpress, with 1803 watermark; sheet 385 x 270mm Creasing on left. £350 (15¼ x 10½"). £250 Broadside published at the time when fears of an Broadside published at the time when fears of an invasion of the British Isles by Napoleon were at their invasion of the British Isles by Napoleon were at their height. This ballad prophesises Napoleon's death in the height, consisting of two songs adapted to popular wake of an unsuccessful invasion of Britain. As in tunes, proclaiming British readiness for any invasion. other broadsides of the period, Napoleon's alleged 'The Briton's Song' contrasts Revolutionary France killing of his own injured soldiers at Jaffa is invoked as with British rule: 'Our Forefathers bled on the Scaffold evidence of his treachery. In the aftermath, the new and Plain/ T'establish a Government wise, just and rule of France is imagined: 'no more Consuls, pure;/ We'll defend it till Death, and reject with Frenchmen shout,/ But King Louis make your Head. / disdain/ One that scarce for a Day or an Hour can With Moreau, Minister of State,/ Not made Ambition's endure./ Shall your fam'd Guillotine. In Old England be Fool,/ But choosing a much safer Fate,/ Than over seen?/ No!- we mean to live happy, while frantic you France to rule'. Victor Moreau was forced into exile in sing/ Your fam'd 'Ca Ira',/ And Hymn 'Marsellois',/ For the United States by his opposition to Napoleon. the true Briton's Song shall be "God save the King." The final verses defend Britain's monarchy (with a The 'Song of the Highland Armed Association' is reference to the revolutionary, Thomas Paine) and the specifically Scottish in its theme and references. high taxes during the war as a temporary measure A note at the bottom of the sheet suggests 'Noblemen, necessary to combat Napoleon. Magistrates, and Gentlemen, would do well by Published by John Hatchard (1768-1849), who founded ordering a few Dozen of the above Tracts of their the Piccadilly bookseller still thriving over two different Booksellers, and causing them to be stuck up hundred years on. For a contemporary portrait of in the respective Villages where they reside, that the Moreau, see ref. 28221. Inhabitants may be convinced of the Cruelty of the Stock: 33275 Corsican Usurper.' The publisher James Asperne (1757-1820) was best- 65. [Broadside against Napoleon] Twenty known for publishing the popular 'European Magazine'. Thousand Pounds Reward / Middlesex (to wit) Stock: 33278 / To all Constables [...] / Whereas a certain ill-

disposed Vagrant, and common Disturber, 63. [Broadside against Napoleon] commonly called or known by the Name of Proclamation, Made to every Man in the Napoleon Bonaparte, alias Jaffa Bonaparte, of Great Britain and Ireland, alias Opium Bonaparte [...] this First Day of August, in the Year of our [c.1803] London: Printed for S. Highley, No. 24, Fleet- Lord One Thousand Eight Hundred and Street; by B. McMillan, Bow-Street, Covent-Garden Three, and in the Forty-fourth Year of the (price 1d. or 9d. per dozen). Where may be had Bonaparte; or, The Freebooter; a Patriotic Drama, price referencing French actions in Switzerland and Holland One Shilling. and their supposed plans 'to land their troops at Dover'. Letterpress, sheet 415 x 260mm (16¼ x 10¼"). On laid Napoleon is compared to Robespierre. Napoleon, it paper with crest watermark. £290 says, is praised now as Robespierre once was, but if One of many popular broadsides published at the time Napoleon were to be executed, 'With general voice,/ when fears of an invasion of Britain by Napoleon were Would France rejoice,/ And set the bells a-ringing'. at their height. This one offers a reward for the capture A note at the bottom of the sheet suggests 'Noblemen, of Napoleon, with the aim being to imprison him at the Magistrates, and Gentlemen, would do well by Exeter Change menagerie in the Strand, 'placed in a ordering a few Dozen of the above Tracts of their Certain Iron Cage, with the Ouran Outang, or some different Booksellers, and causing them to be stuck up other ferocious and voracious animal like himself, for in the respective Villages where they reside, that the the purpose of being tamed'. Inhabitants may be convinced of the Cruelty of the To facilitate identification of the French leader, a Corsican Usurper.' description of his appearance is provided ('...resembles The publisher James Asperne (1757-1820) was best- a great deal in person a Bear-leader, or one of the known for publishing the popular 'European Magazine'. Savoyards who play on the reeds at Vauxhall') while Stock: 33279 the stream of 'aliases' given for him (Jaffa Bonaparte, Acre Bonaparte etc) refer to earlier actions in the 68. Buonaparte and Talleyrand. It is well Napoleonic Wars. known that Monsieur Talleyrand always According to Ashton, this broadside was 'printed with objected to the Invasion of England, as a mad different headings, so as to sell in different countries'. Attempt, that must end in the Destruction of John Ashton, 'English caricature and satire on the Invaders. Having been favoured with a Napoleon I' Stock: 33269 Note of a Conversation between him and the Chief Consul on this Subject, I have attempted, 66. [Broadside against Napoleon] for the Entertainment of my Countrymen, to [c.1803.] London: Printed for J. Asperne, (Successor to put it into Rhyme. A.S. Mr. Sewell,) at the Bible, Crown, and Constitution, No. [c.1803] Printed for J. Hatchard, Piccadilly, Price 6d. 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price per dozen, by J.Brettell, Great Windmill Street. One Penny, or 6s the 100. Letterpress, sheet 440 x 280mm (17 x 11"). Creasing Letterpress, sheet 340 x 210mm (13½ x 8¼"). £320 on left. £300 Broadside published at the time when fears of an Broadside published at the time when fears of an invasion of the British Isles by Napoleon were at their invasion of the British Isles by Napoleon were at their height. Richard Brinsley Sheridan (1751-1816), Irish height. This imagined dialogue presents the diplomat playwright and politician, wrote 'Pizarro', a play Talleyrand as opposing a planned invasion by adapted from August von Kotzebue's 'Die Spanien in Napoleon, who foresees that 'In a night or a fog we will Peru', which premiered in 1799. Sheridan's play silent steal over,/ And surprize unexpected, the Castle addressed both fears of French invasion and supported of Dover'. Talleyrand negotiated a short-lived peace in the revolutionary aims of the United Irishmen. This , but was unable to prevent the renewal of 'address to the people' is an amalgamation of several hostilities in 1803. With his influence diminishing, and speeches from 'Pizarro', contrasting French and British Napoleon's ambition seemingly insatiable, Talleyrand principles as incompatible. resigned from his role as grand chamberlain in 1807. The publisher James Asperne (1757-1820) was best- Published by John Hatchard (1768-1849), who founded known for publishing the popular 'European Magazine'. the Piccadilly bookseller still thriving over two Many of his other broadsides published at this time hundred years on. For a contemporary portrait of mention that Sheridan's Address can be purchased from Talleyrand, see ref. 28220 him, demonstrating its great popularity. For 'Pizarro', Stock: 33273 see refs. 11533 and 17165; for Sheridan see ref. 17993. Stock: 33280 69. [Broadside against Napoleon] Union and Watchfulness, Britain's True and Only 67. [Broadside against Napoleon] Song, to Security. / A few words to every British Subject the Tune of Mother Casey. / The French, tis inculcating this very important idea. said,/ Are thieves by trade,/ And well they fill [c.1803] London: Printed for J. Asperne, (Successor to the function;/ For where they go,/ Both friend Mr. Sewell,) at the Bible, Crown, and Constitution, No. and foe,/ They rob without compunction [...] 32, Cornhill, Price One Penny, or Six Shillings per [c.1803.] London: Printed for J. Asperne, (Successor to Hundred; and may be had of the Booksellers, at the Mr. Sewell,) at the Bible, Crown, and Constitution, No. West-End of the Town, &c. &c. Page, Printer, Black 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price Friars Road. One Penny, or 6s the 100. Letterpress, sheet 385 x 260mm (15¼ x 10¼"). On laid Letterpress, sheet 340 x 210mm (13½ x 8¼"). £250 paper watermarked 1801. £250 Songsheet published at the time when fears of an Broadside published at the time when fears of an invasion of the British Isles by Napoleon were at their invasion of the British Isles by Napoleon were at their height. The song encourages strong British resistance, height, imploring all Britons to take up arms to defend the country, if required. 'To suffer or to die in such a Stock: 33088 cause, is our first duty, and our highest honour'. The publisher James Asperne (1757-1820) was best- 73. The Lord Mayor requests the Honor of known for publishing the popular 'European Magazine'. your Company to Dinner; at the Mansion Stock: 33283 House on Monday, the 4th of April, at four o'Clock precisely. 70. Who is Bonaparte? Who is he? Why, an Clark & Norris Sculp, Moorfields. [n.d., c.1791.] obscure Corsican, that began his Murderous Etching, printed in sanguine with large margins. 155 x Career, with turning his Artillery upon the 205mm (6 x 8"). Slight crease on left; slightly dusty. Citizens of Paris- who boasted in his Public £220 Letter from Pavia, or having shot the whole An invitation to dinner at the Mansion House, Municipality [...] decorated with Britannia and a cherub on the left, and a [1803] London: Printed for J. Asperne, Successor to woman seated with flowers on the right, emblems Mr. Sewell, at the Bible, Crown, and Constitution, No. strewn by her feet. 32, Cornhill, by J. & E. Hodson. [Price 1d. 6s. the 100, Stock: 32959 or 9d. per Dozen.] Letterpress, sheet 310 x 195mm (12¼ x 7¾"). On laid 74. The Four Elements. Earth. Air. Fire. paper with crest watermark. £350 Water. One of many popular broadsides published at the time Printed for & Sold by Bowles and Carver, No.69 in St. when fears of an invasion of Britain by Napoleon were Pauls Church Yard, London. [n.d., c.1801]. at their height. This one claims him to be guilty of Hand coloured engraving with manuscript, rare. myriad cruel and treacherous deeds, including Watermarked paper, 'J. Whatman, 1801'. Platemark: poisoning his own injured soldiers, religious hypocrisy, 435 x 350mm (17 x 13¾"). Creases to sheet. Stained. and restrictions of civil liberties. 'Such is the Tyrant £360 We are called upon to oppose; and such is the Fate A used, decorative writing sheet with original hand which awaits England, should We suffer him and his coloured vignettes representing the four elements degraded Slaves to pollute Our Soil.' around the edges and, at the top, an illustration The publisher James Asperne (1757-1820) was best- depicting, 'Wisdom, Elquence, Learning, Fortitude, known for publishing the popular 'European Magazine'. History & Stength, conducting the studies of a young Stock: 33270 gentleman'. The writing sheet was used by Thomas Crantern, on December the 23rd, 1802, who wrote a 71. Minnie Warren's Quadrille, (Sister of poem in the centre of the sheet about children Mrs. Genereral Tom Thumb.) By Stephen respecting their parents. Glover. "Performed Daily at Commodore Stock: 33436 Nutts Grand Levée". T. Packer Lith. Standard & Dixon Imp. [n.d., c.1870]. 75. Tiger Hunting in the East Indies. Chromolithograph, rare. Collector's blind stamp in top [After Johann Joseph Zoffany]. 1843 - 45. left corner, '3. 2. 81. New Burlington'. Sheet size: 335 x Mezzotint. Rare. Sheet size: 205 x 255mm (8¼ x 10"). 255mm (13¼ x 10"). Cut. £290 Foxed. Trimmed inside platemark. £260 A brightly coloured songsheet cover for 'Minnie This Print represents the attack and death of the Royal Warren's Quadrille', by Stephen Glover, performed Tiger, near Chandermagur, in the Province of Bengal, daily at Commodore Nutts Grand Levée. in the Year 1788. Four British hunters (Sir John Huldah Pierce Warren Newell (1849 - 1878), better Macpherson, General Carnac, Zoffany and Stables) and known as Minnie Warren, was a dwarf and an numerous Indian attendants surrounding a fallen and entertainer. Her sister, Lavinia Warren, was married to bleeding tiger with an Indian standing behind the General Tom Thumb. They were very well known in animal with a spear. French copy of the famous 1860s' America and their meeting with Abraham English mezzotint. Stock: 33625 Lincoln was covered in the press at the time. Stock: 33570 76. La Chasse du Canard. [Duck hunting]. 72. Form of Procession to the Coronation of Peinte par G. Morland et Dirigee par A. Suntach. the Sovereigns of England. Publieé les 15 Decembre 1791 par Antoine Suntach. Printed and published by J. Bailey, 116, Chancery Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Lane. [n.d., c.1820.] Large margins. Small holes in margins. £260 Fine coloured wood engraving. Sheet 190 x 315mm A man sitting beside water with a duck in his hands, (7½ x 12½"). Watermarked 1818. Trimmed to printed his rifle resting against tree at left and his dogs at right, border. '1760' written in old ink next to publisher's one looking up hungrily at the bird. inscription. £160 After English painter, George Morland (1762/3 - 1804) A diagram illustrating the order in which the monarch's renowned for his scenes of English rural life and entourage would march to the coronation. It is likely picturesque landscapes. Engraved and published by that this broadside would have been sold to the crowds Italian reproductive stipple engraver, Antonio Suntach watching the coronation of George IV on the 29th (1744 - 1828). January 1820. Part of a series of nine hunting scenes, including some Winter scene with a man aiming a rifle to right to shoot plates after Ibbetson. a bird out of the sky, his dog, below at left watching Stock: 33234 the prey. Two other men can be seen with their guns on the snow in the background. 77. La Chasse du Lievre. [Hare hunting]. After English painter, George Morland (1762/3 - 1804) Peinte par G. Morland et Dirigee par A. Suntach. renowned for his scenes of English rural life and Publieé les 15 Septembre 1791 par Antoine Suntach. picturesque landscapes. Engraved and published by Stipple with very large margins. Platemark: 270 x Italian reproductive stipple engraver, Antonio Suntach 315mm (10 ½ x 12¼"). A fine impression. £390 (1744 - 1828). A man is preparing his rifle to the left, as his dog Part of a series of nine hunting scenes, including some smells a hare in the undergrowth at the lower right. plates after Ibbetson. Oettingen-Wallerstein Collection. After English painter, George Morland (1762/3 - 1804) Stock: 33230 renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by 81. La Chasse De La Bècasse. [Woodcock Italian reproductive stipple engraver, Antonio Suntach hunting]. (1744 - 1828). Peinte par G. Morland / Dirigee par A. Suntach. Part of a series of nine hunting scenes, including some Publieé les 15 Juin 1790 par Antoine Suntach. plates after Ibbetson. Oettingen-Wallerstein Collection. Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Stock: 33221 Large margins. Small holes in lower left margin. Damage to upper right corner outside platemark. £260 78. La Chasse De La Perdix. [Partridge A man is packing his rifle at left, while a dog beside hunting]. him sniffs at a dead bird wit another dog lying beside. Peinte par G. Morland et Dirigee par A. Suntach. Two more men are at the right, with one thrashing the Publieé les 15 Octobre 1790 par Antoine Suntach. bushes in the background. Stipple with very large margins. Platemark: 270 x After English painter, George Morland (1762/3 - 1804) 315mm (10 ½ x 12¼"). £280 renowned for his scenes of English rural life and A man, to the right, can be seen packing his rifle as his picturesque landscapes. Engraved and published by two dogs look up at him, one with a partridge in it's Italian reproductive stipple engraver, Antonio Suntach mouth. A small thatched building can be seen in the (1744 - 1828). distance within the rural setting. Part of a series of nine hunting scenes, including some After English painter, George Morland (1762/3 - 1804) plates after Ibbetson. renowned for his scenes of English rural life and Stock: 33241 picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach 82. The Mutineers turning Lieu.t Bligh and (1744 - 1828). part of the Officers and Crew adrift from His Part of a series of nine hunting scenes, including some Majesty's Ship the Bounty. To the West India plates after Ibbetson. Planters and Merchants, On whose benevolent Stock: 33240 representation to Government the expedition

for transporting the valuable Bread Fruit Tree 79. La Chasse du Faisan. [Pheasant to the British Islands in the West India's was hunting]. undertaken This Print is respectfully inscribed Peinte par J. Ibbetson / Dirigee par A. Suntach. Publieé les 15 Avril 1791 par Antoine Suntach. by the most obed.t & very humble Serv.t _ B.B. Stipple with small margins. Platemark: 270 x 315mm Evans. (10 ½ x 12¼"). £370 Painted by Rob.t Dodd. Engraved by R. Dodd. Pub A Pheasant hunting scene with two men and their dogs Oct.r 2. 1790 by B.B. Evans, Poultry London. in a woodland area. In the foreground to the right, a Coloured aquatint. 470 x 640mm (18½ x 25¼"). Very man is directed to the left with his gun facing worn, laid on archivist's tissue, repairs. Damaged. outwards, whilst in the background to the left, the £1200 second man takes aim at a Pheasant in flight, which A very rare print. Bligh stands at the bow of the open can be seen in the sky in the centre of the image. launch, catching a cutlass thrown to him from the stern Engraved and published by Italian reproductive stipple of the 'Bounty'. On the stern of the ship stands Fletcher engraver, Antonio Suntach (1744 - 1828). Christian, flanked by the mutineers and two potted Part of a series of nine hunting scenes, including some breadfruit trees. plates after Morland. Oettingen-Wallerstein Collection. Whereas the 'Mutiny on the Bounty' is a famous story, Stock: 33225 usually with Bligh as the villain, the epic voyage of the longboat is not so well-known. Bligh navigated the 80. La Chasse De La Becassine. [Snipe overloaded launch 3,600 nautical miles in 41 days with hunting]. no charts, compass or guns, only a quadrant and pocket watch. Losing only one man, to an attack by islanders Peinte par G. Morland / Dirigee par A. Suntach. on Tofoa, it remains the greatest open-boat survival Publieé les 15 Aout 1792 par Antoine Suntach. voyage ever recorded. NMM: PAH9205. Stipple with large margins. Platemark: 270 x 315mm Stock: 33362 (10 ½ x 12¼"). £380 83. [The Surrender of Breda] Rendicion de From a scrapbook compiled by Rev. Willaim Bradford la Plaza de Breda. El cuadro original existe en (1780-1857), Chaplain and war artist during the el R.l Museo de Madrid. Peninsula Wars. D. Velasquez de Silva lo pintó. F. De Craene lo lit.o. J. Stock: 33303 de Madrazo lo dirigió. Imp. en el R.l Est.o lit.o de Madrid. [n.d., c.1830.] 85. Columbus presenting an Account of his Lithograph. Sheet 395 x 460mm (15½ x 18"). Laid on Discovery of America to the King and Queen of album paper. £280 . Engraved for Middletons Complete The surrender of Breda in 1625, during the Eighty System of Geography. Years' War, with the Spanish commander Ambrosio Wale delin. Grignion sculp. [n.d., c.1780] Spínola treating the governor of Breda with respect Etching with small margins. 260 x 200mm (10 x 8"). after a courageous defence of the city. The original One tear in margin into plate. Crease across bottom left painting by Diego Velasquez is now in the Prado corner. £120 Museum. This lithograph is from the 'Colección Interior scene in which presents lithographica de cuadros del rey de España el señor an account of his discover of America to the King and Fernando VII'. From a scrapbook compiled by Rev. Queen of Spain. Several figures stand in the Willaim Bradford (1780-1857), Chaplain and war background and a ship can be seen in the distance. artist during the Peninsula Wars. Stock: 33268 Stock: 33304 86. Friedrich und Ziethen. Lasst ihn 84. [The Cadiz Expedition.] D. Fernando schlafen, er hatt lange genug fur uns gewacht. Giron. El cuadro original existe en el R.l [Let him sleep, he has watched long enough for Museo de Madrid. us.] Eugenio Caxés lo pintó [but Francisco de Zurbarán]. F. gezeichnet und geazt von D. Codowiecki. Ao. 1788. Decraene lo lit.o. J. de Madrazo lo dirigio. Imp. en el und ausgefuhrt Ao. 1800 sechs monat vor seinem Ende R.l Est.o lit.o de Madrid. [n.d., c.1830.] zu haben bei den Erben. Lithograph. Sheet 430 x 380mm (17 x 15"), with Engraving with very large margins. Platemark: 460 x blindstamp in inscription area. Laid on album paper. 560mm (18 x 22"). Light staining to sheet. Small tears £280 in margins. Tear in title area. Two small holes in A portrait of Don Fernando Girón and his commanders printed area. £820 during the successful defence of the city during the Hans Joachim von Zieten (1699 - 1786), also known as English 'Cadiz Expedition' of 1625. The elderly Girón Ziethenstraße or simply Zieten, was one of the most sits in a sedan chair with his deputy commander, Diego famous generals of Prussian history and a close Ruiz, standing before him. Behind can be seen confidant of King Frederick the Great. In this scene, different moments in the siege, with the naval attacks showing Frederik the Great asleep in his chair at the and land battles, including the English being chased head of the table surrounded by a number of figures, back to their boats. Zieten, in the centre of the image, tells his companions The 'Cadiz Expedition' was an ill-conceived attempt by to let the King sleep. He explains that the king has the Duke of Buckingham to gain prestige by emulating watched over them for long enough, now it is their turn the exploits of the Elizabethan adventurers. In the to do the same for him. autumn of 1625 nearly 100 ships and a total of 15,000 Friedrich II was a brilliant military campaigner who, in men were sent to attack Cadiz under Sir Edward Cecil, a series of diplomatic stratagems and wars against a capable soldier, but completely inexperienced at sea. and other powers, greatly enlarged Prussia's Having faced heavy storms on the way they missed territories and made Prussia the foremost military their main objective, a treasure ship from the power in Europe. He was an enlightened monarch who Americas; and when Cecil landed his troops he realised favoured the French language and art, and built he didn't have the supplies to maintain them. The Sanssouci, a palace in the French Rococo style in landed troops resorted to scavenging, and unfortunately Potsdam, near Berlin. found too many wine vats. When Cecil gave the Stock: 33680 inevitable order to withdraw over a thousand troops were left behind, so drunk that the counter-attacking 87. Installation of the Knight of the Bath In Spanish could run them through where they lay Henry the Seventh's Chapel Westminster (depicted by the building at the centre of the Abbey June 1 1812. background). The expedition cost the English an F. Nash del.t. F.C. Lewis sculpt. [n.d., c.1814.] estimated £250,000, and in 1626, when Parliament Hand coloured aquatint. On watermarked paper, 'J. attempted to impeach Buckingham for the ineptitude of Whatman, 1814'. Sheet size: 570 x 425mm (22¼ x the planning, Charles I had to dissolve Parliament to 16½"). Repaired damage in title area. Trimmed inside protect his favourite. platemark. £240 Although attributed here to Eugenio Caxés, the An interior view of the chapel of Westminster Abbey, painting was painted by Francisco de Zurbarán in 1634 with knights, wearing plumed helmets, standing in the and is now in the Prado Museum. This lithograph is choir at either side, looking towards the large windows from the 'Colección lithographica de cuadros del rey de at the back, beneath which is the royal box. The España el señor Fernando VII'. BM: 1858,0417.852. surrounding congregation standing below are bathed in Engraving, scarce. 380 x 600mm (15 x 23½"). Framed. sunlight from right. Unexamined out of frame. £320 The Most Honourable Order of the Bath was A view of the enormous crowd gathered to watch the established as a military order by Letters Patent of executions of William Boyd, 4th Earl of Kilmarnock George I on 18 May 1725, when the Dean of (1704-46) & Arthur Elphinstone, 6th Lord Westminster was made Dean of the Order in perpetuity Balmerinoch (1688-1746), two supporters of the 1745 and King Henry VII's Chapel designated as the Chapel Jacobite rebellion. Both were captured at Culloden, of the Order. However, the Order was a revival of an tried, found guilty and beheaded, Elphinstone needing older custom going back to medieval times when part three blows of the axe. Elphinstone's famous last words of the ceremony of knighthood included a ritual bath were 'If I had a thousand lives, I would lay them all symbolic of spiritual purification and a vigil the night down in the same cause'. before receiving the honour. There is an account of this The British Museum dates their example, also with the ceremony in the reign of Henry IV in 1399 and it was Maiden Lane address added, to the 1760s: John kept up until the time of Charles II, after which it fell Manson published his 'summer catalogue for 1762, into disuse. Containing a valuable collection of books of prints and Stock: 33635 books in all languages and sciences lately purchased' from that address. BM: 1880,1113.3457. 88. [The Surrender of Julich] Rendicion de Stock: 33260 Breda al Marques de Espínosa. El cuadro original existe en el R.l Museo de Madrid. 91. The Cullen Arabian. No. 1 J. Leonardo lo pintó. Jollivet lo lit.o. J. de Madrazo lo T. Smith Pin. W. Elliot & T. Smith Sculp. Publish'd dirigió. [Imp. en el R.l Est.o lit.o de Madrid.] [n.d., pursuant to an Act of Parliam.t Jan. 1758, by T. Smith. c.1830.] Engraving, extremely rare 1st issue. Sheet size: 390 x Lithograph. Sheet 370 x 450mm (14½ x 17¾"), with 540mm (15¼ x 21¼"). Few nicks in border; very slight blindstamp in inscription area. Trimmed into crease in middle. £1100 inscription, laid on album paper. £260 The brown-bay Cullen Arabian was part of a wave of Despite the title, this lithograph shows the surrender of horses imported from 'the East' in the mid-eighteenth Jülich in 1622, during the Eighty Years' War, with the century, one of the most popular and successful who Spanish commander Ambrosio Spínola receiving the had some influence on English thoroughbreds, and on keys to the city from the governor. The original American thoroughbred bloodlines. Once in England, painting by José Leonardo (1601-52) is now in the the Cullen Arabian was sold to the well-known Prado Museum. This lithograph is from the 'Colección sportsman and racehorse owner Charles Cockayne, 5th lithographica de cuadros del rey de España el señor Viscount Cullen, whose seat was Rushton Hall in Fernando VII'. BM: 1858,0417.870. From a scrapbook Northamptonshire. From Gilbey Collection. See Siltzer compiled by Rev. Willaim Bradford (1780-1857), P. 256. Stock: 33427 Chaplain and war artist during the Peninsula Wars. Stock: 33305 92. Finish'd Horses. Match'em and Trojan 89. Entrée triomphante des Français dans la Running at New - Market. Ville de Berlin. Le 27 8bre 1806 Sa Majesté J. Smith Pin. W. E. Elliot Sculp. Publish'd 1769 by J. l'Empereur des Français et Roi d'Italie, a fait Boydell, Engraver No. 9 Cheapside, London. son entrée à Berlin à 3 heures après midi. Engraving, very scarce. Sheet size: 385 x 540mm (15¼ à Paris chez J. Chéreau, M.d d'Estampes, aux deux x 21¼"). Trimmed inside platemark. £920 Colonnes, rue St Jacques, No 10, près la F.ne St A scene at the finish of the race between horses Severin. Deposé à la Bibliothèque Impériale. [n.d., 'Match'em' and 'Trojan', at Newmarket. As the horses c.1810.] pass the winning post to the right, an onlooker waves Engraving with bright colour and very large margins, them on below, with numerous riders on horse back rare. 305 x 420mm (12 x 16½"). Scratch with small also watching from the sides. See Siltzer: P. 256. hole in sky and stain. £230 From Gilbey Collection. Stock: 33425 Napoleon's triumphant entry into Berlin, having crushed the Prussians quickly in the War of the Fourth Coalition (1806-7). 93. Sir Harry Tempest Vanes Horse Stock: 33516 Hambletonian, Preparing to Start against Mr. Cookson's Diamond, over the Beacon Course 90. A True Representation of Tower Hill, as at Newmarket, for a Match of Three Thousand it Appear'd from a rais'd point of View on the Guineas, a Side half forfeit. Hambletonian North side, Aug.t ye 18th 1746, when the Earl carried 8 stone 3 pounds. and was rode by Mr. of Kilmarnock and the Lord Balmerino were Buckle. Diamond was rode by Mr. Dennis Beheaded. Fitzpatrick and carried 8 stone. this Race was G. Budd, pinx. P.C. Canot Sculp. Publishd According run at the Craven Meeting on Monday, March, to Act of Parliament 1747. and Sold No, 2 Maiden 25. 1799. Lane Cheapside. J. N. Sartorious Pinxit. Whessell Fecit. Published Shepherd for John Rich in 1732). An animated scene March 1. 1800 by John Harris. No. 3, Sweetings Alley, with an elaborate backdrop featuring a waterfall takes Cornhill & No. 8. Old Broad Steet, London. place on the stage, as the crowd, including the Royal Stipple, rare. Sheet size: 365 x 510mm (14¼ x 20"). family, watches on. Trimmed to image and around title. £580 An illustration to Phillips' 'Modern London', published Two horses, Hambletonian at left and Diamond to the in 1804. right, with jockeys approaching the start before their Stock: 33253 race at Newmarket on March 25 1799, the owners watching from either side, one at the corner of a 98. Drury Lane Theatre, from the Stage building to the right. See Siltzer: P.243; From Gilbey during the performance. Collection. Engraved by Isaac Taylor. Published Aug. 11 1804, by Stock: 33423 Richard Phillips, 71, St. Paul's Church Yard. Engraving. Platemark: 175 x 210mm (6¾ x8¼"). £75 94. Plan and Survey of York Race Course; An interior view of a packed Drury Lane Theatre, from with Notes Referring to an Appendix; by W.m the perspective of the stage, facing the audience during Kemp. To The R.t Hon.ble Earl Fitzwilliam; a performance. An illustration to Phillips' 'Modern This Plate, being No.2, of a Series of Surveys, London', published in 1804. of The Principal Race Courses in England; is Stock: 33249 most Respectfully Dedicated by, His most obedient and very humble Servant, Wm. Kemp 99. View of Black Fryers Bridge, from [facsimile signature.] Sommerset Place. Davies Sc. Compton Str. London, Published by J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Sherwood, Jones & Co. Paternoster Row. [n.d. c.1825.] 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Engraving with added colour. 215 x 265mm. 8½ x Mall, & No. 90, Cheapside. 10½". Three vertical folds to sheet. £95 Fine hand coloured aquatint, very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight A plan and survey of York Race Course. Stock: 33126 staining in margin. £320 Plate 14 from Joseph Farington's (1747 – 1821) 'History of the ', 1794, a two-volume 95. The Mansion House. Looking towards publication including 76 aquatints. A very fine view cheapside. with a quay on the Thames in the centre, and three Drawn by G. S. Shepherd. _ T. Picken Lith. Day & pairs strolling in the foreground. St Pauls' Cathedral Son. Lith.rs to The Queen. London Published May 8th can be seen in the left background, with Blackfriars 1851, by Rudolph Ackermann, 191, Regent Street. Bridge in the right. Abbey: 432. Tinted lithograph with very large margins. Rare. Sheet Stock: 33464 size: 300 x 435mm (11¾ x 17"). £240 A view of the Mansion House, Lombard Street, 100. London Bridge. London. A busy street scene with a number of horse J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, drawn carriages and people on it. Stock: 33518 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside. Fine hand coloured aquatint, very large margins. 96. St. Paul's Cathedral, with Lord Mayor's Printed area: 215 x 320mm (8½ x 12½"). Slight Show on the Water. staining in margin. £260 Pugh del.t / Newton sculp.t. Published Aug. 11 1804, Plate 16 from Joseph Farington's (1747 – 1821) by Richard Phillips, 71, St. Paul's Church Yard. 'History of the River Thames', 1794, a two-volume Engraving, part printed on J. Whatman watermarked publication including 76 aquatints. A fine view of paper. Platemark: 175 x 210mm (6¾ x8¼"). Cut to London Bridge in the right middle distance. A number platemark. £85 of boats are on the river Thames below, with St A view of St Paul's Cathedral from the river Thames. Magnus the Martyr Church (designed by Sir Ceremonial barges can be seen passing in front with a Christopher Wren) and the Monument in the number of smaller boats in foreground. An illustration background to the left. Abbey: 432. from Phillip's 'Modern London', published in 1804 Stock: 33461 Stock: 33250 101. View up the River from Milbank. 97. The Royal Family at Covent Garden J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Theatre. 1793, by J. & J. Boydell, Shakespeare Gallery, Pall E. Pugh Del / J. Fittler Sc. Published Aug. 11 1804, by Mall, London. Richard Phillips, 71, St. Paul's Church Yard. Fine hand coloured aquatint, very large margins. Engraving. Platemark: 175 x 210mm (6¾ x 8¼"). Printed area: 215 x 320mm (8½ x 12½"). Slight Small tear in upper right margin. Small area of damage staining in margin. £160 to printed area. Large margins on 3 sides, cut into Plate 11 from Joseph Farington's (1747 – 1821) plate at bottom. £95 'History of the River Thames', 1794, a two-volume An interior view of a full Covent Garden Theatre, (the publication including 76 aquatints. A view seen from a original Royal Opera House - built by Edward forest in the foreground, with the Thames in the middle working in the right foreground, and a large ship in the distance. A barge and several boats are on the river, left middle distance with several boats surrounding it. with a bridge in the background. Spires can be seen on Further ships and boats are behind on the right, and the the left bank, and buildings on the right. Abbey: 432. Old Royal Naval College can be seen in the Stock: 33466 background. Abbey: 432. Stock: 33458 102. View of Somerset Place the Adelphi, & c. from the Temple-Garden. 106. View of Greenwich, and down the River. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside. Mall, & No. 90, Cheapside. Fine hand coloured aquatint, very large margins. Fine hand coloured aquatint, very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin. £260 oxidisation in sky. £260 Plate 15 from Joseph Farington's (1747 – 1821) Plate 19 from Joseph Farington's (1747 – 1821) 'History of the River Thames', 1794, a two-volume 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A very fine publication including 76 aquatints. This view of picturesque view with the Thames in the centre, two Greenwich shows the Old Royal Navy College in the men with two dogs strolling in the right foreground, middle distance, and a couple walking towards a forest and a group of five figures behind. Two barges can be across a field in the foreground. Ships can be seen on seen to the left, with Somerset House in the right the Thames in the background. Abbey: 432. middle distance, and a spire and an obelisk in the Stock: 33456 background. Abbey: 432. Stock: 33463 107. View of Greenwich, & Up the River. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, 103. The Tower. 1795, by J. & J. Boydell, Shakespeare Gallery, Pall J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Mall, & No. 90, Cheapside. 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Fine hand coloured aquatint with very large margins. Mall, & No. 90, Cheapside. Printed area: 215 x 320mm (8½ x 12½"). Slight Fine hand coloured aquatint, very large margins. staining in margin. £260 Printed area: 215 x 320mm (8½ x 12½"). Slight Plate 21 from Joseph Farington's (1747 – 1821) staining in margin. £260 'History of the River Thames', 1794, a two-volume Plate 17 from Joseph Farington's (1747 – 1821) publication including 76 aquatints. This fine view from 'History of the River Thames', 1794, a two-volume the hill in Greenwich Park, looks towards the Old publication including 76 aquatints. A view of the Royal Naval College and up the River Thames. Abbey: Tower of London from the River Thames. A large ship 432. with tall masts enters the picture on the right, with Stock: 33450 other smaller boats on water. Abbey: 432. Stock: 33460 108. View Of Chelsea & Battersea, from East Wandsworth. 104. Westminster from Lambeth. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Pugh del / Rawle sc. Published Aug. 11 1804, by 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Richard Phillips, 71, St. Paul's Church Yard. Mall, & No. 90, Cheapside. Engraving. Sheet size: 190 x 250mm (7½ x 9¾"). Fine hand coloured aquatint, with very large margins. Trimmed to image. £75 Printed area: 215 x 320mm (8½ x 12½"). Slight A view across the Thames of Westminster, with staining in margin. £290 Westminster Abbey at the left, and Westminster Bridge Plate 10 from Joseph Farington's (1747 – 1821) at the right. The City of London is beyond and in the 'History of the River Thames', 1794, a two-volume foreground people stroll along a quay. An illustration publication including 76 aquatints. A very fine view of to Phillip's 'Modern London', published in 1804. Chelsea and Battersea looking north across the River Stock: 33251 Thames. The old Battersea Bridge can just be seen with Battersea Church in front to the right. Abbey: 432. 105. View of Greenwich, from Deptford Yard. Stock: 33467 J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall 109. View of Lambeth, from Milbank. Mall, & No. 90, Cheapside. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Fine hand coloured aquatint, very large margins. 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Printed area: 215 x 320mm (8½ x 12½"). Slight Mall, & No. 90, Cheapside. staining in margin. £240 Fine hand coloured aquatint with very large margins. Plate 18 from Joseph Farington's (1747 – 1821) Printed area: 215 x 320mm (8½ x 12½"). Slight 'History of the River Thames', 1794, a two-volume staining in margin. Slight oxidisation. £220 publication including 76 aquatints. A view of the Plate 12 from Joseph Farington's (1747 – 1821) Deptford dockyard, with seven figures on a quay 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view of the River publication including 76 aquatints. A view of Hampton Thames looking towards Lambeth. In the foreground to House on the River Thames. Two figures can be seen the left, couples stroll down a pathway by the in front of a temple to the left, with the house to the riverbank. a bridge can be seen in the distance. right, and the river in the foreground. The house was Blackfriars bridge can be seen in the distance to the initially listed as Hampton House prior to its left. Abbey: 432. acquisition by the hugely influential actor and Stock: 33465 playwright, David Garrick (1717 - 1779), in 1754. Numerous alterations were made to the villa during 110. Battersea, Chelsea, & LONDON, from Garrick's tenure by the famous architect Robert Adam. Mr. Rucker's Villa. Abbey: 432. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Stock: 33479 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside. 113. View of Sion - House, from Kew garden. Fine hand coloured aquatint, very large margins. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Printed area: 215 x 320mm (8½ x 12½"). Slight 1795, by J. & J. Boydell, Shakespeare Gallery, Pall staining in margin. £290 Mall, & No. 90, Cheapside. Plate 9 from Joseph Farington's (1747 – 1821) 'History Fine hand coloured aquatint with very large margins. of the River Thames', 1794, a two-volume publication Printed area: 215 x 320mm (8½ x 12½"). Slight including 76 aquatints. An exceptional panoramic view staining in margin. £230 with figures and horses in a field in the foreground, and Plate 7 from Joseph Farington's (1747 – 1821) 'History a coach passing in the centre. The Thames is winding of the River Thames', 1794, a two-volume publication in the middle distance to a bridge on the left with a including 76 aquatints. A view with several figures on view of London in the background, Battersea in the a river bank in the foreground, including a couple with centre, Chelsea on the left, and St Paul's Cathedral on a dog strolling on the right, and a boat sailing on the the horizon. The view is taken from the West Hill Thames in the middle distance. Sion House can be seen Estate, Wandsworth, first purchased, as part of the in the background to the right. Syon House, and its 200 demesne of the manor of Downe, from the Duke of acre park, was designed by architect Robert Adam, and Bedford in 1759. John Anthony Rucker, a merchant was first opened in 1415. The house now belongs to originally from Hamburg, bought the estate in 1789, the Duke of Northumberland and is his family's and all later owners added to the lands by purchase. London residence. Abbey: 432. Abbey: 432. Stock: 33470 Stock: 33468 114. Pope's House. 111. East View of Wandsworth [/] Vue de J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Wandsworth a l'Est. 1795, by J. & J. Boydell, Shakespeare Gallery, Pall London Printed for & Sold by C. Dicey and Co. in Mall, & No. 90, Cheapside. Aldermany Church Yard. [n.d., c.1750]. Fine hand coloured aquatint with very large margins. Rare & scarce engraving. Platemark: 195 x 275mm Printed area: 215 x 320mm (8½ x 12½"). Slight (7¾ x 10¾"). Large margins. Small stitch hole in left staining in margin. £220 margin. £220 Plate 2 from Joseph Farington's (1747 – 1821) 'History An attractive panoramic view of Wandsworth, South of the River Thames', 1794, a two-volume publication London. There is a smallholding with cattle and including 76 aquatints. A view of Alexander Pope's vegetable patches on the left beneath a windmill, whilst house along the River Thames in Twickenham. Four a group of figures can be seen in the foreground in the figures are rowing a canopied boat on the river in the centre. foreground with a forest in the distance behind the Published by Cluer Dicey (1713 - 1775) & co. The house in the background. Alexander Pope was an 18th Diceys were well known as publishers of 'chapbooks', century English poet, best known for his satirical verse cheap pocket-sized pamphlets which were circulated and his translation of Homer. The money Pope made through a network of chapmen - hawkers and pedlars from this popular translation allowed him to move to who would travel around England, attending markets, this villa at Twickenham in 1719, where he created his fairs and so on, offering the books, ballads, portraits, now famous grotto and gardens. Abbey: 432. Stock: 33476 maps and topographical prints. Stock: 33440 115. Richmond. 112. The late Mr. Garrick's Villa. J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside, London. Mall, & No. 90, Cheapside. Fine hand coloured aquatint with very large margins. Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin. Very slight offsetting. £250 staining in margin. £220 Plate 6 from Joseph Farington's (1747 – 1821) 'History Plate 45 from Joseph Farington's (1747 – 1821) of the River Thames', 1794, a two-volume publication 'History of the River Thames', 1794, a two-volume including 76 aquatints. A view of Richmond, south west London, with the Thames on the right. A figure is rowing a boat in front of an island, with a couple the river, two canopied boats and a further two boats in standing in profile along a path on the left. Further the middle distance. Large buildings on top of figures and boats are in the middle distance, with Richmond Hill can be seen in the background. Abbey: Richmond bridge in the background. Richmond 432. Bridge, designed by James Paine, opeed in 1780, and is Stock: 33474 a stone arch bridge that crosses the River Thames at Richmond, connecting the two halves of the present- 119. [Map of Southern Europe, Asia Minor day London Borough of Richmond upon Thames. and the Arabian Peninsula] Allgemeine Abbey: 432. Landkarte andeutend an welchem Orte jedes Stock: 33472 von denen in diesem ersten Buch angeführten

