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Read Ebook {PDF EPUB} the Artist and His Alpha by Lisa Oliver Series / Green Acres Read Ebook {PDF EPUB} The Artist And His Alpha by Lisa Oliver Series / Green Acres. Green Acres is a Sitcom produced by Filmways and originally broadcast on CBS from 1965 to 1971. Oliver Wendell Douglas (Eddie Albert), a successful New York lawyer, and his elegant socialite wife Lisa (Eva Gabor) move to the little country town of Hooterville and buy a little farm that is not in good condition. Oliver intends to set himself up in a simple country life as a farmer, but neither the reality of country life nor the insanity of the locals allows it. Lisa hates the country, but is better at dealing with the locals: her idea of haggling with Mr. Haney, the door-to-door salesman, is to lower her price when he lowers his—and it works for her. Hooterville also has a resident genius: Arnold the pig. A spinoff of the very staid Petticoat Junction, the show was initially a by-the-books sitcom, in which Oliver was portrayed as an obsessive eccentric, while Lisa, despite being rather spoiled and having a poor grasp of English, was meant to be normal. However, the show quickly took on a decidedly absurdist tone; Lisa turned into a Gracie Allen-style Cloud Cuckoolander, and Oliver became the Only Sane Man. The insane townspeople continue to see Oliver as an outsider while rapidly embracing Lisa as one of their own. Oliver, clinging tenaciously to logic, splutters and despairs as he sees his dream life in Hooterville slipping rapidly out of his fingers. Eb Dawson (Tom Lester), the gold-bricking farmhand, who calls Lisa and Oliver "Mom" and "Dad," either as flattery or out of genuine confusion. To worsen matters, Lisa often forgets that Eb is not actually their son, but she is still more sympathetic, showing Like a Son to Me treatment towards him now and then. Mr. Haney (Pat Buttram), who sold them the faulty farm, and never gives up on trying to sell Oliver more dilapidated junk. Oliver thinks he's on to Haney, but he's surprisingly vulnerable to Haney's sales pitches. Hank Kimball (Alvy Moore), the absent-minded county Agricultural Agent in charge of keeping all the local farms in good stead, and victim to short-term memory loss to the point that he forgets what he's talking about in mid-sentence as a matter of course. There's also Mr. Drucker (Frank Cady) down at the general store, who acknowledges the ridiculousness of Hooterville while at the same time whole-heartedly participating in it. He's the only character who even approaches being logical by Oliver's standards co-serving as the other Only Sane Man, often leading Oliver to start sentences with "Mr. Drucker, you're a reasonable man. ". In keeping with the apparent rules of the series, Mr. Drucker's behavior on Petticoat Junction tends more toward the normal end of the spectrum. The Artist And His Alpha. Caden Wolfe lives his life hiding from the world. As an Omega with a brute of an Alpha looking for him, he can't afford to take any chances. He is happy enough with his art, his one good friend Felix and his agent who adores his paintings. It's a far cry from life on the streets and Caden is determined to keep working hard, and stay out of the spotlight. Staying away from all things wolf is easy enough in the city, until he meets the one man with the potential to blow his cover and his way of life, out of the water. Sean Black has it all - a brother for pack, a home pack that is still supportive but far enough away not to interfere with his daily life, a good business, and men who clamor for his attention every night of the week. The last thing he wants or needs is a mate, but after a brief meeting with a gorgeous artist, he realizes his life will change, and not necessarily in a good way. A misunderstanding leads to danger for Caden and Sean has to make a choice. Can he give his Omega what he needs, or should he make sure he's protected and then walk away? A rogue Alpha with an agenda of his own, a trap, and trouble from the council are just a few of the things this couple will have to contend with if they are ever to have their HEA. Warning: This book is an M/M paranormal romance. It includes sexual scenes between two men. It also includes an Omega who will tug at your heart, an Alpha who deserves a smack around the ears at times, and a love story that takes just a little while to unfold. This is based on the true mate trope, so if that is not your cup of tea, then please don't buy any of my books. The Alpha and Omega series are all standalone books, with no relation to each other at all, unlike my books in other series. Genre: Romance. Discover Art You Love From the World’s Leading Online Gallery. “At Saatchi Art, we make it our mission to help you discover and buy from the best emerging artists around the world. Whether you’re looking to discover a new artist, add a statement piece to your home, or commemorate an important life event, Saatchi Art is your portal to thousands of original works by today’s top artists.” Chief Curator & VP, Art Advisory. Featured Stories. How to Buy Art You Love. Saatchi Art Celebrates a Decade. View Art In Your Home. Global Selection. Explore an unparalleled selection of paintings, photography, sculpture, and more by thousands of artists from around the world. Satisfaction Guaranteed. Our 7-day 100% money-back guarantee allows you to buy with confidence. If you’re not satisfied with your purchase, return it and we’ll help you find a work you love. Complimentary Art Advisory Services. Our personalized art advisory service gives you access to your own expert curator, free of charge. Vik Muniz. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. See our Privacy Policy for more information about cookies. By continuing to use our sites and applications, you agree to our use of cookies. Newsletter Signup. Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. The Artist And His Alpha by Lisa Oliver. Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a neighborhood so dangerous it was called “The Battlefield.” He only had a fifth-grade education, dropping out of school early to go to work. An early job working for the Jewish Karnofsky family allowed Armstrong to make enough money to purchase his first cornet. On New Year’s Eve 1912, he was arrested and sent to the Colored Waif’s Home for Boys. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waif’s Home Brass Band. Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats. In 1922, King Oliver sent for Armstrong to join his band in Chicago. Armstrong and Oliver became the talk of the town with their intricate two- cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time. Hotter Than That. The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz. Armstrong’s improvised solos transformed jazz from an ensemble-based music into a soloist’s art, while his expressive vocals incorporated innovative bursts of scat singing and an underlying swing feel. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, “Hot Chocolates.” He soon began touring and never really stopped until his death in 1971. The 1930s also found Armstrong achieving great popularity on radio, in films, and with his recordings. He performed in Europe for the first time in 1932 and returned in 1933, staying for over a year because of a damaged lip. Back in America in 1935, Armstrong hired Joe Glaser as his manager and began fronting a big band, recording pop songs for Decca, and appearing regularly in movies. He began touring the country in the 1940s. Ambassador Satch. In 1947, the waning popularity of the big bands forced Armstrong to begin fronting a small group, Louis Armstrong and His All Stars. Personnel changed over the years but this remained Armstrong’s main performing vehicle for the rest of his career. He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed “Ambassador Satch.” In America, Armstrong had been a great Civil Rights pioneer for his race, breaking down numerous barriers as a young man.
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