Gebaudengelegen. 116. From Richmond Hill, down the River. [Leipzig, 1725] J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Engraving with very large margins, platemark 300 x 1795, by J. & J. Boydell, Shakespeare Gallery, Pall 430mm (11¾ x 17"). Title in Arabic, with additional Mall, & No. 90, Cheapside, London. text in French and German. Foxed. £450 Fine hand coloured aquatint with very large margins Plate from the 'Entwurf einer historischen Architektur' Printed area: 215 x 320mm (8½ x 12½"). Slight ('Outline of Historical Architecture', first published staining in margin. £250 1721) by Austrian architect Johann Bernard Fischer Plate 5 from Joseph Farington's (1747 – 1821) 'History von Erlach, the first comparative architecture of all of the River Thames', 1794, a two-volume publication periods and nations. This map was included to show including 76 aquatints. A view from Richmond Hill, the location of the buildings illustrated in the first part south west London, with the Thames in the middle of the work. These include six of the Seven Wonders distance where boats sail, with Richmond Bridge in the of the Ancient World (the Pyramids at Giza, Hanging centre. Ham House can be seen on the left bank, with a Gardens of Babylon, Temple of Artemis at Ephesus, couple standing in a sloping field in the right Statue of Zeus at Olympia, Colossus of Rhodes and the foreground. Ham House was built in 1610 by Sir Lighthouse at Alexandria), all of which are represented Thomas Vavasour, Knight Marshal to James I. It by small vignettes. With key listing plates in the first originally comprised an H-plan layout consisting of part of Fischer's book. nine bays and three storeys. The Thames-side location Stock: 33395 was ideal for Vavasour, allowing him to move between the courts at Richmond, London and Windsor. Abbey: 120. [Map of the Mouth of the Thames.] 432. Stock: 33473 [n.d., c.1800] Map. Printed area: 590 x 310mm (23 x 12"). Some staining, foxing. Two central creases as issued. Some 117. Strawberry Hill. small tears in margins. £240 J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, A map detailing the River Thames from its mouth to 1793, by J. & J. Boydell, Shakespeare Gallery, Pall London. Map shows parts of Essex and Kent, detailing Mall, & No. 90, Cheapside. flood plains, roads and towns. From J. Farington's Fine hand coloured aquatint with very large margins. 'History of the River Thames.' Printed area: 215 x 320mm (8½ x 12½"). Slight Stock: 33603 staining in margin. £220 Plate 1 from Joseph Farington's (1747 – 1821) 'History 121. [Newmarket Racecourse.] To his Royal of the River Thames', 1794, a two-volume publication including 76 aquatints. A view of Strawberry Hill Highness the Price of Wales, The Noblemen & House, Twickenham, London. A couple stroll in the Gentlemen Members of the Jockey Club, This centre along a path in front of the house, as two boat Print of Newmarket Heath, Is by Permission pass on the River Thames to the right. Strawberry Hill dedicated by their most obedient humble House, often refered to simply as Strawberry Hill, is a servant - John Bodger. Gothic revival villa designed by Horace Walpole Published as the Act directs, October 29th, 1787, & (1717 - 1797), first opened in 1749. Abbey: 432. Sold by the Proprietor John Bodger, Land Surveyor, at Stock: 33478 Stilton, Huntingdonshire. - Mess.rs Boydell, No 90 Cheapside. Mr Weatherby No. 7 Oxendon Street, 118. View of Richmond Hill, from Haymarket, London: and at the Coffee Room Twickenham. Newmarket, Where may be had, Charts of Whittlesea J. Farington R.A. delt. J. C. Stadler Sculpt. Pub. June 1, Mere, the most Spacious Fishery in England. 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Aquatint with line engraving, printed on silk. 460 x Mall, & No. 90, Cheapside. 690mm (18 x 27"). Foxing. Some wear to edges, slight Fine hand coloured aquatint with very large margins. spotting lower left; damaged. £520 Printed area: 215 x 320mm (8½ x 12½"). Slight A very unusual plan of the famous racecourse, printed staining in margin. £250 on silk so that it could be thrust casually into a pocket Plate 3 from Joseph Farington's (1747 – 1821) 'History by a race-goer and, unlike a paper map, is impervious of the River Thames', 1794, a two-volume publication to wet weather. However, as silk reacts badly to including 76 aquatints. A view with the River Thames sunlight, surviving examples are scarce. in the foreground, two figures on horseback going into The map shows the course on on a scale of c.1:9,600, Stock: 33255 marking the starting and finishing points of 18 different races. The various texts give a history of the course and 125. Palacios a calendar of events. Above the title is a vignette view [Cologne, c.1598.] of a three-horse race approaching the finishing line. Engraved map. Sheet 110 x 470mm (4¼ x 18½"). Apart from being printed on silk, this map is unusual Trimmed close to printed border and laid on album for its use of aquatint: this etching process areas paper. Some large loss at bottom, centre & top right. of tone, here used to represent the grass of the heath. £220 All the lines, including the lettering, have been added An early view of Los Palacios, situated south of Seville using more traditional etching. As aquatint had only on the road to Jerez de la Frontera, published in Braun been introduced into England in the 1770s it represents & Hogenberg's 'Civitates Orbis Terrarum', the first quite an early use of the technique. systematic atlas of townplans. George (or Joris) John Bodger was a land surveyor and keen sportsman Hoefnagel (1542-1601) travelled around much of who dabbled in publishing sporting pictures: he Europe, visiting England c.1570, and providing a published one of the most famous racing portraits, number of town views for the 'Civitates'. He was Wootton's 'The Father of the Turf. Tregonwell accompanied by Abraham Ortelius in a trip around Frampton Esqre", 1791. He is known to have published Spain in the mid 1560s and the pair often appear in one other map, the chart of the Whittlesea Mere fishery Hoefnagel's sketches of the towns. From a scrapbook mentioned in the publication line. The other publishers, compiled by Rev. Willaim Bradford (1780-1857), John & Josiah Boydell, were significant London Chaplain and war artist during the Peninsula Wars. printsellers who made only a few forays into maps. In Stock: 33266 1790 the older brother, John, became Lord Mayor of London. 126. Part of Spain comprising the Provinces Stock: 33354 through which the Route of the Pictoresque Tour lay. 122. Cadiz. [n.d., c.1810.] [Cologne, c.1580.] Engraved map. Sheet 235 x 380mm (9¼ x 15"). Engraved map. Sheet 110 x 470mm (4¼ x 18½"). Trimmed. £130 Trimmed close to printed border and laid on album The general map from Henry Swinburne's 'Picturesque paper. Creases. £280 Tour through Spain'. From a scrapbook compiled by An early view of Cadiz, published in Braun & Rev. Willaim Bradford (1780-1857), Chaplain and war Hogenberg's 'Civitates Orbis Terrarum', the first artist during the Peninsula Wars. systematic atlas of townplans. Other details shown Stock: 33254 including dancing locals and fishing with nets. From a scrapbook compiled by Rev. Willaim Bradford (1780- 127. Velis Malaga 1857), Chaplain and war artist during the Peninsula Depingebat Georgius Hoefnagle. [Cologne, c.1598.] Wars. Engraved map. Sheet 110 x 470mm (4¼ x 18½"). Stock: 33263 Trimmed close to printed border and laid on album paper. £280 123. Cadis son Port, sa Rade, et ses environfs. An early view of Vélez-Málaga, a market town three Par N. de Fer, Geographe de sa Majesté Catholique et miles inland of the more famous resort, published in de Monsieur le Dauphin A Paris dans l'Isle du Palais Braun & Hogenberg's 'Civitates Orbis Terrarum', the sur le quay de l'Orloge a la Sphere Royale avec privil first systematic atlas of townplans. George (or Joris) du Roy 1705. Hoefnagel (1542-1601) travelled around much of Engraved map. Sheet 250 x 340mm (9¾ x 13½"). Europe, visiting England c.1570, and providing a Trimmed close to printed border and laid on album number of town views for the 'Civitates'. He was paper. £320 accompanied by Abraham Ortelius in a trip around A map of the environs of Cadiz with a decorative title Spain in the mid 1560s and the pair often appear in cartouche with an architectural caprice. From a Hoefnagel's sketches of the towns. From a scrapbook scrapbook compiled by Rev. Willaim Bradford (1780- compiled by Rev. Willaim Bradford (1780-1857), 1857), Chaplain and war artist during the Peninsula Chaplain and war artist during the Peninsula Wars. Wars. Stock: 33264 Stock: 33262 128. Sketch of the Disposition of the Allies 124. Mapa de la huerta de Orihuela. under the Command of Lieu.t Gen.l Hill, to [Madrid: Imprenta Real, 1797.] surprise the Enemy in Arroyo Molinos on the Engraved map, rare. Sheet 180 x 295mm (7 x 11½"). Trimmed. £240 morning of 20th Oct.r 1811. A map of Orihuela in Alicante, from 'Observaciones [Published by W. Faden, Geographer to the King, sobre la Historia natural, geografía, agricultura, Charing Cross January 1st. 1812.] población y frutos del Reyno de Valencia' by Antonio Engraved map with partial hand colour, rare. Sheet 290 José Cavanilles. From a scrapbook compiled by Rev. x 200mm (11½ x 8"). Trimmed to image. £240 Willaim Bradford (1780-1857), Chaplain and war A plan of the terrain through which an allied force under General Rowland Hill launched a surprise attack artist during the Peninsula Wars. on a French army under General Jean-Baptiste Girard. surrender on July 13th, Napoleon was transported to The French were crushed, with over 1,000 dead or Britain on the Bellephoron, which anchored off the wounded & 1,400 captured out of a force of 6,000, coast of Brixam, Devon. On the morning of July 24th compared with only 80 Allied casualties. The loss of a 1815, Captain Frederick Lewis Maitlaind, the ships last whole French infantry division and a brigade of cavalry captain, received orders to prevent any contact between led Napoleon to sack Girard. Hill was made a Knight ship and shore, keeping Napoleon isoltated from the of the Bath. From a scrapbook compiled by Rev. growing number of curious sightseers gathered outside. Willaim Bradford (1780-1857), Chaplain and war The ship then sailed to Plymouth harbour, where it artist during the Peninsula Wars. stayed for two weeks while the authorities came to a Stock: 33252 decision about what to do with the former emporer. On July 31st, the decision was made that Napoleon would 129. Great Britains Coasting Pilot being a be exiled to St. Helena, where he would spend the last new Survey of the Sea Coast By Captain 6 years of his life in confinement before his death in Greenvile Collins Hydrographer to his 1821. Stock: 33488 Majesty. [London, Mount & Page? c.1720.] Engraved title page, very large margins. 445 x 280mm 132. The Surrender of Napoleon to Great (17¾ x 11"). Ink stamp of 'Dover Public Library' on Britain. On the fifthteenth of July, 1815, reverse. £290 twenty-seven days after the Battle of Waterloo The title page to the first British sea atlas of British and seven days after Louis XVIII had re- waters, surveyed by Greenville Collins between 1681- entered Paris as King of France, Napoleon, 88, then first published by Richard Mount in 1693 after despairing of escape to Ameica, surrendered to five years of preparation. The title is on a shell held Great Britain and went on board "The aloft by a mer-man, with figures of Britannia and Bellerephon". He is seen looking across the sea Neptune in his chariot drawn by sea-horses, and other to the French coast. A voyage to Plymouth and mer-people holding up a sea chart of the British Isles, a cross-staff and a plumb-line. Above is the royal crest. thence to St. Helena were to conclude the This state has Richard Mount's inscription removed mortal wanderings of the dictator of Europe. from under the image. From the painting by the late Sir. W. Q. Orchardson. Stock: 33215 R.A. By permission of the Berlin Photographic Co. 133, New Bond St., London. Supplement to "Holly 130. Itinera Varia Auctoris. Leaves", the Christmas number of "The Illustrated G. Edwards. 1746. [London. George Edwards]. Sporting & Dramatic News", December, 1910. Hand coloured engraving. Platemark: 255 x 210mm Photogravure. Printed area: 407 x 610mm (16¼ x 24"). (10 x 8¼"). Small stains to sheet. £140 Laid on board. Some staining to top edge of sheet and A frontispiece from Geroge Edward's famous work, 'A into printed area. £180 Natural History of Uncommon Birds'. The map shows A scene on board 'HMS Bellepheron'. General the author's voyages around England and Europe Bonaparte is depicted wearing the uniform of a between 1718 and 1730. However, the illustrations ‘chasseur a cheval’ of the Imperial Guard, and with the come from further afield; at the top is the beak of the realisation of his defeat, stares despondently out to sea. Egyptian Ibis; underneath are male and female stag To the right, members of Napoleon's entourage look beetles from Borneo; and at the bottom is the Least toward the deposed Emperor with curiosity, as on the Hummingbird of Jamaica. quarterdeck below, a marine guard and two of ship’s George Edwards (1694 - 1773) is known as the father officers can be seen in conversation. of British ornithology, and on the recommendation of After the painting by Sir William Quiller Orchardson, Sir Hans Sloane, was appointed librarian to the Royal first exhibited in 1880, now in the Tate collection. Stock: 32634 College of Physicians in London in 1733. Stock: 33511 133. Sailors at Prayers on Board Lord 131. Bonaparte in Torbay, at Anchor, on Nelson's Ship, After the Battle of the Nile. board His M. ship Bellerophon, Cap.t F. L. J. A. Atkinson Del. Clark & Dubourg Sculp.t. Maitland, July 24, 1815, previous to his sailing Published & Sold April 1.st. 1816 by EDW.D. ORME. Bond Street, corner of Brook Str. London. fo St. Helena. Very fine coloured aquatint with large margins. Capt. Tobin R. N. del. Clark & Duborg dculp.t. Watermarked paper 'J. Whatman 1814.' Plate: 330 x Published & Sold, Nov. 1, 1815, by Edw.d Orme, 250mm (13 x 9¾"). Some very slight staining in plate. Corner of Brook Street, London. £220 Fine hand coloured aquatint. Framed. Printed area: 260 Scene aboard H.M.S Vanguard after the Battle of the x 365mm (10¼ x 14¼"). Unexamined out of frame. Nile (1798). A priest kneels at a make-shift pulpit £330 reading from a prayer book. Nelson, head bandaged A scene depicting HMS Bellephoron, in the centre, at and surrounded by naval officers and sailors, looks on. anchor in Torbay, surrounded by small boats filled Stock: 33596 with crowds, there to see Napoleon Bonaparte before his exile to the remote island of Saint Helena. After his 134. Four masted barque 'Carradale'. H. M. S. Shannon shortly after its departure from [pencil.] Boston as part of the War of 1812. O.F. Pennington [? pencil signature.] [n.d., c.1930.] Stock: 33595 Etching, titled and signed by the artist with large margins. 200 x 150mm (8 x 6"). £160 138. Capture of Maria Riggersbergen, Oct.r The Carradale, built in 1889 by A. Stephen & Sons, 18.th 1808. Glasgow, was a training ship for young men who Painted by T. Whitcombe. Engraved by T. Sutherland. wanted to have a sea-faring career, run by The Marine Publish'd Jan.y 1, 1817, at 48, Strand, for J. Jenkin's Society. Naval Achievements. Stock: 32829 Hand coloured aqautint with large margins. Platenark: 215 x 300mm (8½ x 12"). £230 135. Capture of the Argus, August 14th, 1813. The Action of October 18th 1806 was a minor naval From a painting in the possession of Capt.n engagement during the Napoleonic Wars, fought Maples. between the British Royal Navy frigate HMS Caroline Painted by Whitcombe. Engraved by T. Sutherland. and a Dutch squadron at the entrance to Batavia [n.d., c.1813]. harbour on Java in the Dutch East Indies. During the Hand coloured aquatint. Sheet size: 155 x 225mm (6 x battle the Dutch frigate 'Maria Riggersbergen' was left 8¾"). Sligh stain in sky. Cut inside platemark. £160 unsupported by the remainder of the squadron and, The first USS Argus, originally named USS isolated, was forced to surrender. Captain Peter Merrimack, was a brig in the United States Navy Rainier, the British commander, was subsequently free commissioned in 1803. Under the command of Master to remove his prize from within sight of the Dutch port Commandant William Henry Allen, Argus broke out of when the remainder of the Dutch squadron refused to New York Harbor on 18 June 1813, eluding the British engage. blockade. The heavier British ship HMS Pelican Stock: 33626 intercepted Argus on the morning of August 14th 1813. A sharp fight commenced, during which Captain Allen 139. Le Tonnant, au combat d'Aboukir. (Le was mortally wounded, and the American crew 1.er Aout 1798.) [The Battle of the Nile. 1st. surrendered when the crew of the Pelican were about to August 1798]. board. Pelican and the captured Argus then sailed to Dessiné et Lithographié par Lebreton. Imp. Becquet Plymouth, England, where Allen died of his wounds a rue des Noyers, 37. Paris. E. Morier. Edit rue St. André week after the battle. He was buried with full military des Arts, 52. [n.d., c. 1850]. honours. The rest of the crew, including sailing master Fine hand coloured lithograph. Framed. Printed area: Uriah P. Levy, were held as prisoners of war in 280 x 430mm (11 x 17"). Unexamined out of frame. Dartmoor, England for the duration of the war. £420 Stock: 33621 HMS Tonnant of the French Fleet, in the command of Admiral F. P. Brueys, under heavy fire from HMS 136. British Sailors Boarding a Man of War. Majestic of the British Fleet, in the command of J. A. Atkinson Del. Fry & Sutherland Sculp.t. Admiral Horatio Nelson, during the Battle of the Nile Published & Sold June 4.th. 1815, by EDW.D. ORME, on August 1st 1798. The battle took place at Aboukir Publisher to his Majesty & H.R.H. the Prince Regent, bay, off the coast of Egypt and was the climax of a Bond Street, corner of Brook Street, London. naval campaign that had ranged across the Very fine coloured aquatint with large margins. Mediterranean during the previous three months. A Watermarked paper 'J.Whatman 1811'. Plate: 330 x large French convoy sailed from Toulon to Alexandria 250mm (13 x 9¾"). Crease across bottom left-hand under the command of General Napoleon Bonaparte corner. £190 who sought to invade Egypt as the first step in a Battle scene depicting British sailors, some brandishing campaign against British India, in an effort to drive swords, some with rifles, boarding a Man of War from Britain out of the French Revolutionary Wars. In the a boat, a British naval officer falls from the boat into battle, the British forces, under the commannf of Rear- the waves. A marine action. Admiral Sir Horatio Nelson (later Lord Nelson), Stock: 33600 defeated the French. A description of the action is inscribed in French 137. Boarding and Taking the American Ship beneath the image. Chesapeake, by the Officers & Crew of H. M. Stock: 33492 Ship Shannon, Commanded by Cap.t. Broke, June 1813. 140. The Cockpit, Battle of the Nile. Heath del.t. M. Dubourg sculp.t. Published & Sold July Heath Del. M. Dubourg Sc. Published & Sold June 1, 1816 by Edw.d. Orme, Publisher to his Majesty, & 4.th. 1817 by Edw.d. Orme, Bond Str. corner of Brook the Prince Regent, Bond Street, corner of Brooke St. London. Street, London. Very fine coloured aquatint with large margins. On Very fine coloured aquatint with text. Plate: 330 x watermarked paper 'J. Whatman 1816'. Plate: 330 x 250mm (13 x 9¾"). £450 250mm (13 x 9¾"). £220 Battle scene depicting the taking of the American ship Battle scene below decks during the Battle of the Nile Chesapeake, a 38-gun, three masted heavy frigate, by (1798) during which Horatio Nelson was wounded and lost his eye. Nelson, with his head bandaged sits on a Stock: 33619 trunk surrounded by other wounded sailors while a surgeon sees to a man in distress. 144. Badjera Stock: 33593 [by Balthazar Solvyns] [published Paris, 1811] Etching with hand-colouring, platemark approx 245 x 141. This View of the British Fleet Engaging 350mm (9½ x 13¾"). Uncut sheet. £280 & Pursuing that of the French, into Port Louis, The Badjera, or Budgerow, a 'sort of floating house' 23d June 1795, with three Captur'd Ships of hired for voyages on the rivers of Hindustan. 'The the Line, Le Formidable Le Tigre and kitchen and offices...are on the attendant boats. We Alexander, have but few such convenient barges in Europe, and Drawn by Major Adlam / Engraved by F. Jukes. Pub.d travelling by water is in no part of the world so June 1, 1796 by W. Adlam, Larks Hall House near pleasant as in India' (from letterpress published with Bath. print). Aquatint, very scarce. Platemark: 505 x 740mm (19¾ x From the third volume of Balthazar Solvyns' 'Les 29¼"). Creases and surface damage to sheet. Trimmed Hindoûs'. Solvyns (1760-1824), a Flemish artist who to platemark. £520 lived in Calcutta from 1791 to 1803, etched a A view of the action which took place between the collection of 250 plates documenting various aspects of British and French, showing the enemy nearing Port Calcutta life. The set was first published in Calcutta, Louis, with Alexander Hood, 1st Viscount Bridport's where it proved a financial failure, and Solvyns flagship 'Royal George' in the centre and the captured produced another set which he published in Paris after French 'Tigre' on the right. Bridport gave chase and returning to Europe, although again the venture was engaged on 23rd June, about six miles west of the Ile unsuccessful, probably in part due to its publication at de Groix, taking three French ships before French the height of the Napoleonic Wars. Solvyns later returned to Antwerp, where William I appointed him commander Villaret-Joyeuse found refuge in L'orient. Stock: 32626 Captain of the Port. Stock: 33651

142. Anecdote at the Battle of Trafalgar. W. Heath del. M. Dubourg Sculp.t. Published & Sold 145. Baoulya Aug.t. 1. 1817 by Edw.d. Orme, Bond Street, (corner [by Balthazar Solvyns] [published Paris, 1811] of Brook Street) London. Etching with hand-colouring, platemark approx 245 x Fine coloured aquatint with large margins. 330 x 350mm (9½ x 13¾"). Uncut sheet. £280 250mm (13 x 9¾"). £260 'This species of boat is the swiftest we know...An Naval scene depciting the rescue, by a British sailor,of example among others cited is of a governor general a French captain's wife who, to escape the burning who in his Baawalee-a performed in eight days the vessel L'Achille, had jumped into the waves. The voyage from Lucknow to Calcutta, a distance of four sinking L'Achille can be seen on the left, while several hundred marine leagues' (from letterpress published French and British engaging in battle can be seen on with print). the right. In the foreground a woman in a white dress is From the third volume of Balthazar Solvyns' 'Les Hindoûs'. Solvyns (1760-1824), a Flemish artist who pulled from the water into a boat full of British sailors. Stock: 33585 lived in Calcutta from 1791 to 1803, etched a collection of 250 plates documenting various aspects of Calcutta life. The set was first published in Calcutta, 143. Entrance of Calais Harbour. where it proved a financial failure, and Solvyns Drawn, Etched & Engraved by J.M.W. Turner. R.A. produced another set which he published in Paris after Published Jan.y 1. 1816, by Mr. Turner, Queen Ann returning to Europe, although again the venture was Street, West. unsuccessful, probably in part due to its publication at Mezzotint printed in brown ink with very large the height of the Napoleonic Wars. Solvyns later margins. Platemark: 215 x 300mm (8½ x 11¾"). Fine returned to Antwerp, where William I appointed him impression. £520 Captain of the Port. Plate 55 of Turner's 'Liber Studiorum' series. Two Stock: 33650 fishing boats running into harbour, the entrance of which is to the left and dominated by a spire and a tower. Several other boats are inside, and another is 146. Fyl-Tcharra coming out. A large buoy is on the right. [by Balthazar Solvyns] [published Paris, 1811] 'Liber Studiorum' means ‘book of studies’ in Latin and Etching with hand-colouring, platemark approx 245 x reflected the five categories of landscape painting 350mm (9½ x 13¾"). Uncut sheet. £280 Turner believed existed: architectural, historical, 'The word Feal-charra means elephant's head: and the marine, mountainous and pastoral. It contained no boat represented in the print take this name from their written text, instead it was made up of individual prow...the Radjahs only, and rich people of the mezzotint prints on paper. They were released in country, make use of them' (from letterpress published fourteen parts from around 1807 until 1819. Turner with print). intended the 'Liber' to consist of 100 prints but only 71 From the third volume of Balthazar Solvyns' 'Les were ultimately produced. This is one of the few Liber Hindoûs'. Solvyns (1760-1824), a Flemish artist who lived in Calcutta from 1791 to 1803, etched a images conceived and engraved by Turner. collection of 250 plates documenting various aspects of Calcutta life. The set was first published in Calcutta, 149. Original Sketch of a Picture for W. where it proved a financial failure, and Solvyns Leader Esq.r. produced another set which he published in Paris after Drawn & Etched by J.M.W. Turner Esq.r R.A. P.P. returning to Europe, although again the venture was London, Published March 29, 1809 by C. Turner, No. unsuccessful, probably in part due to its publication at 50, Warren Street, Fitzroy Square. the height of the Napoleonic Wars. Solvyns later Mezzotint printed in brown ink. Small collector's stamp returned to Antwerp, where William I appointed him on verso with manuscript, 'Mary Constance Clarke'. Captain of the Port. Sheet size: 205 x 285mm (8 x 11¼"). Cut inside Stock: 33653 platemark. £260 A man-of-war ship at anchor on a light sea to the right. 147. Mourpenky On the left, a small ship running before the wind with a [by Balthazar Solvyns] [published Paris, 1811] buoy in the foreground to the right. Etching with hand-colouring, platemark approx 245 x Lettered above the image with the initial 'M'. G. 350mm (9½ x 13¾"). Uncut sheet. £280 Forrester, author of the exhibition catalogue, 'Turner's 'Moor-punkee means peacocks head' (hence the design Drawing Book' 1996, claims that 'no painting of the prow). 'The prince or leading person of the corresponding exactly with this print has been found'. Moor-punkee is seated smoking his hooka under a From the collection of Miss Mary Constance Clarke, particular canopy, in front of all the others. The the niece of Charles Stokes (1784-1853) from whom grandees and servants of his retinue are under another she inherited an incomplete 'Liber Studiorum' awning. At the head of the rowers is a Jemidar, who, collection in 1921. by his voice and his motions, regulates the measure 'Liber Studiorum' means ‘book of studies’ in Latin and like the leader of an orchestra...' (from letterpress reflected the five categories of landscape painting published with print). Turner believed existed: architectural, historical, From the third volume of Balthazar Solvyns' 'Les marine, mountainous and pastoral. It contained no Hindoûs'. Solvyns (1760-1824), a Flemish artist who written text, instead it was made up of individual lived in Calcutta from 1791 to 1803, etched a mezzotint prints on paper. They were released in collection of 250 plates documenting various aspects of fourteen parts from around 1807 until 1819. Turner Calcutta life. The set was first published in Calcutta, intended the 'Liber' to consist of 100 prints but only 71 where it proved a financial failure, and Solvyns were ultimately produced. This is one of the few Liber produced another set which he published in Paris after images conceived and engraved by Turner. returning to Europe, although again the venture was Stock: 33620 unsuccessful, probably in part due to its publication at the height of the Napoleonic Wars. Solvyns later 150. Captain Hans Busk's Schooner yacht returned to Antwerp, where William I appointed him 'Lady Busk'. Built and fitted with auxiliary Captain of the Port. engines (80 I.H.P.) by Messrs. Henry Tipping Stock: 33652 of Portsmouth. Hans Busk, Delt._T.G. Dutton, Lith. Vincent Brooks, 148. [Vessels of all sorts] Navires Day & Son, Lith [n.d. c.1860]. [by Balthazar Solvyns] [published Paris, 1811] Hand coloured lithograph. Printed area: 340 x 465mm Etching with hand-colouring, platemark approx 245 x (13¼ x 18¼"). Unexamined out of frame. £850 350mm (9½ x 13¾"). With letterpress description in A view of the yacht, 'Lady Busk', owned by Hans Busk French and English. Uncut sheet. £280 and built by Henry Tipping of Portsmouth. Various indian vessels: 'Here are the high vessels of the Hans Busk the younger (1815 - 1882) was one of the Red sea and Persian gulph, the Grabs, the ships of the originators of 'England's volunteer army'. Originally it Maldive isles, made of bambous and coconut trees, was his intention to adopt a naval career and, being masts cordage and anchors. The boats employed in the forced to abandon it, he devoted much of his leisure to pearl fishery on the coast of Ceylan, the Vliegers of yachting. He mastered the principles of naval Batavia, the Proues of Malacca, remarked for their construction, and made designs for several yachts swiftness: the Catamarans of Madras, and infine the which were very successful. He was the first to Chinese Jonques' (from accompanying letterpress). advocate life-ship stations, and fitted out a model life- Also shown, a European frigate. ship at his own expense. Parker: 2284. From the third volume of Balthazar Solvyns' 'Les Stock: 33611 Hindoûs'. Solvyns (1760-1824), a Flemish artist who lived in Calcutta from 1791 to 1803, etched a 151. The cutter yacht "Cynthia", 50 tons. collection of 250 plates documenting various aspects of Painted by N.M.Condy. T. G. Dutton Lith. London, Calcutta life. The set was first published in Calcutta, Published, Augt. 2nd. 1850. by Messrs Fores, At Their where it proved a financial failure, and Solvyns Sporting and Fine Print Repository and Frame produced another set which he published in Paris after Manufactory, 41 Piccadilly, Corner of Sackville Street. returning to Europe, although again the venture was Hand coloured lithograph, very fine. Printed area: 360 unsuccessful, probably in part due to its publication at x 460mm (14¼ x 18"). Unexamined our of frame. the height of the Napoleonic Wars. Solvyns later £1350 returned to Antwerp, where William I appointed him A view of the yacht 'Cynthia', on the water, sailing to Captain of the Port. Stock: 33649 the right, with other yachts behind it, and a small boat rowing away in the foreground. White cliffs can be respectfully dedicated by his obedient servant seen in the distance on the right. Lettered below image Edmund Fry. with title, coat of arms, dedication to the commodore N.M. Condy, del. T.G. Dutton, lith. Day & Haghe and members of the Royal Yacht Club from Messrs Lith.rs. to the Queen. [n.d., c.1850]. Fores, the name of its builders. Parker: 2251. Lithograph with large margins, rare. Sheet: 460 x Stock: 33610 360mm. (18 x 14"). Small tear in title. Repair outside image on top right & left. £980 152. To Andrew Arcedeckne, Esq. View of the cutter yacht 'Ganymede', with three yachts (Commodore,) and the Officers and Members in the distance. of the Royal London Yacht Club, this print of Stock: 32824 the Schooner Yacht "Egeria", 161 Tons, J. Mulholland, Esq (Owner) rounding the 156. The Yacht 'Gertrude', 135 Tons, R.Y.S. 'Mouse' lightship, in the Schooner and Yawl To Cecil & Martyn Esq., this plate is with his match, June 9, 1870, _ Winner of the hundred permission respectfully dedicated by his guineas prize _ is dedicated by their obedient obedient Servants, R. & A. Ackermann. servant, Josiah Taylor. Drawn & Lithographed by T.G. Dutton. Vincent Josiah Taylor Del et Lith. London, Published May 15, Brooks, Day & Son, Lith, London W.C. London, 1871, by J. Taylor, 13 Jackson Road, Holloway, & Published Augt. 10th. 1868 by R.& A. Ackermann, Mess.rs R & A. Ackerman, 191 Regent St. W. 191, Regent Street. Hand coloured lithograph. Printed area: 435 x 600mm Hand coloured tinted lithograph. Printed area: 365 x (17 x 23¾"). Unexamined out of frame. £1350 600mm. (14½ x 23¾"). Unexamined out of frame. A view of the 98ft schooner yacht, 'Egeria', owned by £1350 J. Mulholland, in action during the Schooner and Yawl A view of the yacht, 'Gertrude', an impressive ship of match, which took place on June 9th, 1870. A list of the Royal Yacht Squadron, with other vessels and the the yachts numerous victories, and prize money won, is white cliffs and Dover Castle in the distance. listed below the image. After Thomas Goldsworth Dutton (1819/20 - 1891). By maritime painter Josiah Taylor (fl.1846–1877). For unframed version, see item ref: 12170. NMM: Stock: 33613 PAH8759. Parker: 2268. Stock: 33612 153. H.M. Steam Yacht "Fairy." Constructed by Mess.rs. Ditchburn & Mare, Blackwall. 157. Kriemhilda. T.G.Dutton del. & lith. Day & Haghe, Lith.rs. to the T. G. Dutton, del et lith. John B. Day, Lith. London: Queen. London, William Foster, 114 Fenchurch Published by John B. Day, Savoy Street, Strand W.C. S.t._Plymouth Edmund Fry, 43 Union S.t. Portsmouth [n.d., c.1870] A. Hinton, 54 High S.t. [n.d, c.1850]. Lithograph with large margins. Sheet: 350 x 270mm. Lithograph with large margins, very rare. Sheet: 500 x (13¾ x 10½"). £450 380mm. (19¾ x 15"). Few repairs. £980 View of the yacht 'Kriemhilda' with a yacht in the View of H.M.Y 'Fairy', a Royal Yacht, used by distance racing. Stock: 32822 Victoria and Albert to travel to the Isle of Wight. Several ships and yachts can be seen in the distance and a rowing boat full of figures can been seen in the 158. The "Leda" Yacht, R.W.Y.C. Dedicated foreground. by permission to the owner William Russell Stock: 32826 Brancepeth Castle, Esq.r. Painted by N.M. Condy. T.G. Dutton, Lith. London, 154. The Fernande R.W.Y.C. beating the Published Jany 1st. 1850, by Messrs. Fores, At Their Mosquito and Cynthia cutters for the Queen's Sporting & Fine Print Repository, & Frame Vase, Plymouth, August 26th 1849. Manufactory, 41 Piccadilly, Corner of Sackville Street. Condy, Pinx.t. Young, Sculp.t. [n.d., c.1850.] Hand coloured lithograph, very fine. Printed area 315 x Coloured aquatint. Sheet 405 x 580mm (16 x 22¾"). 450mm (12½ x 17¾"). Unexamined out of frame. Trimmed to plate, bottom left corner of inscription area £1350 repaired. £980 A view of the 'Leda' yacht, owned by William Russell The end of a yacht race, a lighthouse in the right of Brancepeth Castle, off the coast of Cornwall, with background. The Fernande, a schooner built by the Eddysone Lighthouse in the distance to the right. William Camper at Gosport and owned by Major Founded as the Port of Plymouth Royal Clarence Francis Mountjoy Martyn, was entered to race in the Regatta Club in 1827, the Royal Western Yacht Club first of what was to become the Americas Cup (named was founded in 1833. Its original aims were to hold an annual regatta, to organise an active social programme after the winning yacht), but did not start. Stock: 32828 and to stimulate improvements in naval architecture through yacht racing. In those early years the Club's principal strength proved to be in long distance 155. To J. H. P. J. Pigott Esq.re. this print of cruising. Its members' yachts, wearing the Blue Ensign, his Cutter Yacht "Ganymede", R.Y.S. is a privilege given to them in a Warrant granted by Queen Victoria, were to be seen in the farthest corners of the globe, from France and St Petersburg to Cape 162. Representation of Storming and taking Town, Ceylon, South America and the USA. NMM: Bangalore, by the Marquis Cornwallis. PAH8679. P. Lausau delin.t. J. Pass Sculp.t. [n.d., c.1800] Stock: 33609 Etching and engraving with large margins. Plate: 210 x 175mm (8¼ x 7"). Central crease as issued. £70 159. The Iron Cutter Yacht Mosquito, 50 Battle scene depicting the storming of Bangalore by Tons, R.T.Y.C. To the Right Hon.ble Lord Cornwallis after six weeks of seige during the Third Londesborough, this plate is by permission Anglo-Mysore War. Cornwallis sought to take respectfully dedicated by His Lordship's very Bangalore, a Mysorean garrison, in order to secure his obedient servant, Thomas g. Dutton. position against Mysore's ruler Tipu Sultun. Whilst T.G. Dutton del et Lith. Day & Son. Lith.rs to the besieging Bangalore Cornwallis's army was harried by Queen. London, Published, Nov.r 6th, 1852, by R.A. Tipu's own army which had followed Cornwallis to Ackermann 191 Regent Street. Bangalore. The image depicts Cornwallis charging the Hand coloured lithograph, very fine. Printed area: 370 town of Bangalore while artillery fire bombards the x 450mm (14½ x 17¾") Unexamined out of frame. city. An explosion in the top left corner throws bodies £1350 into the air. To the left an injured British soldier is A view of the iron cutter yacht, 'Mosquito', at sea with carried by two others out of the field of battle. several ships and yachts in the distance. The ship was Stock: 33535 constructed by T. Waterman, built by C.J. Mare & Co., and the sails made by Eversfield. It won many races, as 163. Taking a French Eagle at Barrossa. listed below the image with the prize money, including Deighton Del. Dubourg Sculp.t. Published & Sold the Lowestoft Regatta on July 6th 1852, the Great March 1.st. 1818, by Edw.d. Orme, Bond Street (corner Yarmouth Regatte on July 13th 1852, and the Royal of Brook St.) London. Western Yacht Championship Cup on August 5th Fine coloured aquatint with large margins. Plate: 330 1852. 250mm (13 x 9¾"). £220 Stock: 33606 Battle scene depicting the first capture of a French regimental eagle in the Peninsular Wars, by the 87th 160. To the Secretary and Members of the (Royal Irish Fusiliers) Regiment of Foot, at the Battle Royal Cork Yacht Club, This print of the of Barrosa in 1811 showing Sergeant Masterman. Stock: 33590 Cutter Yacht Cygnet (W. Smith Esq.re.) is respectfully dedicated by their very obedient 164. Bataille d'Enzersdorff. Le 4 Juillet 1809, servant, O. W. Brierly. H.M. Brig Columbine. l'armée francaise sous les ordres de sa majesté Xarifa Yacht. l'Empereur passa le Danube pendant la nuit. O. W. Brierly del. et lith. Day & Haghe lith.rs. to the A Paris chez la V.e Chéreau, M.de d'Estampes, rue St Queen. Edmund Fry & Son, London. Edmund Fry Jacques, No 10 aux deux Colonnes près la Fontaine St Jun.r. Plymouth. [n.d., c.1840]. Severin. [n.d., c.1810.] Lithograph, rare. Sheet : 510 x 370mm. (20 x 14½"). Engraving with bright colour, large margins. 305 x Small tear on right. £980 420mm (12 x 16½"). £290 A view of the cutter yacht 'Cygnet'. H. M. Brig The French crossed the Danube near Enzersdorff and Columbine and Xarifa Yacht can be seen in the attacked the Austrian army on the 4th July 1809, with distance. For uncoloured example of this print see ref: an inconclusive result. Enzersdorff can be seen in 9894. Stock: 32819 flames in the background. The following day, in the more decisive Battle of Wagram, Napoleon defeated the Austrians, ending the War of the Fifth Coalition. 161. The Buffs at the Battle of Albuera. Stock: 33521 Manskirch del. Dubourg Sculp.t. Published & Sold March 1.st. 1818, by Edw.d. Orme, Bond Street (corner 165. A True Picture of a Field of Battle. of Brook St.) London. Manskirch Del. M. Dubourg Sc. Published & Sold Very fine coloured aquatint with large margins. Plate: Jan.y. 1.st. 1817, by Edw.d. Orme, Bond Street, corner 330 x 250mm (13 x 9¾"). £180 of Brook Street London. Battle scene depicting events at the Battle of Albuhera Very fine coloured aquatint with large margins, printed of 1811. The 3rd (East Kent) Regiment of Foot, caught on 1816 watermarked paper. 330 x 250mm (13 x 9¾"). in a rainstorm were surrounded by French cavalrymen. £160 During the ensuing battle Ensign Charles Walsh who Depiction of a very bleak destroyed landscape after the was carrying the Kings Colour was hit by artillery fire. destruction of Leipzig. Smoke billows from burned out Mortally wounded Walsh fell to the ground, however, villages and hamlets, while debris and bodies litter the before the French could capture the colour a Lieutenant landscape. In the foreground a woman prays over the Latham managed to fight off the French and conseal body of a dead soldier which lies near to dead horses the colour in his jacket. Latham suffered serious injury and bodies stripped of their uniforms. but survived the battle. Stock: 33584 Stock: 33588

166. Reduction of Savendroog, an 170. Bataille de Wagram. Le 6 Juillet 1809 le impregnable Hill Fort of Tippoo Saib by the lendemain de la Bataille d'Enzersdorff.... Marquis Cornwallis. A Paris chez la V.e Chéreau, M.de d'Estampes, rue St Godefroy delin. Pass sculp. [n.d., c.1800] Jacques, No 10 aux deux Colonnes près la Fontaine St Engraving and etching with large margins. Plate: 210 x Severin. [n.d., c.1810.] 175mm (8¼ x 7"). Central crease as issued. £65 Engraving with bright colour, very large margins. 305 A battle scene depicting General Cornwallis's seige of x 420mm (12 x 16½"). Stain in title area. £290 Savendroog in December 1791, during the Third The French crossed the Danube near Enzersdorff and Anglo-Mysore War. The fortress of Savendroog, which attacked the Austrian army on the 4th July 1809, with was deemed to be impregnable, was held by Tipu an inconclusive result. On following day the more Sultun against the East India Company and was decisive Battle of Wagram started, lasating two days. stormed after less than three weeks of seige. The scene In the end Napoleon defeated the Austrians, ending the shows the fortress upon a hill around which several War of the Fifth Coalition. It is regarded as one of the settlements are situated. Several mounted officers are most important battles of the Napoleonic Wars. depicted in the foreground surrounded by soldiers Stock: 33522 preparing and firing cannon. Stock: 33534 171. The Battle of Waterloo Decided by the Duke of Wellington, Heading a charge upon 167. Anecdote of the Bravery of the Scotch the French Imperial Guards, June 18.th. 1815. Piper of the 11th Highland Regiment, at the J. A. Atckinson Del. M. Dubourg Sculp. Published & Battle of Vimiera. Sold Sep.r.1. 1815 by EDW.D. ORME, Publisher to Manskirch del. Clark & Dubourg sculp. Published & his Majesty & H. R. H. the Prince Regent, Bond Street Sold Jan.y.1.1816 by Edw.d. Orme, Publisher to his corner of Brook Street London. Majestyand H.R.H the Prince Regent, Bond Street, Very fine coloured aquatint with large margins. Plate: corner of Brook Street, London. 330 x 250mm (13 x 9¾"). £260 Very fine coloured aquatint with large margins. Plate: Battle scene depicting Wellington's charge on the 330 x 250mm (13 x 9¾"). £240 Imperial Guard. Wellington, mounted upon his horse A scene from the Battle of Vimiero (1808), depicting Copenhagen, calls the charge, brandishing his sword. A George Clark, from the 11th Highland Regiment, who figure in a recognisable bicorne hat (perhaps although injured continued to play the bagpipes. Napoleon) watches the battle from the safety of a Stock: 33598 platform behind the French line. Wellington's charge, which took place several hours into the Battle of 168. Deafeat of Tippoo Saib before Waterloo, combined with Blücher's attack on Seringapatam, by the Marquis Cornwallis. Napoleon's right-flank, drove the French troops into Christall delin. Barlow sculp. Publish'd as the Act disorder allowing the coalition forces to enter France. directs, March 1.st. 1795. Stock: 33572 Etching and engraving with large margins. Plate: 220 x 180mm (8½ x 11"). Central crease as issued. £70 172. The Marquis of Angelsea Wounded, Battle scene lit by the light of the moon. Smoke rising Whilst heading a charge of heavy Cavalry at from artillery fire almost completely obscures the the close of the Battle of Waterloo. June 18.th. fortress of Seringapatam, while British soldiers wade 1815. towards the battle. Two British officers mounted on J. A. Atkinson Del. M. Dubourg Sculp. Published & rearing horses call the charge. Depiction of Sold Sep.r. 1. 1815 by EDW.D. ORME, Publisher to Cornwallis's attack on the Mysorean stronghold of his Majesty & H.R.H th Prince Regent Bond St., corner Seringapatam following a seige during the Third of Brook St. London. Anglo-Mysore war. Fine coloured aquatint with very large margins. Plate: Stock: 33538 330 x 250mm (13 x 9¾"). Some slight staining in lower right-hand corner of plate. £190 169. Combat de Saint Vincent. Battle scene depicting the moment Henry Paget, 1st A Paris chez la V.e Chéreau, M.de d'Estampes, rue St Marquess of Angelsea was wounded in the leg by Jacques, No 10 aux deux Colonnes près la Fontaine St artillery fire. Paget's, horse rears up and two Severin. [n.d., c.1810.] cavalrymen near by look concerned. Meanwhile, the Engraving with bright colour, very large margins. 305 battle rages on with clouds of smoke billowing above x 420mm (12 x 16½"). Stain in title area. £190 the ranks of soldiers. On losing his leg Paget is The French general Sarrut capturing Cape St Vincent, reported to have cried 'By God, sir, I've lost my leg!,' to Portugal at the beginning of the . The which Wellington replied, 'By God, sir, so you Have!'. French had more luck on land than at sea. Following the amputation of the wounded leg, it went Stock: 33519 on to have career as a tourist attraction in the village of Waterloo. Stock: 33577

173. Head Quarters Waterloo 1815. battle. Dead and wounded men and horses lie on the Manskirch del. M. Dubourg Sculp.t. Published & Sold ground and ranks of charging cavalrymen lead an March 25.th. 1817. by Edw.d. Orme, Bond Street, attack in the distance. corner of Brook Str. London. Stock: 33575 Very fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾). £160 177. The Duke of Wellington & his Staff. Exterior scene depicting a large house, around which Crossing the Bidossoa & entering France 1813. wounded soldiers are carried and cared for. One soldier Rigaud Pinx.t. Dubourg Sc. London, Publsihed & Sold is lifted down from a wagon, whilst on the left two Aug.t.1. 1818, by Edw.d. Orme, Publsiher to his mounted soldiers gallop into the scene. The house may Majesty & the Regent Bond Street, corner of Brook be a depiction of Chateau d'Hougoumont, the house Street. and farm of which were garrisoned by the allied British Very fine coloured aquatint with large margins, and Prussian troop before the battle, and around which watermark 1816. Plate: 350 x 250mm (13¾ x 9¾"). a significant part of the Battle of Waterloo was fought. Creasing across top right-hand corner. £220 Stock: 33578 Exterior scene depicting Wellington's army fording the Bidosoa in order to launch a suprise attack on Marshal 174. French Cuirassiers in the Battle of Nicolas Soult's French army, La Rhune (or Larrun) can Waterloo, Charged & Defeated by the be seen in the distance. Wellington and his staff, Highlanders & Scotch Greys. mounted on horseback watch the progresss of the J. A. Atkinson Del. M. Dubourg Sculp.t. Published & troops from a vantage point. The mounted spectators Sold June 4.th. 1816 by Edw.d. Orme, Publisher to his from left to right are: 1. Lord Dalhousie; 2. Lord Majesty & H.R.H the Prince Regent, Bond Street, Bereford; 3. Lord Hill; 4. The Duke of Wellington; 5. corner of Brook Street, London. Lord Nidry; 6. Lord Lynedoch; 7. General Sir Charles Very fine coloured aquatint with large margins. Plate: Doyle; 8. General Archibald Campbell; 9. The Earl of 330 x 250mm (13 x 9¾"). £240 March, Aide-de-Camp to the Duke of Wellington; 10. Battle scene in which the Highlanders, dressed in their The Marquis of Worcester; 11. His Serene Highness recognisable kilts enagage with the French Cuirassiers. the Prince of Orange, Aid-de-Camp to the Prince In the foreground a Highlander fights a mounted Regent and to the Duke of Wellington. Soult, believing French Cuirassier with a bayonet whilst in the the river to be impassable posted a relatively weak background mounted French cut at the Highlanders force to hold the French line, choosing to concentrate surrounding them. On the right a wounded Highlander his forces by the mountain pass. The Earl of March on falls to the ground supported by a fellow soldier and on discovering that Soult was mistaken, informed the left several soldiers lie dead or wounded on the Wellington who decided to launch an attack via the ground. Bidosoa River. Wellington's forces easily overran the Stock: 33580 French troops. Stock: 33564 175. The Horse Guards at the Battle of Waterloo. One of the officers having Killed a 178. To the King's most excellent Majesty, French Colonel cuts off his Epaulette in This plate, The Death of General Wolfe, is triumph. with His gracious Permission humbly Heh Del. M. Dubourg Sc. Published & Sold June 4.th. dedicated by his Majesty's most dutiful 1817 by Edw.d. Orme, Bond st. corner of Brook St. Subject, William Woollett. From the original London. Picture in the Collection of the Right Fine coloured aquatint with large margins. Plate: 330 x honourable Lord Grosvenor. 250mm (13 x 9¾"). £190 Painted by B. West, Historical Painter to His Majesty. Battle scene in which an officer of the Horse Guards Engraved by W.m Woollett, Engraver to his Majesty. bends over a dead French officer cutting off his Published as the Act directs January 1.st 1776. by epaulette while his horse is held by a soldier behind. Mess.rs Woollett, Boydell & Ryland, London. Around them British soldiers march from the right Engraving, small margins; platemark 490 x 620mm while French cavalrymen charge from the left. (19¼ x 24¼"). Staining; paper tone; glued to backing Stock: 33579 board. £780 Large engraving of Benjamin West's famous painting 176. The Prince of Orange at the Battle of of 1770 (Ottawa, National Gallery of Canada) Waterloo, distributing, at the moment, to the representing the death of the British General James brave Troops the Orders he then wore. Wolfe at the Battle of the Plains of Abraham in 1759 J. A. Atkinson Del.t. M. Dubourg Sculp.t. Published & during the Seven Years' War. Despite Wolfe's death, Sold, Aug.t. 20, 1815 by EDW.D. ORME, Publisher to the result of the battle was a decisive British victory. his Majesty & H.R.H the Regent, Bond Street, corner West's composition deliberately evokes the of Brook Street, London. Lamentation of Christ, a subject frequently depicted in Fine coloured aquatint with large margins. Plate: 330 x religious painting. Fagan XCIII x/x. 250mm (13 x 9¾"). £160 Stock: 33190 Battle scene in which The Prince of Orange, mounted hands out his medals to foot soldiers in the midst of the 179. Siège et Prise de Saragosse. Engraving, very rich impression. Printed area: 435 x A Paris chez la V.e Chéreau, M.de d'Estampes, rue St 720mm (17¼ x 28¼"). Some paper toning at bottom Jacques, No 10 aux deux Colonnes près la Fontaine St edge. Trimmed inside platemark. £320 Severin. [n.d., c.1810.] A lively scene depicting a group of Chelsea pensioners Engraving with bright colour, very large margins, rare. sitting round a wooden table outside the Duke of York 305 x 420mm (12 x 16½"). £290 inn. In the centre, one is reading the paper with the The fall of Zaragosa after the second siege (20th news of Waterloo to the many people gathered around December 1808 - 20th February 1809). The city's death him, including a sailor who leans back in his chair toll is estimated to have been 54,000, of which 20,000 talking to the pensioner next to him, a father in uniform were soldiers and 34,000 civilians. sitting further to the right holding a baby, and a soldier Stock: 33517 on horseback who shares a toast having ridden up on the left. 180. With the "394 Siege Battery." R. G. A. Lettered below the image with the title and a In the Great War: 1914-1919. By the days we dedication to Wellington "Prince of Waterloo", from spent together We are kin as ne'er before. the publisher, and a coat of arms in the centre. Stock: 32632 - Camouflaged Road. [/] Arab Horseman. [/] Bagdad. [/] Mesopotamia [/] Jerusalem 183. The Allies before Dantzic in Winter. From Outside the Walls. [/] Crusader. [/] Clarke del.t. Dubourg sculp.t. Published & Sold Dec.r. Mount of Olives From The Temple. [/] Jaffa 1. 1818, by Edw.d. Orme, Bond Street, corner of Brook Gate. [/] Mosque of Omar. [/] Church Of The St. London. Holy Sepulchre. Fine coloured aquatint with large margins, printed on J.R.G.Exley.f. [signature in pencil.]. [n.d., c.1919]. 1816 watermarked paper. Plate: 330 x 250mm (13 x Etching, with large margins, scarce. Plate: 240 x 9¾"). £240 325mm (9½ x 12½"). Creasing in corners. £270 Exterior scene showing Russian troops depicting the Item commemorating the exploits of the 394th Seige allied forces before the besieged town of Dantzic. Battery R.G.A in the First World War. Image divided Dantzic was garrisoned by Napoleon's army following into ten separate sections depicting locations in which his invasion of Russia and the French continued to hold battles were fought, or troops were stationed in the it even after their retreat. Following a gruelling seige fight against the Ottoman Empire. the French surrendered to the Russians under Platoff Stock: 33608 handing over several thousand prisoners of war. Stock: 33586 181. Landing Troops. J. A. Atkinson del. M. Dubourg sculp.t. Published & 184. [Frederick the Great of Prussia and His Sold Aug.t. 1. 1817 by EDW.D ORME, Bond Street Generals]. (corner of Brook St.) London. [Chodowiecki.] [n.d., c.1801]. Very fine coloured aquatint with large margins. Plate: Engraving. Rare. Small tears in edges of sheet. 330 x 250mm (13 x 9¾"). £180 Platemark: 460 x 560mm (18 x 22"). Proof before Exterior scene depciting the landing of troops on the letters. £1250 coast of Abukir in 1801. Boats loaded with British Hans Joachim von Zieten (1699 - 1786), also known as soldiers reach the shore while under attack from French Ziethenstraße or simply Zieten, was one of the most soldiers approaching from the left. A dead British famous generals of Prussian history and a close soldier floats in the water. Due to bad weather, the confidant of King Frederick the Great. This scene British vessels were forced to land in a particularly shows Frederick the Great seated, to the left, with narrow section of the coastline where the French troops Zieten resting his hand on his leader's shoulder, were ready for them. Nevertheless the British were surrounded by a large group of generals, in 1786. able to overcome the French and disembark Friedrich II was a brilliant military campaigner who, in successfully. a series of diplomatic stratagems and wars against Stock: 33587 Austria and other powers, greatly enlarged Prussia's territories and made Prussia the foremost military 182. Chelsea Pensioners reading the Gazette power in Europe. of the Battle of Waterloo. To Field Marshal Stock: 33687 the most noble Arthur Duke of Wellington, R.G. Prince of Waterloo, &c. &c. this print 185. Friedrich der II. in Nimburg nach der commemorative of that decisive victory is with Schlacht bey Kollin. [/] Frédéric II. á Nimburg the highest admiration and respect dedicated aprés la bataille de Kollin. by the proprietors. Gemahlt von frisch. Gestochen von D. Berger. Berlin Painted by David Wilkie, R.A. Principal painter in 1801. Bit later. ordinary to His Majesty. David Wilkie 1827 [Facsimile Engraving. Platemark: 515 x 380mm (20¼ x 15"). signature inscribed in plate] / Engraved by John Slight spotting in left margin. Small tears to edges of Burnet. London. Published Sept.r 10, 1831, by Moon, sheet in margins. £450 Boys, & Graves, Printsellers to the King, 6 Pall Mall. Frederick II of Prussia sits on a bench, having been defeated at Nimburg in the battle of Kollin. He is surrounded by his generals and three children wrestling 188. Russian Loyalty and Heroism. Anecdote in the foreground. A church and other buildings from of the Russian Peasant of Smolensk, who being the city can be seen in the background. The Battle of forced by the French, cooly chopped off his Kolín on 18 June 1757 saw 44,000 Austrians under hand, rather than serve Bonaparte on his Count von Daun defeat 32,000 Prussians under March toward Moscow. Frederick the Great during the Seven Years' War. The I. A. Atkinson del. Clark & Dubourg sculp. Published Prussians lost the battle and nearly 14,000 men, the & Sold Jan.y.1. 1816. by Edw.d. Orme, Publisher to his Austrians lost 8,000 men. Majesty, and H.R.H the Prince Regent, Bond Street, Friedrich II was a brilliant military campaigner who, in corner of Brook Street, London. a series of diplomatic stratagems and wars against Very fine coloured aquatint with large margins. Plate: Austria and other powers, greatly enlarged Prussia's 330 x 250mm (13 x 9¾"). £360 territories and made Prussia the foremost military Interior scene depicting a Russian peasants act of power in Europe. Stock: 33684 defiance. A central male figure with a beard, dressed in peasant costume holds an axe above his head in the act of chopping off his hand, his wife and child cower 186. Friedrich II vor der Liegnitzer Schlacht. behind him. Four French soldiers enter the room, one Was giebt's? Ihr Majestät, der Feind ist kaum of which holds his hands up in alarm. A soldier sits 800 Schritte entfernt. Frédéric II avant la watching from a chair. bataille à Leignitz: Qu'y a t il? Sire! l'ennemi Stock: 33599 n'est qu'à 800 pas d'ici. Gezeichnet von Schubert. Gestochen von D. Berger. 189. Wellington & Blucher. Meeting by Berlin 1803. accident at the close of the Battle of Waterloo. Engraving with very large margins. Platemark: 520 x M. Dubourg Sculp.t. Published & Sold June 4.th. 1816, 390mm (20½ x 15¼"). Foxing to sheet. Creases to by Edw.d. Orme, Publisher to his Majesty & H. R. H. sheet. Uncut sheet. £750 the Prince Regent, Bond Street, corner of Brook Street, Frederick the Great before the battle of Liegnitz, after London. Schubert. A night scene depicting, on the left, a soldier Fine coloured aquatint with very large margins, printed on horseback warning Frederick II and his men, who on 1816 watermarked paper. Plate: 330 x 250mm (13 x are gathered around a fire, that the enemy is 9¾"). £160 approaching. The Battle of Liegnitz on 15 August 1760 Exterior scene at night depicting Wellington and saw Frederick the Great's Prussian Army defeat the Blücher's meeting at the end of the Battle of Waterloo. Austrian army under Ernst von Laudon. A large building lit from the interior, either by candle Friedrich II was a brilliant military campaigner who, in or fire is situated in the background; while wounded a series of diplomatic stratagems and wars against and sleeping soldiers lean up against a ruined Austria and other powers, greatly enlarged Prussia's construction. The building may be La Belle Alliance, territories and made Prussia the foremost military an inn used by Napoleon as his headquaters before the power in Europe. battle and where Wellington and Blücher were reported Stock: 33683 to have met at its close. Stock: 33582 187. Mort du General Mont Calm Tue en defendant Quebec en 1759 contre les Anglais, Il 190. Staff of the Army, Quater Master demanda a etre enterre dans un trou fait par General, or Adjutant General, (not being l'explosion d'une bombe [...] General Officers) Ass.t. Quarter Master or Wateau delineavit / Grave par G. Chevillet Graveur de Ass.t. Adjutant General Soldiers of the Royal sa M. J. A Paris chez Alibert M. d'Estampes Rue Staff Corps. Froidmanteau No 16 et chez la Citoyenne Berguy aussi C. H. S. Aquatinted by J. C. Smith. London Pub.d. M.d d'Estampe rue du Coq. St. Honore. Jan.y. 1813 by Colnaghi & C.o. 23 Cockspur Street. Engraving, sheet 490 x 625mm (19¼ x 24½"). Very fine coloured aquatint with large margins. Plate: Trimmed inside platemark; laid on heavy card; several 250 x 330mm (9¾ x 13"). Three holes in the left-hand tears to edges. £650 margins from binding. £220 The death of Louis-Joseph de Montcalm (1712-1759), Exterior scene. A mounted Adjutant General points to French commander during the Seven Years' War. his Assistant Adjutant General who stands beside him. During the Battle of Quebec in 1759, a decisive British Two soldiers walk behind and a camp is situated win, both the British commander James Wolfe, and behind. From "Costumes of the Army of the British Montcalm himself, were killed. Both were remembered Empire, according to the last regulations of 1812". by similar pictures- this large scene by Wateau (not the Ogilvy 870. rococo painter) for Montcalm, and Benjamin West's Stock: 33477 painting of Wolfe (National Gallery of Canada, Ottawa). 191. A Corporal of the 10th. Or Prince of Stock: 33188 Wales Own Royal Hussars, In Review Order. C. H. S. Aquatinted by J. C. Stadler. London. Pub.d. Jan.y. 1813. by Colnaghi, & C.o. 23 Cockspur Street. Very fine coloured aquatint with very large margins. Very fine coloured aquatint with very large margins. Plate: 250 x 330mm (9¾ x 13"). Three holes in left- Plate: 250 x 330mm (9¾ x 13"). £320 hand margin from binding. £220 Battle scene. Two soldiers march side by side with Exterior scene in which a Corporal of the 10th Royal thier rifles raised. A battle goes on behind and a Hussars brandishing a sword, is seated on a rearing bagpiper plays on the right. From "Costumes of the horse. From "Costumes of the Army of the British Army of the British Empire, according to the last Empire, according to the last regulations of 1812". regulations of 1812". Ogilvy 870 Oglivy 870. Stock: 33480 Stock: 33475 196. Grenadier of the Foot Guards. in full 192. An Officer (Lier.t. Col.l.) of the 14.th. Dress. Light Dragoons, In Parade Dress. C.H.S. Aquatinted by Stadler. London Pub.d. 2.d. July Drawn & Etched by C.H.S. Aquatinted by J. C. 1812 by Colnaghi & C.o. 23 Cockspur Street. Stadler. London Pub.d. April 1.st. 1812 by Colnaghi & Very fine coloured aquatint with large margins. Plate: C.o. 23 Cockspur Street. 255 x 320mm (10 x 12½"). £260 Very fine coloured aquatint with large margins. 255 x Exterior scene depicting three soldiers from the 1st, 320mm (10 x 12½"). £260 2nd and 3rd regiments of the Foot Guards (or Exterior scene depicting an officer of the 14th Light Grenadiers), each wearing the iconic bearskin. The Dragoons (now 14th/20th Hussars) brandishing a Grenadiers were a special assault regiment who threw sword, a mounted cavalryman rides behind. From grenades at the enemy. From 'Costumes of the Army of 'Costumes of the Army of the British Empire, the British Empire, according to the last regulations of according to the last regulations of 1812'. Ogilvy 870. 1812'. Ogilvy 870. Stock: 33558 Stock: 33545

193. Full-Dress Uniform of a Field Marshal. 197. A Sergeant and Privates of the 87th. Or Drawn by C. H. S. Aquatinted by J. C. Stadler. London Prince of Wales own Irish Regiment on Pub.d. 1.st. April 1812 by Colnaghi & C.o. 23 Service. Cockspur Street. C.H.S. Aquantinted by J. C. Stadler. London. Pub.d. Very fine coloured aquatint with large margins. 255 x Jan.y. 1813 by Colnaghi & C.o. 23 Cockspur Street. 320mm (10 x 12½"). Some very slight staining in Very fine coloured aquatint with large margins. Plate: printed area. £260 250 x 330mm (9¾ x 13"). Three holes in left margin Battle scene in which a Field Marshal stands with an from binding. £180 outstretched arm before ranks of calvalrymen. Field Battle scene in which a Sergeant (marked by the three Marshal was the most senior rank in the British Army stripes on his arm) of the 87th stands above a fallen and was introduced in 1736 by King George II. From French soldier. The Sergeant takes the fallen 'Costumes of the Army of the British Empire, Napoleonic flag from the dead soldier whilst behind according to the last regulations of 1812'. Ogilvy 870. him privates from the 87th regiment engage in battle in Stock: 33549 the background. This scene commemorates the 87th's role in the Battle of Barossa of 1811 in which the first 194. Soldiers in the 1.st. Reg.t. of Foot Napoleonic Imperial Eagle was captured by the British. Guards, in Marching Order. From "Costumes of the Army of the British Empire, C. H. S. delin.t. Aquatinted by J. C. Stadler. London according to the last regulations of 1812". Ogilvy 870. Pub.d. 1.st. May 1812 by Colnaghi & C.o. 23 Cockspur Stock: 33471 Street. Very fine coloured aquatint with large margins, 198. A Private of the 3.rd. or Kings Own watermarked paper 'J. Whatman 1811'; 255 x 320mm Dragoons. (10 x 12½"). £260 Drawn & Etched by C. H. S. Aquatinted by J. C. Exterior scene in Winter showing two soldiers from the Stadler. London Pub.d. April 1.st. by Colnaghi & C.o. 1st Regiment of the Foot Guards (now Grenadier 23 Cockspur Street. Guards) march across a landscape. Both soldiers are Very fine coloured aquatint with large margins; 255 x dressed in marching order, the muted tones of which 320mm (10 x 12½"). £260 are starkly contrasted with the recognisable red tunic Exterior scene depicting a private of the 3rd (Kings and bearskin which make up the full dress of the Own) Dragoons mounted on a rearing horse, Grenadiers. From 'Costumes of the Army of the British brandishing a sword. From 'Costumes of the Army of Empire, according to the last regulations of 1812'. the British Empire, according to the last regulations of Ogilvy 870. 1812'. Ogilvy 870. Stock: 33548 Stock: 33551

195. Grenadiers of the XLII.D. or Royal , and XCIL.D. or Gordon Highlanders. C. H. S. Aquatinted by J. C. Stadler. London Pub.d. Sep.r. 1.st. 1812 by Colnaghi & Co. 23 Cockspur Street. 199. A Private of the XV.TH. or Kings L.t. 203. A Private of the 18.th. Light Dragoons. D.rs. (Hussars). (Hussars.) C. H. S. Aquatinted by I. C. Stadler. Published Sep.r. C. H. S. delin.t. Aquatinted by I. C. Stadler. London 1.st. 1812 by Colnaghi & C.o. 23 Cockspur Street. Pub.d. 1.st. May 1812 by Colnaghi & C.o. 23 Cockspur Very fine coloured aquatint with large margins. Plate: Street. 250 x 330mm (9¾ x 13"). Very slight fox marks. £280 Very fine coloured aquatint with large margins. Plate: An exterior scene in which a Hussar rides a horse 255 x 320mm (10 x 12½"). £260 whilst loading his rifle. From "Costumes of the Army Exterior scene in which a mounted soldier of the 18th of the British Empire, according to the last regulations Light Dragoons or 18th (Kings Irish) Regiment of of 1812". Ogilvy 870. (Light) Dragoons (Hussars), now 18th Royal Hussars, Stock: 33482 rides across a plain. From 'Costumes of the Army of the British Empire, according to the last regulations of 200. An Officer of the 2.d. Regiment of Life 1812'. Ogilvy 870 Guards. in full Dress. Stock: 33547 C. H. S. Aquatinted by I. C. Stadler. London Pub.d. 1.st. July 1812 by Colnaghi & C.o. 23 Cockspur Street. 204. An Officer, Private & Driver of the Very fine coloured aquatint with large margins. 255 x Royal Waggon Train. 320mm (10 x 12½"). £260 Drawn & Etched by C. H. S. Aquatinted by J. C. Battle scene depicting a mounted officer of the 2nd Stadler. London Pub.d. April 1.st. 1812 by Colnaghi & Regiment of the Life Guards leading the charge; ranks C.o. 23 Cockspur Street. of mounted cavalrymen can be seen behind. From Very fine coloured aquatint with large margins. Plate: 'Costumes of the Army of the British Empire, 320 x 255mm (12½ x 10"). £180 according to the last regulations of 1812'. Ogilvy 870. Exterior scene depicting three soldiers and an officer of Stock: 33546 the Royal Waggon Train (now Royal Logistics Corps), a corps responsible for the managment of transport and 201. A Private of the 13.th. Light Dragoons. supplies, pulling a wagon. Formed in 1799 as the Drawn & Etched by C. H. S. Aquatinted by J. C. Royal Waggon Corps it was renamed in 1802 as the Stadler. London Pub.d. April 1.st. 1812 by Colnahgi & Royal Waggon Train. From 'Costumes of the Army of C.o. 23 Cockspur Street. the British Empire, according to the last regulations of Very fine coloured aquatint with large margins. 255 x 1812'. Ogilvy 870. 320mm (10 x 12½"). £260 Stock: 33557 Exterior scene depicting a mounted private of the 13th Light Dragoons (now Light Dragoons) galloping across 205. Cadets at the Royal Military College at the landscape, brandishing a sword. A mounted soldier Sandhurst, Junior Department. is depicted behind, exiting the scene. The 13th Light C.H.S. Aquantinted by J. C. Stadler. London. Pub.d. Dragoons were engaged in the Peninsular War in 1812 Jan.y. 1813 by Colnaghi & C.o. 23 Cockspur Street. and went on to participate in the Battle of Waterloo and Very fine coloured aquatint with large margins. Plate: the Crimean War. From 'Costumes of the Army of the 250 x 330mm (9¾ x 13"). Three holes in left margin. British Empire, according to the last regulations of £240 1812'. Ogilvy 870. Exterior scene in which three Junior Cadets converse in Stock: 33554 the grounds of the Royal Military College, designed by James Wyatt, which can be seen in the background. 202. Light Dragoons Serving in the East The central Cadet stands with his arms folded, the Indies. Cadet on the right holds a rifle and bayonet, the figure C. H. S. Aquatinted by J. C. Stadler. London. Pub.d. on the left sits upon a tree stump. The Junior 2.nd. July 1812 by Colnaghi & C.o. 23 Cockspur Department of the Royal Military College moved from Street. Marlow to Sandhurst in 1813. Ogilvy 870. Very fine coloured aquatint, with large margins. Plate: Stock: 33469 255 x 330mm (9 x 13"). Three small holes in left-hand margin from binding. Staining on lover edge of lower 206. An Aide de Camp, and Brigade Major of margin. £360 Cavalry. Exterior scene depicting three mounted soldiers from C. H. S. Aquatinted by J. C. Stadler. London. Pub.d. three Light Dragoon cavalry regiments galloping Sep.r. 1.st. 1812 by Colnaghi & C.o. 23 Cockspur across the landscape, brandishing weapons. A small Street. temple-like building and a man driving an elephant and Very fine coloured aquatint with large margins. Plate: camel can be seen in the distance. The 22nd Dragoons 250 x 330mm (9¾ x 13"). £220 (disbanded in 1945), the 8th Dragoons (now 8th King's Exterior scene in which a Brigade Major and his Aide Royal Irish Hussars) and the 24th Dragoons (disbanded de Camp gallop through the landscape. Ranks of in 1819) all served in India at the turn of the cavalry are depicted in the background. From nineteenth-century. From 'Costumes of the army of the "Costumes of the Army of the British Empire, British Empire, according to the last regulation of according to the last regulations of 1812". Ogilvy 870. 1812'. Ogilvy 870. Stock: 33484 Stock: 33489 207. Hussars and Infantry of the Duke of 211. The Giraffe. Dedicated by permission Brunswick Oels's Corps. To His most Gracious Majesty [by his H.H. Aquatinted by J. C. Stadler. London Pub.d. 2.d. Majesty's most devoted and obedient subject's July 1812 by Colnaghi & C.o. 23 Cockspur Street. and servants E. Gross & R.B. Davis.] Very fine coloured aquatint with large margins; 1811 J. Drawn from Life. Printed by G.ve Simoneau. [London Whatman watermark. Plate: 250 x 330mm (9¾ x 13"). October 1827 published by E. Gross & R.B. Davis.] £260 Lithograph. Sheet 345 x 250mm (13½ x 9¾). Exterior scene in which three soldiers, dressed in their Trimmed. £390 distinctive black uniform, stand in conversation, one Three giraffe and three deer, probably in parkland. leaning against a horse. Three mounted soldiers are Stock: 33356 depicted in the middle distance. The Duke of Brunswick Oels's Corp had originally been a voluntry 212. Giraffe. corp created by Frederick William, Duke of [n.d., c.1850]. Brunswick-Wolfenbüttel (1771-1815) to fight Pen and ink drawing. Blind stamp to top left corner, Napoleon. Once incorporated into the British Army the 'Superfine Bath'. Sheet size: 225 x 185mm (9 x 7¼"). corps, made up principally of Prussians and German Vertical creases where previously folded. Stained to patriots, was cut off from recruiting in Germany and so left edge. £140 was restricted to recruiting from prisoner of war A pen and ink study of a giraffe with manuscript title camps. Nevertheless, the corps played its part in below. several battles including the Battle of Waterloo. From Stock: 33581 "Costumes of the Army of the British Empire, according to the last regulations of 1812". Ogilvy 870. 213. [Elephants and Camels] Éléphants & Stock: 33485 Chameaux [by Balthazar Solvyns] [published Paris, 1811] 208. Before the breeze [pencil]. Etching with hand-colouring, platemark approx 490 x Charles W. Cain [pencil signature]. [c.1925.] 355mm (19¼ x 13¾"). Central fold as issued; uncut Drypoint etching, signed by the artist. 105x 210mm (4 sheet. £490 x 8"). £220 'The elephants in the print are represented eating the A Burmese boat unter sail. leaves and the bark of some shrubs of which they break Charles William Cain [1893-1962], a student of the branches with their trunk; they have all of them one Camberwell School of Art and then an of their legs pinched with a piece of wood, wich [sic] illustrator/cartoonist for the Johannesburg Star until prevents their making their escape. At a distance are WWI, when he joined the Border Regiment in India some camels following a corps of troops. The and Mesopotamia. After the Armistice he entered the landscape is a pass in the Carnatic, the only entrance is Royal College of Art under Frank Short 1920-1. by narrow roads' (from letterpress published with Stock: 33200 print). From the third volume of Balthazar Solvyns' 'Les 209. From forests far [pencil]. Hindoûs'. Solvyns (1760-1824), a Flemish artist who Charles W. Cain [pencil signature]. [c.1925.] lived in Calcutta from 1791 to 1803, etched a Drypoint etching, signed by the artist. 110 x 215mm collection of 250 plates documenting various aspects of (4¼ x 8¼"). £220 Calcutta life. The set was first published in Calcutta, Loggers at work in Upper Burma. where it proved a financial failure, and Solvyns Charles William Cain [1893-1962], a student of produced another set which he published in Paris after Camberwell School of Art and then an returning to Europe, although again the venture was illustrator/cartoonist for the Johannesburg Star until unsuccessful, probably in part due to its publication at WWI, when he joined the Border Regiment in India the height of the Napoleonic Wars. Solvyns later and Mesopotamia. After the Armistice he entered the returned to Antwerp, where William I appointed him Royal College of Art under Frank Short 1920-1. Captain of the Port. Stock: 33199 Stock: 33645

210. Shortened canvas [pencil]. 214. [Horse richly caparisoned, and a Tattou] Charles W. Cain [pencil signature]. [c.1925.] Cheval richement caparaçonné et Tattou. Drypoint etching, signed by the artist. 105x 210mm (4 [by Balthazar Solvyns] [published Paris, 1811] x 8"). £220 Etching with hand-colouring, platemark approx 245 x A Burmese boat under sail. 350mm (9½ x 13¾"). With letterpress description in Charles William Cain [1893-1962], a student of French and English. Uncut sheet. £320 Camberwell School of Art and then an Arabian hose, 'the race most esteemed in Hindoostan, illustrator/cartoonist for the Johannesburg Star until of which considerable numbers are constantly WWI, when he joined the Border Regiment in India imported...the horse near the Arabian is a Tattou, or and Mesopotamia. After the Armistice he entered the one of the Hindoo race. For size and beauty he bears no Royal College of Art under Frank Short 1920-1. comparison with the other, but is superior to him for Stock: 33201 use...' (from accompanying letterpress). From the third volume of Balthazar Solvyns' 'Les considered that nearly two hundred and eighty Hindoûs'. Solvyns (1760-1824), a Flemish artist who thousand illustrations in the present work have been so lived in Calcutta from 1791 to 1803, etched a treated, it will most likely cause some astonishment to collection of 250 plates documenting various aspects of those who give the subject a thought’. Calcutta life. The set was first published in Calcutta, Stock: 33569 where it proved a financial failure, and Solvyns produced another set which he published in Paris after 218. Portrait of an Almond. is humbly returning to Europe, although again the venture was dedicated to the Gentlemen of the Feather unsuccessful, probably in part due to its publication at Club, by their obedient humble Servant Jno. the height of the Napoleonic Wars. Solvyns later M. Eaton. returned to Antwerp, where William I appointed him Drawn and Engraved by D. Wolstenholme. London: Captain of the Port. Published Dec.r 8th 1852, by Jno. M. Eaton, 7 Stock: 33647 Islington Green Aquatint, printed in colours. 305 x 350mm (12 x 215. The Unwelcome Visiter. 13¾"). Framed in 19th century maple. Unexamined out London Published by W. Soffe, 401 Strand, July 20th, of frame. £320 1830. Portrait of a fancy pigeon. Hand coloured aquatint. Sheet size: 240 x 280mm (9½ Both the artist and the publisher were pigeon fanciers: x11"). Trimmed inside platemark losing publication Wolstenholme had painted portraits of at least thirty line. £230 different breeds; and John Matthews Eaton had A rare hand coloured aquatint showing two cats published a number of treatises on breeding and frightened by a dog in an interior scene. A line of republished 'Moore's Columbarium' in 1852. He bought manuscript on the reverse reads, 'For the scrap book some of the plates of pigeons that Wolstenholme had with [Richards?] compliments if you think it worthy of first published in 1834 and reissued them in two sets of it'. six, one in 1852, the other 1860. See Siltzer: P.312. Stock: 33563 Stock: 33348

216. [Phyllopneuste Rufa - Chiff-Chaff.] 219. The Barb. is humbly dedicated to the [Lithographed by H.C. Richter after John Gould.] Gentlemen of the Feather Club, by their [London: John Gould, 1863-73.] obedient humble Servant [Jno. M. Eaton.] Lithograph with exceptional original hand colour. Drawn and Engraved by D. Wolstenholme. [London: Image 350 x 300mm (13¾ x 11¾"). Trimmed at Published Oct.r 16th 1860, by Jno. M. Eaton 81 Upper bottom, losing title and inscriptions. £290 St.t Islington.] A pair of Chiffchaffs. Aquatint, printed in colours. c. 280 x 350mm (11 x The print was published in John Gould's monumental 13¾"). Framed in 19th century maple. Framed over ornithological book, 'The Birds of Great Britain', which platemark top and bottom, probably trimmed into was issued in parts between 1863 and 1873. The inscription. Unexamined out of frame. £320 quality of the hand colouring is superb, something Portrait of a fancy pigeon. Gould stressed: in the introduction to this work he Both the artist and the publisher were pigeon fanciers: wrote 'every sky with its varied tints and every feather Wolstenholme had painted portraits of at least thirty of each bird were coloured by hand; and when it is different breeds; and John Matthews Eaton had considered that nearly two hundred and eighty published a number of treatises on breeding and thousand illustrations in the present work have been so republished 'Moore's Columbarium' in 1852. He bought treated, it will most likely cause some astonishment to some of the plates of pigeons that Wolstenholme had those who give the subject a thought’. Stock: 33568 first published in 1834 and reissued them in two sets of six, one in 1852, the other 1860. See Siltzer: P.312. Stock: 33350 217. [Regulus ignicapillus - Fire-Crested Wren.] 220. Portrait of a Beard. is humbly dedicated [Lithographed by H.C. Richter after John Gould.] to the Gentlemen of the Feather Club, by their [London: John Gould, 1863-73.] Lithograph with exceptional original hand colour. obedient humble Servant Jno. M. Eaton. Image 360 x 260mm (14¼ x 10¼"). Trimmed into Drawn and Engraved by D. Wolstenholme. London: image on right and at bottom, losing title and Published Dec.r 8th 1852, by Jno. M. Eaton, 7 inscriptions. £360 Islington Green. Three Fire-Crested Wrens (now Common Firecrests) in Aquatint, printed in colours. c. 310 x 350mm (12¼ x a conifer. 13¾"). Framed in 19th century maple. Framed over The print was published in John Gould's monumental edge of plate mark top and bottom. Unexamined out of ornithological book, 'The Birds of Great Britain', which frame. £320 was issued in parts between 1863 and 1873. The Portrait of a fancy pigeon, named for the white quality of the hand colouring is superb, something plumage at the throat. Gould stressed: in the introduction to this work he Both the artist and the publisher were pigeon fanciers: wrote 'every sky with its varied tints and every feather Wolstenholme had painted portraits of at least thirty of each bird were coloured by hand; and when it is different breeds; and John Matthews Eaton had published a number of treatises on breeding and some of the plates of pigeons that Wolstenholme had republished 'Moore's Columbarium' in 1852. He bought first published in 1834 and reissued them in two sets of some of the plates of pigeons that Wolstenholme had six, one in 1852, the other 1860. See Siltzer: P.312. first published in 1834 and reissued them in two sets of Stock: 33351 six, one in 1852, the other 1860. See Siltzer: P312 . Stock: 33347 224. A Key to the East Window in the Chapel of Winchester College. Restored in 1822 by 221. The Fantail. [is humbly dedicated to the Bretton and Evans. Inscription, 1. Ave. garcia Gentlemen of the Feather Club, by their plena [...] obedient humble Servant Jno. M. Eaton.] G. Forder, Delt. Robson Brooks & C.o. Lithog.ry. Drawn and Engraved by D. Wolstenholme. [Published Lithograph, very rare; G.J.F. London watermark. Sheet Oct.r 16th 1860, by Jno. M. Eaton 81 Upper St.t size: 270 x 450mm (10½ x 17¾"). Crease through Islington.] centre. £80 Aquatint, printed in colours. c. 280 x 350mm (11 x Key to the East Window in the Chapel of Winchester 13¾"). Framed in 19th century maple. Framed over College detailing the scenes depicted in the stained platemark top and bottom, probably trimmed into glass. The scenes feature figures of from the Old inscription. Unexamined out of frame. £320 Testament as well as William of Wykeham (c.1320- Portrait of a fantail pigeon displaying. 14040, founder of Winchester College. Both the artist and the publisher were pigeon fanciers: Stock: 32631 Wolstenholme had painted portraits of at least thirty different breeds; and John Matthews Eaton had 225. Portraits of two Great Friends / Portraits published a number of treatises on breeding and de deux Grands Amis. An Allegorical Puzzle, republished 'Moore's Columbarium' in 1852. He bought invented by Mr Orme Engraver to the King some of the plates of pigeons that Wolstenholme had &c. first published in 1834 and reissued them in two sets of Puv & sold by Mr. Orme, 118 New Bond Str.t & E six, one in 1852, the other 1860. See Siltzer: P.312. Stock: 33349 Orme, 59 corner of Brook Str. Oct. 17 1801____Price 1 Shilling. Engraving, sheet 125 x 85mm (5 x 3¼"). Trimmed on 222. The Jacobine. is humbly dedicated to the platemark two sides; glued to backing sheet. Very rare. Gentlemen of the Feather Club, by their Puzzle print with silhouette profiles of George III and obedient humble Servant Jno. M. Eaton. Napoleon, during a short-lived peace in the Napoleonic Drawn and Engraved by D. Wolstenholme. London: Wars. Published Oct.r 16th 1860, by Jno. M. Eaton 81 Upper Stock: 33192 St.t Islington. Aquatint, printed in colours. 290 x 400mm (11½ x 226. Corporal Violette. This Print, which 15¾"). Framed in 19th century maple. Unexamined out appears to consist simply of that beautiful of frame. £320 Flower, the Violet, contains correct Profiles of Portrait of a fancy pigeon. Both the artist and the publisher were pigeon fanciers: the Emporer Napoleon, Maria Louisa, and the Wolstenholme had painted portraits of at least thirty Young King of Rome; the first under the green different breeds; and John Matthews Eaton had on the right --- the second opposite, under published a number of treatises on breeding and the second Violet -- and the third one, on the republished 'Moore's Columbarium' in 1852. He bought right of the centrical Stems, near the lower some of the plates of pigeons that Wolstenholme had Violet. first published in 1834 and reissued them in two sets of Radcliffe Sc. 213 Piccadilly. [n.d., c.1810]. six, one in 1852, the other 1860. See Siltzer: P.312. Hand coloured engraving with two sections of Stock: 33352 letterpress text. Sheet size: 265 x 280mm (10½ x 11"). Cut and glued to scrap sheet. £230 223. The Turbit. is humbly dedicated to the An impression of an uncommon 'puzzle' portrait Gentlemen of the Feather Club, by their showing the concealed the profiles of Napoleon obedient humble Servant Jno. M. Eaton. Bonaparte (1769-1821), his wife Marie Louise of Drawn and Engraved by D. Wolstenholme. London: Austria (1791-1847), and Napoleon Francis Joseph Published Oct.r 16th 1860, by Jno. M. Eaton 81 Upper Charles (1811-1832), King of Rome. Napoleon was St.t Islington. nicknamed "Corporal Violet" by his soldiers after Aquatint, printed in colours. 290 x 350mm (11½ x having to return from Elba during Springtime. 13¾"). Framed in 19th century maple. Minor spotting. Explanatory letterpress above and below image. Unexamined out of frame. £320 Stock: 33242 Portrait of a fancy pigeon. Both the artist and the publisher were pigeon fanciers: 227. This Revers'd is ye head & face of an Old Wolstenholme had painted portraits of at least thirty Man. different breeds; and John Matthews Eaton had Publish'd 29 Oct.r 1787, by Rob.t Sayer, 53 Fleet published a number of treatises on breeding and Street, London. republished 'Moore's Columbarium' in 1852. He bought Engraving, with fine original colour. Sheet 150 x 232. Joueur de Marionnettes. noubliez pas les 200mm (6 x 8"). Trimmed into printed border, laid on petites marionnettes. album paper. £240 Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] A transformation print: a rocky outcrop on a coastline Coloured lithograph with very large margins. Printed changes to a bearded man. area 300 x 140mm (11¾ x 5½"). £140 Stock: 32954 A man plays a flute manipulating a pair of puppets via a sting tied to his leg. Behind a dog wear a bonnet and 228. [A transformation print of two heads.] dress dances on its hind legs. A street performer. One [n.d., c.1750.] of a series, 'Cris de Paris', depicting Parisian street Coloured wood engraving, printed on GR watermarked vendors, lithographed by François Séraphin Delpech paper; trimmed to printed border, at most 130 x (1778-1825) after Antoine Charles Horace (Carle) 185mm (5 x 7¼"). Repaired tears. £160 Vernet (1758-1836). A middle-aged man and woman, both with contented Stock: 33236 smiles; however upside-down the wife's smile becomes salacious and the husband's moustache transforms into 233. Tommy Playfair, drawn by his Favourite a pair of cuckold's horns. Dog. Stock: 33243 Printed and Sold by Carington Bowles, No 69 in St Pauls Church Yard, London. [n.d., c.1785.] 229. [Sketch showing two faces.] Engraving with original hand colour. Sheet 165 x [Anon, c.1820.] 240mm (6¾ x 9½"). Trimmed within plate, laid on Pen and ink, sheet 120 x 90mm (4¾ x 3½"). Glued to album paper. £95 backing sheet; folds. £90 A boy in a haycart drawn by a dog. Playfair appears to Drawing, probably copied from one of several similar have been a well-known character: Robert Dighton the prints of the early 19th century, which shows either a Elder drew a scene called 'Tommy Playfair's Cart'. man's face or a woman's face (both wearing hats) Stock: 32846 depending on which way up the drawing is viewed. For a similar item see ref. 27908. 234. Dancing in Fetters. Stock: 33191 Printed by J. Arliss, 9, Old Change, London. [n.d., c.1800]. 230. Jeux Hand coloured woodblock engraving. Rare. Sheet size: [by Balthazar Solvyns] [published Paris, 1811] 265 x 180mm (10¼ x 7¼"). Some light creasing and Etching with hand-colouring, platemark approx 355 x light scuffs to sheet. £160 245mm (9½ x 13¾"). Uncut sheet. £280 A child sits on the shoulders of a man, holding his Hindus playing chess and dominoes, and smoking. hands to the sides. The man is wearing fetters or leg From the third volume of Balthazar Solvyns' 'Les cuffs, attached from the waist band of his trousers, to Hindoûs'. Solvyns (1760-1824), a Flemish artist who his ankles. He stands on one leg as both figures look lived in Calcutta from 1791 to 1803, etched a towards the viewer. collection of 250 plates documenting various aspects of Stock: 33122 Calcutta life. The set was first published in Calcutta, where it proved a financial failure, and Solvyns 235. Flore. [/] La Tirolienne. [/] La produced another set which he published in Paris after Napolitaine. [/] La Bayadere. [/] La Naiade. [/] returning to Europe, although again the venture was Marie Taglioni [Facsimile signature]. unsuccessful, probably in part due to its publication at A.E.C. [A.E.Chalon]. R.J.L. [R.J.Lane]. Published by the height of the Napoleonic Wars. Solvyns later J. Dickinson. New Bond Street, Aug.t 1831. returned to Antwerp, where William I appointed him Set of six proof lithographs laid on India paper with Captain of the Port. Stock: 33657 large margins. Very scarce. Printed area: 212 x 141mm (8¼ x 5½") each. £2000 A rare set of six proof lithographs of renowned ballet 231. [The Italian Puppet Show.] dancer Marie Taglioni (1804-1884) depicted in some [Printed and Sold by Carington Bowles, No 69 in St of the roles that have established her as a central figure Pauls Church Yard, London. Published as the Act in the history of European dance. After A.E.Chalon, by directs, 24th June 1785.] R.J. Lane. Engraving with original hand colour, rare. Trimmed to Taglioni was one of the most celebrated ballerinas of oval 160 x 240mm (6½ x 9½"). Trimmed within plate, the romantic ballet, and cultivated her skill primarily at laid on album paper with the title written in ink Her Majesty's Theatre in London, and at the Théâtre de underneath. £160 l'Académie Royale de Musique of the Paris Opera A street puppet show, with the main character the Ballet. She later took a three-year contract in Saint traditional 'Pulcinella' (Punchinello or Punch), with his Petersburg with the Imperial Ballet. wife 'Joan', later Judy. In the audience a fish-wife drops Stock: 32628 fish from her basket, distracted by the show. This appears to be from a series of acts or amusements making headlines in the mid-1780s. Stock: 32836

236. Comic Dance in the Popular Pantomine Engraving with original hand colour, rare. Sheet 175 x of the white Cat by Mess.rs Kirby & 245mm (7 x 9¾"). Trimmed within plate, laid on Chatterley to the Tune of the Bold Dragoon. album paper. £160 Drawn & Etched by W. Heath. pub 5th of Jan.y 1812 A very scarce image of an unusual act at Sadler's Wells by T. Palser Bridge Road Lambeth. Theatre: a man with trained dogs dressed in clothes, Coloured etching. 240 x 345mm (9½ x 13½"). Large performing various tasks including climbing a ladder, margins on 3 sides. £260 shouldering a gun and driving a cart. Two troupes of A scene of two clowns, James Kirby (died 1826) in performing dogs, 'from France and Italy', were much drag & William Simmons Chatterley (1787-1822) with advertised attractions at Astley's and Sadler's Wells in white face and red triangles, the signature look of the summer of 1785. Joseph Grimaldi's 'Joey' clown. This appears to be from a series of acts or amusements Stock: 33086 making headlines in the mid-1780s. The V&A H Beard Print Collection contains a later Bowles & Carver 237. Grimaldi's Tandem in the Comic edition. Stock: 32831 Pantomime of the Golden Fish. Drawn & Etch'd by W. Heath. Pub Feb 11 1812 by T. Palser Bridge Road Lambeth. 240. The Wonderful Pig of Knowledge. Coloured etching. 235 x 350mm (9¼ x 13¾"). Printed and Sold by Carington Bowles, No 69 in St Watermarked 1809. Trimmed within plate top and Pauls Church Yard, London. [n.d., April 13th, 1785.] bottom. £280 Engraving with original hand colour, rare. Sheet 170 x Joseph Grimaldi (1778 - 1837), the famous actor and 240mm (6¾ x 9½"). Trimmed within plate, laid on clown, in a wicker wagon drawn by two springer album paper. £120 spaniels with cockerels standing on their harnesses, in A living-room scene, with a showman with a pig 'Harlequin and Padmanaba, or, The Golden Fish'. choosing cards with letters on them to spell out a Grimaldi has the white face with a red triangle on his message. The learned or sapient pig caused a sensation in 1784: trained by a Scotsman Samuel Bisset, it was cheek, the signature look of his 'Joey' clown. Stock: 33099 brought to London by a Mr Nicholson in 1785 before touring the continent. Rowlandson produced a similar scene (published the previous day) with a placard 238. [Jugglers] Jongleurs reading 'The surprising pig, well versed in all [by Balthazar Solvyns] [published Paris, 1811] languages, perfect arithmetician, and composer of Etching with hand-colouring, platemark approx 245 x music'. 350mm (9½ x 13¾"). With letterpress description in Boswell writes of his conversations with Samuel French and English. Uncut sheet. £340 Johnson concerning the pig; Robert Southey's 'Letters Indian performers: in foreground sword-swallower on of Espriella' contains the comment 'the learned pig was left, a juggler on right 'whose tricks are less perillous', in his day a far greater object of admiration to the and (centre) a man who juggles with 'two canon balls English nation than ever was Sir Isaac Newton'. of thirty or forty pounds weight'. The figure at the top This appears to be from a series of acts or amusements of the image is 'a woman who lies flat, upon an iron making headlines in the mid-1780s. plate which turns round upon a sharp point fixed on the Stock: 32835 top of a bambou' (quotations from accompanying letterpress). From the third volume of Balthazar Solvyns' 'Les 241. Ioh. Elias Ridinger. Pictor et Scalptor Hindoûs'. Solvyns (1760-1824), a Flemish artist who Augustanus solertissimis Naturae Indagiusque lived in Calcutta from 1791 to 1803, etched a in Animalius praeser. Delineatione Æmulator collection of 250 plates documenting various aspects of felicissimus natus Ulmae suevorum d.XVI Calcutta life. The set was first published in Calcutta, Febr. A. S. MDCXCVIII Ars Artifici Amic. where it proved a financial failure, and Solvyns I. G. Bergmüller invent. I. Iac, Haid ad vivam pinx. produced another set which he published in Paris after fecit et excuit. A.V. [n.d., c.1750] returning to Europe, although again the venture was Mezzotint, rare. 270 x 400mm (10½ x 15¾"). Trimmed unsuccessful, probably in part due to its publication at to image £270 the height of the Napoleonic Wars. Solvyns later Portrait to waist of the German artist and engraver returned to Antwerp, where William I appointed him Johann Elias Ridinger (1698-1767). Portrait in an oval Captain of the Port. see also ref. 15034. supported on an engraved stone, beside which is seated Stock: 33648 the goddess Diana who holds a bow. The spoils from Diana's hunting, which include a stag, a boar and 239. The New Company of Comedians at several birds, lie around the portrait; a hound and a Sadler's Wells. Judge for yourselves, and see hooded bird of prey are seated alongside. Ridinger which most excels, These Puppy's, or the Dogs holds his palette and brushes, the outline of a stag is at Sadler's Wells. 151 [top right corner] propped on an easel behind him. The animals and the Printed and Sold by Carington Bowles, No 69 in St woodland scene illustrate Ridinger's talent for Pauls Church Yard, London. [n.d., c.1785.] depicting animals and their characteristics in their natural environment. Stock: 33244 242. [America] Indiends de la Tribu des hat and sword. The palace can be seen in the Osages. Dessinés d'après nature au Theârte background. des Arts a Rouen. Friedrich II was a brilliant military campaigner who, in [n.d., c.1827]. a series of diplomatic stratagems and wars against Lithograph, very scarce. 260 x 215mm (10¼ x 8½"). Austria and other powers, greatly enlarged Prussia's Trimmed round subject. Laid on album sheet. £240 territories and made Prussia the foremost military An interior scene drawn from life, depicting six power in Europe. He was an enlightened monarch who members of the Native American Osage Tribe who favoured the French language and art, and built visited France between 1827 and 1830. In 1827 six Sanssouci, a palace in the French Rococo style in members of the Osage Tribe and an interpreter named Potsdam, near Berlin. Paul Laise were brought to France by David Stock: 33682 DeLauney, a French-born resident of St. Louis. On their arrival in France the Native Americans were 245. Frederick the Great. King of Prussia. entertained at Court and met Charles X. However, J. Chapman sculp.t. London Published as the Act DeLauney who was charging for tickets to see the directs April 1. 1801 by J. Wilkes. Osage was arrested for debt and the group was left to Stipple with large margins. Plate: 110 x 160mm (4¼ x fend for itself. Eventually the six were helped by 6¼"). £90 Bishop DuBourg and Marquis de Lafayette who Half porrtait in profile, set in a roundel of Frederick II arranged their passage back to America. of Prussia (1712-1786). Due to Frederick II's many Stock: 33559 military victories he became known as Frederick the Great. As well as his military prowess, Frederick II 243. [Czech] S. Giovanni Nepomuceno. was a proponent of enlightened absolutism, Quadro esistente nella Galleria di S.M. il Re di modernised Prussian bureaucracy and reformed the Sardegna. judicial system. A great supporter of the French Enlightenment, Frederick often corresponded with its Mozillo dip. A. Boucheron dis. L. Poggioli Lithografo. key figures, most notably Voltaire. [n.d., c.1830.] Stock: 33530 Lithograph, rare. Sheet 550 x 370mm (21½ x 14½"). Trimmed to image on three sides. Laid on album paper. £240 246. [Germany] Field-Marshall Freytag. A scene of Saint John of Nepomuk (c.1345-93), a Orme Jun.r. sculp 1795. Published as the Act directs priest thrown into the river Vltava from Charles Bridge Dec.r. 1. 1795. in Prague at the behest of Wenceslaus IV of Bohemia Stipple with small margins. 110 x 160mm (4¼ x 6¼"). (also King of the Romans). This occurred during the £60 'Western Schism', when rival popes were based in Half portrait set in a roundel of Field-Marshall Rome and Avignon: Wenceslaus supported the Wilhelm von Freytag (1720-1798) a Prussian army Avignon faction while the Archbishop of Prague (and officer who rose to prominence during the Seven Years John) still followed Rome. John confirmed the War commanding a corps of light infantry called the archbishop's candidate for Abbot of Kladruby, and was Freytag Jägers. Stock: 33542 drowned on the emperor's orders. However this scene, with John taking the confession of a woman, seems to support the folklaw version of events: having taken the 247. [Rajah in full dress] Radjah Paré. confession of the queen of Bohemia he refused to [by Balthazar Solvyns] [published Paris, 1808] divulge the contents to the king, even under torture. Etching with hand-colouring, platemark approx 355 x John is now a national saint of the Czech Republic, a 245mm (9½ x 13¾"). Uncut sheet. £260 patron against calumny and, because of the manner of The Raja of Tanjore (now Thanjavur), sat on a carpet his death, a protector from floods. From a scrapbook with a flower in his hand. Behind him servants fan him compiled by Rev. Willaim Bradford (1780-1857), with peacock's feathers, while on the left are men of Chaplain and war artist during the Peninsula Wars. the raja's court. Water spout in the foreground. Stock: 33355 From the first volume of Balthazar Solvyns' 'Les Hindoûs'. Solvyns (1760-1824), a Flemish artist who 244. Friedrich der Grosse. Koenig von lived in Calcutta from 1791 to 1803, etched a Preussen &c. [/] Frédéric le Grand / Roi de collection of 250 plates documenting various aspects of Calcutta life. The set was first published in Calcutta, Prusse &c. where it proved a financial failure, and Solvyns L. Wolf del. Meno Haas Reg. Acad. Berol. Socius. produced another set which he published in Paris after Sculps. Berlin in Jacoby's Kunsthandlung Unter den returning to Europe, although again the venture was Linden No,, 35. [n.d., c.1786.] unsuccessful, probably in part due to its publication at Engraving. Platemark: 650 x 480mm (25½ x 18¾"). the height of the Napoleonic Wars. Solvyns later Staining to sheet. Damage in title area. Small tears in returned to Antwerp, where William I appointed him margins. £920 Captain of the Port. A portrait of Friedrich II, King of Prussia (1712 - Stock: 33658 1786), more commonly known as Frederick the Great; whole length, riding a horse in the park of Sanssouci Palace, Potsdam, wearing military uniform with star, 248. [India] Hyder-Ali, Commander in Chief 253. [Portugal] Isabel de Portugal, Esposa de of the Mahrattas. Carlos V. El cuadro original existe en el R.l F. Bonneville Del.t. J. Chapman Sculp.t. Published as Museo de Madrid. the Act directs Sept.r. 10 1794. Tiziano lo pintó. C. Rodrigez lo lit.o. J. de Madrazo lo Stipple with large margins. 110 x 160mm (4¼ x 6¼"). dirigió. Imp. en el R.l Est.o lit.o de Madrid. [n.d., £120 c.1830.] Half portrait, set in a roundel, of Hyder Ali (1721- Lithograph. Sheet 370 x 290mm (14½ x 11½"), with 1782) sultun and de facto ruler of the Kingdom of blindstamp in inscription area. Laid on album paper. Mysore. Hyder Ali strongly resisted the British East £220 India Company in India and formed an alliance with Portrait of Isabella of Portugal (1503-39), who, as wife the French against them in the First and Second Anglo- of the Holy Roman Emperor Charles V, was queen of Mysore Wars. Germany, Italy, Spain, Naples and Sicily. Titian's Stock: 33533 original oil is now in the Prado Museum. This lithograph is from the 'Colección lithographica de 249. [Italy] Francis II (Late King of Naples). cuadros del rey de España el señor Fernando VII'. Metzmacher del et sc. Imprimé par Coupil & C.ie From a scrapbook compiled by Rev. Willaim Bradford Paris. The Drawing Room Portrait Gallery of Eminent (1780-1857), Chaplain and war artist during the Personagès Presented with the Illustrated News of the Peninsula Wars. World. 125, Fleet Street. [n.d., c.1865.] Stock: 33306 Etching with very small margins. 280 x 210mm (11 x 8¼"). £75 254. [Russia] Alexander 1.st. Francis II (1836-94), king of the Two Sicilies from J. Chapman sculp. Published as the act directs, Jan.y.1- 1859 until he was deposed in 1861 and his kingdom 1802. becoming part of the new Kingdom of Italy. Stipple with large margins. Plate:110 x 160mm (4¼ x Stock: 33300 6¼"). £95 Half portrait of Alexander 1st of Russia (1777-1825), 250. [Italy] The Général Garibaldi. ruler of Russia from 1801 to 1825, and King of Poland Metzmacher sc. Imprimé par Coupil & C.ie Paris. [n.d., from 1811 to 1825. c.1865.] Stock: 33501 Etching with small margins. 280 x 210mm (11 x 8¼"). £120 255. [Russia] The Baron Brunnow, Russian Giuseppe Garibaldi (1807-1882), a general who played Minister and Envoy Plenipotentiary at the a vital role in the several Italian wars of independence Court of St James. from Austria. Published for the 'Illustrated News of the Engraved by D.J. Pound from a Photograph by Mayall. World'. [n.d., c.1859.] Stock: 33299 Stipple. Sheet 305 x 215mm (12 x 8½"). Trimmed. £80 251. [Italy] Guiseppe Mazzini. Philipp Graf von Brunnow (1797-1875), Russian J. Henshaw Del. H.y Meyer sculp. [n.d., 1860.] ambassador in London (1840–54, including the start of Stipple. Sheet 280 x 215mm (11 x 8½"). Cut to the Crimean War), Frankfurt (1855), Berlin (1856), and platemark. £85 again London (1858-74). This portrait, from a Giuseppe Mazzini (1805-72), a journalist and political photograph by John Jabez Edwin Mayall, was taken for activist who campagned for the unification of Italy, a carte-de-visite; this print was published for the earning the nickname 'The Beating Heart of Italy'. 'Illustrated News of the World'. Stock: 33301 Stock: 33298

252. [Italy] Victor Emmanuel II. 256. [Russia] Catherine II. Empress of Metzmacher sc. Imprimé par Coupil & C.ie Paris. The Russia. Drawing Room Portrait Gallery of Eminent Personagès F. Bonneville del.t. J. Chapman Sculp.t. Published as Presented with the Illustrated News of the World. 125, the Act directs Jany.15.1795. Fleet Street. [n.d., c.1865.] Stipple with small margins. Plate: 110 x 160mm (4¼ x Etching with very small margins. 280 x 210mm (11 x 6¼"). £95 8¼"). £75 Half portrait in profile, set in a roundel of Catherine II Victor Emanuel II (1820-78), king of from (1729-1796). Catherine II ruled Russia between 1762 1849-61, after which he became the first king of and 1796, the longest rule by a female monarch in reunified Italy. Russia's history. Stock: 33302 Stock: 33506

257. [Russia] Paul 1.st. Emperor of Russia. J. Chapman sculp. Published as the Act directs Aug1. 1797. Stipple with large margins. Plate: 110 x 160mm (4¼ x 6¼"). £80 Half portrait, in a roundel, of Paul 1st Emperor of Although he always bore arms he was regarded as Russia (1754-1801). Paul 1st ruled Russia from 1796 harmless and his manners were so impeccable that he until his assassination in 1801. was humoured locally. However in his later years to Stock: 33503 had to be confined for his own safety; he reconciled this in his mind by taking his confinement as the 258. [Russia] General Suwarrow. governorship of a castle. J. Chapman sculpsit. Published as the Act directs Stock: 33238 August 1.st.1799. Stipple with large margins. Plate: 110 x 160mm (4¼ x 261. Mr Patrick O'Brien _ The Irish Giant. 6¼"). £60 221 Half portrait set in a roundel of Alexander Vasilievich Printed and Sold by Carington Bowles, No 69 in St Suvoroff (c.1729-1800), the last Generalissimo of the Pauls Church Yard, London. [n.d., c.1785.] Russian Empire, one of the few generals in history who Engraving with original hand colour. Sheet 165 x never lost a battle, fighting over 60. 240mm (6½ x 9½"). Trimmed within plate, laid on Stock: 33543 album paper. £160 A very scarce image of the Irish giant Patrick O'Brien 259. [Spain] Joseph de Mazarredo nació en (1760-1806) (real name Patrick Cotter), standing head Bilbao en S. de Marzo de 1745. and shoulders above the sightseers around him. He Dubois ad vivum pinxit anno 1800. Ferdin.s Selma del. was the first man in history with a certified height of et sculp. over 8 feet (8'1"), a record not broken for another Engraving very scarce. Image 260 x 180mm (10¼ x century. Working on the sideshow circuit he became 7"). Slight creasing. £480 quite wealthy, leaving £2,000 to his mother when he Don Jose de Mazarredo y Salazar de Muñatones died. He left his clothes to his servant, who displayed Cortázar (1745-1812), considered to be one of the best them on a mannequin in the Haymarket; his boots are Spanish naval commanders of all time. In 1780, with still on display in the Kinsale Museum. Cotter the Spanish and French siding against Britain in the requested that his body be entombed within twelve feet American War of Independence, he inflicted a huge of solid rock to prevent exhumation for scientific or blow on Britain's war efforts by attacking a convoy en medical research; however in 1972 his remains were route to Florida and capturing 55 out of the 63 ships examined and his height verified. and 3000 soldiers and sailors, along with their cargo of This appears to be from a series of acts or amusements 80,000 muskets, many field guns, 300 barrels of making headlines in the mid-1780s. gunpowder, more than £1,000,000 in gold and silver Stock: 32832 and uniforms for more than a dozen regiments. During the French Revolutionary Wars Mazarredo 262. Mr. Jacob Powell of Stebbin in essex. initially had some success but he antagonised Who died Oct.r 6.th 1754 Aged 37 years. He Napoleon, whose plans he called 'imperialistic and weighed near 40 Stone. despotic', and was dismissed from the navy. J.J. Haid et filius excud. A. V. Besides his wartime activities Mazarredo studied and Mezzotint. Sheet size: 410 x 290mm (16 x 11½"). taught naval theory. In 1778, as commander of the ship Trimmed to image. £330 of the line San Juan Bautista, he compiled A full length portrait of Mr. Jacob Powell of Stebbing hydrographic surveys in the Iberian Peninsula, in Essex, depicting a well dressed man mopping his contributing to the creation of a Maritime Atlas. He brow with his right hand and holding a wig in his left. also surveyed ports of South America. A large map is His enormous size was obviously his claim to a brief open on the table showing Australia. From a moment of fame. Published by the Haid family in scrapbook compiled by Rev. Willaim Bradford (1780- Germany- they appear mostly to have copied earlier 1857), Chaplain and war artist during the Peninsula prints without crediting acknowledgement. In this Wars. instance a British print of c.1754 is probably the source Stock: 33267 image. O'Connell, 'The Popular Print in England' p.106 260. Sir Edm.d Mason. Stock: 33428 Record Pinx.t. F. Jukes Sculp.t. Pub.d Aug.t 8 1788 by I. Holl, Printseller, High Street, Worcester. 263. General Amherst. Aquatint with large margins; printed in sepia. 240 x J. Chapman sc. Published as the Act directs Oct.r. 1 190mm (9½ x 7½"). £130 1800. 'Sir Edmund Mason, or the Knight Poker; a lunatic of Stipple with large margins. 110 x 175mm (4¼ x 6¾"). Cheltenham'. Mason (d.1801) has been called the £85 'English Quixote', being convinced that he was the Half portrait in a roundel of Field Marshal Jeffery greatest general of the age, with honours heaped on Amherst 1st Baron Amherst (1717-1797) who served him by all the royalty of Europe, especially Frederick in the British Army and as Commader-in-Cheif of the the Great of Prussia, as displayed in this portrait. He Forces in many of Britains military campains, owned the fastest race horse in the land and was in love including the Seven Years War, the American War of with a princess from some far off land. He was always Independence and the French Revolutionary War. penniless because of the problems of cashing bills of Amherst advocated for the extermination of the Native exchange for millions. American population and encouraged the spread of 268. General Wolfe. smallpox through infested blankets distributed to native J. Chapman sculpt. Published as the Act directs June settlements. Amhurst also served as the first British 1.st. 1796. Governor General in Canada after the defeat of the Stipple with large margins. 255 x 330mm (9 x13"). £95 French. Half portrait in profile, set in a roundel of General Stock: 33524 James Wolfe (1727-1759). Wolfe, an army officer, earned worldwide reknown for his exploits during the 264. General Burgoyne. Seven Years War. Having led his troops up the St. J. Chapman sc. Published as the Act directs March Lawrence River, he engaged in a seige of Quebec City 1.1801. eventually defeating Louis-Joseph de Montcalm, leader Stipple with large margins. 110 x 160mm (4¼ x 6¼"). of the French. Wolfe was killed in the following Battle £85 of the Plains of Abraham, an event imortalised by Half portrait, set in a roundel, of General John Benjamin West's painting 'The Death of General Burgoyne (1722-1792) a British army officer, Wolfe.' (See our ref: 11336) politician and playwright is notable for his service in Stock: 33515 the Seven Years War and American Revolutionary War. The surrender of his army in 1777 at Saragota 269. Madame Norman Neruda. (Lady Hallé). was a turning point in the war. [Facsimile signature:] Wilma Hallé. (Norman Stock: 33532 Neruda). Walery, Photographer to the Queen. 164, Regent 265. Marquis Cornwallis. Street, London. [Published by Sampson Low & Co. Godefroy delin.t J. Pass sculp.t. [n.d., c.1800] May 1889.] Stipple. Plate: 110 x 175mm (4¼ x 6¾"). Repairs, Photograph on card mount. Card size: 400 x 292mm. damaged. £85 (16 x 11½"). £120 Half portrait set in a roundel of Charles Cornwallis, 1st Wilma Neruda, Lady Hallé, originally Wilhelmine Marquess Cornwallis (1738-1805) a leading British Maria Franziska Neruda (1838 - 1911) was a famous general famed for his roles in the American War of violinist who came from a family long famous for Independence. Cornwallis' surrender at the Seige of musical talent. She studied with Professor Leopold Yorktown (1781) drew the hostilities between the Jansa (1795-1875), and made her first public American revolutionaries and the British to a close. appearance as a violinist in Vienna at the age of seven, Later in his military career Cornwallis was appointed playing one of Bach's Violin Sonatas. Between 1888 Governor-General of India, a role which saw him and 1896 the firm of Walery issued a remarkable series oversee negotiations between the East India Company of portraits entitled 'Our Celebrities' which were and the kingdom of Mysore. When hostilities published as a monthly issues by the publisher escalated, starting the Third Anglo-Mysore War, Sampson, Low & Co., together with biographical text Cornwallis led the British to victory over the Mysorean on the subjects. The part works subsequently became leader Tipu Sultan at the battle of Seringapatam. available as bound volumes. W: 1484. NPG: x9139. Stock: 33529 Stock: 33591

266. Lieutenant General Harris. 270. M. Giacomo Meyerbeer. J. Chapman sculp. Published as the Act directs Dec.r. Engraved by D.J. Pound from a Photograph by Mayall. 1. 1799. [n.d., c. 1850.] Stipple with large margins on 3 sides. Plate: 110 x Stipple. Sheet 285 x 215mm (11½ x 8½"). £140 160mm (4¼ x 6¼"). £85 Giacomo Meyerbeer (1791-1864), the noted German- Half potrait set in a roundel of Lieutenant General Jewish composer, renowned as the first great exponent George Harris (1746-1829) an officer in the British of Grand Opera. At his peak in the 1830s and 1840s, he Army who served in the American War of was the most famous and successful composer and Independence and the Third Anglo-Mysore War. producer of opera in Europe. This portrait, from a Harris notably fought alongside Lord Cornwallis's photograph by John Jabez Edwin Mayall, was taken for attack on Seringapatam. a carte-de-visite; this print was published for the Stock: 33528 'Illustrated News of the World'. Stock: 33295 267. General Howe. J. Chapman sculp. Published as the Act directs April 271. Brothers Rainer and their Sister. 1st. 1801. Tyrolian Singers. Stipple with large margins. Plate: 110 x 160mm (4¼ x Drawn on Stone by E. Wilson. Vowles Litho. Printed 6¼"). £75 & Pub.d 1827, by S. Vowles, 3, St. Michaels Alley, Half portrait, set in a roundel of General William Howe Cornhill. (1729-1814) a British army officer notable for his Lithograph with hand colour and large margins. 205 x service during the American War of Independence and 240mm (8 x 9½"). With a letterpress flyer for their the French Revolutionary Wars. performance at the Egyptian Hall, Piccadilly. Very Stock: 33531 rare with key. £320

The Rainer Family (Felix, Anton, Maria, Joseph & 275. Sir Andrew Snape Douglas. Franz) specialised in vocal harmonies, including Orme Jun.r. Sculp.t. 1795. Published as the Act directs, yodelling. They are credited with the premier July 15 1795. performance of 'Silent Night' in the Tyrol in 1819. Stipple with large margins on 3 sides. Plate: 110 x Turning professional they toured extensively from 175mm (4¼ x 6¾"). £80 1824, visiting Britain in 1827 and performing for Half portrait, in a roundel, of Sir Andrew Snape George IV, who presented these costumes to them, Douglas (1761-1797), a Scottish naval captain who before touring the United States in the 1830s. They served in the Royal Navy during the French disbanded in 1838. Revolutionary Wars and the American War of Stock: 33109 Independence. He served on the court martial of Bligh. Stock: 33523 272. Admiral Lord Anson. J. Chapman sc. Publish'd as the Act directs June 1. 276. Admiral Lord Hawke. 1800. J. Chapman sculp.t. Published as the Act directs July. Stipple with large margins. Plate: 110 x 175mm (4¼ x 18th 1796. 6¾"). £130 Stipple with large margins. 110 x 160mm (4¼ x 6¼"). Half portrait in a roundel of Admiral George Anson, £70 1st Baron Anson (1697-1762) an admiral of the British Half portrait set in a roundel of Admiral Edward Navy, who also served as an MP in Yorkshire between Hawke (1705-1781) officer of the Royal Navy best 1744 ad 1747 and was elevated to Lord Anson, Baron known for his service during the Seven Years War. of Soberton in 1747. Following a prestigious career Stock: 33539 which included a circumnavigation of the world and the defeat of the French fleet at the Battle of Cape 277. John Paul Jones. Finisterre, Amherst was appointed First Lord of the J. Chapman sculpsit. Published as the Act directs, Admiralty between 1751 and 1756 and again between Aug.st. 1.st. 1796. 1757 until his death. Stipple with large margins. Plate: 110 x 160mm (4¼ x Stock: 33525 6¼"). £120 Half portrait of John Paul Jones (1747-1792) a sailor 273. Admiral Bligh. renowned for his actions again the British in the J. Chapman sc. Published as the Act directs Oct.r. 1.st. American Revolution. 1801. Stock: 33499 Stipple. Plate: 110 x 160mm (4¼ x 6¼"). £290 Half portrait of Admiral William Bligh (1754-1817) 278. Admiral Lord Nelson of the Nile. was an Admiral in the British Royal Navy and served Painted by M. H. Keymer, Yarmouth, from a Portrait as Governor of New South Wales. Bligh was involved by a Celebrated Artist at Palermo, Portrait Painter to in several rebellions one being the historic mutiny of the King. Engraved by Jn.o. Young Engraver to His R.t the HMS Bounty of 1789 in which Bligh and eighteen Hig.s. the Prince of Wales. Yarmouth. Publish'd Dec.r. loyal sailors we set adrift off the coast of Tahiti in the 8.th. 1800 by M. H. Keymer. Bounty's launch. In a feat of extraordinary skill the Mezzotint with very large margins. Plate: 340 x crew were able to navigate 3,618 nautical miles to the 240mm (13¼ x 9½"). Title area slightly messy £690 nearest European settlement, a journey which took 47 Half portrait of Admiral Nelson (1758-1805) with a days. Bligh's reputation for being a strict disciplinarian cocked hat after a portrait attributed to M. H. Keymer led to him being given the post of Governor of New which itself was after a portrait by Leonard Guzzardi. South Wales. However, once again Bligh was subject Guzzardi's portrait was in the possession of Sir William to rebellion, and was arrested by Major Johnston leader Hamilton, who on his arrival in Yarmouth summoned of the New South Wales Corps. Johnston was Keymer to make a copy as quickly as possible. A very eventually court martialled for his actions and Bligh jocular and rare portrait of Nelson. CS: 57 II. offered a backdated promotion to rear admiral. Kivell Stock: 33239 & Spence: P. 32 earlier publication line. Stock: 33496 279. Admiral Lord Nelson. J. Chapman sc. Published as the Act directs Dec.r. 1.st. 274. Sir Roger Curtis Bart. Rear Admiral of 1798. the Red. Stipple with large margins. 110 x 160 mm (4¼ x 6¼"). Orme Jun.r. sculp.t. 1795. Published as the Act directs £95 Sept.r. 1. 1795. Half portrait set in a roundel of Admiral Lord Nelson Stipple. 110 x 160mm (4¼ x 6¼"). £75 (1758-1805) British naval officer famed for his service Half portrait set in a roundel of Sir Roger Curtis 1st in the Napoleonic Wars. Baronet (1758-1805) a British naval officer who served Stock: 33537 during the America Revolutionary War and the French Revolutionly War. Stock: 33540

280. Sir Edward Pellew. John Jabez Edwin Mayall, was taken for a carte-de- J. Chapman sc. Published as the Act directs Dec 1.st. visite; this print was published for the 'Illustrated News 1801. of the World'. Stipple with large margins. 110 x 160mm (4¼ x 6¼"). Stock: 33297 £75 Half portrait set in a roundel of Sir Edward Pellew 285. The Right Honourable Benjamin (1757-1833) a British naval officer who served during Disraeli, M.P. the American War of Independence, the French Engraved by D.J. Pound from a Photograph by Mayall. Revolutionary Wars and the Napoleonic Wars. [n.d., c.1860.] Stock: 33541 Engraving. Sheet 290 x 210mm (11½ x 8½"). Trimmed; creases. £60 281. Admiral S.r. Ja.s. Saumarez. Benjamin Disraeli (1804-81) Conservative Prime Published as the Act directs Sep.r. 1. 1801. Mininster in 1868 and from 1874-80. He is still the Stipple with large margins. Plate: 110 x 160mm (4¼ x only Prime Minister of Jewish descent, although his 6¼"). £70 family became Anglicans when he was aged 12. This Half portrait, in profile, set in a roundel of Admiral Sir portrait, from a photograph by John Jabez Edwin James Saumarez (1757-1836) a British admiral who Mayall, predates his premiership and was probably rose to prominence at the Battle of Algerciras. taken for a carte-de-visit; this print was published for Stock: 33544 the 'Illustrated News of the World'. Stock: 33247 282. Admiral S.r. Cha.s. Saunders. J. Chapman sculp. Publish'd as the act directs Sep.1.st. 286. Causto. 1800. [by Balthazar Solvyns] [published Paris, 1808] Stipple with large margins. Plate: 110 x 160mm (4¼ x Etching with hand-colouring, platemark approx 355 x 6¼"). £95 245mm (9½ x 13¾"). Uncut sheet. £450 Half portrait in roundel of Admiral Sir Charles A causto from Calcutta. 'He who is drawn here wrote Saunders (1715-1775). During his naval career in one of the public offices, and was perhaps the only Saunders served as a naval officer in the Seven Years one in the town of Calcutta' (from letterpress published War and was made First Lord of the Admiralty. He with the print). Many caustos were employed as writers commanded the navy at the Taking of Quebec. by the government or by foreign merchants. Stock: 33508 From the first volume of Balthazar Solvyns' 'Les Hindoûs'. Solvyns (1760-1824), a Flemish artist who 283. William Beckford Esq Twice Lord lived in Calcutta from 1791 to 1803, etched a Mayor of London. Taken from the Original collection of 250 plates documenting various aspects of Model presented by Augustin Carlini, and Calcutta life. The set was first published in Calcutta, REJECTED by a Majority of the Committee of where it proved a financial failure, and Solvyns the Court of Aldermen and Common Council. produced another set which he published in Paris after returning to Europe, although again the venture was on the 16th January 1771. unsuccessful, probably in part due to its publication at Aug. Carlini inv. Biagio Rebecca del. Fran. Bartolozzi the height of the Napoleonic Wars. Solvyns later sculp.` Published according to Act of Parl.t 5. Apr. returned to Antwerp, where William I appointed him 1772. Captain of the Port. Engraving, rare & scarce. Sheet 640 x 430mm (25¼ x Stock: 33659 17") Trimmed within plate top and bottom, without loss of image; some loss around platemark. £550 287. [Sics, a Hindoo tribe] Sykes An illustration of the statue of William Beckford [by Balthazar Solvyns] [published Paris, 1808] (1709-70, MP and twice Lord Major of London) that Etching with hand-colouring, platemark approx 355 x Agostino Carlini (c.1718 - 1790) proposed for the 245mm (9½ x 13¾"). Uncut sheet; staining to margins. Guildhall but which was rejected for another design. £380 He is shown in his mayoral robes and chain, his sword 'These Hindoos form also a people with independant and mace to the side. Two putti hold the Bill of Rights, laws and customs. There are persons who hesitate to a Liberty Pole and a scroll, which probably contains rank them among the Hindoos. But it is certain that the text of his famous admonition of George III. De V: their tribe was founded by Nanuck-Shah, a descendant 759 Stock: 33151 of Timur's, who through expiations and money was allowed to become a Hindoo...the Sic who forms the principal figure in this engraving, is in his ordinary 284. Sir High Mac-Calmomont Cairns. costume, which is black, or oftener very dark blue. The D.C.P.M. &c. back ground of the plate gives a view of the Engraved by D.J. Pound from a Photograph by Mayall. mountainous country which these Hindoos inhabit, [n.d., 1859.] with a group of their warriors near a tent, which is their Stipple. Sheet 295 x 215mm (11½ x 8½"). £60 ordinary abode' (from letterpress published with print). Hugh McCalmont Cairns, 1st Earl Cairns (1819-85) From the first volume of Balthazar Solvyns' 'Les was a British statesman, Lord Chancellor under Hindoûs'. Solvyns (1760-1824), a Flemish artist who Benjamin Disraeli. This portrait, from a photograph by lived in Calcutta from 1791 to 1803, etched a collection of 250 plates documenting various aspects of 291. Daybuc. [Astronomer] Calcutta life. The set was first published in Calcutta, [by Balthazar Solvyns] [published Paris, 1808] where it proved a financial failure, and Solvyns Etching printed in colour with hand-colouring, produced another set which he published in Paris after platemark approx 360 x 250mm (14¼ x 9¾"). Uncut returning to Europe, although again the venture was sheet. £320 unsuccessful, probably in part due to its publication at Hindu astronomer. 'He who is the subject of the plate is the height of the Napoleonic Wars. Solvyns later sitting before his house, calculating an eclipse. Before returned to Antwerp, where William I appointed him him are his tablets, and in his hand the chalk with Captain of the Port. which he writes on a blackened board. He was often Stock: 33660 consulted by the learned, even from Europe, and expressed himself with great accuracy and precision' 288. Jacob Bates. The Famous English Horse (from letterpress published with the print). Rider. Der berhumte Englishe Berieter Jacob From the first volume of Balthazar Solvyns' 'Les Bates. Hindoûs'. Solvyns (1760-1824), a Flemish artist who G. P. Nusbeigel, ad viv. del et sculpsit. Norib 1766. lived in Calcutta from 1791 to 1803, etched a Engraving, extremely scarce. Platemark: 375 x 480mm collection of 250 plates documenting various aspects of (14¾ x 19"). Unexamined out of frame. £1950 Calcutta life. The set was first published in Calcutta, Jacob Bates was an eighteenth century English where it proved a financial failure, and Solvyns equestrian performer based in the German States, who produced another set which he published in Paris after performed as far away as Russia (1764-65) and returning to Europe, although again the venture was America (1772-73), and was the first of the first unsuccessful, probably in part due to its publication at showmen to make a mark as an entertainer. Bates's the height of the Napoleonic Wars. Solvyns later emulators, Price, Johnson, Balp, Coningham, Faulkes, returned to Antwerp, where William I appointed him and "Old" Sampson, had become fixtures of London's Captain of the Port. pleasure gardens, yet it does not appear that he himself Stock: 33672 ever publically exhibited in England. Bates was met with such admniration on the continent, that he chose 292. Professor Huxley, L.L.D. F.R.S. to live in Germany, and in Nuremberg in 1766, his [Facsimile signature:] Thomas H Huxley. portrait was engraved by G.P. Nusbeigel. He is shown Walery, Photographer to the Queen. 164, Regent proudly standing by his horse in the right foreground, Street, London. [Published by Sampson Low & Co. with a background of many other performers on one, May 1889.] two and three horses, watched by a large crowd of Photograph on card mount with four acommpanying spectators in the distance. letterpress sheets. Card size: 406 x 292mm. (16 x Stock: 33615 11½"). Slight damage to card mount. £160 Thomas Henry Huxley (1825-1895) was an English 289. Her Majesty Queen Mary. biologist, known as 'Darwin's Bulldog' for his Sold by Paul van Somer in Newport Street. [n.d., advocacy of Charles Darwin's theory of evolution. He c.1690]. was a biologist and science educationist. As a key Etching and engraving, rare. Sheet size: 275 x 170mm figure in Victorian scientific life, he made important (10¾ x 6¾"). Trimmed to platemark. £190 discoveries in several branches of biology. Between A portrait of Mary II , Queen of England (1662 - 1888 and 1896 the firm of Walery issued a remarkable 1694), whole length, seated on throne wearing fur series of portraits entitled 'Our Celebrities' which were robes over a dress. Behind her is a tapestry of the royal published as a monthly issues by the publisher arms and curtains hanging on either side. Sampson, Low & Co., together with biographical text Published by Dutch printmaker Paul van Somer II (four pages of letterpress accompanying the portrait) (1670 active - 1714). on the subjects. The part works subsequently became Stock: 33444 available as bound volumes. W: 1484. NPG: x9139. Stock: 33589 290. Prince Charles Edward Stuart. The Young Pretender, in 1745. 293. Isaacus Newton Eq. Aur. Aet. 83. J. Chapman sc. Published as the Act directs Feb.y.1. I. Vanderbank pinxit 1725. Geo. Vertue Sculpsit 1726. 1798. Engraving. Sheet 220 x 160mm (8¾ x 6¼"). Trimmed Stipple with large margins. Plate: 110 x 160mm (4¼ x within plate, creases from album glue in top corners. 6¼"). £75 £140 Half portrait in a roundel of Prince Charles Edward Sir Isaac Newton FRS (1643-1727), English physicist, Stuart (1720-1788) the grandson of James II. Known as mathematician, astronomer, natural philosopher, 'Bonnie Prince Charlie,' Charles Edward Stuart led the alchemist, and theologian. His 'Philosophiæ Naturalis failed Jacobite uprising of 1745 which sought to restore Principia Mathematica' (1687) is considered to be the Stuart family to the British throne. Following the among the most influential books in the history of Jacobite's defeat at Culloden, Charles Edward Stuart science, laying the groundwork for most of classical escaped to the continent, with the help of Flora mechanics. W: 2140-25. Stock: 33218 MacDonald, where he remained until his death in 1788. Stock: 33526 294. Lady Harriet Acland. Portrait of Lady Mary Spencer (1743-1812), in riding J. Chapman sculp.t. Published as the Act directs Feb.y. habit, beside a horse. From Reynolds' painting 1.st. 1796. (Mannings 1665) in a private collection. Stipple. Plate: 110 x 170mm (4¼ x 6¾"). £80 Born Mary Beauclerk, she married Lord Charles Half portrait in profile, set in a roundel, of Lady Harriet Spencer (1740-1820), son of Charles Spencer, 3rd Acland (1749-1815). Lady Acland, a nurse, famously Duke of Marlborough. CS 77 ii/iii; Hamilton p.132 travelled through American lines to find her husband, ii/ii; for another portrait of the same sitter after Major John Dyke Acland, on hearing of his having Reynolds, see ref. 23898 been wounded (shot in both legs) in the Battles of Stock: 33220 Saratoga during the American Revolutionary War. See View of her action. 298. Clown. Stock: 33527 J.T. Wood, 278 Strand, Nov. 1862. Coloured wood engraving. Sheet 220 x 170mm (10½ x 295. Schoolboys. Master Henry Gawler. 6¾"). Trimmed and laid on album paper, slight staing Master J.n Gawler. and creasing. £70 Painted by Sir Joshua Reynolds. Engraved by J. R. A theatrical scene: an unnamed clown, a fowl in one Smith. Pub.d 5th Aug.t 1778 by H. Humphrey. No. 18 hand and a bottle in the other, a chain dragging behind New Bond Street. him, apparently running from a top-hatted policeman Mezzotint printed in brown with large margins. with a truncheon. Platemark: 380 x 280mm (15 x 11"). Slight crease left Stock: 33217 corner. £280 A half-length double portrait of John and Henry 299. Mr Ryder, as the Rajah Cholam Gawler as boys in a landscape surrounding. Henry is at Bahadoor. the left, with his arm around, and looking at John, who J.T. Wood, 278 Strand. [n.d., c.1860.] is looking to the front, patting a dog below. Coloured wood engraving. Sheet 220 x 170mm (10½ x Henry Gawler (1766–1852) was an English barrister 6¾"). Trimmed and laid on album paper. £70 and one of seven people who wrote the Royal John Nicholas Robins Ryder (1814-85), an actor Commission into the 'Operation of the Poor Laws' known for his powerful voice, height and imposing 1832, a report which recommended changes to the physique, on stage in elaborate oriental costume. Poor Law system in England and Wales. John During the 1850s Ryder played in many of Charles Bellenden Ker (1764 -1842), originally John Gawler Kean's productions at the Princes Theatre. edited 'Edward's Botanical Register' from 1815 to 1824 Stock: 33216 and was famous as a wit and botanist as well as being the author of 'Archaeology of Popular Phrases and 300. George Peabody, Esq. Nursery Rhymes', 1837. CS: 67; Hamilton: P.30; O'D: Engraved by D.J. Pound from a Photograph by H.N. 122; Frankau: 151 III of IV. King, Bath [n.d., c.1860.] Stock: 33422 Engraving. Sheet 280 x 210mm (11 x 8¼"). Trimmed; creases. £60 296. Elinour Rummin, The famous Ale-wife George Peabody (1795-1869), American-born banker of England. acknowledged as the father of modern philanthropy, Published, March 1st, 1821, By W. Baynes and Son. having founded the Peabody Trust in Britain and the Paternoster Row. Peabody Institute and George Peabody Library in Slight damage to upper right corner. £75 Baltimore. A blue plaque is displayed on the house The title page and illustration from 'A Biographical where he died in London, No. 80 Eaton Square. History of England' by J Granger, which included the Peabody used the photographic portrait for a carte-de- works of John Skelton (c. 1460 - 1529), poet laureat in visite; this print was published for the 'Illustrated News the reign of King Henry VIII, such as this of the World'. commemoration of the celebrated 'ale-wife' of England, Stock: 33246 Eleanor Rummin. She is depicted holding two black tankards of ale to her sides. Underneath is a verse 301. Robert Stephenson, Esq. C.E. which reads: 'When Skelton wore the Lawrell Crowne, [Engraved by D.J. Pound from a Photograph by My Ale put all the Ale - wives downe'. Mayall.] [n.d., c. 1850.] Stock: 33248 Stipple. Sheet 240 x 180mm (9½ x 8"). Trimmed close to image, laid on album paper, title stuck on image. 297. Lady Charles Spencer. £75 Painted by Sir Joshua Reynolds. / Engraved by W. Robert Stephenson FRS, 1803-1859, designer of the Dickinson. London. Publish'd Jan.y 15.th 1776, by 'Rocket' steam engine (1829), Chief Engineer for the W.m Dickinson, at M.rs Sledges, Henrietta Street, London and Birmingham Railway (1833-1838), Chief Covent Garden. Engineer of the Britannia Bridge (1845). This portrait, Mezzotint with very small margins. Plate 510 x from a photograph by John Jabez Edwin Mayall, was 360mm (20 x 14¼"). Collector's stamp on verso, taken for a carte-de-visite; this print was published for 'E.M.H'. £320 the 'Illustrated News of the World'. Stock: 33296 302. A Consultation of Doctors on the case of 306. The Pop Shop!! S.r Toby Bumper!! 225 London Pub.d by S.W.Fores 41 Piccadilly July, 1826. Woodward del. Cruikshank s. Pub.d by T. Tegg, 111 Coloured etching, rare. Sheet 135 x 165mm (5¼ x Cheapside Feb 26 1807. 6¼"). £160 Coloured etching. 250 x 350mm (9¾ x 13¾"). Tear in A barman at a shop selling carbonated drinks right margin. £360 accidently fires a cork onto a customer's nose. The title Four ugly doctors discuss their bed-bound patient: "We also puns 'pop shop' as slang for a pawnbroker's must throw in the Bark (quinine)'; 'It is all broght on by establishment. drinking'; 'What you say is very true'; 'We must abate Stock: 33116 the thirst and then cure the fever'. The patient replies 'Aye aye I hear you but I'll tell you how to save half the 307. The Tooth Ache. trouble cure the fever, & send me a nice cool tankard [n.d., c.1840.] of Madeira and I'll abate the thirst myself'. BM Satires Lithograph, scarce. Sheet 220 x 185mm (8¾ x 7¼"). 11468. Trimmed. £140 Stock: 33213 A singerie print, with monkeys dressed in human clothes. One has a bandage around his jaw, visiting a 303. Fatal Effects of Gluttony. A Lord dentist. Mayor's Day Night Mare. Dedicated to all the Stock: 33357 City Gourmands. _ to be had at all the taverns in the United Kingdom. 308. The Bubblers Mirrour; or Englands M.G. Printed by C. Motte 33 Leicester Sq.re. Published Folly. by Tho.s McLean 26, Haymarket Nov 4th 1830. Printed for Carington Bowles next ye Chapter House in Coloured lithograph. Printed area 275 x 355mm (10¾ x St Pauls Ch. Yard, London [n.d., c.1766]. 14"). Worm hole. £260 Mezzotint image with etched surround. Image 355 x A man lies in bed asleep, assailed by the creatures 250mm (14 x 9¾"). Framed. Unexamined out of frame. listed on the menu by the side of his bed, including a £790 turtle that lies on his chest and a lobster that pinches A weeping man holds up an empty money bag. A satire his nose, as well as ducks, geese, sheep, pigs, frogs and on financial bubbles, primarily the South Sea Bubble fish. BM Satire 16429. (the text under the portrait describes the man as a South Stock: 33214 Sea investor), but also listing other schemes and giving some of the inflated prices they reached from the 304. Pray Accept Your Photograph. subscription price. For example: stockings, rising to [n.d., c.1880]. £30 from £2 10s; 'Manuring of Land' ('They'll never Lithograph, very scarce. Sheet size: 550 x 215mm make corn cheap, or horse dung dear') ; 'Bleaching of (21½ x 8½"). Horizontal creases where previously Hair'; Royal Assurance & London Assurance; folded. £420 'Insurances against ye Venereal Desease'; and the A smartly dressed monkey, in a green chequered suit Pennsylvania Company, rising from £5 5s to £40! and grey overcoat, stands facing the viewer, smiling, This satire was first published by Thomas Bowles in with his left hand on his chest, and his right hand by 1720; this example was published by his nephew soon his side. His attire is that of a typical Victorian after Carington took over the business in 1766. photographer. Based on the genre of Singerie or Apparently the satire was extremely popular: the firm 'Monkey Trick', depicting monkeys apeing human of Bowles & Carver were still issuing it at the end of behavior, often fashionably attired, always with a the century. BM: 1621. Stock: 33210 gentle cast of mild satire. Stock: 33359 309. The Bublers Mirrour; or England's 305. Pompey the Little. Folly. Printed and Sold by Carington Bowles, No 69 in St Printed for & Sold by Tho:s next ye Chapter House in Pauls Church Yard, London. [n.d., c.1785.] St Pauls Ch. Yard, London [n.d., c.1720]. Engraving with original hand colour, rare. Sheet 165 x Mezzotint image with etched surround. Image 355 x 245mm (6¾ x 9½"). Trimmed within plate, laid on 250mm (14 x 9¾"). Framed. Unexamined out of frame. album paper. £220 A well-dressed man eagerly holds up a full money bag. A small spaniel, the main character in Francis A satire on financial bubbles, primarily the South Sea Coventry's hugely-successful satirical novel, 'The Bubble (the text under the portrait describes the man as History of Pompey the Little; or, The Life and a lucky South Sea investor who sold up before the Adventures of a Lap-Dog', first published 1751. crash, which occurred after the share price had risen Pompey, born in Bologna ('a place famous for lap-dogs from £100 to £1050), but also listing other schemes and sausages') describes society as he passes from and some of the inflated prices they reached from the owner to owner, exchanged for sexual favours, a gold subscription price. For example: 'India' (the East India watch and a pint of porter. Many of the human Company), £100 to £405; 'Oil of Poppies'; and characters are thinly-veiled versions of society figures. 'Building Ships to Lett to Freight, £1 to £15. Above the The last edition was published in 1924. main illustration is a more satirical engraving, Stock: 32952 including a man eating gold and excreting shares. Of particular interest is 'Puckles Machin', bottom left: of 12 knots. Work started on the ship, which at first this refers to James Puckle's autocannon, patented in was going to be called the Leviathan, in 1854. There 1718. It was a flintlock gun fitted with a revolving were many problems in building the ship and in trying cylinder holding eleven charges, which, in a trial held to launch it, and the ship, now renamed the Great in 1722, managed to fire 63 shots in seven minutes, Eastern, was not finally afloat until January 1858. She despite being held in a driving rain storm. There was was cheered on her way by enormous crowds as she even a plan to use square bullets to inflict more damage travelled down river towards the sea. The public on Muslim targets. However the unreliablility of the impact of the launching of the 'Great Eastern' was flintlock mechanism (the only one available at the enormous and the event was widely celebrated in the time), meant that the company failed, after the shares press. During sea trials on 9th September 1859 the had doubled in price. The author of this satire writes Great Eastern's heaters exploded, killing six firemen 'Fear not my Freinds, this terrible machine, They're and devestating the grand saloon. The explosion would only Wounded that have shares therein'. BM 1620. have sunk a lesser ship, but the Great Eastern survived. Stock: 33211 's new construction methods, dividing the ship up into compartments with watertight bulkheads, 310. Diamond Cut Diamond_Intended as a limited the extent of the damage. However, the bad Frontispiece to the Phamplet. news hastened the death of Brunel, who passed away [Charles Williams.] Pub.d Aug.t 15th 1806 by SW on 15th September. In 1864, the Great Eastern was Fores No50 Piccadilly. sold for a fraction of its cost to a cable laying company. Hand-coloured etching. Platemark: 250 x 350mm (9¾ The time that the ship spent laying cables for the new x 13¾"). Creases to sheet. Repeaired tear to lower edge telegraph system was its most successful. It was used of sheet. Sheet slightly grubby with small stains. £220 to lay the first telegraph cable to America. The Great Satire on the dispute between the Prince of Wales and Eastern was finally broken up in 1888. jeweller Nathaniel Jefferys. The Prince was once a Stock: 33627 customer of Jefferys but was slow to repay his bills. Jefferys claimed to have lost a considerable sum of 313. The great Eastern named: The money in the settlement of his account with the Prince. Leviatham. In 1806 he requested 400 guineas for his son to be an Berlin, F. SALA & Co. Unter d Linden 57 [n.d., articled solicitor and went on to write a pamphlet c.1860]. 'exposing' the Prince's conduct which went through Tinted lithograph. Printed area: 260 x 375mm (10¼ x nine editions in year this print was published. Jeffery's 14¾"). Faint vertical crease. £230 pamphlet started a pamphlet war, as part of which the The 'Great Eastern' steam ship was designed by theatrical writer Gilliland wrote 'Diamond cut and built by Scott Russell & Diamond' in defence of the Prince. BM Satires: 10592. Co.Ltd, London (screw engines by James Watt & Stock: 32683 Co.Ltd, Birmingham), five funnels, six masts, iron construction, paddle and screw propulsion and a speed 311. Iron Works, Colebrook Dale. of 12 knots. Work started on the ship, which at first From the Original Drawing by P. I. De Loutherbourg. was going to be called the Leviathan, in 1854. There R. A. Published by R. Bowyer. Historic Gallery. Pall were many problems in building the ship and in trying Mall. Jan.y 1805. to launch it, and the ship, now renamed the Great Fine hand coloured aquatint with etching, large Eastern, was not finally afloat until January 1858. She margins. On watermarked paper, 'J. Whatman 1807'. was cheered on her way by enormous crowds as she £290 travelled down river towards the sea. The public Plate 11 from 'Picturesque Scenery of England and impact of the launching of the 'Great Eastern' was Wales', published by Robert Bowyer. A view of a enormous and the event was widely celebrated in the factory by a river in the middle distance, with the glow press. During sea trials on 9th September 1859 the from the fire and smoke rising from the chimneys into Great Eastern's heaters exploded, killing six firemen the sky. A man on horseback, pulling a sledge, is and devestating the grand saloon. The explosion would travelling along a path to the right accompanied by a have sunk a lesser ship, but the Great Eastern survived. dog. Iron parts from the factory can be seen on the far Brunel's new construction methods, dividing the ship right beside him. One of the great prints of the up into compartments with watertight bulkheads, Industrial Revolution. limited the extent of the damage. However, the bad Stock: 33512 news hastened the death of Brunel, who passed away on 15th September. In 1864, the Great Eastern was 312. The Great Eastern Steam Ship. sold for a fraction of its cost to a cable laying company. Eng.d & Pub.d by Ellis, 51 Jewin St. City, London. The time that the ship spent laying cables for the new [n.d., c.1850]. telegraph system was its most successful. It was used Engraving. Sheet size: 310 x 395mm (12¼ x 15½"). to lay the first telegraph cable to America. The Great £360 Eastern was finally broken up in 1888. The 'Great Eastern' steam ship was designed by Stock: 33628 Isambard Kingdom Brunel and built by Scott Russell & Co.Ltd, London (screw engines by James Watt & Co.Ltd, Birmingham), five funnels, six masts, iron construction, paddle and screw propulsion and a speed 314. London Fire Engines. The Nobel lived in Calcutta from 1791 to 1803, etched a Protectors of Lives & Property. Dedicated to collection of 250 plates documenting various aspects of the Insurance Offices, by their Obedient Calcutta life. The set was first published in Calcutta, Servant, Thos. McLean. where it proved a financial failure, and Solvyns James Pollard Pinx.t. R. G. Reeve Sculp.t. Published produced another set which he published in Paris after by Thos. McLean, 26 Haymarket. [n.d., c.1830]. returning to Europe, although again the venture was Hand coloured aquatint with etching. Printed area: 520 unsuccessful, probably in part due to its publication at x 750mm (20¼ x 29½"). Unexamined out of frame. the height of the Napoleonic Wars. Solvyns later Slightly time stained. £650 returned to Antwerp, where William I appointed him A night scene in London, showing three horse-drawn Captain of the Port. Stock: 33671 fire engines racing down a street towards a burning building on the far left, where a group of firemen are spraying a hose into the upper window. Many figures 317. British Fire Engines. First Alarm. A on the street are watching and running towards the struggle for the Start. [/] Near Approach. Take scene, with several more watching from the windows care, take care, we ar very near it now. [/] The above shops; 'Corn Dealer and Hay Salesman', Fire. See that no Lives are lost. [/] The Ruins. 'Haberdasher and Silk Mercer' and 'Cabinet Maker, The Fire is out & now for Home. Upholster and Undertaker'. The fire engines are H. Alken Del.t. B. Hughes. Sculp.t. Lewis & Co. 79, inscribed, from left to right, 'County Fire Office, Leadenhall St. London. [n.d., c.1860]. [Reg]ent Street', 'Westminster Fire Office, Established Very rare aquatint. Overall sheet size: 300 x 370mm 1717, King Street Covent Garden', and 'Phoenix Fire (11¾ x 14½"). False margin at bottom edge. Creases. Office, Lombard Street & Charing Cross'. Repaired tear to top edge. £650 Stock: 33617 Four scenes on one sheet illustrating the stages of a fire; from the first alarm, in the top left, with a horse 315. Windsor Castle. Taken from the South drawn fire engine from the 'Sun Fire Office 1820' Western Railway Bridge. racing along a street watched by onlookers; to the C.J. Greenwood Lith. Printed by S. Straker, London. approach to the fire in the top right, where a fire engine Published by W.F. Taylor, Library Windsor, May, inscribed 'Atlas Office' halts as it reaches the scene; 1851. then in the bottom left is the fire itself, as two fire Hand coloured tinted lithograph, scarce. Shet size: 335 engines, one named 'Westminster', pump water into a x 410mm (13 x 16"). Light foxing. Slight crease at top. burning building, smoke billowing from the windows, Chips to bottom edge of sheet. £360 with the sign above the door to the right reading, 'Fire A view of Windsor Castle, in the distance to the left, Proof Linnen'; finally in the bottom right is a view of with the South Western Railway Bridge spanning the the ruins of the building, with the firefighters packing river Thames in the foreground to the right. The up two engines inscribed 'London', and 'County Fire Windsor Railway Bridge, as it is known today, first Office 1800'. opened in 1849 and was designed by Isambard A very rare print after English painter and engraver Kingdom Brunel. Henry Alken (1785 - 1851), chiefly known as a Stock: 33556 caricaturist and illustrator of sporting subjects and coaching scenes. 316. Beyde. [Physician] Stock: 33565 [by Balthazar Solvyns] [published Paris, 1808] Etching printed in colour with hand-colouring, 318. Marchande de Casquettes. Voulez vous platemark approx 360 x 250mm (14¼ x 9¾"). Uncut des Casquettes? Achetez des casquettes. sheet. £360 Carle Vernet. lith. de. Delpech. [n.d., c.1820]. 'Menu gives the descent of Physicians from a Brahmun Hand coloured lithograph with very large magins. and a woman of the cast of Byces or Merchants. Their Sheet size: 365 x 275mm (14¼ x 10¾"). £60 age in general gains them the credit of experience, A woman selling hats of various shapes and sizes from which ensures to them great respect. They pursue a a wicker basket. Plate number 8 from the series 'Cris de system of medicine traced out in the sacred writings, Paris', depicting Parisian street vendors, lithographed and from which they are not allowed to depart. As they by François Séraphin Delpech (1778-1825) after are deprived too of instruction by the inspection of Antoine Charles Horace (Carle) Vernet (1758-1836). dead bodies, they are totally deficient in anatomical Stock: 33602 knowledge. 'The carved wood seen in the plate, and which is called 319. Bayces. [Merchant] bursah-caut, is placed in commemoration of the dead [by Balthazar Solvyns] [published Paris, 1808] before the houses, in the bazars or markets, on the high Etching printed in colour with hand-colouring, roads, near the pagods, or on the stairs which lead to platemark approx 360 x 250mm (14¼ x 9¾"). Uncut the river, where the greater number of them are to be sheet. £220 seen, because there the Hindoos prefer to terminate Hindu merchant. 'Seated with a careless air on a mat or their career' (from letterpress published with the print). carpet, constantly smoking the houka, or chewing From the first volume of Balthazar Solvyns' 'Les betel, and waving a fan not unlike a vane moving on its Hindoûs'. Solvyns (1760-1824), a Flemish artist who pivot, the Byce waits for his customers. When they appear he unfolds his merchandise; and what is bought lived in Calcutta from 1791 to 1803, etched a is always paid for in ready money'. (from letterpress collection of 250 plates documenting various aspects of published with the print). Calcutta life. The set was first published in Calcutta, From the first volume of Balthazar Solvyns' 'Les where it proved a financial failure, and Solvyns Hindoûs'. Solvyns (1760-1824), a Flemish artist who produced another set which he published in Paris after lived in Calcutta from 1791 to 1803, etched a returning to Europe, although again the venture was collection of 250 plates documenting various aspects of unsuccessful, probably in part due to its publication at Calcutta life. The set was first published in Calcutta, the height of the Napoleonic Wars. Solvyns later where it proved a financial failure, and Solvyns returned to Antwerp, where William I appointed him produced another set which he published in Paris after Captain of the Port. returning to Europe, although again the venture was Stock: 33678 unsuccessful, probably in part due to its publication at the height of the Napoleonic Wars. Solvyns later 322. Rahouths. returned to Antwerp, where William I appointed him [by Balthazar Solvyns] [published Paris, 1808] Captain of the Port. Etching printed in colour with hand-colouring, Stock: 33676 platemark approx 360 x 250mm (14¼ x 9¾"). Uncut sheet. £280 320. Bridjybacys. 'This tribe, who inhabit a mountainous country, [by Balthazar Solvyns] [published Paris, 1808] form...a military cast, and esteems themselves superior Etching printed in colour with hand-colouring, to the others, asserting that they, as well as the Ouriahs, platemark approx 360 x 250mm (14¼ x 9¾"). Uncut descend from the first inhabitants of Hindoostan, which sheet. £260 adds not a little to their pride...many of them are seen 'It is needless to repeat what has been already said...of in the service of the grandees of the country, as well as the bravery and fidelity of the Brijbasys, as well as of foreigners...they are well looking and have something the sort of services in which they are employed, such of a military air; but are nevertheless seldom employed as escorting merchandises from distant countries etc: in the service of the house, as they would not easily the idea of which is recalled in the print...they paint, as bear the subjection of domestic attendance. They run may be seen in the print, their faces and their bodies, as before the palanquin, go on messages, carry letters, etc' well from a religious practice as to give themselves a (from letterpress published with the print). martial appearance' (from letterpress published with the From the first volume of Balthazar Solvyns' 'Les print). Hindoûs'. Solvyns (1760-1824), a Flemish artist who From the first volume of Balthazar Solvyns' 'Les lived in Calcutta from 1791 to 1803, etched a Hindoûs'. Solvyns (1760-1824), a Flemish artist who collection of 250 plates documenting various aspects of lived in Calcutta from 1791 to 1803, etched a Calcutta life. The set was first published in Calcutta, collection of 250 plates documenting various aspects of where it proved a financial failure, and Solvyns Calcutta life. The set was first published in Calcutta, produced another set which he published in Paris after where it proved a financial failure, and Solvyns returning to Europe, although again the venture was produced another set which he published in Paris after unsuccessful, probably in part due to its publication at returning to Europe, although again the venture was the height of the Napoleonic Wars. Solvyns later unsuccessful, probably in part due to its publication at returned to Antwerp, where William I appointed him the height of the Napoleonic Wars. Solvyns later Captain of the Port. returned to Antwerp, where William I appointed him Stock: 33674 Captain of the Port. Stock: 33675 323. [Rajah Hindoo Prince at his Prayers.] Radjah priant 321. Kottery. [Landholder] [by Balthazar Solvyns] [published Paris, 1808] [by Balthazar Solvyns] [published Paris, 1808] Etching printed in colour with hand-colouring, Etching printed in colour with hand-colouring, platemark approx 360 x 250mm (14¼ x 9¾"). Uncut platemark approx 360 x 250mm (14¼ x 9¾"). Uncut sheet. £260 sheet. £220 'The Rajah represented in this plate was the Rajah of 'The K'hutterys are the second of the four casts in Kisnagur, a Cheroutery Brahman, and in high repute which all the Hindoos are conprended. This is the for his piety. When he prayed, his right arm and the warriour cast, and is remarked for courage. The hand was covered with a sort of glove or hanging K'huttery whom this plate represents is seated on a sleeve. His head, his arms, and his body were chair, and with the exception of the packy or turban, is decorated with a great number of chaplets and other dressed nearly in the manner of a Rajah. In his ears, ornaments. He consented to have his portrait taken by according to the general practice of Hindoos of his Mr. Solvyns, and as all the Hindoos attach the greastest cast, he wears large rings with a big pearl or precious importance to the minutest details of their religious stone in the middle. They have also circles of gold or dresses, he expressed the strange wish that the drawing silver round their arms and legs. In the foreground are of his person in front should offer also to the view the columns, and in the distance other buildings of hindoo chaplets and ornaments which adorned his back. He architecture.(from letterpress published with the print). was seated on the skin of a royal tyger, under the shade From the first volume of Balthazar Solvyns' 'Les of a Bel tree, which the Hindoos hold in great Hindoûs'. Solvyns (1760-1824), a Flemish artist who veneration. Before him stood a golden tripod, on which were placed some poltars or palm leaves carved with lived in Calcutta from 1791 to 1803, etched a the text of the sacred books (from letterpress published collection of 250 plates documenting various aspects of with the print). Calcutta life. The set was first published in Calcutta, From the first volume of Balthazar Solvyns' 'Les where it proved a financial failure, and Solvyns Hindoûs'. Solvyns (1760-1824), a Flemish artist who produced another set which he published in Paris after lived in Calcutta from 1791 to 1803, etched a returning to Europe, although again the venture was collection of 250 plates documenting various aspects of unsuccessful, probably in part due to its publication at Calcutta life. The set was first published in Calcutta, the height of the Napoleonic Wars. Solvyns later where it proved a financial failure, and Solvyns returned to Antwerp, where William I appointed him produced another set which he published in Paris after Captain of the Port. returning to Europe, although again the venture was Stock: 33666 unsuccessful, probably in part due to its publication at the height of the Napoleonic Wars. Solvyns later 326. The Maltese, or the Money Changer. Le returned to Antwerp, where William I appointed him Maltais, ou Changeur d'argent. Captain of the Port. London Published May 2.1814, by Mess.rs. Colnaghi Stock: 33677 & C.o. Hand coloured aquatint with large margins. Rare. 324. Sounnar-Banyahs. [Money-changers] Plate: 175 x 240mm (7 x 9½"). Some slight staining. [by Balthazar Solvyns] [published Paris, 1808] £260 Etching printed in colour with hand-colouring, Exterior scene depicting a man holding a stack of coins platemark approx 360 x 250mm (14¼ x 9¾"). Uncut in one hand and a bag of money and notes in the other. sheet; central fold as issued. £350 Stock: 33605 'The money changers who are also called shroffs, are at the same time bankers. They are good calculators, and 327. Marchand de Cartons. cartons a lend upon pledges at a very high interest. In general, champignon, cartons tout neufs, cartons utiles their principal characteristic is their avidity and et commodée. a dix, a douze, a quinze, et a ostentatious luxury...they are, as stockholders, at the vingt cinq. No 41. head of the most considerable trading houses of Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Hindoostan...they acquire also great importance from Coloured lithograph with very large margins. Printed the power which they exercise in regulating every area 300 x 140mm (11¾ x 5½"). £80 orning the price of exchange of notes (hourdies) and of A box seller, carrying his wares on a frame balanced coins, which determines that of every article in the on his shoulder. One of a series, 'Cris de Paris', bazars or markets...' (from letterpress published with depicting Parisian street vendors, lithographed by the print). François Séraphin Delpech (1778-1825) after Antoine From the first volume of Balthazar Solvyns' 'Les Charles Horace (Carle) Vernet (1758-1836). Hindoûs'. Solvyns (1760-1824), a Flemish artist who Stock: 33223 lived in Calcutta from 1791 to 1803, etched a collection of 250 plates documenting various aspects of Calcutta life. The set was first published in Calcutta, 328. Marchande d'Eau de vie. Qui veut boire where it proved a financial failure, and Solvyns la goulte? No 83. produced another set which he published in Paris after Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] returning to Europe, although again the venture was Coloured lithograph with very large margins. Printed unsuccessful, probably in part due to its publication at area 300 x 140mm (11¾ x 5½"). £60 the height of the Napoleonic Wars. Solvyns later A woman selling brandy, calling 'Who will drink a returned to Antwerp, where William I appointed him drop?'. One of a series, 'Cris de Paris', depicting Captain of the Port. Parisian street vendors, lithographed by François Stock: 33667 Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836). Stock: 33222 325. Tillys. [Retailers] [by Balthazar Solvyns] [published Paris, 1808] Etching printed in colour with hand-colouring, 329. Marchande de balais de Cuir, des balais platemark approx 360 x 250mm (14¼ x 9¾"). Uncut des houissoirs, des plumeaux. No. 71. sheet; central fold as issued. £260 Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Retailers of daily articles (rice, spices, wood, fruit etc), Coloured lithograph. Printed area 300 x 140mm (11¾ x who also change money. 'The plate represents a retailer 5½"). £60 sitting upon his little board, in the middle of his shop. A woman selling brushes and dusters, which are The Tillys have a spoon which they use with great arranged like a peacock's fan from her backback. One dexterity to take up the articles that are called for. They of a series, 'Cris de Paris', depicting Parisian street wrap up the smaller objects in plantain leaves. One of vendors, lithographed by François Séraphin Delpech these leaves also serves to write the accounts of their (1778-1825) after Antoine Charles Horace (Carle) different sales' (from letterpress published with the Vernet (1758-1836). print). Stock: 33219 From the first volume of Balthazar Solvyns' 'Les Hindoûs'. Solvyns (1760-1824), a Flemish artist who 330. Marchand de chains de Sureté. La 335. Marchande de Chiffons. Chapeaux a sureté des Montres. No 35. vendre, des vieux Chapeaux. avez vous des Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] vieux Chiffons a vendre? v'la la Marchande de Coloured lithograph with very large margins. Printed Chiffons. No. 28. area 300 x 140mm (11¾ x 5½"). £70 Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] A man selling safety chains for watches and purses. Coloured lithograph with very large margins. Printed One of a series, 'Cris de Paris', depicting Parisian street area 300 x 140mm (11¾ x 5½"). £70 vendors, lithographed by François Séraphin Delpech A woman buying selling old hats and rags, with several (1778-1825) after Antoine Charles Horace (Carle) hats on her head. One of a series, 'Cris de Paris', Vernet (1758-1836). depicting Parisian street vendors, lithographed by Stock: 33231 François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836). 331. Savetier. No 88. Stock: 33226 Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Coloured lithograph with very large margins. Printed 336. Marchande de Saucisses. du lard et des area 300 x 140mm (11¾ x 5½"). £70 saucisses.No. 56. A cobbler in a tiny booth. One of a series, 'Cris de Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Paris', depicting Parisian street vendors, lithographed Coloured lithograph with very large margins. Printed by François Séraphin Delpech (1778-1825) after area 300 x 140mm (11¾ x 5½"). £70 Antoine Charles Horace (Carle) Vernet (1758-1836). A woman selling hot sausages, cooking them on a Stock: 33235 stove on a tray strapped to her waist, a bread basket at her feet. One of a series, 'Cris de Paris', depicting 332. Marchande de Café. café au lait tour Parisian street vendors, lithographed by François chaud. No. 60. Séraphin Delpech (1778-1825) after Antoine Charles Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Horace (Carle) Vernet (1758-1836). Coloured lithograph with very large margins. Printed Stock: 33229 area 300 x 140mm (11¾ x 5½"). £120 A woman at a table pouring coffee from an urn. One 337. Marchand de pain d'Epice. v'la le of a series, 'Cris de Paris', depicting Parisian street croquet le pain f'epice. vendors, lithographed by François Séraphin Delpech Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] (1778-1825) after Antoine Charles Horace (Carle) Coloured lithograph with very large margins. Printed Vernet (1758-1836). area 300 x 140mm (11¾ x 5½"). £75 Stock: 33233 A man selling spiced bread, a number of toys hanging above his table. One of a series, 'Cris de Paris', 333. Tondeur de Chiens. No 100. depicting Parisian street vendors, lithographed by Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] François Séraphin Delpech (1778-1825) after Antoine Coloured lithograph with very large margins. Printed Charles Horace (Carle) Vernet (1758-1836). area 300 x 140mm (11¾ x 5½"). £60 Stock: 33237 A dog groomer, sitting on a curb under his sign. One of a series, 'Cris de Paris', depicting Parisian street 338. Marchande de Moulins a vent. pleurez, vendors, lithographed by François Séraphin Delpech pleurez petits enfants, vous aurez des moulins (1778-1825) after Antoine Charles Horace (Carle) de vent. No. 64. Vernet (1758-1836). Stock: 33224 Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Coloured lithograph with very large margins. Printed area 300 x 140mm (11¾ x 5½"). £80 334. Marchande de Raisin. du bon chasselas A woman selling toys including windmills, parasols a la livre. No 32. and drums from a basket. One of a series, 'Cris de Carle Vernet. S. lith de Delpech. [Paris, n.d., c.1820.] Paris', depicting Parisian street vendors, lithographed Coloured lithograph with very large margins. Printed by François Séraphin Delpech (1778-1825) after area 300 x 140mm (11¾ x 5½"). £70 Antoine Charles Horace (Carle) Vernet (1758-1836). A woman with baskets of grapes. One of a series, 'Cris Stock: 33232 de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778- 339. [Jem Belcher.] 1825) after Antoine Charles Horace (Carle) Vernet [Painted by Charles Allingham]. [Engraved by G. (1758-1836). Clint]. [n.d., c.1800]. Stock: 33227 Mezzotint with small margins. Proof before letters. Plate: 260 x 360mm. (10¼ x 14¼"). Very fine. £750 [Jem Belcher. Celebrated pugalist. Born 1781 died 1811. Proof before any letters, excessivly rare in this state, possibly unique; very rare in any state. Bought by Algernon Dunn-Gardner from Sabin Print Shop in the Shaftesbury Avenue, London.] Half length portrait of the boxer James 'Jem' Belcher (1782-1811), after a portrait by Charles Allingham which is currently in the A plate from William Mackenzie's 'British Field National Portrait Gallery. James Belcher was Sports', c.1870. A view showing the action of a cricket Middleweight Championship of England in 1800. match being played at Lord's cricket ground, London. During his career he was known as 'Napoleon of the The pavillion can be seen in the background, with the Ring' and the 'Black Diamond'. players on the pitch in the foreground. Named after its Stock: 33228 founder, Thomas Lord, the ground widely referred to as the 'home of cricket' and is home to the world's 340. Mr. Gully. From the Original Picture in oldest sporting museum. the Possesion of Sir H. Smith Bar.t. William Mackenzie, of Ludgate Hill, Edinburgh and [After Benjamin Marshall. Engraved by Charles Dublin, was a well-known publisher of books in the Turner.] [n.d., c.1810.] 1870s. His best-known publication was probably Proof mezzotint, very rare with large margins. County Seats of 'The Noblemen and Gentlemen of Platemark: 645 x 440mm (25¼ x 17¼"). Creases to Great Britain and Ireland'. sheet. Unexamined out of frame. £650 Stock: 33550 A full length portrait of John Gully (1783-1863), prizefighter, racehorse fancier, politician, and MP for 343. International Cricket Match, at Pontefract. He is dressed as a regency gentleman and Kennington Oval. stands to the right of a large classical statue of two William Mackenzie, London, Edinburgh & Glasgow. wrestlers. It was said that before Gully became a boxer, [n.d., c.1880]. he was a professional wrestler, as well as training race Lithograph. Sheet size: 240 x 310mm (9½ x 12¼"). horses at Danebury, winner of the Derby three times £280 and many other races. One account also adds that he A plate from William Mackenzie's 'British Field had two wives and twenty four children. Sports', c.1880. A view from the crown during an After Benjamin Marshall (1768-1835) who, in 1791 at international cricket match, being played at the Oval the age of twenty three, went to London to study under cricket ground in Kennington, London. The Oval has the portrait painter, Lemuel Francis Abbott. Painting been the home ground of Surrey County Cricket Club both people and horses, Marshall quickly attracted a since it was built in 1845. It was the first ground in number of influential patrons including the Prince of England to host international Test cricket, in Wales and the Duke and Duchess of Devonshire. He September 1880. The final Test match of the English exhibited thirteen paintings at the Royal Academy season is traditionally played there. between 1800 and 1829, and became a renowned William Mackenzie, of Ludgate Hill, Edinburgh and horse-painter, most probably influenced by George Dublin, was a well-known publisher of books in the Stubbs whose Anatomy of the Horse (see ref: 5777) he 1870s. His best-known publication was probably is known to have studied. Whitman: 241; See Siltzer: County Seats of 'The Noblemen and Gentlemen of 326. Great Britain and Ireland'. Stock: 33420 Stock: 33553

341. [William Gilbert Grace]. 344. [Most Potent, Grave, and Reverend W&S Ltd. Barraud. 263 Oxford Steer, London & 92, Seigniors.] No.3. Bold Street, Liverpool. [n.d., c.1888]. Maud Earl. Copyright 1902, by Photographische Photograph on card mount. Card size: 350 x 260mm Gesellschaft. Published by the Berlin Photographic (13¾ x 10¼"). £180 Company Berlin - London W. 133 New Bond William Gilbert ('W.G') Grace (1848 - 1915) was Street_New York 14 East 23rd Street. perhaps the most famous sporting celebrity of the Photogravure. Plate 304 x 375mm. 12 x 14¾". Laid on Victorian era, his legendary cricketing triumphs board. £180 earning him a unique place in national life. Among A portrait of four Surrey Staghounds. The owner was many records, he was the first player to hit a test Capt. McTaggart. century and the first to achieve the 'double' (1,000 runs Maud Alice Earl (1864-1943) was an eminent British- and 100 wickets in a season). In an extraordinary American canine painter. No. 3 British Hounds & career of forty-three years between 1865 and 1908 he Gundogs - 206/500. made 126 centuries, scored 54,896 runs and took 2,876 Stock: 33139 wickets. Herbert Rose Barraud (1845 - 1896) was a noted 345. Lawn Tennis Match. portrait photographer who had studios in London and William Mackenzie, London, Edinburgh & Glasgow. Liverpool. He produced cabinet photographs of many [n.d., c.1880]. famous Victorians including statesmen, artists, and Lithograph. Sheet size: 240 x 310mm (9½ x 12¼"). members of the aristocracy. £290 Stock: 33592 A plate from William Mackenzie's 'British Field Sports', c.1880. A scene depicting a lawn tennis match 342. Lord's Cricket Ground. in action, as two players are watched by a large crowd William Mackenzie, London, Edinburgh & Glasgow. from the stand behind. The modern game of tennis [n.d., c.1860]. originated in Birmingham, England, in the late 19th Lithograph. Sheet size: 240 x 310mm (9½ x 12¼"). century as 'lawn tennis' and had close connections to £260 various field games such as croquet and bowls as well of London gets its name. In the lower left-hand corner as to the older racquet sport of real tennis. of the image a ground of people crowd around an William Mackenzie, of Ludgate Hill, Edinburgh and oyster seller whilst in the centre a well-dressed couple Dublin, was a well-known publisher of books in the are almost run down by a carriage heading for 1870s. His best-known publication was probably Brighton. In the lower right-hand corner a man doffs County Seats of 'The Noblemen and Gentlemen of his hat to a young man and woman who walk by him. Great Britain and Ireland'. One of the finest sporting coloured aquatints of the Stock: 33552 Regency period. Siltzer p.368. Stock: 33618 346. Rowing. University eight training on the Isis. 349. Defford Bridge. Designed to Carry the William Mackenzie, London, Edinburgh & Glasgow. Birmingham and Gloucester Railway over the [n.d., c.1880]. river Avon Worcestershire 1839. Span of each Lithograph. Sheet size: 240 x 310mm (9½ x 12¼"). arch 38 feet. Height above water line 28 feet. £220 E. I. Dolby del. Clerk & Co. lithog. 202 High Holborn. A plate from William Mackenzie's 'British Field [n.d., c.1841]. Sports', c.1880. A view from the banks of the Isis, Rare & scarce hand coloured lithograph. Sheet size: showing the Oxford University rowing team training, 345 x 505mm (13½ x 19¾"). £330 with a group running alongside them to the left. The The Defford bridge was a major feature of Captian Isis is the name given to the part of the River Thames William Scarth Moorsom's (1804 - 1863) Birmingham above Iffley Lock which flows through the city of and Gloucester railway, which opened in 1841. Oxford. The name is especially used in the context of Moorsom was awarded the Telford Medal for his rowing at the University of Oxford. method of using cast iron caissons filled with concrete William Mackenzie, of Ludgate Hill, Edinburgh and to form the foundations of the three-arch viaduct which Dublin, was a well-known publisher of books in the spans the river Avon near Tukesbury. 1870s. His best-known publication was probably Stock: 33483 County Seats of 'The Noblemen and Gentlemen of Great Britain and Ireland'. 350. Interior of the Stock: 33555 Station, Bristol. Extreme Width 110 ft. width

between Columns 72 ft. Length 430 ft. Height 347. John Griffin, Under - Keeper of East - of Columns 18 ft. 9 in. _ Extreme Height 35 ft. Hainault walk in Waltham Forest. Aged 68. 9 in. Appointed July 1798. Drawn on by S. C. Jones. on Stone by G. Hawkins. From the original picture in the possesion of Sir Tho.s Jun.r. Day & Hague. Lith.rs to the Queen. Published by E. Tomlins, Steward of the Forest Courts. Pained and George Davey, 1 Broad Street, Bristol. [n.d., c.1840]. Drawn on Stone by H. P. Bone, 1825. [n.d., c.1825]. Hand coloured lithograph. Sheet size: 275 x 390mm Very fine & rare original hand coloured lithograph. (10¾ x 15½"). £340 Sheet size: 460 x 335mm (18 x 13¼"). Few repairs. An interior view of the Great Western railway station £360 at Temple Meads, the first Bristol terminus of the Great A full length portrait of John Giffin, keeper of the East Western Railway, a British railway company that - Hainault walk, in Waltham Forest, South East linked London with the south west and west of London. He stands in the dense forest with his dog England, and Wales. The railway originated from the sitting beside him, holding a hat in his right hand and desire of Bristol merchants to maintain their city as the gun in his left. Three deer can be seen in the distance to second port of the country and the cheif one for the right. American trade. The company was founded at public Stock: 33424 meeting in Bristol in 1833, where Isambard Kingdom Brunel was appointed engineer, his largest contract by 348. Elephant and Castle, Newington. This far to date. Plate Engraved from the Original Picture in The coat-of-arms of the Great Western Railway, the possession of the Publisher is respectfully incorporating the shields of the cities of London (left) dedictated to the Proprieters & Coach Masters and Bristol (right) is below the image. of the numerous stages running the various Stock: 33481 Roads, by their obedient Servant, George Hunt. 351. [Ljubljana-Trieste Railway] Zur Painted by S. J. E. Jones. Etch.d. by W. R. Smart., & Erinnerung Eröffnung der Staats-Eilenbahn Eng.d. by Geo. Hunt. Pub.d. by Geo Hunt, 18 von Laibach bis Triest unter den Tavistock Street Covent Garden 1826. Allerhöchsten Auspicien Seiner k.k. apost. Coloured aquatint. Framed. Visible area: 760 x 570mm Majestät des Kaiser Franz Josef I. am 27. Juli (30 x 22¼"). Frame: 970 x 780mm (38 x 30¾"). 1857. Unexamined out of frame. Some slight damage in [Vienna: Reiffenstein & Rosch, n.d., c.1857.] lower right-hand corner and on left-hand edge. £1850 Portfolio, original blind decorated cloth, lettered in gilt, A busy street scene depicting life around the Elephant ties; pp. 10, loose leaves; lithographed title, folding & Castle Tavern, a coaching inn from which the area chromolithographed geological profile, folding and St. Helena, returning to Brest in 1837. His account lithographic map, 14 numbered chromolithographic consisted of thirteen text and three plate volumes. views, as called for. Scarce. £1400 Stock: 32655 A portfolio of views of the new Ljubljana to Triest Railway, drawn and lithographed by Jan Novopacky 355. Licuala Gracilis. Pinanga (Sylvestris) (1821-1908), Gottfried Seelos et J. Varoni, with a short Javana. description and two maps, apparently published to A. Payen. pinxt. Lauters. lith.t. Imp. de Simonau [n.d., commemorate the railway's opening by Emperor Franz c.1838]. Josef I in 1857. This was the final section of a railway Lithograph. Sheet size: 450 x 290mm (17¾ x 11½"). linking Vienna to Trieste, then all part of the Habsburg Edges slightly worn. £80 empire, but now in Slovenia and Italy. The plates A plate from 'Rumphia, sive commentationes botanicae illustrate some of the obstacles on the route, including imprimis de plantis Indiae Orientalis', by Carl Ludwig flood plains and mountains, and how they were Blume, 1835-48. The volumes consisted of previously overcome, with viaducts and tunnels. The new station undescribed plants of the East Indies, based primarily at Trieste is also depicted. on the author’s botanising in Java. The title refers to Stock: 33487 George Eberhard Rumpf (1627-1702). Blume saw himself as continuing Rumpf’s pioneering work and 352. View of the Opening of the Stockton and indeed was acknowledged as his disciple. The plates Darlington Rail Road. are by Arckenhausen, Berghaus, Bick, Blume, J. Bousfield Jr. Darlington. [n.d., c.1850]. Decaisne, Gordon, Latour, Lauters, and Payen, and Lithograph. Very scarce. Sheet size: 300 x 525mm were lithographed by A. Henrey and Cohen (Bonn), P. (11¾ x 20¾"). Repaired tears to sheet. Damaged. Lauters and G. Severeyns. Blume (1796-1862) was a £260 German-born Dutch botanist who travelled and worked Three views of the opening of the Stockton and in Java, and was director first of the Buitenzorg Darlington rail road including the Brusselton inclined Botanic Garden. plane (left), a train of Waggons crossing the Turnpike Stock: 33345 Road near Darlington (right), and a train of Waggons drawn by a Loco-motive Engine (below). The railway 356. Oncosperma Filamentosa. Licuala company operated in the north east of England from Spinosa. 1825 - 1863 and was the worlds first public railway to Payen Pinx. P. Lauters. Imp de Simonau. [n.d., use steam locomotives. c.1838]. Stock: 33510 Lithograph. Sheet size: 450 x 290mm (17¾ x 11½"). Edges slightly worn. £95 353. Temple of Edfou. Ancient Appolinopolis. A plate from 'Rumphia, sive commentationes botanicae Upper Egypt. imprimis de plantis Indiae Orientalis', by Carl Ludwig David Roberts. R.A. L. Haghe Lith. London, Blume, 1835-48. The volumes consisted of previously Published F. G. Moon, 20 Threadneedle Street, March undescribed plants of the East Indies, based primarily 1st, 1847. on the author’s botanising in Java. The title refers to Tinted lithograph with large margins. Sheet size: 450 x George Eberhard Rumpf (1627-1702). Blume saw 630mm (17½ x 24¾"). Uncut. £580 himself as continuing Rumpf’s pioneering work and A view of the Temple of Edfou, consecrated to Horus, indeed was acknowledged as his disciple. The plates and second only to Karnak in size. This view, taken are by Arckenhausen, Berghaus, Bick, Blume, before the excavation of 1860, shows the complex Decaisne, Gordon, Latour, Lauters, and Payen, and from the Pylon, through the Porticoed Courtyard of 32 were lithographed by A. Henrey and Cohen (Bonn), P. columns, two Hypostyle Halls and the Sacrarium. Lauters and G. Severeyns. Blume (1796-1862) was a Stock: 33421 German-born Dutch botanist who travelled and worked in Java, and was director first of the Buitenzorg 354. Oie de Hawaï. Eydoux et Souleyet. Botanic Garden. Prévost del. N. Rémond imp. [Paris: Arthus Bertrand, Stock: 33343 1844-66.] Hand coloured engraving. 325 x 250mm. £220 357. Ptychosperma Appndiculate._ Arausiaca A Hawaiian goose, an illustration from 'Voyage autour Excelsa. du monde exécuté sur la corvette la Bonite', the A. Payen. pinxt. Lauters. lith.t. Imp. par. G. Severeyns. account of a circumnavigation under Auguste-Nicolas [n.d., c.1838]. Vaillant. Lithograph. Sheet size: 450 x 290mm (17¾ x 11½"). The Bonite set off around the world in 1836 on a Edges slightly worn, crease. £140 political, scientific and commercial voyage. Travelling A plate from 'Rumphia, sive commentationes botanicae to South America it rounded Cape Horn into the imprimis de plantis Indiae Orientalis', by Carl Ludwig Pacific Ocean, stopping in the Hawaiian Islands before Blume, 1835-48. The volumes consisted of previously making their way to Asia. From China they followed undescribed plants of the East Indies, based primarily the coast down to South East Asia, before stopping at on the author’s botanising in Java. The title refers to ports along the Indian coastline. After almost two years George Eberhard Rumpf (1627-1702). Blume saw at sea the Bonite headed back to France via Cape Town himself as continuing Rumpf’s pioneering work and indeed was acknowledged as his disciple. The plates weighed 23.1 metric tons, was about 3.4 meters in are by Arckenhausen, Berghaus, Bick, Blume, diameter, and was suspended about 0.46 meters off the Decaisne, Gordon, Latour, Lauters, and Payen, and ground. The great stupa in the distance surrounded by were lithographed by A. Henrey and Cohen (Bonn), P. many small pagodas contained several colossal gilt Lauters and G. Severeyns. Blume (1796-1862) was a sculptures of the deity Guadma. Abbey: 404.5 German-born Dutch botanist who travelled and worked Stock: 33571 in Java, and was director first of the Buitenzorg Botanic Garden. This plate depicts a Ptychosperma, a 361. Scene upon the Terrace of the Great of flowering in the family Dagon Pagoda at Rangoon looking towards the indigenous to the East Indies, set amongst its natural North. No.5. habitat. East Indian natives are depicted in the Drawn by J. Moore. Engraved by G.Hunt. Published background occupied in a variety of activities. Oct.r 1. 1825, by Kingsbury & Co. 6 Leadenhall Str.t Stock: 33346 ___ & T. Clay, 18, Ludgate Hill, London. Coloured aquatint, printed on J. Whatman 1825 358. Orania Regalis. Saguerus Langkab. watermarked paper, large margins on 3 sides. . Platemark: 420 x 320mm. (16½ x 12½"). Small tear in A. Payen. pinxt. P.lauters. [Simonau] 1838. bottom margin. £280 Lithograph. Sheet size: 450 x 290mm (17¾ x 11½"). A view in from the terrace of the Great Dagon Pagoda, Edges slightly worn. £80 with three western officers walking across the centre A plate from 'Rumphia, sive commentationes botanicae lawn, and an artist sketching in the centre foreground imprimis de plantis Indiae Orientalis', by Carl Ludwig to the right, seen from behind. The temple can be seen Blume, 1835-48. The volumes consisted of previously in the centre background, with pagodas on the left. undescribed plants of the East Indies, based primarily From Series 1 of 'Views taken at or near Rangoon, and on the author’s botanising in Java. The title refers to Combined operations in the Birman Empire', by George Eberhard Rumpf (1627-1702). Blume saw Lieutenant Joseph Moore, published in two series himself as continuing Rumpf’s pioneering work and 1825-26. indeed was acknowledged as his disciple. The plates It illustrated the British campaign during the First are by Arckenhausen, Berghaus, Bick, Blume, Anglo-Burmese War (5 March 1824 - 24 February Decaisne, Gordon, Latour, Lauters, and Payen, and 1826). were lithographed by A. Henrey and Cohen (Bonn), P. Stock: 33573 Lauters and G. Severeyns. Blume (1796-1862) was a German-born Dutch botanist who travelled and worked 362. Rangoon. The Storming of one of the in Java, and was director first of the Buitenzorg principal Stockades on its inside on the 8.th of Botanic Garden. July 1824. 15. Stock: 33344 Drawn by J. Moore. Engraved by G. Hunt. Published Oct.r 1. 1825 by Kingsbury & Co. 6 Leadenhall Str.t & 359. Mosqu aux Environs de Calcutta (Inde) T. Clay. 18, Ludgate Hill, London. Voyage de la Bonité. Hand coloured aquatint. Platemark: 330 x 420mm (13 Dessiné par Lauvergne / Bichebois lith. Fig. par Adam x 16½). Margins folded. £280 / Im. Lemercier, Benard et C.e / Arthus-Bertrand After Lieutenant Joseph Moore of Her Majesty’s 89th éditeur / London Akermann et C.e 96 Strand. Regiment, British Army. It was one of a series of Lithograph with tintstone, printed area 220 x 270mm pictures drawn by Moore that were subsequently (8½ x 10½"). Slight foxing lower left. £420 published in London in 1825–26 as aquatint plates Scene of a mosque in Calcutta, from Vaillant's 'Voyage under the title "Eighteen Views Taken at and near autour du monde execute pendant les annees 1836 et Rangoon". The prints depict various scenes from the 1837 sur la corvette La Bonite' (1841-52). First Anglo–Burmese War (1824–26), which the Stock: 33197 British fought to halt Burmese expansionism and incursions into British India. Rangoon was captured in 360. Scene upon the Terrace of the Great May 1824. Abbey: 404.15 Dagon Pagoda at Rangoon, taken near the Stock: 33127 Great Bell. No.14. Drawn by J. Moore. Engraved by G. Hunt. Proof. 363. Inside View of the Gold temple on the Pub.d Jan.y 2nd. 1826 by Thomas Clay, 18, Ludgate Terrace of the Great Dagon Pagoda at Hill, & Kingsbury & Co. Leadenhall Street, London. Rangoon. Coloured aquatint, proof, printed on J. Whatman Drawn by J. Moore. Engraved by G. Hunt. Pub.d watermarked paper, large margins on 2 sides. Sheet Nov.r 9th 1825 by Kingsbury & Co, Leadenhall Street, 335 x 430mm. 13¼ x 17". Trimmed to plate on 2 sides. and Tho.s Clay, 18, Ludgate Hill, London. Small repaired tear to bottom edge. £280 Fine hand-coloured aquatint with large margins. From Series 1 of 'Views taken at or near Rangoon, and Platemark: 330 x 425mm (13 x 16¾"). Faint crease to Combined operations in the Birman Empire', by bottom right corner. £320 Lieutenant Joseph Moore, published in two series A view of the interior of the Shwedagon Pagoda, the 1825-26. According to the published description which most sacred in Burma, showing the statue of the accompanied the plates, the bronze bell cast in 1779 Buddha in a lattice-work enclosure. Lieutenant Joseph Moore's 'Views taken at or near 367. [Ocean Liner at Singapore]. Rangoon' illustrated the British campaign during the [By Fred Middlehurst]. [Crestock & Marsh. n.d., First Anglo-Burmese War (1824-26), the first of three c.1940]. such wars in the 19th century. Abbey Travel 404, 8. Gouache and watercolour. Sheet size: 240 x 365mm Stock: 33130 (9½ x 14¼"). £320 A vibrant and lively scene depicting a docked ocean 364. Vue Prise a Calcutta. liner in Singapore, being loaded with cargo. Desiné par Lauvergne. Imp Lemercier. Lith par This painting by Fred Middlehurst was one of the Bichebois. Paris, Arthus-Bertrand éditeur. London. original artworks for '11 Views Around the Ackermann et Co. 96 Strand. [n.d., c.1840]. Commonwealth', including ‘Train thro Canadian Lithograph with large margins. Sheet size: 325 x Rockies’, ‘Flying Doctor in Australia’, ‘Camel outside 490mm (12¾ x 19¼"). £420 Kaus’, ‘Oxcart in India’, ‘Boat in W Indies’ and others. Plate 88 of Auguste Nicholas Vaillant's 'Voyage autour Stock: 33387 du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, 368. ['Zhandou' bridge in Shaanxi province, engraved by L.P.A. Bichebois after an original drawing and bridge of Ch'üan-Chou across Luoyang by B. Lauvergne. A view of the new bridge over river] Cientao, oder der Weg der Stü zen in Tolly's Nullah at Calcutta, India. Colonel William der Sinesischen Provinz Xensi [...] Tolly wanted to create a functioning canal in the city Delsenbach fecit [Leipzig, 1725] by enlarging the dried-up bed of the Kidderpore Creek, Engraving with very large margins, platemark 300 x to facilitate the passage of ships from the river 430mm (11¾ x 17"). Text in French and German; Hooghly to the delta in the east. Completed in 1777, foxing to margins only. £480 the 17-mile long canal was popularly known as Tolly's Two celebrated Chinese engineering feats, the 'bridge Nulla. A nulla is a watercourse. of supports' on the Shu Roads in Shaanxi, and the Stock: 33566 Luoyang Bridge in Quanzhou, China's earliest stone beam bridge (completed 1059). 365. [Elephant at Work in Far East]. Plate from Austrian architect Johann Bernard Fischer [By Fred Middlehurst]. [Crestock & Marsh. n.d., von Erlach's 'Entwurf einer historischen Architektur' c.1940]. ('Outline of Historical Architecture', first published Gouache and watercolour. Sheet size: 240 x 365mm 1721) , the first comparative architecture of all periods (9½ x 14¼"). Laid on board. £140 and nations. A bright and vibrant scene showing elephants working Stock: 33406 in a dense jungle, moving logs in order to make a clearing. 369. [Bridge connecting Fuzhou and Nantai This painting by Fred Middlehurst was one of the Island, China] Die groβe Siesische Brücke original artworks for '11 Views Around the Commonwealth', including ‘Flying Doctor in zwischen der Haupt-Statt Focheu und deren Australia’, 'Ocean Liner in Singapore’, ‘Camel outside Borstatt Nantai [...] Kaus’, ‘Oxcart in India’, ‘Boat in W Indies’ and others. J.B.F. v. E. del. Cum Priv. Suc. Cae. Mai: [Leipzig, Stock: 33391 1725] Engraving with very large margins, platemark 300 x 366. [Hong Kong]. 430mm (11¾ x 17"). Text in French and German; [By Fred Middlehurst]. [Crestock & Marsh. n.d., foxing to margins only. £480 c.1940]. Early bridge in China's Fujian province. Gouache and watercolour. Sheet size: 240 x 365mm Plate from Austrian architect Johann Bernard Fischer (9½ x 14¼"). £390 von Erlach's 'Entwurf einer historischen Architektur' A bright and vibrant scene in Hong Kong. A busy ('Outline of Historical Architecture', first published street lined with shops, including a tailor to the right, is 1721) , the first comparative architecture of all periods full of various figures, including two women in and nations. Stock: 33407 traditional oriental dress in conversation in the foreground to the left, a child opening a present in his mother's arms to the right, and a naval officer, who is 370. [King Narai's Palace in Lopburi, with being transported in a rickshaw, in the centre of the the arrival of the French Ambassador in 1685] picture. Prospect der Könige Residence Siam [...] This painting by Fred Middlehurst was one of the Delsenbach Sculpsit [Leipzig, 1725] original artworks for '11 Views Around the Engraving with very large margins, platemark 300 x Commonwealth', including ‘Flying Doctor in 430mm (11¾ x 17"). Text in French and German; Australia’, 'Ocean Liner in Singapore’, ‘Camel outside foxing to margins only. £680 Kaus’, ‘Oxcart in India’, ‘Boat in W Indies’ and others. The royal residence in Siam (now Thailand), which in Stock: 33390 the late 17th century was in Lopburi, in a palace built (with French assistance) by King Narai the Great, who ruled Ayutthaya from 1656 to 1688. In 1685, as part of diplomacy between France and Siam, Louis XIV sent French emissaries to retrieve the Siamese ambassadors and attempt to convert Narai to Catholicism, an event 373. [The Porcelain Tower of Nanjing] Der shown here. berühmte Sinesische Tempel, nahe bey der The text below the image refers the viewer to Guy Statt Nan King [...] Tachard's 'Premier Voyage au Siam', a record of the J.B.F. v. E. delin: [Leipzig, 1725] event by Tachard, one of the jesuits sent by the Sun Engraving with very large margins, platemark 300 x King. 430mm (11¾ x 17"). Text in French and German; Plate from Austrian architect Johann Bernard Fischer foxing to margins only. £650 von Erlach's 'Entwurf einer historischen Architektur' Porcelain tower on the bank of the Qinhuai River in ('Outline of Historical Architecture', first published Nanjing, China, built during the Ming dynasty. It was 1721) , the first comparative architecture of all periods reconstructed after extensive damage in the 19th and nations. It was the most influential 18th century century. book illustrating Islamic architecture, treating Islamic Plate from Austrian architect Johann Bernard Fischer and other eastern buildings with the same detail as the von Erlach's 'Entwurf einer historischen Architektur' more canonical ancient buildings also included in the ('Outline of Historical Architecture', first published book. 1721) , the first comparative architecture of all periods Stock: 33409 and nations. Stock: 33408 371. [View of Mecca, with Abraham's House and Mount Arafat] Prospect von einem theil 374. [Temple of Solomon] Erster Grund Kiβ der grossen Stadt Mecha sampt dem so des Tempels Salomonis [...] genanten He. Plass wo nach der Mahumetaner [Leipzig, 1725] meinung das Hauss Abrahae und der Brun Engraving, sheet 565 x 520mm (22¼ x 20½"). Text in Ismaelis Stehet [...] French and German; foxing; margins trimmed for J.B.F. v. E. del. C.P. S.C.M. [1725] binding; folds as issued. £250 Engraving with very large margins, platemark 300 x Plan of the Temple of Solomon in Jerusalem, named 430mm (11¾ x 17"). Foxing to margins. £950 after the king who had it built. The print claims to A very fine & early view of Mecca, Saudi Arabia, the derive from designs by the Spanish Jesuit J.B. birthplace of Muhammad and the location of the Villalpando, who with Jerónimo Prado wrote a Islamic pilgrimage of the Hajj. Numerous locations are commentary on the book of Ezekiel in which they identified by a key (keyplate included). calculated the size of the temple. Plate from the 'Entwurf einer historischen Architektur' Plate from Austrian architect Johann Bernard Fischer ('Outline of Historical Architecture', first published von Erlach's 'Entwurf einer historischen Architektur' 1721) by Austrian architect Johann Bernard Fischer ('Outline of Historical Architecture', first published von Erlach, the first comparative architecture of all 1721) , the first comparative architecture of all periods periods and nations. and nations. It was the most influential 18th century Stock: 33293 book illustrating Islamic architecture, treating Islamic and other eastern buildings with the same detail as the 372. [View of the Prophet's Mosque, near more canonical ancient buildings also included in the Medina] Prospect der Mosquéen wo das Grab book. For other views of the temple, see refs. 17616 des Mahomets zulehen ist, bei der Stadt and 20870 Stock: 33410 Medina [...] [Leipzig, 1725] Engraving with very large margins, scarce; platemark 375. [Süleymaniye Mosque, Istanbul] Die 300 x 430mm (11¾ x 17"). Text in French and Solimanney, oder Mosquée, welche Sultan German; foxing around edges. £950 Solimann. II, zü Constantinopel hat baüen The Al-Masjid al-Nabawī, the mosque in Medina laβen [...] which houses the remains of the Prophet Muhammad J.B.F. v. E. del / J.A. Delsenbach fecit C.P.S.C.M. and is the second holiest site in Islam. . The mosque [Leipzig, 1725] was built by Muhammad and his companions from 622 Engraving, sheet 300 x 425mm (11¾ x 16¾"). Title in CE, and was enlarged several times. This early print Arabic with text in French and German; foxing to shows the mosque before extensive additions in the margins only. £360 19th century. Numerous locations are identified by a View of the Süleymaniye mosque in Istanbul, with key (included). trompe l'oeil design and accompanying plan. The Plate from the 'Entwurf einer historischen Architektur' mosque was built on the order of Sultan Süleyman ('Outline of Historical Architecture', first published (1550-8) It is the largest mosque in the city. 1721) by Austrian architect Johann Bernard Fischer Procession in foreground. von Erlach, the first comparative architecture of all Plate from Austrian architect Johann Bernard Fischer periods and nations. According to the text below, the von Erlach's 'Entwurf einer historischen Architektur' view was engraved from a drawing by 'an Arab ('Outline of Historical Architecture', first published engineer' then in Vienna. 1721) , the first comparative architecture of all periods Stock: 33394 and nations. It was the most influential 18th century book illustrating Islamic architecture, treating Islamic and other eastern buildings with the same detail as the more canonical ancient buildings also included in the From the third volume of Balthazar Solvyns' 'Les book. Hindoûs'. Solvyns (1760-1824), a Flemish artist who Stock: 33411 lived in Calcutta from 1791 to 1803, etched a collection of 250 plates documenting various aspects of 376. [Sultan Achmed Mosque, Istanbul] Calcutta life. The set was first published in Calcutta, Prospect von dem groβen und Herzlichen where it proved a financial failure, and Solvyns Tempel oder Mosquee des groβen Sultan produced another set which he published in Paris after Achmed [...] returning to Europe, although again the venture was J.B.F. v. E. del C.P.S.C.M. [Leipzig, 1725] unsuccessful, probably in part due to its publication at Engraving, sheet 300 x 425mm (11¾ x 16¾"). Text in the height of the Napoleonic Wars. Solvyns later French and German; foxing to margins only. £360 returned to Antwerp, where William I appointed him View of the Sultan Achmed mosque in Istanbul, with Captain of the Port. Stock: 33640 accompanying plan. The mosque was built on the order of Sultan Achmed from 1609-16. It is popularly known as the 'blue mosque' for the blue tiles on its exterior 379. [The Black Town at Calcutta] Ville walls. Noire de Calcutta Plate from Austrian architect Johann Bernard Fischer [by Balthazar Solvyns] [published Paris, 1811] von Erlach's 'Entwurf einer historischen Architektur' Etching with hand-colouring, platemark approx 490 x ('Outline of Historical Architecture', first published 355mm (19¼ x 13¾"). With letterpress description in 1721), the first comparative architecture of all periods French and English. Central fold as issued; uncut sheet. and nations. It was the most influential 18th century £420 book illustrating Islamic architecture, treating Islamic 'Each nation at Calcutta has its particular quarter; so we and other eastern buildings with the same detail as the have the English quarter, the Portuguese quarter, etc... more canonical ancient buildings also included in the That which is inhabited by the natives, who, whether book. they are originally Hindoos or Mussulmans, differ from Stock: 33412 all the others by their complexion which is as dark as the Caffries, is called the Black Town. No European is 377. [Winter Palace of Prince Eugene of to be seen there...' (from accompanying letterpress). Savoy] Auβerliches Ansehen des Pallasts, The road shown here leads to Chitpore, and is wechen S. Durche Prinz Eugenius von Savoien Calcutta's oldest road. Workers saw wood in foreground. [...] From the third volume of Balthazar Solvyns' 'Les Cette Maison avec le Grand escalier est du dessein de Hindoûs'. Solvyns (1760-1824), a Flemish artist who J.B. Fischers d'E / Delsenbach fecit. [Leipzig, 1725] lived in Calcutta from 1791 to 1803, etched a Engraving with very large margins, platemark 300 x collection of 250 plates documenting various aspects of 430mm (11¾ x 17"). Text in French and German; Calcutta life. The set was first published in Calcutta, foxing to margins only. £450 where it proved a financial failure, and Solvyns The Winter Palace on Himmelpfortgasse in Vienna, produced another set which he published in Paris after built for Prince Eugene of Savoy. It was subsequently returning to Europe, although again the venture was owned by Empress Maria Theresa, used as the Court unsuccessful, probably in part due to its publication at Treasury and Ministry of Finance, and has recently the height of the Napoleonic Wars. Solvyns later become an exhibition space run by the Belvedere. This returned to Antwerp, where William I appointed him print shows the visit of the Grand Vizier's emissary to Captain of the Port. Vienna on the 9th April 1711. Stock: 33644 Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' 380. [Busso-Jun / The throwing the images of ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods the Gods into the water] Bousso-Djeng [by Balthazar Solvyns] [published Paris, 1808] and nations. for the Imperial Stables, see ref. 33399 Stock: 33404 Etching with hand-colouring, platemark approx 495 x 360mm (19½ x 14¼"). Uncut sheet; central fold as issued. £320 378. [View of Ballasore Roads] Rade, de la 'The religious festivals of the Hindoos consist in Balasore worshipping the images of the gods, offering up [by Balthazar Solvyns] [published Paris, 1811] sacrifices (poojahs) and spending the remainder of the Etching with hand-colouring, platemark approx 490 x day in entertainments, dances and other 355mm (19¼ x 13¾"). Central fold as issued; uncut amusements...in that which we are now describing, sheet. £480 after having carried the gods in procession during View from the harbour in Balasore, which 'offers several days, they convey their images to the river; and nothing but the sea to the view'. The letterpress place them on the edge of two boats drawn alongside published with the print explains how the sea is each othert. There, their adoration is followed by the 'frequented by different sorts of vessels', including grossest invectives, and the most violent 'large ships from Bombay, Surate, and other parts of imprecations...to terminate this strange and the western coasts', schooners from the Ganges inexplicable demeanour, the two boats are separated, and the images of the gods precipitated into the river lived in Calcutta from 1791 to 1803, etched a amidst the acclamations of the multitude. collection of 250 plates documenting various aspects of 'The engraving represents this moment. In the Calcutta life. The set was first published in Calcutta, foreground is a sideview of the boats and of the where it proved a financial failure, and Solvyns position of the gods as well as of the brahmuns, the produced another set which he published in Paris after musicians, and principal actors in the ceremony. In returning to Europe, although again the venture was another distance the boats are represented in front to unsuccessful, probably in part due to its publication at give an idea of their separation; on the right are the the height of the Napoleonic Wars. Solvyns later assistants and spectators. returned to Antwerp, where William I appointed him 'The principal figure is that of the goddess Calkee, wife Captain of the Port. of Shieb, the genius of evil' (from letterpress published Stock: 33669 with print). From the first volume of Balthazar Solvyns' 'Les 383. Dole-Jatrah. [Celebration of the Orgies Hindoûs'. Solvyns (1760-1824), a Flemish artist who of Kistna] lived in Calcutta from 1791 to 1803, etched a [by Balthazar Solvyns] [published Paris, 1808] collection of 250 plates documenting various aspects of Etching with hand-colouring, platemark approx 495 x Calcutta life. The set was first published in Calcutta, 360mm (19½ x 14¼"). Uncut sheet; central fold as where it proved a financial failure, and Solvyns issued. £320 produced another set which he published in Paris after Hindu religious festival 'believed to be a celebration of returning to Europe, although again the venture was the orgies of Kistna with his mistresses and unsuccessful, probably in part due to its publication at companions. As there is a religious tradition that they the height of the Napoleonic Wars. Solvyns later cast a red powder on each other, the Hindoos, upon this returned to Antwerp, where William I appointed him occasion, fling upon one another a fine earth of the Captain of the Port. same colour...It takes place like all the others Stock: 33663 [festivals] before the house of some rich Hindoo, and in sight of a temple where the Brahmuns from time to 381. T'Cherout. time throw a little red earth, which they call holie upon [by Balthazar Solvyns] [published Paris, 1811] their gods. Outside are musicians, who, with different Etching with hand-colouring, platemark approx 355 x instruments and very great noise, proclaim and 245mm (9½ x 13¾"). Uncut sheet. £240 celebrate the feast' (from letterpress published with 'It is sufficient to say that the Cheroot is the seegar print). [cigar], all the lower classes of Hindoos who can not From the first volume of Balthazar Solvyns' 'Les afford a Hooka must be content with a Cheroot which Hindoûs'. Solvyns (1760-1824), a Flemish artist who they themselves make' (from letterpress published with lived in Calcutta from 1791 to 1803, etched a print). collection of 250 plates documenting various aspects of From the third volume of Balthazar Solvyns' 'Les Calcutta life. The set was first published in Calcutta, Hindoûs'. Solvyns (1760-1824), a Flemish artist who where it proved a financial failure, and Solvyns lived in Calcutta from 1791 to 1803, etched a produced another set which he published in Paris after collection of 250 plates documenting various aspects of returning to Europe, although again the venture was Calcutta life. The set was first published in Calcutta, unsuccessful, probably in part due to its publication at where it proved a financial failure, and Solvyns the height of the Napoleonic Wars. Solvyns later produced another set which he published in Paris after returned to Antwerp, where William I appointed him returning to Europe, although again the venture was Captain of the Port. unsuccessful, probably in part due to its publication at Stock: 33664 the height of the Napoleonic Wars. Solvyns later returned to Antwerp, where William I appointed him 384. [European Buildings at Calcutta] Captain of the Port. Edifices Européens Stock: 33654 [by Balthazar Solvyns] [published Paris, 1811] Etching with hand-colouring, platemark approx 490 x 382. Djonlen-Jatrah. [Swinging of Kistna] 355mm (19¼ x 13¾"). With letterpress description in [by Balthazar Solvyns] [published Paris, 1808] French and English. Central fold as issued; uncut sheet. Etching printed in colour with hand-colouring, £520 platemark approx 495 x 360mm (19½ x 14¼"). Uncut Crossroads in Calcutta, the capital of India at the time sheet; central fold as issued. £350 this print was made, showing buildings including the 'The object of this feast is to celebrate the Incarnation house of the justices of peace, and the sale rooms. 'In of Kistna. The God is represented in the fore ground of the background is seen the monument erected before the engraving; attended by his comparnions, and his the old fort, in commemoration of the black hole: favourite Radica. His mother, Jussudhah, is placed where so many English prisonners perished in 1756, by behind him, holding a lamp with five branches, as a the cruel orders of the Soubab Sarajah Douhla' (from spell to preserve her son from the enchantments of his accompanying letterpress). numerous mistresses' (from letterpress published with From the third volume of Balthazar Solvyns' 'Les print). Hindoûs'. Solvyns (1760-1824), a Flemish artist who From the first volume of Balthazar Solvyns' 'Les lived in Calcutta from 1791 to 1803, etched a Hindoûs'. Solvyns (1760-1824), a Flemish artist who collection of 250 plates documenting various aspects of Calcutta life. The set was first published in Calcutta, 387. Bazar where it proved a financial failure, and Solvyns [by Balthazar Solvyns] [published Paris, 1811] produced another set which he published in Paris after Etching with hand-colouring, platemark approx 490 x returning to Europe, although again the venture was 355mm (19¼ x 13¾"). With letterpress description in unsuccessful, probably in part due to its publication at French and English. Central fold as issued; uncut sheet. the height of the Napoleonic Wars. Solvyns later £480 returned to Antwerp, where William I appointed him 'There are at present in Hindoostan few Bazars Captain of the Port. frequented exclusively by Hindoos: this which the print Stock: 33641 represents is of that number' (from accompanying letterpress). The scene shows merchants selling fish, 385. [Bengalee Road] Route dans le Bengale meat, fruit and vegetables. 'An European who is [by Balthazar Solvyns] [published Paris, 1811] satisfied with a simple diet may live very cheap in Etching with hand-colouring, platemark approx 490 x India, but once luxuries are admitted, the expence of 355mm (19¼ x 13¾"). Central fold as issued; uncut the table becomes enormous, particularly respecting sheet. £420 wines'. View on the road from Calcutta to Barrackpore in From the third volume of Balthazar Solvyns' 'Les Bengal, with banana tree offering shade to travellers. A Hindoûs'. Solvyns (1760-1824), a Flemish artist who cart and loaded oxen travel along the road. lived in Calcutta from 1791 to 1803, etched a From the third volume of Balthazar Solvyns' 'Les collection of 250 plates documenting various aspects of Hindoûs'. Solvyns (1760-1824), a Flemish artist who Calcutta life. The set was first published in Calcutta, lived in Calcutta from 1791 to 1803, etched a where it proved a financial failure, and Solvyns collection of 250 plates documenting various aspects of produced another set which he published in Paris after Calcutta life. The set was first published in Calcutta, returning to Europe, although again the venture was where it proved a financial failure, and Solvyns unsuccessful, probably in part due to its publication at produced another set which he published in Paris after the height of the Napoleonic Wars. Solvyns later returning to Europe, although again the venture was returned to Antwerp, where William I appointed him unsuccessful, probably in part due to its publication at Captain of the Port. the height of the Napoleonic Wars. Solvyns later Stock: 33642 returned to Antwerp, where William I appointed him Captain of the Port. 388. Nariel Hooka Stock: 33639 [by Balthazar Solvyns] [published Paris, 1811] Etching with hand-colouring, platemark approx 245 386. [Ferry, or Passage on the Ganges] Ferry x355mm (9½ x 13¾"). Uncut sheet. £260 [by Balthazar Solvyns] [published Paris, 1811] Hindu smoking a Narial Hooka. Etching with hand-colouring, platemark approx 490 x From the third volume of Balthazar Solvyns' 'Les 355mm (19¼ x 13¾"). Central fold as issued; uncut Hindoûs'. Solvyns (1760-1824), a Flemish artist who sheet. £420 lived in Calcutta from 1791 to 1803, etched a Ferry across the Ganges, 'with the company going over, collection of 250 plates documenting various aspects of which is composed of women of the lower classes and Calcutta life. The set was first published in Calcutta, their children, of Coulies or day labourers, Faquirs, where it proved a financial failure, and Solvyns Jemidars, etc. These boats are at times so overloaded, produced another set which he published in Paris after that they get over with the greatest difficulty: they returning to Europe, although again the venture was sometimes even sink, and disappear for ever with all unsuccessful, probably in part due to its publication at the passengers...what is most remarkable, [is that] the the height of the Napoleonic Wars. Solvyns later Hindoos do not make the slightest effort to save returned to Antwerp, where William I appointed him themselves from perishing in the Ganges: they are Captain of the Port. persuaded that, whatever accident may happen to them Stock: 33655 in passing that river, proceeds immediately from the express will of God...' (from the letterpress published 389. Horry-Seng-Karten. with this print). [by Balthazar Solvyns] [published Paris, 1808] From the third volume of Balthazar Solvyns' 'Les Etching printed in colour with hand-colouring, Hindoûs'. Solvyns (1760-1824), a Flemish artist who platemark approx 495 x 360mm (19½ x 14¼"). Uncut lived in Calcutta from 1791 to 1803, etched a sheet; central fold as issued. £360 collection of 250 plates documenting various aspects of 'Hurry is the name given to Vestno incarnate for the Calcutta life. The set was first published in Calcutta, conservation of the human race. Hurry-Sung-Kartun is where it proved a financial failure, and Solvyns that of a religious festival celebrated in honour of the produced another set which he published in Paris after god. returning to Europe, although again the venture was 'A Vestnub Brahmun recites the incarnation and the life unsuccessful, probably in part due to its publication at of Hurry, whose loves are also the subject of his song. the height of the Napoleonic Wars. Solvyns later What relates to this latter part is repeated by other returned to Antwerp, where William I appointed him Vestnubs, to the sound of various instruments, the Captain of the Port. baunt, the mirdun and the kurtaul' (from letterpress Stock: 33638 published with print).

From the first volume of Balthazar Solvyns' 'Les 392. [Nila-Pooja / Various Expiations of the Hindoûs'. Solvyns (1760-1824), a Flemish artist who Hindoos] Nylah-Poudjah lived in Calcutta from 1791 to 1803, etched a [by Balthazar Solvyns] [published Paris, 1808] collection of 250 plates documenting various aspects of Etching with hand-colouring, platemark approx 495 x Calcutta life. The set was first published in Calcutta, 360mm (19½ x 14¼"). Uncut sheet; central fold as where it proved a financial failure, and Solvyns issued. £280 produced another set which he published in Paris after 'At night, when the j'haump, of which we have already returning to Europe, although again the venture was spoken, is over, the most zealous performers of unsuccessful, probably in part due to its publication at expiations ressort in crowds to the munders or pagodas. the height of the Napoleonic Wars. Solvyns later There, some of them pierce their tongues with long returned to Antwerp, where William I appointed him irons, and even with a sort of cutlass or other large Captain of the Port. instrument; some get their fingers bored, and suffer Stock: 33670 iron spikes of a considerable size to remain in them; others have one hundred and twenty wounds of the 390. Mahrattes. same size inflicted on their foreheads, their breasts or [by Balthazar Solvyns.] [Published Paris, 1808.] their backs: this number, of which the mysterious Etching printed in colour with hand-colouring, amount remains unknown to us, is rigorously enjoined. platemark approx 360 x 250mm (14¼ x 9¾"). £260 Some, in fine, there are, who cause their loins to be A bare-footed Maratha, from the Indian warrior caste pierced, and pass cords, the pipe of the hooka, and found predominantly in the state of Maharashtra, with reeds, through the aperture, in the form of a seton. a sheathed sword in his hands. 'In this manner they go in procession the whole of the From the first volume of Balthazar Solvyns' 'Les following day, stopping to dance before the doors of Hindoûs'. Solvyns (1760-1824), a Flemish artist who such as pay them; for the rich profit of these expiations lived in Calcutta from 1791 to 1803, etched a through their money, and redeem their sins by the collection of 250 plates documenting various aspects of sufferings of the poor: which, in the creed of the Calcutta life. The set was first published in Calcutta, Hindoos, is not less efficacious, nor less agreeable to where it proved a financial failure, and Solvyns God. Their march is accompanied with the sound of produced another set which he published in Paris after instruments and the acclamations of the crowd; returning to Europe, although again the venture was perfumes are burned in the hands of certain Hindoos, unsuccessful, probably in part due to its publication at which being probably prepared to resist the effect of the height of the Napoleonic Wars. Solvyns later the fire give something of a miraculous appearance to returned to Antwerp, where William I appointed him the feast..The feast which is celebrated with the Captain of the Port. greatest solemnity of expiatory ceremonies and tortures Stock: 33681 is that of the god Calkee. At three miles distance from Calcutta, the author was present at it. In the interior of 391. Mohabharat or Chorah. [Explaining of the temple the feet waded in blood' (from letterpress the Text and Commentaries of the published with print). Mohabaurut by a Brahmun] From the first volume of Balthazar Solvyns' 'Les [by Balthazar Solvyns] [published Paris, 1808.] Hindoûs'. Solvyns (1760-1824), a Flemish artist who Etching printed in colour with hand-colouring, lived in Calcutta from 1791 to 1803, etched a platemark approx 495 x 360mm (19½ x 14¼"). Uncut collection of 250 plates documenting various aspects of sheet; central fold as issued. £320 Calcutta life. The set was first published in Calcutta, 'The Brauhmun, adorned with red flowers, is seated on where it proved a financial failure, and Solvyns an eminence or little hill of earth, holding in his hands produced another set which he published in Paris after the poitahs or leaves of trees upon which is engraved returning to Europe, although again the venture was the text of the Mohabaurut, one of the sacred books of unsuccessful, probably in part due to its publication at the Hindoos. Upon a stool before him are other poitahs, the height of the Napoleonic Wars. Solvyns later and opposite to him the salgram stone, the sunk or returned to Antwerp, where William I appointed him shell, and the guntah or bell' (from letterpress Captain of the Port. published with print). Stock: 33662 From the first volume of Balthazar Solvyns' 'Les Hindoûs'. Solvyns (1760-1824), a Flemish artist who 393. [A North-Wester off Calcutta] Nord lived in Calcutta from 1791 to 1803, etched a Ouest collection of 250 plates documenting various aspects of [by Balthazar Solvyns] [published Paris, 1811] Calcutta life. The set was first published in Calcutta, Etching with hand-colouring, platemark 490 x 350mm where it proved a financial failure, and Solvyns (19¼ x 13¾"). Central fold as issued; uncut sheet. produced another set which he published in Paris after £420 returning to Europe, although again the venture was View to the north-west of Calcutta, documenting on unsuccessful, probably in part due to its publication at the frequent storms, which take their name from the the height of the Napoleonic Wars. Solvyns later direction of the wind. The accompanying letterpress returned to Antwerp, where William I appointed him described 'a dreadful noise which seems to announce Captain of the Port. the confusion of all the elements. The clouds thicken, Stock: 33679 and are torn by continual flashes of lightning; the thunder roars, and torrents of rain often deluge the country...the river then assumes the appearance of a 'These Hindoos, who bear the name of the country boisterous sea, and sometimes overwhelms the vessels which they inahbit, form a military cast connected with which have not had the prudence to fly for shelter to that of the K'hutterys, of whom we have already the creeks or canals'. spoken...they serve as soldiers for pay, preferring those From the third volume of Balthazar Solvyns' 'Les who offer most. For this reason probably they are so Hindoûs'. Solvyns (1760-1824), a Flemish artist who numerous in the English armies...The Rajpoot lived in Calcutta from 1791 to 1803, etched a represented in the engraving is leaning carelessly collection of 250 plates documenting various aspects of against a tree: his dress is not military, because we Calcutta life. The set was first published in Calcutta, profess to treat only of the distinction of casts by where it proved a financial failure, and Solvyns Menu, the Hindoo legislator' (from letterpress produced another set which he published in Paris after published with the print). returning to Europe, although again the venture was From the first volume of Balthazar Solvyns' 'Les unsuccessful, probably in part due to its publication at Hindoûs'. Solvyns (1760-1824), a Flemish artist who the height of the Napoleonic Wars. Solvyns later lived in Calcutta from 1791 to 1803, etched a returned to Antwerp, where William I appointed him collection of 250 plates documenting various aspects of Captain of the Port. Calcutta life. The set was first published in Calcutta, Stock: 33637 where it proved a financial failure, and Solvyns produced another set which he published in Paris after 394. Penang returning to Europe, although again the venture was [by Balthazar Solvyns] [published Paris, 1811] unsuccessful, probably in part due to its publication at Etching with hand-colouring, platemark approx 490 x the height of the Napoleonic Wars. Solvyns later 355mm (19¼ x 13¾"). With letterpress description in returned to Antwerp, where William I appointed him French and English. Central fold as issued; uncut sheet. Captain of the Port. £650 Stock: 33673 Penang Island, Malaysia. At the time this print was made, the island was called Prince of Wales Island. It 396. [Rhaaumien-Gauyin / Brahmus had been occupied by the East India Company in 1786 Chanting the Exploits of Rhaum] Ramayin- and named in honour of the Prince of Wales (later Gayin George IV). The engraving consciously represents the [by Balthazar Solvyns] [published Paris, 1808] many boats which frequent the island, including pirate Etching with hand-colouring, platemark approx 495 x ships, as described in the accompanying letterpress: 360mm (19½ x 14¼"). Uncut sheet; central fold as 'The island if Penang is frequented by a great number issued. £320 of boats of different sizes from the neighbouring Brahmin singing the exploits of Rhaum (he waves a islands, whose productions they bring to its silver stick with black horse-hair attached to the end). magnificent bazar. One species of these vessels, the The ceremony takes places in the court of a Hindu proues, is used by the Malas in their piratical residence. 'The women can see or be seen only through expeditions in the straits but more to the south of a grating of bambou. Those who are in the varanda, or Malacca these pirates are frequently in great force, and gallery, are the women of an inferiour class, who are are not intidated [sic] by strong armed ships: they take more free to shew themselves in public' (from advantage of the night or of a calm to endeavour to letterpress published with print). board them; they use poisoned crests. And massacre From the first volume of Balthazar Solvyns' 'Les the crews. The boats, of which several are represented Hindoûs'. Solvyns (1760-1824), a Flemish artist who in the engraving are excellent sailors....'. lived in Calcutta from 1791 to 1803, etched a From the third volume of Balthazar Solvyns' 'Les collection of 250 plates documenting various aspects of Hindoûs'. Solvyns (1760-1824), a Flemish artist who Calcutta life. The set was first published in Calcutta, lived in Calcutta from 1791 to 1803, etched a where it proved a financial failure, and Solvyns collection of 250 plates documenting various aspects of produced another set which he published in Paris after Calcutta life. The set was first published in Calcutta, returning to Europe, although again the venture was where it proved a financial failure, and Solvyns unsuccessful, probably in part due to its publication at produced another set which he published in Paris after the height of the Napoleonic Wars. Solvyns later returning to Europe, although again the venture was returned to Antwerp, where William I appointed him unsuccessful, probably in part due to its publication at Captain of the Port. the height of the Napoleonic Wars. Solvyns later Stock: 33661 returned to Antwerp, where William I appointed him Captain of the Port. For other fine views of the island 397. Routh-Jatrah. [Procession of the Gods see refs. 22378, 23066, 32097. in their Car] Stock: 33646 [by Balthazar Solvyns] [published Paris, 1808] Etching printed in colour with hand-colouring, 395. Radjepouts. platemark approx 495 x 360mm (19½ x 14¼"). Uncut [by Balthazar Solvyns] [published Paris, 1808] sheet; central fold as issued. £320 Etching printed in colour with hand-colouring, 'This festival, one of the most solemn among the platemark approx 360 x 250mm (14¼ x 9¾"). Uncut Hindoos, is celebrated once every year in the month of sheet. £260 assar, which answers to our month of june. The object is to celebrate the travels of Kistna with Radica; and it adopted...this instrument which frequently costs seveal consists in dragging with great pomp, the god, his hundred pounds, becomes an object of great expence' mistress, and his companions, in a sort of edifice or (from letterpress published with print). pagoda constructed in wood, and adorned with From the third volume of Balthazar Solvyns' 'Les tolerable sculpture. These relievos, and its hieroglyphic Hindoûs'. Solvyns (1760-1824), a Flemish artist who paintings are too obscene to admit of representation. lived in Calcutta from 1791 to 1803, etched a With this exception the engraving gives an exact idea collection of 250 plates documenting various aspects of of this species of building, which is called Routh. Two Calcutta life. The set was first published in Calcutta, horses of wood painted blue appear to draw, and a where it proved a financial failure, and Solvyns Brahmun to guide, it, while the machine placed upon a produced another set which he published in Paris after number of small, but very solid wheels, is moved in returning to Europe, although again the venture was reality by two cords which are grasped by the most unsuccessful, probably in part due to its publication at zealous among the thousands of attendants of both the height of the Napoleonic Wars. Solvyns later sexes and of every age and sect' (from letterpress returned to Antwerp, where William I appointed him published with print). Captain of the Port. From the first volume of Balthazar Solvyns' 'Les Stock: 33656 Hindoûs'. Solvyns (1760-1824), a Flemish artist who lived in Calcutta from 1791 to 1803, etched a 400. Tchan-Jatrah. [Celebration of the Bath collection of 250 plates documenting various aspects of of Juggernaut] Calcutta life. The set was first published in Calcutta, [by Balthazar Solvyns] [published Paris, 1808] where it proved a financial failure, and Solvyns Etching with hand-colouring, platemark approx 495 x produced another set which he published in Paris after 360mm (19½ x 14¼"). Uncut sheet; central fold as returning to Europe, although again the venture was issued. £350 unsuccessful, probably in part due to its publication at 'The Hindoos believe that the god Juggernaut the height of the Napoleonic Wars. Solvyns later transports himself, in one night, from his pagoda at returned to Antwerp, where William I appointed him Cattach, in Oorisah, to the spot where the ceremony of Captain of the Port. the bath is performed near Serampore, on the banks of Stock: 33668 the Ganges. Upon the day of his arrival, they wash and bathe him, and take great care to keep him warm on 398. [School] École account of the fever which the cold has given him. [by Balthazar Solvyns] [published Paris, 1811] After this he does not stir out until his return, which Etching with hand-colouring, platemark approx 490 x takes place after about three months, at the end of the 355mm (19¼ x 13¾"). With letterpress description in rainy season...The representation of Juggernaut French and English. Central fold as issued; uncut sheet. consists only of an head and part of the arms. To the £480 unfinished form is attached the sublime idea, that it is Open air school in India 'before the house of the not for man to represent the divinity under material Brahmun who teaches'. The accompanying letterpress forms, lowering as it were the dignity and omnipotence describes how students learn Sanskrit and 'the vulgar of the godhead by supposing it in human tongue of the country' by writing in the sand and upon shape...Thousands of Hindoos contemplate with banana leaves (shown here), while the master holds a transport the Brahmun, who, several times a day, pipe and 'a small bambou which he uses as a ferula'. throws a vase of water from the Ganges on this Other students read documents 'upon the dry leaves of unformed idol' (from letterpress published with print). the palm, which, when assembled together, are called From the first volume of Balthazar Solvyns' 'Les Poytas'. Hindoûs'. Solvyns (1760-1824), a Flemish artist who From the third volume of Balthazar Solvyns' 'Les lived in Calcutta from 1791 to 1803, etched a Hindoûs'. Solvyns (1760-1824), a Flemish artist who collection of 250 plates documenting various aspects of lived in Calcutta from 1791 to 1803, etched a Calcutta life. The set was first published in Calcutta, collection of 250 plates documenting various aspects of where it proved a financial failure, and Solvyns Calcutta life. The set was first published in Calcutta, produced another set which he published in Paris after where it proved a financial failure, and Solvyns returning to Europe, although again the venture was produced another set which he published in Paris after unsuccessful, probably in part due to its publication at returning to Europe, although again the venture was the height of the Napoleonic Wars. Solvyns later unsuccessful, probably in part due to its publication at returned to Antwerp, where William I appointed him the height of the Napoleonic Wars. Solvyns later Captain of the Port. returned to Antwerp, where William I appointed him Stock: 33665 Captain of the Port. Stock: 33643 401. The Pearle Fishery near Toute Couryn. [London, John Ogilby, c.1667.] 399. [Snake Hooka] Houka à Tuyau Engraving with large margins. Platemark: 245 x [by Balthazar Solvyns] [published Paris, 1811] 345mm (9¾ x 14"). Vertical fold as normal; slight time Etching with hand-colouring, platemark approx 245 stain along fold. Crease to lower right and upper left- x355mm (9½ x 13¾"). Uncut sheet. £240 hand corners. £240 The Snake Hookah: 'This is the Hooka of the richer A view of the pearl fishery at Tuticorin (or classes, and that which the Europeans have Thoothukudi) in Tamil Nadu in India, with the buildings built by European traders, an illustration left. Various figures in traditional costume can be seen from Johan Nieuhof's account of his travels in the Far in the foreground. East with the Dutch East India Company, 1665-7. The Stock: 33567 locals have piled the oyster shells on the shore, and the traders look on. Nieuhof was briefly imprisoned for 405. Vue de l'entree du Bocca Tigris, attempting to smuggle pearls. Conduisant a Canton. It is an illustration from the English edition of Johann [Anon, 1794] Nieuhof's 'Voyages and travels, into Brasil, and the Engraving, very scarce; 215 x 275mm (8½ x 10¾"). East-Indies', published by John Ogilby with the plates Trimmed on platemark, top edge. £420 of the original Dutch edition, with some re-engraving The Bocca Tigris, a narrow strait in the Pearl River of text. Delta, Guangdong, China, where the Pearl River Stock: 33135 discharges into the South China Sea. The strait is formed by the islands of Chuenpee and Anunghoy on 402. View of Kalpy on the Jumna. the eastern side and Tycocktow on the western side. Francis Jukes. London Aquatinta fecit. Drawn on the The city of Guangzhou (formerly Canton) is upstream. spot by Thomas Anburey of the Corps of Engineers. Showing vessels including a Chinese warship, Pub. according to act of Parliament Jan. 1 1799 by T. identified by a key below the image. Anburey. From the first French edition of "Collection de Cartes Hand coloured aquatint. Platemark: 380 x 540mm (15 Geographiques, Vues, Marines, Plans et Portraits, x 21¼"). £450 relatifs aux Voyages du Capitaine J. Meares". Not in This plate is from 'Hindoostan Scenery consisting of Chater. Twelve Select Views in India' by Francis Jukes (1746- Stock: 33195 1812) and Thomas Anburey (1759-1840) of the Corps of Engineers in Bengal. The town of Kalpi is located in 406. Pic de Lantao, Pres de l'entree du Bocca a ravine of the Yamuna River, sometimes called Tigris, Dessine sur le lieu meme par T.S. Parry. Jamuna, the largest tributary river of the Ganges in Il git N-E. mi-Est a huit Milles de distance. / Uttar Pradesh. It was the site of a large East India On appercoit les petites Iles de Taipak et de Company cotton factory, strategically located on the Botow. road to Kanpur (now Cawnpore). Stock: 33430 [Anon, 1794] Engraving, very scarce; 215 x 275mm (8½ x 10¾"). Trimmed on platemark, top edge. £620 403. Vue de la Ville de Macao. Lantau Island, the largest island in Hong Kong, which [Paris, 1790.] is located at the mouth of the Pearl River near the strait Engraving, very scarce, fine impression. 270 x 510mm of Bocca Tigris. (10½ x 20"). Original binding folds. £950 From the first French edition of "Collection de Cartes A view of Macao from the sea, published in a French Geographiques, Vues, Marines, Plans et Portraits, edition of Captain John Meares' 'Voyages Made in the relatifs aux Voyages du Capitaine J. Meares". Not in Years 1788 & 1789 from China to the Northwest Coast Chater. of America'. Stock: 33196 Meares, trading in furs from the Pacific north-west to Asia without the necessary licence from the East India Company, caused the Nootka Crisis of 1789, in which 407. Red Headed Guinea Parrakeet. Spain and Britain came to the brink of war over [After William Hayes.] [London: William Bulmer & sovereignty of Pacific Canada. One of the immediate Co, 1799.] consequences was the Vancouver Expedition of 1791- Etchiing with fine hand colour. 230 x 295mm (9 x 11½"). Trimmed within plate, faint mount burn. £260 5. Stock: 33514 A fine etching from Hayes's 'Rare and Curious Birds Accurately Drawn and Coloured from Their Specimens in the Menagerie at Osterly Park', first edition. 404. Pagode Chinoise a Macao. Chine. Hayes (1735-1802), a self-taught artist who had Desiné par Lauvergne. Imp Lemercier, Bernard et Ce. illustrated 'A Natural History of British Birds' in 1775, Lith par Sabatier. Fig par Bayot. Arthus-Bertrand was commissioned to record the collection of live birds éditeur. London. Ackermann et Co. 96 Strand. [n.d., belonging to Robert and Sarah Child, the owners of c.1840]. Osterley. It was a family affair: he employed at least Lithograph with large margins. Sheet size: 325 x seven of his children as etchers, colourists and binders. 490mm (12¾ x 19¼"). Repaired damage to top left The volumes were assembled when they were ordered, corner of sheet. £250 with the contents varying because of what has been Plate 55 of Auguste Nicholas Vaillant's 'Voyage autour called 'a production line of unrivalled chaos'. du Monde [...] 1836 et 1837[...] sur la Bonite' A second, posthumous edition was issued in 1817, published in Paris and London between 1840-52, 'published for the benefit of his family'. engraved by L. Sabatier after an original drawing by B. Stock: 32638 Lauvergne. A view of the A-Ma Temple in Macau. The view also shows the relief stone sculpture of a Chinese junk carved on a rock in the courtyard of the temple to the 408. Rose-Headed Ring Parakeet. etching of picadors. Trimmed to printed borders and [After William Hayes.] [London: William Bulmer & laid on album paper. Very scarce. £2200 Co, 1799.] A rare full set of bullfighting etchings by Antonio Etchiing with fine hand colour. 230 x 295mm (9 x Carnicero (1748-1814), showing the stages of the fight: 11½"), paper watermarked 'J. Whatman 1794'. the release of the bull, the work of the picador, baiting Trimmed within plate, faint mount burn. £180 with dogs, the Madator's coup de grace and the carcass A fne etching from Hayes's 'Rare and Curious Birds being dragged from the arena. Accurately Drawn and Coloured from Their Specimens An important series, imitated by Luis Fernandez in the Menagerie at Osterly Park', first edition. Noseret in 1795. From a scrapbook compiled by Rev. Hayes (1735-1802), a self-taught artist who had Willaim Bradford (1780-1857), Chaplain and war illustrated 'A Natural History of British Birds' in 1775, artist during the Peninsula Wars. was commissioned to record the collection of live birds Stock: 33256 belonging to Robert and Sarah Child, the owners of Osterley. It was a family affair: he employed at least 412. Corn Barks. seven of his children as etchers, colourists and binders. Drawn and Etched by John Augustus Atkinson. The volumes were assembled when they were ordered, London Published as the Act directs, May 1. 1803, by with the contents varying because of what has been J.A. Atkinson and Ja.s Walker, No. 8, Conway Street, called 'a production line of unrivalled chaos'. Fitzroy Square, and Mess.rs John & Josiah Boydell, A second, posthumous edition was issued in 1817, Pall Mall & Cheapside. 'published for the benefit of his family'. Hand coloured soft gound etching and aquatint with Stock: 32636 very large margins. Platemark: 185 x 245mm (7¼ x 9¾"). £140 409. Feyge Dam with part of the Fishmarket, Plate 14 from John Augustus Atkinson's (1775 - 1831) Amsterdam. 'A Picturesque Representation of the Manners, Rowlandson delin.t. Wright & Schultz Sculp.t. [n.d., Customs and Amusements of the Russians', 1803 - c.1797.] 1804. The scene depicts Russian dock workers Hand coloured aquatint. Printed area: 485 x 610mm unloading corn shipments from a boat. (19 x 24"). Trimmed to platemark. Laid on backing John Augustus Atkinson was a British etcher, painter, sheet. Light spotting in sky. Few very small repairs. draughtsman and printmaker. He spent 1784 - 1801 in £950 Russia with his uncle, James Walker. After returning to A highly detailed view of the Feyge Dam and fish London in 1801, he made prints after his works, of market, Amsterdam, depicting three large fishing Russian subjects, and made outline etchings for other vessels to the right, and a number of smaller craft along artists. He also executed paintings on military subjects wooden jetty. The jetty is bustling with activity, with and battles. Abbey: 223. fishermen and fishsellers sorting through baskets as Stock: 33495 crowds gather by the water. Several tall buildings can be seen in the background. 413. [Colossus of Alexander the Great, Mount A rare and colourful print after English artist and Athos] Der Macedonische Berg Athos in caricaturist Thomas Rowlandson (1756 - 1827). gestalt eines Kiesen [...] Stock: 33636 J.B. F. v. E. delin. [Leipzig, 1725] Engraving with very large margins, platemark 300 x 410. [Twelve bullfighting scenes on one sheet.] 430mm (11¾ x 17"). Text in French and German; C. Legrand lit.o. Se hallariá en las Estamperias de los foxing to margins only. £320 Suizos de la Galle de Aptocha y Galle del Carmen en Dinocrates' proposal to build a city dedicated to Madrid. [n.d., c.1820.] Alexander the Great on Mount Athos, with a colossal Lithograph Sheet 400 x 490mm (15¾ x 19¼"). image of Alexander sculpted in its side. Alexander Trimmed to printed borders and laid on album paper. holds a building (standing for the city) in his left hand, £550 while a river flows into the sea from above his right Twelve numbered bullfighting scenes, with titles arm. The plan was never realized and Alexandria in underneath the views. From a scrapbook compiled by Egypt was founded instead, as more fertile for Rev. Willaim Bradford (1780-1857), Chaplain and war cultivating grain. This scheme was recorded by artist during the Peninsula Wars. Vitruvius, as stated here. Stock: 33258 Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' 411. Coleccion de las Principales Suertes de ('Outline of Historical Architecture', first published una Corrida de Toros. 1721) , the first comparative architecture of all periods Dibuxada y grabada por D.n Antonio Carnicero. and nations. Madrid ano 1790. Stock: 33419 13 etchings with original colour (title page and twelve numbered plates). Each sheet c. 180 x 280mm (7 x 414. [Clam-Gallas Palace, Prague] Facade 11"). Plus a fine coloured lithograph of the corrida at des Pallasts welchen Z. Hoch.Sr: Excell: Joan Seville by J. F. Lewis and a very fine sepia soft ground Wencelslaus Graft von Gallas [...] J:B: Fischers v.E: inv: et del: / J.A. Delsenbach, 417. [Karlskirche, Vienna] Prospect Der Sculpsit Cum Privil: Sacr: Caesar Majest. [Leipzig, Neüen Kirchen S. Caroli Borromoei [...] 1725] Fischers V:E: inv: Cum Privil: Sacr: Caesar Majest. Engraving with very large margins, platemark 300 x [Leipzig, 1725] 430mm (11¾ x 17"). Text in French and German; Engraving with very large margins, platemark 300 x foxing to edges and sky. £480 430mm (11¾ x 17"). Text in French and German; The baroque Clam-Gallas Palace in Prague, designed foxing to edges. £450 by Austrian architect Johann Bernard Fischer von The baroque Karlskirche (St. Charles Church) in Erlach for Johann Wenceslaus, Count of Gallas, and Vienna, commissioned by Emperor Charles VI in later passed on to Kristian Filip of Clam. In this palace 1713, following a plague epidemic in Vienna. It was Mozart attended concerts, Beethoven performed here, dedicated to 16th cerntury reformer Carlo Borromeo, and Franz Kafka worked as a trainee, while studying who was known for healing plague sufferers. The law (it is believed to be a possible inspiration for the church was designed by Johann Bernard Fischer von castle in his novel of the same name). It now houses Erlach and completed, after Fischer's death, by his son. the Prague City Archives, while concerts are still given Plate from Fischer's 'Entwurf einer historischen here. Architektur' ('Outline of Historical Architecture', first Plate from Fischer's 'Entwurf einer historischen published 1721) , the first comparative architecture of Architektur' ('Outline of Historical Architecture', first all periods and nations. published 1721) , the first comparative architecture of Stock: 33400 all periods and nations. Richard T. Gray, ed., 'A Franz Kafka Encyclopaedia'. 418. [Schloβ Klessheim] Prospect des Neuen Stock: 33401 Lust-gebaüdes bei ner Hoch Fürze Knaden zu

Salzburg, Clesheimb [...] 415. [Domus Aurea, Rome] Domus aurea de 'invention et de l'ordonnation de J.B. Fischers Neronis, aus welchem Herzlichen gebäü d'Erlachen Cum Privil: Sacr: Caesar Majest. [Leipzig, J.B. F. v. E. delineavit Cum Pri: Sac Caes: Majest: 1725] [Leipzig, 1725] Engraving with very large margins, platemark 300 x Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; 430mm (11¾ x 17"). Text in French and German; slight foxing to margins. £480 foxing to margins only. Crease. £350 Schloβ Klessheim, a baroque palace near Salzburg The Domus Aurea, a large villa built by Nero after the designed by Austrian architect Johann Bernard Fischer fire in AD 64 destroyed residences on the slope of the von Erlach in 1700 for Prince-Archbishop Johann Palatine Hill. Beneath the text are the famous verses Ernest von Thun. It was originally named 'Lustschloss written on the city walls or spread verbally, reported by Favorita', a title mentioned on the text beneath the Suetonius and Martial. image. The palace became summer residence for the Plate from Austrian architect Johann Bernard Fischer Archbishops of Salzburg, but was not completed until von Erlach's 'Entwurf einer historischen Architektur' 1732 (after this print was made), by which time the ('Outline of Historical Architecture', first published original design had been scaled down. The twin 1721) , the first comparative architecture of all periods structures in the foreground of this print appear never and nations. When Fischer designed Vienna's Imperial to have been built. Stables, they were explicitly based upon Nero's villa. Since 1993 the palace has been the Salzburg Casino. For Vienna's Imperial Stables, see ref.33399 Plate from Fischer's 'Entwurf einer historischen Stock: 33418 Architektur' ('Outline of Historical Architecture', first published 1721), the first comparative architecture of 416. [Isola Bella, Lac Maggiore] Prospect der all periods and nations. Insul Borromoea in Lago Maggiore [...] Stock: 33398 J.B. F. v. E. del C.P.S.C.M. [Leipzig, 1725] Engraving with very large margins, platemark 300 x 419. [Kollegienkirche, Salzburg] Prospect 430mm (11¾ x 17"). Text in French and German; der neüen Kirchen Unsrer Liebe Frauen zu foxing to margins only. £490 Salzburg [...] Isola Bella, one of the five 'Borromean Islands' in the Angegeben von J.B.F. v. E. / et ordonée par J.B.F. v. E. Italian part of Lago Maggiore, and one of three owned C.P.S.C.M. [Leipzig, 1725] by the Borromeo family, who developed it in the 16th Engraving with very large margins, platemark 300 x century. Edith Wharton dedicated a chapter to it in 430mm (11¾ x 17"). Text in French and German; 'Italian Villas and their Gardens' (1904) and the family foxing to edges. £450 continue to spend time there during the winter months. The baroque Kollegienkirche, designed by Austrian Plate from Austrian architect Johann Bernard Fischer architect Johann Bernard Fischer von Erlach. It was von Erlach's 'Entwurf einer historischen Architektur' commissioned in 1694 by Archbishop Johann Ernst ('Outline of Historical Architecture', first published von Thun, to serve the city's university. Mozart was 1721) , the first comparative architecture of all periods born and lived in a house nearby with two clocks on and nations. clock tower. Stock: 33414 Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of (commissioned by the Emperor Hadrian as a all periods and nations. mausoleum for him and his family). After the Stock: 33402 mausoleum was completed, Hadrian had the bridge constructed. Both still remain, although the statues on 420. [Mosque of Sultan Orcanus II in Bursa, pillars seen on the bridge here were replaced by ten Turkey and in Pest, Hungary] Abbildüng der angels by Bernini. groβen Mosquée so der Türcklische Kaiβer Plate from Austrian architect Johann Bernard Fischer Orcanus II in der alten Residenz Stadt Bursa von Erlach's 'Entwurf einer historischen Architektur' in den Asien, erbauet hat [...] ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods J.B.F. v. E. del / Gravé par B. C.P.S.C.M. [Leipzig, and nations. 1725] Stock: 33416 Engraving, sheet 300 x 425mm (11¾ x 16¾"). Title in Arabic (Bursa only); text in French and German; foxing to edges. £360 423. [First plan for Schönbrun Palace and Views of mosques in Turkey and Hungary. grounds, Vienna] Premier project que l'auteur Plate from Austrian architect Johann Bernard Fischer a formé pour placer la Venerie Imperiale sur la von Erlach's 'Entwurf einer historischen Architektur' hauteur de Schönbrun [...] ('Outline of Historical Architecture', first published J:B: Fischers d'Erl: inv: et del: / J.A. Delsenbach fecit 1721) , the first comparative architecture of all periods [Leipzig, 1725] and nations. It was the most influential 18th century Engraving with very large margins, platemark 300 x book illustrating Islamic architecture, treating Islamic 430mm (11¾ x 17"). Text in French; ingrained dirt in and other eastern buildings with the same detail as the title area. Foxing. £450 more canonical ancient buildings also included in the Austrian architect Johann Bernard Fischer von Erlach's book. first plan for the famous palace of Schönbrun in Stock: 33413 Vienna. It has been claimed that the audacious 'mega- Versailles' envisaged here, with the palace on the crest 421. [Naumachia staged by Domitian in of a hill and claiming improbably to offer view of 'the Rome] Naumachia; oder Römischer borders of Hungary', were 'intended to display the Schift=streit zu weβen offentlichen "universal claim to power" of the Habsburg dynasty, Vorstellungen ganze Sen ausgegraben [...] but never seriously considered as a concrete architectural project'. The palace was eventually built J.B. F. v. E. delin. / Delsenbach sculp. [Leipzig, 1725] at the bottom of the hill, rather than the top as shown Engraving with very large margins, platemark 300 x here, along with other adjustments. 430mm (11¾ x 17"). Text in French and German; Plate from Fischer's 'Entwurf einer historischen foxing to margins only. £350 Architektur' ('Outline of Historical Architecture', first A 'naumachia', or mock sea-battle, in ancient Rome. published 1721) , the first comparative architecture of Various Roman emperors held such events. One of the all periods and nations. see Martin Mutschlechner, most dedicated was Domitian, who according to 'From castle in the air to château de plaisance – Suetonius (cited as a source here) held a naval battle in Schönbrunn and Fischer von Erlach', the amphitheatre. He also constructed the 'hypogeum' www.habsburger.net below the floor of the Colosseum, and later dug a pool Stock: 33405 by Tiber for further events. According to the text, the 'fleets' consisted of prisoners who had been sentenced to death and were forced to participate. 424. [Imperial Stables, Vienna] Prospect Des Plate from Austrian architect Johann Bernard Fischer Gross Neuen Kaisl. Stalls vor 600 Pferde [...] von Erlach's 'Entwurf einer historischen Architektur' Fischers V:E: Cum Privil: Sacr: Caesar Majest. ('Outline of Historical Architecture', first published [Leipzig, 1725] 1721) , the first comparative architecture of all periods Engraving with very large margins, platemark 300 x and nations. This print derives from a 16th century 430mm (11¾ x 17"). Text in French and German; etching by Étienne du Pérac, although the perspective foxing to top of image. £480 and surrounding buildings have been added by Fischer The Imperial Stables in Vienna, designed by Austrian for greater verisimilitude. architect Johann Bernard Fischer von Erlach and Stock: 33417 inspired by the Emperor Nero's 'Domus Aurea'. The building included stables for six hundred horses, room 422. [Ponte Sant'Angelo and Castel for two hundred state coaches, and an amphitheatre for Sant'Angelo, Rome] Die vom Kaiser Hadriano public displays, and a horse pond. The stables were severely damaged during the French nächt Seinem grabmal zu Rom erbaute Brücke Occupation of Vienna in the Napoleonic Wars, after [...] which they were renovated and expanded. After the J.Bern. F. v. E. delin. C.P.S.C.M. [Leipzig, 1725] stables became redundant in the twentieth century, the Engraving with very large margins, platemark 300 x site was used for trade fairs before recently becoming 430mm (11¾ x 17"). Text in French and German; 'MuseumsQuartier Wien', an arts centre including foxing to margins only; very slight crease. £350 several museums, galleries and other cultural The Ponte Sant'Angelo which spans the Tiber, connecting the city of Rome to the Castel Sant'Angelo institutions. In the background are the Vienna districts Cathedrale.) + Sta..Maria del fiore (Si Duomo.) of Laimgrube and St. Ulrich [/] Sainte Marie nouvelle + Santa Maria Plate from Fischer's 'Entwurf einer historischen novella. [/] Porte St. Gallo + Porta Sn. Gallo. Architektur' ('Outline of Historical Architecture', first Dessiné d'apres nature par Ph. Benoist. [Various published 1721) , the first comparative architecture of engravers]. Imp. Lemercier, a Paris. Paris, publie par all periods and nations. for Nero's Domus Aurea, see Bulla, rue Tiquetonne, 18 et (Mon. Aumont) Francois ref.33418 Delarue, Succ, rue JJ Rousseau 10. [n.d., c.1850]. Stock: 33399 Set of seven tinted lithographs with one aquatint. Unbound. Sheet size: 290 x 380mm (11½ x 15") each. 425. [Palais Trautson, Vienna] Veüe et £1200 Perspective de l'Hôtel, du Jardin, et de A set of eight views in Florence, the capital city of the l'Orangerie [...] Italian region of , including seven tinted Jos. Emanu: Fischers d'Erl: deline: Cum Priv: Sacr: lithographs after Philipe Benoist (1813-1880), titles in Cas: Maj: [Leipzig, 1725] French and Italian, and one aquatint after Swiss painter Engraving with very large margins, platemark 300 x Salomon Corrodi (1810-1892). The set includes a 430mm (11¾ x 17"). Text in French; foxing. £480 stunning panoramic view of the city; a view of the The baroque Palais Trautson in Vienna, designed by Renaissance Ponte Santa Trìnita 'Holy Trinity Bridge', Austrian architect Johann Bernard Fischer von Erlach. spanning the river Arno; the Palazzo Pitti, situated on It now houses Austria's Ministry of Justice. The palace the south side of the River Arno; a view from the front was built adjacent to the Imperial Stables, also of the Basilica di Santa Maria del Fiore or 'Basilica of designed by Fischer. Saint Mary of the Flower', which remains the main Plate from Fischer's 'Entwurf einer historischen church of Florence; and the Porta Galla, or 'the Architektur' ('Outline of Historical Architecture', first Triumphal Arch'. published 1721) , the first comparative architecture of Stock: 33313 all periods and nations. for the Imperial Stables, see ref. 33399 428. Gibraltar. Stock: 33403 [Drawn & lithographed by John Frederick Lewis.] [London: F.G. Moon, 1836.] 426. Fish Barks. Tinted lithograph fine original hand colour. Sheet 265 Drawn and Etched by John Augustus Atkinson. x 365mm (10½ x 14½"). Trimmed into image, laid on London Published as the Act directs, May 1. 1803, by album paper. £320 J.A. Atkinson and Ja.s Walker, No. 8, Conway Street, A view of a fishing boat under the Rock of Gibraltar. A Fitzroy Square, and Mess.rs John & Josiah Boydell, view from Lewis's 'Sketches of Spain and Spanish Pall Mall & Cheapside. Character'. Abbey 149, plate 17. From a scrapbook Hand coloured soft gound etching and aquatint with compiled by Rev. Willaim Bradford (1780-1857), very large margins. Watermarked paper: 'J. Whatman. Chaplain and war artist during the Peninsula Wars. 1801'. Platemark: 185 x 245mm (7¼ x 9¾"). £140 Stock: 33367 Plate 85 from John Augustus Atkinson's (1775 - 1831) 'A Picturesque Representation of the Manners, 429. Gibraltar. Customs and Amusements of the Russians', 1803 - [Lithographed by W. Gauci after David Roberts.] 1804. The scene depicts Russian fishermen and women [London: Hodgson & Graves, 1837.] on a row boat on the Neva. According to the text these Tinted lithograph original hand coloured. Sheet 270 x vessels 'serve the fishmongers at once for dwelling 380mm (10½ x 15"). Trimmed into image, laid on houses, shops and fishponds... the lower part of the the album paper. £320 bark is divided into different wells for the keeping [of] A view of the Rock of Gibraltar from sea level, all kinds of fresh-water fish'. showing the embrasures of the Great Siege Tunnels. John Augustus Atkinson was a British etcher, painter, One of the views from David Roberts' 'Picturesque draughtsman and printmaker. He spent 1784 - 1801 in Sketches in Spain', his first published series of views. Russia with his uncle, James Walker. After returning to This very successful publication enabled Roberts to London in 1801, he made prints after his works, of embark on his monumental Holy Land & Egypt series. Russian subjects, and made outline etchings for other Abbey 152, plate 25. From a scrapbook compiled by artists. He also executed paintings on military subjects Rev. Willaim Bradford (1780-1857), Chaplain and war and battles. Abbey: 223. artist during the Peninsula Wars. Stock: 33502 Stock: 33366

427. Toscane. [A set of eight views in 430. Basilica di S. Antonio Florence]. Vue générale prise du coté de Bello [n.d., c.1840]. Sgaurdo + Veduta generale presa dalla parte di Lithograph, rare. Sheet size: 220 x 315mm (8¾ x Bello Sguardo. [/] Ponte A. S. Trinita, Firenze. 12¼"). Trimmed to image and around title. £160 [/] Pont anx Graces + Ponte alle Grazie. [/] A view of the Basilica of Saint Anthony of Padua, a Palais vieux et Loge des Lanzi + Palazzo Roman Catholic church and minor basilica in Padua, becchio e Luggi dei Lanzi. [/] Palais Putti + northern Italy. Although the Basilica is visited as a place of pilgrimage by people from all over the world, Palazzo Pitti. [/] Ste..Marie des fleurs (la it is not the principal cathedral of the city, a title 435. Il Duomo. In Verona. belonging to the Cathedral-Basilica of St. Mary of [n.d., c.1840]. Padua. To the right is the Equestrian Statue of Tinted lithograph. Sheet size: 180 x 285mm (7 x Gattamelata by Italian early Renaissance artist 11¼"). Trimmed to image on 3 sides. £140 Donatello, dating from 1453. It portrays the A view of Verona Cathedral, northern Italy, showing Renaissance condottiero Erasmo da Narni, known as the Romanesque facade at the front, including details 'Gattamelata', who served mostly under the Republic of such as the two Griffins at the base of the pillars, the Venice, which ruled Padua at the time. clock tower above, which was one of the world's first Stock: 33375 striking clocks, and the large circular gothic window at the top. 431. Vue du Port de Genes Prise de L'Ecole Stock: 33372 Royale de Marine. [n.d., c.1840]. 436. Ladoga Fishing Boats. Aquatint. Sheet size: 160 x 215mm (6¼ x 8½"). Drawn and Etched by John Augustus Atkinson. Trimmed to image on 3 sides. £140 London Published as the Act directs, May 1. 1803, by An attractive and highly detailed view of the Port of J.A. Atkinson and Ja.s Walker, No. 8, Conway Street, , Italy, including the Royal Marine School in the Fitzroy Square, and Mess.rs John & Josiah Boydell, foreground with a number of figures in naval costume Pall Mall & Cheapside. on the lawn in the centre, and in the distance, the Hand coloured soft gound etching and aquatint with Lighthouse of Genoa, one of the oldest standing very large margins. Watermarked paper: 'J. Whatman. structures of its kind in the world. 1801'. Platemark: 185 x 245mm (7¼ x 9¾"). £140 Stock: 33373 Plate 48 from John Augustus Atkinson's (1775 - 1831) 'A Picturesque Representation of the Manners, 432. Ponte Delle Navi. In Verona. Customs and Amusements of the Russians', 1803 - [n.d., c.1840]. 1804. The scene shows fishing boats on Lake Lagoda, Tinted lithograph. Sheet size: 180 x 285mm (7 x a freshwater lake in northwestern Russia, on the 11¼"). Trimmed around image and title. £180 outskirts of St. Petersburg. A view of the 'Ponte Navi' in Verona, Italy. The first John Augustus Atkinson was a British etcher, painter, Ponte Navi was completed in 1373 at the order of draughtsman and printmaker. He spent 1784 - 1801 in Cansignorio della Scala, who was Lord of Verona from Russia with his uncle, James Walker. After returning to 1359 until 1375 and was built at the same location of London in 1801, he made prints after his works, of an old Roman bridge. Several long boats can be seen Russian subjects, and made outline etchings for other tied to the bridge in the foreground, as a number of artists. He also executed paintings on military subjects pedestrians and horse drawn carriages pass by above. and battles. Abbey: 223. Stock: 33361 Stock: 33504

433. Ponte Della Pietra. 437. Como. Vue Générale. [/] Veduta [n.d., c.1840]. Generale. Tinted lithograph. Sheet size: 180 x 285mm (7 x Dessiné d'apres nature par Ph. Benoist. Lith par J. 11¼"). Trimmed to image and around title. £140 Jacottet. Fig par Bayot. Imp par Lemercier, rue de A view of the Ponte Pietra or 'Stone Bridge', once Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne known as the Pons Marmoreus, a Roman arch bridge et (Mon.. Aumont) Francois Delarue, succ. 10 rue, JJ crossing the Adige River in Verona, Italy. The bridge Rousseau. [n.d., c.1850]. was completed in 100 BC, and it originally flanked Tinted lithograph. Sheet size: 290 x 380mm (11½ another Roman bridge, the Pons Postumius; both x15"). £260 structures provided the city (on the right bank) with A stunning and picturesque view of the city of Como in access to the Roman theatre on the east bank. , Italy. A group of figures can be seen on a Stock: 33370 path in the foreground, with the city in the background. The domes of the Como Cathedral are noticable to the 434. Tombe Degli Scaligeri. In Verona. left, with Lake Como and the in the distance. Tinted lithograph. Sheet size: 177 x 277mm (6¾ x After Philipe Benoist (1813-1880), with titles in French 10¾"). Trimmed to image and around title. £90 and Italian. A view of the Scaliger Tombs, a group of five Gothic Stock: 33331 funerary monuments in Verona, Italy, celebrating the Scaliger family, who ruled in Verona from the 13th to 438. Lugano. Vue prise du lieu appelé le the late 14th century. The tombs are placed within a Paradis pries Fontana. [/] Veduta presa dal wrought iron enclosure decorated with a stair motif, in Paradiso presso Fontana. reference to the Italian meaning of the name of the Dessiné d'apres nature par Ph. Benoist. Lith par J. family, della Scala. Jacottet. Fig par Bayot. Imp par Lemercier a Paris. Stock: 33369 Paris. Bulla et Delarue, 10, rue JJ Rousseau. et. Bulla édituer, 18 rue Tiquetonne. [n.d., c.1850]. Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). £260 A picturesque view of Lake Lugano on the border A panoramic view of Madrid, Spain. The print is between south east Switzerland and Italy, with the numbered at 17 locations, with a key below, surrounding city in the distance. The lake, named after highlighting the important places and buildings in the the city of Lugano, is situated between Lake Como and city, including the Royal Court of the Catholic Kings Lake Maggiore. (9) shown in the centre of the skyline in the distance, After Philipe Benoist (1813-1880), with titles in French the Manzanares river (2) which flows through the city and Italian. at the bottom of the image, the Bridge of Sogovia (12) Stock: 33332 crossing the river, and the Colegio Imperial de Madrid (17) a Jesuit educational institution in Madrid, founded 439. Lac Majeur. Statue de st. Charles at the end of the 16th century acquiring the title of Borromiée. [/] Statua di San Carlo Borromeo. 'Imperial College' thanks to the patronage of the Dessiné d'apres nature par Ph. Benoist. Lith par J. Empress Maria, daughter of Charles V, Holy Roman Jacottet. Fig par Bayot. Imp par Lemercier, a Pais. Emperor. Paris_ Bulla et Delarue, rue JJ Rousseau. a. Bulla Titles in both Spanish and French below image. éditeur, 18 rue Tiquetonne. [n.d., c.1850]. Stock: 33562 Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). £220 442. . Porte Orientale. [/] Porta A fine view of the enormous statue of San Carlone, Orientale. also known as Colossus of San Carlo Borromeo, Dessiné d'apres nature par Ph. Benoist. Lith par erected between 1614 and 1698, near Arona, Italy. It is Bachelier. fig par Bayot. Imp Lemercier a Paris. Paris, built on a hill overlooking Lake Maggiore, which can Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850]. be seen in the background, near the ancestral castle of Tinted lithograph. Sheet size: 290 x 380mm (11½ the Borromeo family. A series of chapels was planned x15"). £220 documenting the life of the saint, (1538–1584) who A fine and highly detailed view, from the left, of Porta was the cardinal archbishop of Milan from 1564 to Venezia (formerly known as Porta Orientale) which is 1584. Only three were eventually built. one of the historical gates of the city of Milan, Italy. After Philipe Benoist (1813-1880), with titles in French The gate of consists of two twin and Italian. neoclassical buildings, that used to house customs Stock: 33330 offices, located on the opposite sides of the main street that was used to enter Milan from north east. This view 440. Pavie. Facade de la Chartreause. [/] depicts a number of figures in front of the buildings, Pavia. Facciata della Certosa. including soldiers on horse back, and horses and carts. Desineé d'ap. nat. et lith. par Ph. Benoist. Imp After Philipe Benoist (1813-1880), with titles in French Lemercier. Paris. Paris, Bulla Editeur, Rue Tiquetonne, and Italian. 18. [n.d., c.1850]. Stock: 33328 Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). £220 443. Milan. Vue de Dome. [/] Milano. Veduta A highly detailed view of the Certosa di Pavia, a del Duomo. monastery and complex in Lombardy, northern Italy, Dessiné d'apres nature par Ph. Benoist. Lith par situated near a small town of the same name in the Bachelier. fig par Bayot. Imp par Lemercier, a Pais. Province of Pavia. Certosa is the Italian name for a Paris (Mon.. Aumont) Francois Delarue, succ. rue, JJ house of the cloistered monastic order of Carthusians Rousseau 10. Paris. Bulla éditeur, 18 rue Tiquetonne et founded by St. Bruno in 1044 at Grande Chartreuse. [n.d., c.1850]. Though the Carthusians in their early centuries were Tinted lithograph. Sheet size: 290 x 380mm (11½ known for their seclusion and asceticism and the x15"). £220 plainness of their architecture, the Certosa is renowned A highly detailed view of the Cathedral of Milan, Italy. for the exuberance of its architecture, in both the The Gothic cathedral took nearly six centuries to Gothic and Renaissance styles, and for its collection of complete and is the fifth largest cathedral in the world. artworks which are particularly representative of the After Philipe Benoist (1813-1880), with titles in French region. and Italian. After Philipe Benoist (1813-1880), with titles in French Stock: 33329 and Italian. Stock: 33323 444. Milan. Vue générale prise du Saint Gothard. [/] Veduta generale presa da San 441. Madrid. Madrid Villa Capital del Reino Gotardo. de España y Real Corte de los Reyes Católicos, Dessiné d'apres nature par Ph. Benoist. Lith par vista de la Puente de Sogovia. Bachelier. fig par Bayot. Imp Lemercier a Paris. Paris, [anon. French engraver]. a Paris chés Charpentier rué Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850]. S. Jaques au Coq. [n.d., c.1736]. Tinted lithograph. Sheet size: 290 x 380mm (11½ Engraving with large margins, scarce. Platemark: 350 x x15"). £280 520mm 13¾ x 20¼"). Faint vertical crease in centre of A fine panoramic view of the city of Milan, Italy. A sheet. £580 broad street, the corso San Gottardo, with many pedestrians on it can be seen in the centre of the image, leading to the Piazza XXIV Maggio, with the large A full length portrait of an Ottoman sailor, the sails of gateway at the top. In the distance, the bell tower of the a ship can be seen in the background of the image. San Gottardo church is a prominent feature of the Stock: 33259 skyline. The design was by Francesco Pecorari and the octagonal bell tower is Europe's first example of public 449. Plaisance. Vue générale. [/] Veduta clock (before, sun-dials were used). generale. After Philipe Benoist (1813-1880), with titles in French Dessiné d'apres nature par Ph. Benoist. Lith par J. and Italian. Jacottet. Fig par Bayot. Imp par Lemercier a Paris. Stock: 33327 Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850]. 445. Milan. Arc de la Baix. [/] Arco della Tinted lithograph. Sheet size: 290 x 380mm (11½ Bace. x15"). £260 Dessiné d'apres nature par Ph. Benoist. Lith par A panoramic view of the city of Piacenza, in the Bachelier. fig par Bayot. Imp Lemercier. Paris. Paris, Emilia-Romagna region of northern Italy. The scene Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850]. depicts a group of poorly dressed figures gathered in a Tinted lithograph. Sheet size: 290 x 380mm (11½ clearing in the foreground, with a number of buildings x15"). £240 in the distance and to the right. Piacenza is at the A fine view of the Porta Sempione, the city gate of confluence of the major waterways of nothern Italy, the Milan, Italy. Many pedestrians can be seen in the Trebbia, draining the northern Apennines, and the , Piazza Sempione in front of a landmark triumphal arch draining to the east. This has always made the city vital called Arco della Pace (Arch of Peace), dating back to to the interest of the political and militay powers the 19th century, but its origins can be traced back to a looking to control the region. gate of the Roman walls of Milan. It was the scene of After Philipe Benoist (1813-1880), with titles in French several prominent events in the Milanese history of the and Italian. 19th century, including the occasion in 1859, four days Stock: 33321 after the , when Napoleon III and Victor Emmanuel II of Italy triumphally entered Milan 450. Plaisance. Place des Chevaux. [/] Piazza through the gate. di Cavalli. After Philipe Benoist (1813-1880), with titles in French Dessiné d'apres nature par Ph. Benoist. Lith par J. and Italian. Jacotte. Fig par Bayot. Imp par Lemercier a Paris. Stock: 33325 Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850]. 446. Le Dome A Milan. Tinted lithograph. Sheet size: 290 x 380mm (11½ [n.d., c.1840]. x15"). £260 Hand coloured aquatint. Sheet size: 160 x 240mm (6¼ A view of the central square of Piacenza, in the Emilia- x 9½"). Trimmed to image and around title. £180 Romagna region of northern Italy. The square is A highly detailed view of the Cathedral of Milan, Italy. notable for the Mochi Horses, two equestrian statues in A number of figures can be seen on the grounds bronze, the works of the Tuscan sculptor Francesco surrounding the Cathedral, including a horse drawn Mochi, which can be seen seen to the left, in the carriage to the the right. The Gothic cathedral, which foreground and in the distance. Ranuccio I Farnese took nearly six centuries to complete, is the fifth largest reigned as Duke of Parma, Piacenza and Castro from cathedral in the world and occupies what was the most 1592 and commissioned the two statues in bronze in central site in Roman Mediolanum. order to regain the favor of the population - at that time Stock: 33360 the Farnese family suffered from a particular unpopularity - which were supposed to represent 447. Il Calessino di Napoli. himslef and his father Alexander. Lit. Muller [Naples, 1818.] After Philipe Benoist (1813-1880), with titles in French Lithograph with fine colour and large margins, rare; and Italian. Italian watermark. Sheet 240 x 405mm. Paper toned at Stock: 33322 lateral edges, old ink ownship inscription under image. Slighly tatty. £230 451. Vué du Palace Royal de Lisbonne. [&] A fat friar in an ornately-decorated calessino (a two- Vué de Palais que le Roi de Portugal a achetér. wheeled chariot cab), driver standing behind, whip A Leide, Chez Pierre vander Aa. [n.d., 1729.] over his head. From a series 'Life in Naples', Two engraved views printed within a separately- lithographed by Carlo Muller. printed frame-like decorative border. Sheet 235 x Stock: 33102 400mm (9¼ x 15¾"). Trimmed to printed border, laid on album paper. £350 448. [Ottoman Sailor.] [Title in Arabic Two views of Portuguese Royal Palaces, published in script.] the 1729 special edition of the 'Galerie Agreable du Lith. en couleur par Anatole et Bocquin. Imp. Monde', a sixty-six volume atlas of which only 100 Lemercier & C.ie. r. de Seine 57 Paris. [n.d., c.1860]. copies are said to have been published, with each plate Coloured lithograph with very large margins. 365 x augmented with these frame-like decorative borders. 475mm (14¼ x 18¾"). £160 From a scrapbook compiled by Rev. Willaim Bradford (1780-1857), Chaplain and war artist during the 455. Andenken an Prag. Domkirch von St. Peninsula Wars. Veit. Mitternachtseite. [/] Die Kettenbrucke. [/] Stock: 33374 Der Pulverthum. [/] Dom von St. Veit. Mittagseite. [/] Der Altstadter Brukenthurm. 452. [Lisbon] [Ca]roli Tertii, Hispaniarum [/] Der Wissehrad. [/] Die Theinkirche. [/] Die regis justi palatium, Olisipone. [Repeated in Sophien Insel. [/] Die Kleinsiete U.D. Spanish, Dutch & French.] Hradschin. [/] Die Altstadt. [/] Das Lustschloss P. v. d. Berge fec. et edit cum Privil. [n.d., c.1700.] Im Baumgarten. [/] Der Hradschin. Etching, rare. Sheet 165 x 245mm (6½ x 9½"). Trimmed into image on left, losing part of title, laid on Aufgenommen vom neuen Wege. [/] Panaroma album paper. £220 von Prag. The Lisbon palace of Charles III, the Habsburg Wurbs del. Winkles Sc. Verlag von Gottlieb Haase pretender to the throne of Spain during the War of the Sohne in Prag. Leipzig, durch Binders Kunst verlag. Spanish Succession. Published in 'Theatrum Hispaniæ', [n.d., c.1810]. a series of views of Spain drawn and engraved by 13 engravings and colour printed frontispiece. Pieter van den Berge (c.1670-1737). From a scrapbook Unbound. Frontis piece sheet size: 145 x 180mm (5¾ x compiled by Rev. Willaim Bradford (1780-1857), 7¼"). 12 engravings, sheet size: 130 x 165mm (5 x Chaplain and war artist during the Peninsula Wars. 6½") each. 1 engraving, sheet size: 230 x 285mm (9 x Stock: 33379 11¼"). 12 of 13 engravings trimmed inside platemark. Frontispiece trimmed to printed area. £260 453. [The Belém Tower] Bethlemi A set of thirteen views in Prague, published by Gottlieb munitissima arx, urbis vincinæ Haase (1765 - 1824) a German-Austrian printer and dealer. The views include several of St. Vitus propugnaculum. [Repeated in Spanish, Dutch Cathedral, the seat of the Archbishop of Prague; the & French.] Powder Tower or Powder Gate, one of the original city [P. v. d. Berge fec. et ed. cum Privil.] [n.d., c.1690.] gates dating back to the 11th century; Sophie Island Etching, rare. Sheet 165 x 245mm (6½ x 9½"). (Žofín) a river island located on the right bank of the Trimmed, laid on album paper. £260 New Town near the National Theatre; and a panoramic The Belém Tower, a small fortress at the mouth of the view of the city. River Tagus in Lisbon, published in 'Theatrum Stock: 33576 Hispaniæ', a series of views of Spain drawn and engraved by Pieter van den Berge (c.1670-1737). Built 456. Sicilian Lettiga. in 1519 it was included in the 2007 'Seven Wonders of A. J. Strutt fecit. 1845. Portugal'. From a scrapbook compiled by Rev. Willaim Etching. Sheet size: 300 x 380mm (11¾ x 15"). Bradford (1780-1857), Chaplain and war artist during Trimmed inside platemark. Small hole in lower right the Peninsula Wars. corner, slight crease at top. £130 Stock: 33384 A scene in rural Sicily showing two figures being transported in a 'Lettiga' or carriage, which is attached 454. Vué de la place du Palais á Lisbonne. to a stretcher and carried by two horses. It is led by a [&] Palais du Comte d'Avero, a Lisbonne oú man at the front, another with a gun to the side, and a Charles III a été Logé. [&] Fête des Taureaux á man on horse back at the rear. This would suggest that Lisbonne. [&] Embarquement de la Princesse those being transported are of great importance or de Portugal, Cathérine, Epouse de Charles II wealth. A mountainous landscape can be seen in the Roi D'Angleterre. distance. [A Leide, Chez Pierre vander Aa.] [n.d., 1729.] In antiquity, the 'Lettiga' was a portable bed, often Four engraved views printed within a separately- richly decorated, supported on the shoulders or arms, printed frame-like decorative border, very scarce. Sheet or pulled by horses, used for the transportation of 280 x 350mm (11 x 13¾"). Trimmed into the printed elderly or sick people in the Roman Empire but also, in border, laid on album paper. £350 later centuries, people of high social position. Four views of Lisbon, including bullfighting at the Arthur John Strutt (1819 - 1888) was an English Royal Palace and the departure of Catherine of painter, engraver, writer, traveller and archeologist. He Braganza to marry Charles II in 1662. It was published was the son of the landscape painter Jacob George in the 1729 special edition of the 'Galerie Agreable du Strutt (1790 -1864) and the writer and traveller Monde', a sixty-six volume atlas of which only 100 Elizabeth Strutt. In 1841 he travelled on foot through copies are said to have been published, with each plate central and southern Italy and in Sicily. An account of augmented with a frame-like decorative border, here this journey is given in 'A Pedestrian Tour in sadly mostly trimmed away. From a scrapbook & Sicily' published by him in London, in 1842. compiled by Rev. Willaim Bradford (1780-1857), Stock: 33245 Chaplain and war artist during the Peninsula Wars. Stock: 33377 457. Sicile. [A set of twelve views in Sicily]. Palerme. Vue de la Porte newe et de l'anien Palais des Emirs. + Palermo. Veduta della e del Palazzo degli Emiri. [/] Palerme. Place du Sénat. + Plaermo. Piazza 459. Andalusia. Senatoria. [/] Palerme. Place des Quatre Coins. J.F.L. 1835. [Drawn & lithographed by John Frederick + Palermo. Piazza de Quattro Cantoni. [/] Lewis.] [London: F.G. Moon, 1836.] Palerme. Entreé du jardin Botanique + Tinted lithograph fine original hand coloured. Sheet Palermo. Ingresso del giardino Botanico. [/] 265 x 360mm (10½ x 14¼"). Trimmed into image, laid Palerme. Place Royale. + Palermo. Piazza on album paper. £280 Two men resting, drinking and smoking, with a mule Reale. [/] Montreale. Intérier de la Cathédrale with a pack including a rudimentary rifle. A view from + Interno del Duomo. [/] Montreale. Bas rote Lewis's 'Sketches of Spain and Spanish Character'. droit de la Cathédrale. + La navata a diritta Abbey 149, plate 12. From a scrapbook compiled by del Duomo. [/] Palerme. Eglise Royal de Ste. Rev. Willaim Bradford (1780-1857), Chaplain and war Marie la neuve. + Palermo. Chiesa Reale di artist during the Peninsula Wars. Santa Maria la neuiva. [/] Palerme. Chapelle Stock: 33368 du Palais Royal. + Palermo. Capilla del Palazzo reale. [/] Palerme. Eglise des Jésuites. + Chiesa 460. La Ville de Grenade. [&] Alhambre. [&] dei Jesuit. [/] Palerme. Eglise du Monastérre de Vue des deux Châteaux de Granade. [&] Palais St. Simon + Chiesa del Monastero Sto. Simone. des Rois Mores de Grenade, vu par derriere. [/] Palerme. Zisa + Palermo. La Zisa. [A Leide, Chez Pierre vander Aa.] [n.d., 1729.] Desineé d'apés narure par Ph. Benoist. [Various Four engraved views printed within a separately- engravers]. Imp. par Lemercier a Paris. Paris_Bulla printed frame-like decorative border. Sheet 280 x éditeur, 18 rue Tiquetonne et (Mon. Aumont) Francois 360mm (11 x 13¾"). Trimmed into the printed border, Delane succ. rue JJ. Rousseau, 10. [n.d., c.1850]. laid on album paper. £350 A set of twelve lithographs. Unbound. Sheet size: 290 Four views of Granada, published in the 1729 special x 380mm (11½ x 15") each. £750 edition of the 'Galerie Agreable du Monde', a sixty-six A set of tweleve fine, highly detailed views in Sicily, volume atlas of which only 100 copies are said to have Itlay. The set includes five exterior views, including; been published, with each plate augmented with a Quattro Canti, officially known as Piazza Vigliena, a frame-like decorative border, here sadly mostly Baroque square in Palermo, with the near-identical trimmed away. From a scrapbook compiled by Rev. facades of the buildings surrounding a large number of Willaim Bradford (1780-1857), Chaplain and war people, including two carrying a sedan chair in the artist during the Peninsula Wars. foreground; the entance to the 'Orto Botanico di Stock: 33376 Palermo', or Palermo Botanical Garden, founded in 1779, when the 'Accademia dei Regi Studi' created the 461. [The Alhambra from the Albay.] chair of 'Botany and medicinal properties'; and a view [J.F.L. 1835. J.D.H. lith.] [Drawn by John Frederick of the Piazza Senatoria, more commonly known as Lewis, lithographed by James Duffield Harding.] Piazza Pretoria or, the Piazza of Shame. It is said that [London: Hodgeson, Boys & Graves, 1835.] this name was given to the piazza as a respresentation Tinted lithograph original hand coloured. Sheet 250 x of the corrupt government, as in 1573, to make way for 350mm (9¾ x 13¾"). Trimmed into image, laid on the monumental fountain in the centre, several homes album paper. Some damage top left. £260 were demolished by the Senate. The seven internal A view across rooftops to the walled citadel, from views are of various churches and cathedrals, Lewis's 'Sketches of Spain and Spanish Character'. including: two of the Cathedral of Monreale, one of the Abbey 148, plate 2. From a scrapbook compiled by greatest extant examples of Norman architecture in the Rev. Willaim Bradford (1780-1857), Chaplain and war world; the Church of Santa Maria; and the highly artist during the Peninsula Wars. Stock: 33371 ornate Church of the Gesu. Stock: 33353 462. Romeria de S. Isidro del Camp en 458. [Bilboa] Flaviobriga, sive Bellum Madrid. Costumbres Espanolas. Fête de S. Vadum, Cantabrorum urbs, ad Cantabrici Isidro del Campo a Madrid. Mœurs maris quoddam brachium. [Repeated in Espagnoles. Spanish, Dutch & French.] G.P. de Villa-amil pinxit. Lith par Jacottet et Bayot. P. v. d. Berge fec. et ed. cum Privil. [n.d., c.1690.] Imp. Lemercier, Benard et C.e à Paris. A Paris, chez A. Etching, rare. Sheet 165 x 250mm (6½ x 9¾"). Hauser, boul des Italiens, 11. [n.d, c.1842.] Trimmed close to printed border, laid on album paper. Tinted lithograph with large margins. Printed area 310 £240 x 390mm (12 x 15¼"). Laid on album paper, partial A prospect of Bilboa, published in 'Theatrum publisher's blind stamp 'España artística y monumental' Hispaniæ', a series of views of Spain drawn and in inscription area. £260 engraved by Pieter van den Berge (c.1670-1737). From A festival in fields outside Madrid, a bridge in the a scrapbook compiled by Rev. Willaim Bradford (1780- background, from 'España artística y monumental' by 1857), Chaplain and war artist during the Peninsula Jenaro Pérez Villaamil (1807-54), regarded as one of Wars. the foremost painters of the of the Galician Romantic Stock: 33378 Movement. Most of his paintings are exhibited at Museo del Prado in Madrid. From a scrapbook compiled by Rev. Willaim Bradford (1780-1857), are exhibited at Museo del Prado in Madrid. From a Chaplain and war artist during the Peninsula Wars. scrapbook compiled by Rev. Willaim Bradford (1780- Stock: 33365 1857), Chaplain and war artist during the Peninsula Wars. 463. [Toledo] Regiæ Toletane cospectus à Stock: 33363 parte Pontis, Taho injecti. [Repeated in Spanish, Dutch & French.] 467. [The Escurial Palace] Escuriaci [P. v. d. Berge fec. et edit cum Privil.] [n.d., c.1690.] conspectus, versus Montana. [Repeated in Etching, rare. Sheet 165 x 245mm (6½ x 9½"). Spanish, Dutch & French.] Trimmed into image, losing part of publisher's [P. v. d. Berge fec. et ed. cum Privil.] [n.d., c.1690.] inscription, laid on album paper. £240 Etching, rare. Sheet 165 x 245mm (6½ x 9½"). Prospect of Toledo, published in 'Theatrum Hispaniæ', Trimmed within plate, laid on album paper. £240 a series of views of Spain drawn and engraved by Prospect of El Escorial, published in 'Theatrum Pieter van den Berge (c.1670-1737). From a scrapbook Hispaniæ', a series of views of Spain drawn and compiled by Rev. Willaim Bradford (1780-1857), engraved by Pieter van den Berge (c.1670-1737). From Chaplain and war artist during the Peninsula Wars. a scrapbook compiled by Rev. Willaim Bradford (1780- Stock: 33380 1857), Chaplain and war artist during the Peninsula Wars. 464. [The Escurial Palace] Escuriaci è septem Stock: 33381 Coenobiis. [Repeated in Spanish, Dutch & French.] 468. [A Moorish gateway through a Spanish [P. v. d. Berge fec. et ed. cum Privil.] [n.d., c.1690.] town's walls.] Etching, rare. Sheet 165 x 245mm (6½ x 9½"). [after Jenaro Pérez Villaamil?] Imp. Lemercier, Benard Trimmed, laid on album paper. £220 [Paris: A. Hauser, n.d., c.1842.] A courtyard of El Escorial, published in 'Theatrum Tinted lithograph with large margins. Printed area 435 Hispaniæ', a series of views of Spain drawn and x 280mm (17¼ x 10½"). Laid on album paper, partial engraved by Pieter van den Berge (c.1670-1737). From publisher's blind stamp 'España artística y monumental' a scrapbook compiled by Rev. Willaim Bradford (1780- in inscription area. Slight crease. £240 1857), Chaplain and war artist during the Peninsula A riverside scene, with boats pulled up under the Wars. town's walls, probably Algeciras, by Jenaro Pérez Stock: 33383 Villaamil (1807-54), regarded as one of the foremost painters of the of the Galician Romantic Movement. 465. [Cadiz] Gades, in Beticæ chersoneso, ad Most of his paintings are exhibited at Museo del Prado Bætis amnis ostia; à Tyriis condita, Herculis in Madrid. The Frontispiece to "Espana Artistica". delubro quondam notissima; hodie From a scrapbook compiled by Rev. Willaim Bradford navigationis beneficio opulenta. [Repeated in (1780-1857), Chaplain and war artist during the Peninsula Wars. Spanish, Dutch & French.] Stock: 33364 [P. v. d. Berge fec. et ed. cum Privil.] [n.d., c.1690.] Etching, rare. Sheet 170 x 260mm (6¾ x 10¼"). 469. Barcelona. Trimmed within plate, laid on album paper. £240 H. Swinburne Delin.t. Ellis sculp.t. [London: Printed Prospect Caduz from the sea, with a map of the city for P. Elmsly, 1779.] and bay on tromp l'oeil banner, published in 'Theatrum Engraving. Sheet 180 x 200mm (7 x 8"). Trimmed and Hispaniæ', a series of views of Spain drawn and laid on album paper, text sheet (in English & French) engraved by Pieter van den Berge (c.1670-1737). From pasted as overlay. £220 a scrapbook compiled by Rev. Willaim Bradford (1780- A view of Barcelona, published in 'Travels through 1857), Chaplain and war artist during the Peninsula Spain in the Years 1775 and 1776 in which several Wars. Stock: 33382 monuments of Roman and Moorish Architecture are Illustrated by Accurate Drawings taken on the Spot' by Henry Swinburne (1743-1803). . This was the first 466. Un Mercado. Costumbres Espanolas. Un antiquarian book on Spain to be published in England, Marché. Mœurs Espagnoles. based on Swinburne's travels with Sir Thomas G.P. de Villa-amil pinxit. Bichebois et Bayot. Imp. Gascoigne, when Spain was relatively unknown land. Lemercier, Benard et C.e à Paris. A Paris, chez A. The book described early Roman and Moorish Hauser, boul des Italiens, 11. [n.d, c.1842.] architecture with historical background and his praise Tinted lithograph with large margins. Printed area 320 for Arabesque architecture long predates the 19th- x 390mm (12½ x 15¼"). Laid on album paper, partial century Romantic period From a scrapbook compiled publisher's blind stamp 'España artística y monumental' by Rev. Willaim Bradford (1780-1857), Chaplain and in inscription area. £260 war artist during the Peninsula Wars. A market in the square of an unnamed Spanish town, Stock: 33309 probably in Granada, from 'España artística y monumental' by Jenaro Pérez Villaamil (1807-54), regarded as one of the foremost painters of the of the Galician Romantic Movement. Most of his paintings 470. Granada. Stock: 33308 H. Swinburne del. Angus sculp.t. [London: Printed for P. Elmsly, 1779.] 473. Toledo. Engraving. Sheet 260 x 375mm (10¼ x 14¾). H. Swinburne Delin.t. Watts sculp.t. [London: Printed Trimmed and laid on album paper, text sheet (in for P. Elmsly, 1779.] English & French) pasted as overlay. £260 Engraving. Sheet 265 x 370mm (10½ x 14½"). A view of Grenada, published in 'Travels through Trimmed and laid on album paper. £240 Spain in the Years 1775 and 1776 in which several A view of Toledo, published in 'Travels through Spain monuments of Roman and Moorish Architecture are in the Years 1775 and 1776 in which several Illustrated by Accurate Drawings taken on the Spot' by monuments of Roman and Moorish Architecture are Henry Swinburne (1743-1803). . This was the first Illustrated by Accurate Drawings taken on the Spot' by antiquarian book on Spain to be published in England, Henry Swinburne (1743-1803). . This was the first based on Swinburne's travels with Sir Thomas antiquarian book on Spain to be published in England, Gascoigne, when Spain was relatively unknown land. based on Swinburne's travels with Sir Thomas The book described early Roman and Moorish Gascoigne, when Spain was relatively unknown land. architecture with historical background and his praise The book described early Roman and Moorish for Arabesque architecture long predates the 19th- architecture with historical background and his praise century Romantic period From a scrapbook compiled for Arabesque architecture long predates the 19th- by Rev. Willaim Bradford (1780-1857), Chaplain and century Romantic period From a scrapbook compiled war artist during the Peninsula Wars. by Rev. Willaim Bradford (1780-1857), Chaplain and Stock: 33307 war artist during the Peninsula Wars. Stock: 33310 471. Madrid. H. Swinburne Delin.t. Medland sculp.t. [London: 474. [The Spanish War of Independence.] Printed for P. Elmsly, 1779.] Lebantamiento de Madrid [&] Patriotismo de Engraving. Sheet 280 x 365mm (11 x 14¾") Trimmed Sevilla. and laid on album paper, text sheet (in English & [n.d., c.1810.] French) pasted as overlay; small tear in title. £260 Two etchings with original colour, extremely scarce. A view of Madrid, published in 'Travels through Spain Each sheet 170 x 220mm (6¾ x 8¾"). Trimmed close in the Years 1775 and 1776 in which several to printed borders, laid on one album sheet. £580 monuments of Roman and Moorish Architecture are A pair of popular prints from a set of 7 depicting the Illustrated by Accurate Drawings taken on the Spot' by beginning of the Spanish War of Independence in Henry Swinburne (1743-1803). . This was the first 1808. The first is the famous Dos de Mayo Uprising, in antiquarian book on Spain to be published in England, which the people of Madrid rose up against the French based on Swinburne's travels with Sir Thomas soldiers who were trying to take the children of the Gascoigne, when Spain was relatively unknown land. Spanish king Charles IV to France. The poorly-armed The book described early Roman and Moorish population had little chance against the French army. architecture with historical background and his praise Murat's brutal reprisals against the population inspired for Arabesque architecture long predates the 19th- further revolts throughout Spain. On the 26th May it century Romantic period From a scrapbook compiled was the turn of Seville to revolt. From a scrapbook by Rev. Willaim Bradford (1780-1857), Chaplain and compiled by Rev. Willaim Bradford (1780-1857), war artist during the Peninsula Wars. Chaplain and war artist during the Peninsula Wars. Stock: 33311 Stock: 33261

472. Seville. 475. Souvenirs de Strasbourg et de ses H. Swinburne del. Ellis sculp.t. [London: Printed for P. monuments. La Douane. [/] Hopital Civil. [/] Elmsly, 1779.] Salle de Spectacle. [/] Hale aux Blés. [/] Jardin Engraving. Sheet 215 x 275mm (8½ x 10¾"). Trimmed Lips au Contades, Promenade prés Strasbourg. and laid on album paper, text sheet (in English & French) pasted as overlay. £220 [/] Mausolée du Maréchal de Saxe. [/] A view of Seville, published in 'Travels through Spain Academié. [/] Vue Intérieure de la Cathédrale. in the Years 1775 and 1776 in which several [/] Monument de Gutenberg a Strasbourg. [/] monuments of Roman and Moorish Architecture are Cathedrale d Strasbourg. [/] Monument de Illustrated by Accurate Drawings taken on the Spot' by Kleber a Strasbourg. [/] Vue de Quai et de Henry Swinburne (1743-1803). . This was the first L'Eglise St. Thomas. [/] Palais Royal. antiquarian book on Spain to be published in England, Lith. d. E. Simon a Strasbourg. Desiné a la Plume par based on Swinburne's travels with Sir Thomas L. A. Perrin. Publié chez E. Simon fils Imp.r lith. a Gascoigne, when Spain was relatively unknown land. Strasbourg. [n.d., c.1840]. The book described early Roman and Moorish 13 lithographs with original decorative wrappers. Sheet architecture with historical background and his praise size: 200 x 295 (8 x 11¾"). Light staining throughout. for Arabesque architecture long predates the 19th- £260 century Romantic period From a scrapbook compiled A set of thirteen views of places and monuments in by Rev. Willaim Bradford (1780-1857), Chaplain and Strasbourg, France. The views include; the Hôpital war artist during the Peninsula Wars. civil de Strasbourg, one of the oldest medical establishments in France; the Mausoleum of the Tinted lithograph. Sheet size: 290 x 380mm (11½ Marechal de Saxe, a monument dedicating Maurice of x15"). £280 Saxony, a soldier and Marshal General of France; an A highly detailed view of the Piazza Castello, or interior view of the cathedral of Strasbourg; David 'Castle Square' in the centre of Turin, northern Italy. d'Angers' Gutenberg monument, telling the story of the Designed in 1584 by Ascanio Vitozzi, the square was printing press's global influence; and the statue of heavily damaged during the civil war in Turin between General Jean-Baptiste Kléber in the central square of 1637-1640, and was rebuilt by Maria Cristina of Strasbourg. France, mother of Carlo Emanuele II of Savoy. In the Stock: 33583 middle of the square stands Palazzo Madama, a palace which was the first Senate of the Italian Kingdom, and 476. Trieste. Place de la Bourse. [/] Trieste. takes its traditional name from the embellishments it Piazza della Borsa. Royaume D'Illyrie. received under two queens (madama) of the House of Desineé d'ap. nat. et lith. par Ph. Benoist. Imp par Savoy. Other buildings in the square include the Royal Lemercier, rue de Seine 57 Pais. Paris. Bulla éditeur, Theatre, the Royal Palace and the Royal Library. 18 rue Tiquetonne et (Mon.. Aumont) Francois After Philipe Benoist (1813-1880), with titles in French Delarue, succ. 10 rue, JJ Rousseau. [n.d., c.1850]. and Italian. Tinted lithograph. Sheet size: 290 x 380mm (11½ Stock: 33316 x15"). £260 A highly detailed and picturesque view of the Place de 479. Turin. Vue générale, prise de la vigne de la Bourse, one of the main squares of Trieste in north la Reine. [/] Torino. Veduta generale, presa eastern Italy. It was considered the economic centre of della vigna della Regina. the city throughout the nineteenth century. The palace Dessiné d'apres nature par Ph. Benoist. Lith par J. to the right was built in 1806 by architect Macerata Jacottet. fig par Bayot. Imp par Lemercier. Paris. Bulla Antonio Mollari to accommodate the activities of the éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, traders of the stock, and is now commonly refered to as JJ Rousseau. [n.d., c.1850]. the Old Stock Exchange. A statue of Leopold I, the Tinted lithograph. Sheet size: 290 x 380mm (11½ Holy Roman Emperor, which can be seen at the top of x15"). £130 a column to the right, and was erected to commemorate A stunning panoramic view of the city of Turin, his visit to Trieste in 1673. northern Italy, the capital of the Piedmont region. The After Philipe Benoist (1813-1880), with titles in French view is taken from the Villa della Regina, a palace in and Italian. the centre of Turin originally built by the House of Stock: 33326 Savoy in the 17th century. The original structure was designed in early 1615 by the Italian soldier, architect 477. Trieste. Quai Carrioti. [/] Trieste. Riva and military engineer, Ascanio Vitozzi. He died in Carrioti. Royaume D'Illyrie. 1615 and the project was passed over to his Dessiné d'apres nature par Ph. Benoist. Lith par collaborators, father and son Carlo and Amedeo di Bachelier. fig par Bayot. Imp par Lemercier, rue de Castellamonte. Founded as the hilly vineyard court of Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne Cardinal Maurizio and Princess Ludovica, the palace et (Mon.. Aumont) Francois Delarue, succ. 10 rue, JJ was the residence of duchesses, princesses and queens Rousseau. [n.d., c.1850]. of the House of Savoy until the nineteenth century. Tinted lithograph. Sheet size: 290 x 380mm (11½ After Philipe Benoist (1813-1880), with titles in French x15"). Very slight stains at top. £260 and Italian. A view of the port of Trieste in north eastern Italy. Stock: 33314 Originally an Illyrian settlement, the city was later captured by the Carni, a tribe of the Eastern Alps, 480. Turin. La Superga [/] Torino. La before becoming part of the Roman republic in 177 Superga. BC. It is located at the head of the Gulf of Trieste and Dessiné d'apres nature par Ph. Benoist. Lith par throughout history it has been influenced by its Bachelier. fig par Bayot. Imp par Lemercier. Paris. location at the crossroads of Latin, Slavic, and Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 Germanic cultures. This view taken form the Grand rue, JJ Rousseau. [n.d., c.1850]. Canal shows several vesssels on the water, numerous Tinted lithograph. Sheet size: 290 x 380mm (11½ figures on the quay and the Carciotti palace to the left. x15"). £240 After Philipe Benoist (1813-1880), with titles in French A view of the Basilica of Superga, a church in the and Italian. vicinity of Turin, northern Italy. A group of figures can Stock: 33324 be seen sitting and standing on the lawn at the front of the church, with others walking along the paths in the 478. Turin. Place du Chateau. [/] Torino. distance. Built between 1717 to 1731 for Victor Piazza Castello. Amadeus II of Savoy, and designed by Filippo Juvarra, Dessiné d'apres nature par Ph. Benoist. Lith par it includes the Royal Crypt of Superga, the burial place Bachelier. fig par Bayot. Imp par Lemercier. Paris. of the Savoy family. It is situated at the top of the hill Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 of Superga which fulfilled a vow the duke (and future rue, JJ Rousseau. [n.d., c.1850]. King of Sardinia) had made during the Battle of Turin, after defeating the French army during the War of the Tinted lithograph. Sheet size: 290 x 380mm (11½ Spanish Succession. x15"). £240 After Philipe Benoist (1813-1880), with titles in French A detailed view of the Piazza d'Arme, or as it more and Italian. commonly known, the Piazza Grande, a square located Stock: 33315 in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, 481. Livourne. Place d'Armes. [/] Livorno. was inspied by the Piazza Grande for the design of Piazza d'Arme. Covent Garden in London, the first square of regular Dessiné d'apres nature par Ph. Benoist. Lith par shapes of the British capital. It is also believed that the Bachelier. fig par Bayot. Imp par Lemercier, r. de Piazza Grande was taken as a model of the Place Seine 57 Pais. [Paris. Bulla éditeur, 18 rue Tiquetonne Dauphine in Paris, the first important example of a et Bulla st Delarue, 10 rue, JJ Rousseau. n.d., c.1850]. royal square of the French Baroque. Original hand coloured lithograph. Sheet size: 205 x After Philipe Benoist (1813-1880), with titles in French 275mm (8¼ x 10¾"). Trimmed to image and around and Italian. For coloured impression, see item ref: title. £230 33385. A detailed view of the Piazza d'Arme, or as it more Stock: 33320 commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo 484. Luques. Saint Michel. [/] Lucca. San Jones, the father of English Renaissance architecture, Michele. was inspied by the Piazza Grande for the design of Dessiné d'apres nature par Ph. Benoist. Lith par J. Covent Garden in London, the first square of regular Jacottet. Fig par Bayot. Imp par Lemercier. Paris. Bulla shapes of the British capital. It is also believed that the éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, Piazza Grande was taken as a model of the Place JJ Rousseau. [n.d., c.1850]. Dauphine in Paris, the first important example of a Tinted lithograph. Sheet size: 290 x 380mm (11½ royal square of the French Baroque. x15"). Small wormhole in left margin. £220 After Philipe Benoist (1813-1880), with titles in French A highly detailed view of the front of the San Michele and Italian. For uncolored version, see item ref: 33320. Roman Catholic basilica church in Lucca, Tuscany, Stock: 33385 central Italy, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major 482. Sienne. Vue générale de la Cathédrale. [/] Council), the commune's most important assembly. It Siena. Veduta generale del Duomo. is dedicated to the Archangel Michael, and at the Dessiné d'apres nature par Ph. Benoist. Lith par summit, flanked by two other angels, is a 4m tall statue Bachelier. fig par Bayot. Imp par Lemercier a Paris. of St. Michael. In addition, on the lower right corner of Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st the façade is a statue (1480) of the Madonna salutis Delarue, 10 rue, JJ Rousseau. [n.d., c.1850]. portus, sculpted by Matteo Civitali to celebrate the end Tinted lithograph. Sheet size: 290 x 380mm (11½ of the 1476 plague. x15"). £240 After Philipe Benoist (1813-1880), with titles in French A detailed view of the front and side facades of the and Italian. Siena Cathedral, a medieval church in Siena, Tuscany. Stock: 33317 The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an 485. Pise. La Cathédrale, le tour melineé, le earlier structure by Giovanni Pisano, who was able to Baptisere, et le Campo Santo. [/] Pisa. Il oversee his work until about 1296 when he abruptly Duomo, il Battistero, e il Campo Santo. left Siena, reportedly over creative differences with the Dessiné d'apres nature par Ph. Benoist. Lith par J. Opera del Duomo, the group that oversaw the Jacottet. Fig par Bayot. Imp par Lemercier. Paris. Bulla construction and maintenance of the Siena cathedrals. éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, The church has the form of a Latin cross with a slightly JJ Rousseau. [n.d., c.1850]. projecting transept, a dome and a bell tower. The areas Tinted lithograph. Sheet size: 290 x 380mm (11½ around and above the doors, as well as the columns x15"). £220 between the portals, are richly decorated with acanthus The Campo Santo, also known as Camposanto scrolls, allegorical figures and biblical scenes, which Monumentale (monumental cemetery) or Camposanto can be seen in the centre. Vecchio (old cemetery), is a historical edifice at the After Philipe Benoist (1813-1880), with titles in French northern edge of the Cathedral Square in Pisa, Italy. and Italian. 'Campo Santo' can be literally translated as 'holy field', Stock: 33319 because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa 483. Livourne. Place d'Armes. [/] Livorno. from the Fourth Crusade by the archbishop of Pisa in Piazza d'Arme. the 12th century. This view shows some construction Dessiné d'apres nature par Ph. Benoist. Lith par taking place on the main dome, to the left, with a Bachelier. fig par Bayot. Imp par Lemercier, r. de number of figures, and a horse drawn cart, on the path Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne in the foreground. et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850]. After Philipe Benoist (1813-1880), with titles in French 488. John Hawkesworth L. L. D. and Italian. For coloured impression, see item ref: S.r. Joshua Reynolds pinx.t. James Watson fecit. 33386. Publish'd according to Act of Parliament Dec.r.1.st. Stock: 33318 1773, by Ja.s. Watson N.45 Little Queen Ann Street near Portland Chapel, & B. Clowes N.o.18 Gutter Lane 486. Pise. La Cathédrale, le tour melineé, le Cheapside. Baptisere, et le Campo Santo. [/] Pisa. Il Mezzotint. Framed. Plate: 270 x 380mm (10½ x 15"). Duomo, il Battistero, e il Campo Santo. Frame: 460 x 580mm (18 x 23"). Trimmed. Some [Dessiné d'apres nature par Ph. Benoist. Lith par J. staining in title area. £420 Jacottet. Fig par Bayot]. Imp par Lemercier. [Paris. Half portrait of the English book editor John Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 Hawkesworth (1715-1773) who was famously rue, JJ Rousseau. n.d., c.1850]. commissioned by the Admiralty to edit Captain James Original hand coloured lithograph. Sheet size: 210 x Cook's accounts of his first voyage. Portrait in a square 270mm (8¼ x 10½"). Trimmed to imag and around border, facing left. Hawkesworth wears a fur lined title. Rubbing to sheet. Slight staining. £220 jacket and sits at a table, quill in hand. Published in The Campo Santo, also known as Camposanto 1773 'Account of the Voyages...in the Southern Monumentale (monumental cemetery) or Camposanto Hemisphere' contained, as well as Cook's accounts, the Vecchio (old cemetery), is a historical edifice at the authorised accounts of John Byron, Philip Cartert and northern edge of the Cathedral Square in Pisa, Italy. Samuel Wallis's voyages in the Southern Hemisphere. 'Campo Santo' can be literally translated as 'holy field', Hawkesworth was paid £6000 for his efforts but was because it is said to have been built around a shipload highly criticised for his descriptions of the manners and of sacred soil from Golgotha, brought back to Pisa customs of the populations of the Southern Hemisphere from the Fourth Crusade by the archbishop of Pisa in which many felt were hurtful and inaccurate. the 12th century. This view shows some construction Australian interest. Chaloner Smith: 73 (II). Hamilton taking place on the main dome, to the left, with a p.36 (II) number of figures, and a horse drawn cart, on the path Stock: 33624 in the foreground. After Philipe Benoist (1813-1880), with titles in French 489. An Historical Account of The Colony of and Italian. For uncoloured version, see item ref: New South Wales and its Dependent 33318. Settlements; in Illustration of Twelve Views, Stock: 33386 Engraved by W. Preston, a Convict; From Drawings taken on the Spot, by Captain 487. Lombardie. [Set of nine views in Venice]. Wallis, of the Forty-Sixth Regiment. To which Quai des Esclavons + Riva degli Schiavoni. [/] is subjoined An Accurate Map of Port Pont de Rialto + Ponte di Rialto. [/] Cour du Macquarie, and the Newly Discovered River palais ducal + Cortile del palazzo ducale. [/] Hastings, by J. Oxley, Esq. Surveyor General Place St. Marc + Piazza Sn. Marco. [/] Grand to the Territory. Canal + Canal Grande. [/] L'Arsenal + London: Printed for R. Ackermann, Repository of Arts, L'Arsenale. [/] Basilique de St. Marc + Basilica Strand, by R. Moyes, Greville Street. 1821. Sn. Marco. [/] Eglise de SSt. Jean et Paul + Folio, original boards with publisher's label; large Chiesa si SS. Gio t Paolo. [/] Basilique St Marc paper copy; half title, title, pp. (ii)(extra leaf) +42; nine + Basilica Sn. Marco. copper-engraved plates (of 12, plate III supplied from Dessiné d'apres nature par Ph. Benoist / Lith par another example), four double-page), and map. Bachelier. Imp. Lemercier, a Paris. Paris, publie par Disbound, binding very distressed; all plates slightly Bulla, rue Tiquetonne, 18 et (Mon. Aumont) Francois stained, plates iv + v with worming at centre folds; Delarue, Succ, rue JJ Rousseau 10. [n.d., c.1820]. plate iii with smaller margins, creased, corner of A set of 9 tinted lithographs. Unbound. Sheet size: 290 margin torn, glue and paper from album sheet on x 380mm (11½ x 15") each. £1400 reverse. £6000 A set of nine exceptional views of Venice, including The 'Historical Account' was the first book with views eight external and one internal (the Basilica di San engraved in Australia, a collaboration between James Marco), after Philipe Benoist (1813-1880). Titles in Wallis, commandant of the convict settlement at both French and Italian. The views include; the Rialto Newcastle and some of his charges. Bridge, the oldest of the four bridges spanning the When Wallis arrived in 1814 Newcastle had a Grand Canal in Venice, a view of the Grand Canal particularly bad reputation, and was described by a itself with numerous gondolas on the water, the Lieutenant Purcell as 'the Hell of New South Wales'. Renaissance courtyard of the Ducal Palace and a busy Wallis was more enlightened and, motivating with his Piazza San Marco, the principal public square of enthusiasm rather than brutality, brought about a Venice. transformation in the colony, building a church, a Stock: 33312 hospital, a stone pier and a more humanitarian prison. In order to show there was more to life than labouring he recruited some of the convicts under his command, especially the highwayman Walter Preston (who had received the death penalty at Middlesex Assises but had it commuted to 14 years' transportation) and forger Commonwealth', including ‘Flying Doctor in Joseph Lycett, to help in the production of these views. Australia’, 'Ocean Liner in Singapore’, ‘Camel outside Preston was given the job of engraving the plates, and, Kaus’, ‘Oxcart in India’, ‘Boat in W Indies’ and others. according to the text, was 'forced to content himself Stock: 33392 with the common sheet copper which is employed for coppering the bottoms of ships'. 493. Famile Indienne. Botocudos. The prints were advertised for sale in Sydney on the Dess: d'ap: nat: par Rugendas. Lith par. V. Adam. [n.d., 9th January 1819; on the 15th Governor Lachlan c.1830.] Macquarie pardoned both Preston & Lycett at the Lithograph. Sheet size: 420 x 325mm (16½ x 12¾" ). request of Wallis. Wallis returned to London later in Crease to sheet. £240 the year, taking with him the copper plates, which were A scene of a family of the Botocudos tribe of Indians, a then used to illustrate this book. plate from Johann Moritz Rugendas's 'Voyage The missing plates are: (ii) Sydney from Dawe's pittoresque dans le Bresil... traduit de l'Allemand par Battery; (vi) Corrobboree; (vii) Black Swans. See T. Mr. de Golbery'. McCormick First Views of Australia: Nos 148, Rugendas (1802-58, great-great grandson of Georg 149,150, 151. Philipp Rugendas, the celebrated painter of battles) Stock: 33509 arrived in Brazil in 1821 and was hired as an illustrator by Baron von Langsdorff, the consul-general of the 490. New South Wales. Russian Empire in Brazil. Fortunately for Rugendas, The Illustrations by H.Warren; & Engraved by J. the two fell out before Langsdorff's disasterous Rogers. The Map Drawn and Engraved by J. Rapkin. Amazon expedition, after which Rugendas spent his John Tallis & Company, London & New York [n.d., time recording daily life in the provinces of Mato c.1851.] Grosso, Pernambuco, Bahia, Espírito Santo and Rio de Steel engraving with hand colour. Sheet 370 x 260mm Janeiro in drawing and watercolour. He returned to (14½ x 10¼"). Stitching holes on left, slightly trimmed. Europe in 1825 and devoted his time to publishing his £140 work in parts between 1827 and 1835, which is Map of New South Wales, within an attractive border regarded as one of the most important descriptions of and decorated with vignettes of Sydney Cove, the Brazil ever. Murray River and native flora. Stock: 33631 Stock: 32654 494. Rencontre D'Indiens avec des Voyageurs 491. [Train Thro Canadian Rockies]. Européens. [By Fred Middlehurst]. [Crestock & Marsh. n.d., Dess: d'ap: nat: par Rugendas. Rugendas del.t. [n.d., c.1940]. c.1830.] Gouache and watercolour. Sheet size: 240 x 365mm Lithograph, very fine and large margins. Sheet size: (9½ x 14¼"). Laid on board. £160 335 x 380mm (13¼ x15"). Light surface damage to A bright and vibrant scene showing a crowded diesel- sheet. £360 electric passenger train passing by the enourmous A scene depicting a meeting between a tribe of Indians Canadian Rocky mountains, with lake to the right, and and a group of European travellers in a dense jungle, a deer in the woodland to the left. Brazil. A plate from Johann Moritz Rugendas's Diesel-electric locomotives were built in Canada 'Voyage pittoresque dans le Bresil... traduit de beginning in 1928, and continue to be manufactured l'Allemand par Mr. de Golbery'. there today. Rugendas (1802-58, great-great grandson of Georg This painting by Fred Middlehurst was one of the Philipp Rugendas, the celebrated painter of battles) original artworks for '11 Views Around the arrived in Brazil in 1821 and was hired as an illustrator Commonwealth', including ‘Flying Doctor in by Baron von Langsdorff, the consul-general of the Australia’, 'Ocean Liner in Singapore’, ‘Camel outside Russian Empire in Brazil. Fortunately for Rugendas, Kaus’, ‘Oxcart in India’, ‘Boat in W Indies’ and others. the two fell out before Langsdorff's disasterous Stock: 33389 Amazon expedition, after which Rugendas spent his time recording daily life in the provinces of Mato 492. [Eskimo Kayaks in N Canada]. Grosso, Pernambuco, Bahia, Espírito Santo and Rio de [By Fred Middlehurst]. [Crestock & Marsh. n.d., Janeiro in drawing and watercolour. He returned to c.1940]. Europe in 1825 and devoted his time to publishing his Gouache and watercolour. Sheet size: 240 x 365mm work in parts between 1827 and 1835, which is (9½ x 14¼"). £240 regarded as one of the most important descriptions of A vibrant view of a group of Inuits, or Eskimos, in Brazil ever. north Canada. A woman and four children stand at the Stock: 33633 waters edge, waving to two men in kayaks in the water to the right, all in traditional costume. Two dogs can be 495. Galvanized Corrugated Iron Station seen to the far left, with a number of kayaks also in the Building 209 Ft. X 70 Ft. Constructed by distance, in front of an enormous dramaticly shaped ice Porter Brothers & Stuart, Birmingham, 1853. berg. For the Mahua & Frogozo Railway, Brazil. This painting by Fred Middlehurst was one of the Day & Son Lith.rs to the Queen. [n.d., c.1853]. original artworks for '11 Views Around the Hand coloured tinted lithograph. Very rare. Blind Interior view of the Baths of Caldas da Rainha in stamp to top right corner, 'John. H. Porter. Portugal. Birmingham. Iron Works'. Sheet size: 285 x 370mm Stock: 33604 (11¼ x 14½"). Light spotting. Small tears to edges. £360 499. Profil de La Ville de Grenade Capitalle A view of a corrugated iron station building used for a du Royaume de Grenade en Espagne steam locamotive, for the Mahua & Frogozo Railway, [Etched by Israel Silvestre the younger.] Avec Brazil. Workers can be sen travelling along a path to a privilege de Roy. [Paris: le Rouge] large building in the left middleground, with a Etching, very scarce. Sheet 265 x 550mm (10½ x mountainous and fertile landscape in the distance. 21½"). Trimmed and laid on album paper. £490 Stock: 33597 A prospect of Grenada, by Israel Silvestre (1621- 1691), etcher and publisher of Paris. In 1662 he was 496. Chasse au Tigre. appointed 'dessinateur et graveur du Roi' and in 1673 [Dess: d'ap: nat: par Rugendas. Lith par. V. Adam.] he became drawing-master to Louis, le Grand Dauphin. [n.d., c.1830.] As well as publishing his own work, he inherited a Lithograph. Sheet size: 335 x 375mm (13¼ x 14¾"). large number of plates from his uncle, Israel Henriet, Damaged. Holes to sheet and creases. £240 including works by Jacques Callot and Stefano della A scene of a Tiger hunt, with three tribesmen firing Bella. arrows at the animal to the right, in a dense jungle. A Stock: 33265 plate from Johann Moritz Rugendas's 'Voyage pittoresque dans le Bresil... traduit de l'Allemand par 500. The house in which the Emperor Mr. de Golbery'. Napoleon expired, after a confinement of Rugendas (1802-58, great-great grandson of Georg nearly six years. Philipp Rugendas, the celebrated painter of battles) Baynes del. Printed by C. Hullmandel. [n.d., c.1820]. arrived in Brazil in 1821 and was hired as an illustrator Lithograph, rare. 165 x 115mm (6½ x 4½"). Laid on a by Baron von Langsdorff, the consul-general of the sheet of album paper. £180 Russian Empire in Brazil. Fortunately for Rugendas, A view of Longwood House on the island of St. Helena the two fell out before Langsdorff's disasterous in the Atlantic Ocean in which Napoleon Bonaparte Amazon expedition, after which Rugendas spent his was exiled from 1815 until his death in 1821. Two time recording daily life in the provinces of Mato soldiers stand guard at the gate while a horseman rides Grosso, Pernambuco, Bahia, Espírito Santo and Rio de up to the house. Janeiro in drawing and watercolour. He returned to Stock: 33629 Europe in 1825 and devoted his time to publishing his work in parts between 1827 and 1835, which is 501. [Ottoman Soldier.] [Title in Arabic regarded as one of the most important descriptions of script.] Brazil ever. Stock: 33632 Lith. en couleur par Anatole et Bocquin. Imp. Lemercier & C.ie. r. de Seine 57 Paris. Coloured lithograph with very large margins. Sheet: 497. [Boat in W Indies]. 365 x 475mm (14¼ x 18¼"). £140 [By Fred Middlehurst]. [Crestock & Marsh. n.d., Full lenth portrait of an Ottoman soldier in an exterior c.1940]. setting. Gouache and watercolour. Sheet size: 240 x 365mm Stock: 33257 (9½ x 14¼"). Laid on board. £180 A vibrant scene in the West Indies, showing a large sailing boat in a port. In the foreground to the left, 502. [Months of the Year in St Petersburg.] three women sort through fish in baskets, two men to January: View of the Imperial Bank and The the right hang fishing nets up and two children play in Shops of St Petersburgh. [&] February: View the water in the centre. of the Marble Palace in the Grand Millione St This painting by Fred Middlehurst was one of the Petersburgh. [&] March: View of the Square original artworks for '11 Views Around the and the Grand Theatre at St Petersburgh. [&] Commonwealth', including ‘Flying Doctor in April: View of the Parade & The Imperial Australia’, 'Ocean Liner in Singapore’, ‘Camel outside Palace at St Petersburgh. [&] May: View of the Kaus’, ‘Oxcart in India’, ‘Eskino Kayak in N Canada’ Place of Peter the Great and the Senate House and others. Stock: 33393 at St Petersburgh. [&] July: View of the Canal of the Moika, the Bridge & the Police 498. The Baths of Calda da Rainha. Les Establishment at Str Petersburgh. [&] August. Bains de Caldas de Rainha. View of the Centre of the Great Bridge of the London, Published May 2. 1814 by Mess.rs. Colnaghi Neva, and of St Petersburgh. [&] October: & C.o. View of the Square of Kassan and the Hand coloured aquatint,with large margins, scarce. Cathedral of St Petersburgh. [&] November: Plate: 175 x 240mm (14¼ x 9½"). Some slight View of the Canal of Fontanka and the staining. £130 Barracks at St Petersburg. [&] December: View of the Arsenal and the Foundry at St A scene depicting a medical light aircraft from the Petersburgh. 'Royal Flying Doctor Service of Australia', landed in a Drawn by Mornay. Clark & Dubourgh sculp. London rural ranch in Australia. Two paramedics attend to a Published & Sold April 28, 1815 by Edw.d Orme, casulty on a streture in the foreground, as a nurse looks Publisher to his Majesty & H.R.H. the Prince Regent, on behind. The ranch can be seen in the distance to the Bond Street, corner of Brook Street. left. Ten [of twelve] aquatints with hand colour. 395mm x On 15 May 1928, the Australian Inland Mission Aerial 300mm. (15½ x 11¾"). Seven plates wartermarked 'J. Medical Service (later renamed the Royal Flying Whatman 1811'. Most plates with repaired tears. Doctor Service) opened in Cloncurry, Queensland by £2800 John Flynn, and is still in operation today. Ten of the twelve plates showing St Petersburg month This painting by Fred Middlehurst was one of the by month (lacking June & September, published in original artworks for '11 Views Around the Mornay's 'A Picture of St. Petersburgh, represented in a Commonwealth', including ‘Train thro Canadian collection of twenty interesting Views of the City, the Rockies’, 'Ocean Liner in Singapore’, ‘Camel outside Sledges and the People'. For five months of the year Kaus’, ‘Oxcart in India’, ‘Boat in W Indies’ and others. the city is shrouded in snow. Stock: 33388 As the plates were published without text nothing is known about the artust Mornay, not even his first 506. [Natives pursuing Kangaroo's in the name. Abbey Travel. 226. neighbourhood of Sydney, New South Wales.] Stock: 33212 [Derived from George Stubbs.] [London, Published by Darton, Harvey & Darton, Gracechurch Street, Sept.r 503. Vüe de L'Ancien Palais. A View of the 1, 1817. ] antient Winter Palace belonging to her Etching in fine hand colour, trimmed around main Imperial Majesty, and of the Canal which features of image, scarce item. Sheet at most 65 x Joins the Moika to the Neva, at S.t. Petersburg. 220mm (2½ x 8¾"), on sheet with other scraps. £620 Vüe de l'ancien Palais d'hiver de sa Majesté Two aboriginies hunting kangaroos with spears, European buildings and a ship in the background. The Imperiale, et du Canal qui Joint la Moika avec female has two joeys in her pouch, a very unlikely la Neva, a S.t. Petersberg. occurence. The shape of the kangaroos is based on the A Paris chez Basset rue S. Jacques a S.Genevieve. illustration by George Stubbs, painted from a skin Etching. Plate: 410 x 270mm (16 x 10½"). Laid on provided by Sir Joseph Banks and used in the Official board. Some damage to lower edge. General rubbing to Account of Cook's First Voyage. The representation of sheet. £320 Sydney is among the first of the colony. Lennox Boyd, A 'Vue d'Optique' designed specifically to be looked at 'George Stubbs: The Complete Engraved Works', 463. through an 'optical diagonal machine', or zograscope, See NLA Rex Nan Kivell Collection; Ref NK 1350. which created the illusion of depth. The Winter Palace Stock: 33358 served as the principal residence of the Russian monarchy from 1732 to 1917, situated on the bank of 507. View of Melbourne. the River Neva, its huge size and oppulence reflected [n.d., c.1860] the might and wealth of the Russian royal family. The Woodblock engraving with large margins. Sheet: 290 x Winter Palace now houses the Hermitage Museum, the 200mm (11½ x 8"). Some slight staining. Laid on an collection of which was founded in 1764 by Catherine album sheet. £120 the Great. View overlooking the city of Melbourne, Australia, Stock: 33614 depicting farmland with goats and the city beyond. Stock: 33607 504. Ophir Gold Mines. On Stone by W.L. Walton. From a Sketch by Coll. 508. To His most Sacred Majesty George III Mundy. Printed by Hullmandel & Walton. London: of Great Britain, France & Ireland, King Richard Bentley, New Burlington Street, 1852. Tinted lithograph. Printed area: 110 x 180mm (4¼ x Defender of the Faith, &c. &c. &c. This View 7"). Tear into the title area. £90 of Charlotte Sound in New Zealand, in the Ophir, New South Wales, was the first place payable South Seas, is most humbly Dedicatedby his gold was discovered in Australia in 1851. This sparked Majesty's most dutiful and devoted Subject Australia's first gold rush, which proved to be short and Serv.t Tho.s Martyn. lived and did not lead to the establishment of a town. Drawn on the Spot by Ja.s Cleveley. Painted by Jn.o Plate to Volume III of 'Our Antipodes', published in Cleveley London. London Published according to Act three vols. in 1852. Abbey Travel: 562, 13. of Parliament by T. Martyn [unclear] Marlborough Stock: 33138 Street Feb.y 5 1788. Coloured aquatint. 490 x 650mm (19¼ x 25½"). Tears, 505. [Flying Doctor in Australia.] some repaired, some surface wear, particularly in the [By Fred Middlehurst]. [Crestock & Marsh. n.d., title. Damaged. £980 c.1940]. A scarce view of Captain James Cook's visit to Gouache and watercolour. Sheet size: 240 x 365mm Charlotte Sound in New Zealand, during his Third (9½ x 14¼"). Laid on board. £480 Voyage (1776-9), on which he was killed on Hawaii. The expedition landed on the 12th February 1777 and the shepherd and his dog walking along a path to the spent two weeks replenishing their stores. This scene left. Woodland can be seen behind the house. The shows the Europeans mixing with the Maori. second is Lady Harriet Countess of Essex's sketch of This is one of the most famous images illustrating Cassiobury before it was rebuilt, with an explanation Captain Cook's last voyage (1776-79). The marine by Lord Essex, and facsimile signature below. The painter John Cleveley (1747-86) painted four scenes naive sketch is said to be an exact representation of the from sketches by his brother James, who has carpenter original drawing by Lady Essex, of whom Lord Essex aboard the 'Resolution', which were then aquatinted by claimed had 'no pretentions to drawing'. Francis Jukes and advertised as 'scarcely to be Stock: 33574 distinguished from the original Drawings'. Stock: 33513 513. To the Rt. Rev.d Charles Thomas Longley Lord Bishop of Ripon. This view of 509. Surf Swimmers. Huddersfield, is by permission most [Rev. Isaac Taylor.] [John Harris, n.d., c.1830.] respectfully dedicated, by his obedient servant, Etching. Sheet: 95 x 115mm (3¾ x 4½"). Trimmed. G. D. Tomlinson. Laid on album sheet. Some damage. £140 G. D. Tomlinson. Day & Haghe. Lith.rs to the Queen. An illustration from 'The Ship' by Rev Isaac Taylor [n.d. c.1850.] depicting the surf swimmers of the Sandwich Islands. Rare lithograph. Sheet size: 335 x 465mm (13¼ x Unusually the view is taken from the sea and shows the 18¼"). Very slight staining off image. £240 surfer riding underneath the wave rather than ontop of An attractive panoramic view of the town of it. Other surfers can be seen in the background. Image Huddersfield, West Yorkshire. A group of figures, one set in a circle which is decorated with sea monsters and reclining, can be seen in the foreground to the right, shells. Probably the first and only surfing image in the with fields of sheep and cattle in the middle ground. 19th century. Smoking factory chimneys dominate the distant Stock: 33630 landscape of the town. Huddersfield was a centre of growth during the Industrial Revolution, building on 510. Barenjagd im Eismeer. [Bear hunting in it's reputation for quality textiles production. the Arctic Ocean]. The print is inscribed below the image with a Beilage zur Bunten Welt III 12. Oelfarbendruck v. dedication to Charles Thomas Longley (1794-1868) a Adolph Wolf, Dresden. [n.d., c.1850]. bishop in the Church of England. He served as Bishop Chromolithograph with large margins. Rare. Sheet of Ripon, Bishop of Durham, Archbishop of York and size: 220 x 310mm (8¾ x 12¼"). £130 Archbishop of Canterbury from 1862 until his death. A Polar Bear hunting scene in the Arctic Ocean, with The coat of arms of Huddersfield is in the centre below two hunstmen shooting three Bears in icy waters. A image. large ship can be seen in the distance. A supplement to Stock: 33486 the 'Colorful World volume III', published by Adolph Wolf, Dresden, Germany. 514. Sewerby House, From the South West. Stock: 33623 The Seat of Yarburgh Greame Esq.r. C. J. Greenwood Del.t. R. Groom litho. Published by 511. North View of Bayon Manor John Furby, Bookseller & c. High Street Bridlington. Lincolnshire. The Seat of the Right Hon.ble Printed by C. Moody, High Holborn. [n.d., c.1840]. Charles Tennyson D'Eyncourt. M.p. Tinted lithograph. Rare. Sheet size: 335 x 390mm Ellen d'Eyncourt del. Hullmandel & Walton (13¼ x 15¼"). Slightly grubby in title. £180 lithographers. [n.d., c.1840]. An attractive view of Sewerby House, also known as Tinted lithograph. Rare. Sheet size: 380 x 560mm (15 Sewerby Hall, and grounds in Bridlington, Yorkshire, x 22"). Foxed. £180 England. John Greame was the first of the Greame A landscape view of Bayons Manor in Tealby, family to live at the old manor house at Sewerby, Lincolnshire, a fine example of a Victorian stately purchasing it from Elizabeth Carleill on the death of home in the style of a moated castle, as seen in the his father in 1708. He built the present Sewerby Hall centre. The Manor was once owned by Charles between 1714 - 1720, replacing the manor house which Tennyson, later Tennyson d'Eyncourt, the uncle of had existed on the site for many years. Alfred, Lord Tennyson. Stock: 33505 Stock: 33507 515. Swarthmore Hall, near Ulverstone. 512. Shepherds Cottage, Cashiobury. Residence of George Fox. From Nature & Stone by J. C. Oldmeadow. Printed by On stoneby Geo. Lehman. P. S. Duval, Lith. Phil.e. W. Clerk, 202 High Holborn. [n.d., c.1830]. [n.d., c.1830]. Two lithographs on seperate sheets, joined along top Lithograph with letterpress, scarce with very large edge, very scarce pair. Both laid on India paper. Sheet margins. Sheet size: 435 x 330mm (17 x 13"). £290 size: 345 x 500mm (13½ x 19½") each. Light foxing. Swarthmoor Hall is a mansion in Swarthmoor, in the £280 Furness area of Cumbria in North West England. It was Two seperate lithographs. The first is a view of a large the home of Thomas and Margaret Fell, the latter an shepherd's cottage in Cassiobury, Hertfordshire, with important player in the founding of the Religious Society of Friends (Quaker) movement in the 17th ('Outline of Historical Architecture', first published century. Founder of the Quaker movement, George 1721) , the first comparative architecture of all periods Fox (1624 - 1691) visited the Hall in 1652 when and nations. Thomas Fell was travelling as a judge. However, Fox Stock: 33415 had an audience with Margaret Fell who became interested in his new doctrines. When Thomas Fell 518. Parlour. Swarthmore Hall. [&] The Hall. returned home, he was persuaded by his wife and some Swarthmore Hall. [&] Swarthmore Hall. others to listen to Fox, who successfully appealed to T.M. his pro-Parliamentary sentiments. Thomas Fell was Lithographs, very sarce. 180 x 130mm (7 x 5"). [&] never totally convinced by Fox's religious teachings, 195 x 165mm (7¾ x 6½"). [&] 215 x 150mm (8½ x but he did allow his home to be used as a meeting 6"). Laid on an album sheet. Some staining and slight house for the early Friends. They did so until 1691 damage to edges. £160 when a meeting house was built nearby. A speech Two interior and one exterior view of Swarthmore Hall made by Fox in Kingston-Upon-Thames in 1686, in Cumbria. Home to Thomas and Margaret Fell, it was outlining his ideas, is printed below the image. After visited by George Fox (1624-1691) founder of the the death of her husband Margaret Fell married George Quaker movement, in 1652. Though Thomas Fell was Fox, who between touring the world with his ideas, not at home, Fox was entertained by Margaret Fell who would live at Swarthmore. became interested in his ideas. On Thomas Fell's return Stock: 33601 he too became a supporter of the movement and Swarthmore Hall became a meeting place for early 516. View of the New Theatre, at memebers of the Religious Society of Friends. After Wolverhampton. Erected A.D. 1844. Arther the death of her husband Margaret Fell married George Mee & S. T. Ridley Architects. Carlton Fox, who between touring the world with his ideas, Chambers, Regent St. would live at Swarthmore. Printed at 10 St. Martins Lane. [n.d., c.1845]. Stock: 33616 Tinted lithograph. Scarce. Sheet size: 350 x 425mm (13¾ x 16¾"). Bit dusty. £220 519. A View of Thirlmeer, &c. A fine and highly detailed view of the Old Theatre Painted and Engraved by Tho.s Smith. Publish'd Royal, Wolverhampton. A number of people can be according to act of parlaim.t, 1761. seen outside the theatre, including many queuing for Hand coloured engraving with large margins tickets to the left, behind a figure holding a sign, Platemark: 385 x 545mm (15¼ x 21½"). £360 publicising the current production; 'Shakespere', A landscape view of a lake in Thirlmeer, in the Lake 'Richard 3', 'Mr. Woolgar'. The foundation stone of the District, Cumbria. The lake is surrounded by theatre was laid in June 1844 and the Theatre Royal, mountains, with cattle grazing on a small tree covered situated on the corner of Cleveland Road and Garrick island in the centre, reached by one of many spits of Street (now the site of the Central Library) was opened land, with two gentlemen admiring the view from the on Easter Monday 1845. Some of the famous actors shore in the foreground. Another man, can be seen and actresses to appear at the Theatre Royal included pulling up a small boat nearby as a rain shower falls Charles Dillon, Gustavus Vaughan Brooke and Henry between the mountains in the distance. Widdicombe. During the 1870s the theatre opened and Painted and engraved by British painter Thomas Smith closed a number of times and was finally demolished of Derby (1720 - 1767). in December 1894. Stock: 32643 Stock: 33560 520. A North View of Denbigh Castle, in 517. [Stonehenge, with 'natural theatre' at North Wales. This noble antient Castle (once (?)Salzburg] Surprennante Structure de adorn'd with lofty Towers) is partly situated on Rochers en Engleterre dite Stonehengs [...] a high Rock; and was one of the frontier Cum. Priv. Sac. Caes. Maj. [Leipzig, 1725] Garrisons of Wales, before that Country Engraving with very large margins, platemark 300 x became subject to England. [72 in ink] 430mm (11¾ x 17"). Text in French and German; J.no Boydell Delin. & Sculp. Publish'd according to foxing to margins only. £360 Act of Parliament by J. Boydell Engraver at the Globe Stonehenge, the most famous prehistorical monument near Durham Yard in the Strand 1750. Price 1s. in England, dedicated to the owners of the estate on Engraving, very large margins. Plate 300 x 450mm which it stands. Among the sightseers are soldiers in (11¾ x 17¾"). £360 uniform. The Antrobus Family bought the estate in A fine view of Denbigh Castle, the fortress built by 1824, but after the heir to the baronetcy died in WW1 Edward I following the 13th-century conquest of the estate was sold for £6000 in 1915. The new owner, Wales; a hunt going on in the foreground with hounds Cecil Chubb, handed it over to the first Commissioner and horses chasing a hare. An early hunting view. One of Works in 1918, passing Stonehenge to the nation. of the finest topographical views. Also a performance taking place using a rock Stock: 32457 formation as a theatre. Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' 521. Near Brecknock. From 'A Picturesque Description of North Wales: J. Varley delin. J. C. Lewis sculp. Published Feb.y Embelished with Twenty Select Views From Nature', 1806 by J. C & G Lewis, No.4 Salisbury Street, Strand, published in 1823 by Howlett and Brimmer, 10 Frith London. Street, Soho. Abbey: 525. Aquatint and etching with very large margins. Stock: 33335 Platemark: 215 x 320mm (8½ x 12½"). £160 An attractive landscape view in Brecon, mid Wales, 525. The Vale of Clydd. with a shepherd reclining by a river in the right London, Published by Thomas McLean, Haymarket, foreground and some cattle and trees in the 1822. middleground. In the distance is a large building, most Hand coloured aquatint. Platemark: 160 x 228mm (6¼ probably the Castle of Brecknock, built by the half- x 8¾"). Fine hand colouring. Laid on sheet. £60 brother of William the Conqueror, within 25 years of A panoramic view of the Vale of Clydd in the county the Norman Conquest. The ruin features the earliest of Denbighshire in north east Wales. A rural and style of Norman architecture and was later enlarged by mountainous landscape, with the sea in the distance. the de Braose family, Norman overlords who From 'A Picturesque Description of North Wales: succeeded Bernard de Neufmarche and ruled the Welsh Embelished with Twenty Select Views From Nature', for nearly a century. published in 1823 by Howlett and Brimmer, 10 Frith Stock: 33561 Street, Soho. Abbey: 525. Stock: 33334 522. Lantrissent Bridge on the River Taaf. South Wales. 526. View on the River Conway. Drawn by Wulmsly. Engraved by Hamble. Published London, Published by Thomas McLean, Haymarket, by J. Deeley 95 Berwick St. Soho, Feb.y 21 1811. 1822. Very fine colour printed aquatint, finished with hand Hand coloured aquatint. Platemark: 160 x 228mm (6¼ colour with very large margins. On watermarked paper, x 8¾"). Fine hand colouring. £60 'S & C. Wise, 1814' Platemark: 420 x 550mm (16½ x A view of the River Conway in north Wales. A single 21½"). £360 boat can be seen on the water in the foreground, with a A stunning view of the Lantrissent Bridge on the River rural, mountainous landscape in the distance. Taaf, south Wales. The bridge dominates the rural From 'A Picturesque Description of North Wales: landscape as the river flows by in the centre. One Embelished with Twenty Select Views From Nature', figure can be seen fishing to the bottom left in the published in 1823 by Howlett and Brimmer, 10 Frith foreground, three more are climbing rocks beneath the Street, Soho. Abbey: 525. bridge and one watches from above. Stock: 33333 Stock: 33634 527. Conway Castle. 523. Bala Lake. London, Published by Thomas McLean, Haymarket, London, Published by Thomas McLean, Haymarket, 1822. 1822. Hand coloured aquatint. Platemark: 160 x 228mm (6¼ Hand coloured aquatint; part printed on 1820 J. x 8¾"). Fine hand colouring. £70 Whatman watermarked paper. Platemark: 160 x An attractive landscape view of Conway Castle, a 228mm (6¼ x 8¾"). Fine hand colouring. £70 medieval fortification in Conwy, on the north coast of A fine landscape view of Bala Lake and the surroundig Wales. Built by Edward I, during his conquest of area, in Gwynedd, Wales. The lake was the largest Wales between 1283 and 1289, the castle was natural body of water in Wales prior to the level being constructed as part of a wider project to create the raised by Thomas Telford to help support the flow of walled town of Conwy. the Ellesmere Canal. From 'A Picturesque Description of North Wales: From 'A Picturesque Description of North Wales: Embelished with Twenty Select Views From Nature', Embelished with Twenty Select Views From Nature', published in 1823 by Howlett and Brimmer, 10 Frith published in 1823 by Howlett and Brimmer, 10 Frith Street, Soho. Abbey: 525. Street, Soho. Abbey: 525. Stock: 33337 Stock: 33341 528. Mountains of Cright. 524. Caernarvon Castle. London, Published by Thomas McLean, Haymarket, London, Published by Thomas McLean, Haymarket, 1822. 1822. Hand coloured aquatint. Platemark: 160 x 228mm (6¼ Hand coloured aquatint, part J. Whatman watermark. x 8¾"). Fine hand colouring. £70 Platemark: 160 x 228mm (6¼ x 8¾"). Fine hand A fine view of the Mountains of Cright, Wales. This colouring. £60 view is taken about a mile from Pont Aber Glass Llyn, A view from the coast of Caernarvon Castle, in on the upper road to Tan-y-Owlet and shows the Caernarfon, Gwynedd, north west Wales. A number of mountains as a backdrop to the rural, wild landscape of sailing boats surround the castle, in the centre of the north Wales. image, as two figures tend to a rowing boat in the From 'A Picturesque Description of North Wales: foreground. Embelished with Twenty Select Views From Nature', published in 1823 by Howlett and Brimmer, 10 Frith 531. Rhaiadr-Y-Mawddach. Street, Soho. Abbey: 525. London, Published by Thommaas McLean, Haymarket, Stock: 33336 1822. Hand coloured aquatint. Plattemark: 160 x 228mm (6¼ 529. Goodrich Castle. x 8¾"). Fine hand colouring.. £60 London, Published by Thomas McLean, Haymarket, A landscape view of Rhaiadrr-y-Mawddach, a fall near 1822. Dolgelly, Merionethshire, north Wales. This view Hand coloured aquatint, part printed on 1821 J. shows the fall in the centre, with a man fishing in the Whatman watermarked paper. Platemark: 160 x poool beneath to the left. 228mm (6¼ x 8¾"). Fine hand colouring. Light From 'A Picturesque Description of North Wales: smudge on left side of print. £70 Embelished with Twenty Sellect Views From Nature', An attractive landscape view of the ruins of Goodrich puublished in 1823 by Howlettt and Brimmer, 10 Frith Castle, Monmoth, North Wales. Street, Soho. Abbbey: 525. From 'A Picturesque Description of North Wales: Stock: 33339 Embelished with Twenty Select Views From Nature', published in 1823 by Howlett and Brimmer, 10 Frith 532. Moel Shabod. Street, Soho. Abbey: 525. London, Published by Thommaas McLean, Haymarket, Stock: 33342 1822. Hand coloured aquatint. Plattemark: 160 x 228mm (6¼ 530. Near Yal-Y-Llyn. x 8¾"). Fine hand colouring.. £60 London, Published by Thomas McLean, Haymarket, An attractive landscape view of 'Moel Shabod' or more 1822. commonly 'Moel Siabod', a mountain in Snowdonia, Hand coloured aquatint. Platemark: 160 x 228mm (6¼ north Wales, which sits isolated above the villages of x 8¾"). Fine hand colouring. £60 Betws-y-Coed and Capel Cuurig. This view shows the An attractive landscape view of Tal-y-llyn lake and peeak of the mountain in the distance, with cattle Bwlch Llyn Bach pass, situated at the foot of Cadair grazing beneath a tree by a riiver in the foreground. Idris, in the Snowdonia mountain range of Gwynedd, From 'A Picturesque Description of North Wales: Wales. Embelished with Twenty Sellect Views From Nature', From 'A Picturesque Description of North Wales: puublished in 1823 by Howlettt and Brimmer, 10 Frith Embelished with Twenty Select Views From Nature', Street, Soho. Abbbey: 525. published in 1823 by Howlett and Brimmer, 10 Frith Stock: 33338 Street, Soho. Abbey: 525. Stock: 33340

Item 82: The Mutineers turning Lieu.t Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty.