TV Shows with Animals Instructions
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TV Shows with Animals Instructions
TV Shows with Animals Instructions ● There will be trivia about different tv shows with animal as its main character from the 1950’s and 60’s ● After you guess the TV show you can go to the answer slide where there will be the answer along with a link to the TV show ● There will also be discussion questions for each show Trivia ● A show about a smart and fearless collie who performs a series of heroic tasks for her human owners and friends ● For the first several years of the series, she lived on family farms, before moving on to work with forest rangers in the wilderness and ultimately settling in at Holden ranch, a ranch for troubled children ● Can you guess the TV show? Answer ● Lassie ● Link to show: https://www.youtube.com/watch?v=BV1 Nyf_u1AA Discussion Questions ● Did you ever watch Lassie? ● Did you like it? ● Who did you watch it with? Trivia ● An American black bear befriends a family in the Everglades ● It is about their adventures in the Florida Everglades ● Can you guess the TV show? Answer ● Gentle Ben ● Link to show: https://www.youtube.com/w atch?v=zHt6tkUEhCI Discussion Questions ● Did you ever watch Gentle Ben? ● Did you like it? ● Who did you watch it with? Trivia ● This show is about a New York lawyer Oliver Wendell Douglas who longs for a simpler way of life, so he buys a farm, sight unseen, and moves there to live off the land, with his wife, Lisa ● The show highlights the collision of small-town life and Lisa's sophisticated ways ; she insists on wearing full-length gowns and ostentatious jewelry, even on the farm -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
GREEN ACRES Neighborhood Plan
GREEN ACRES Neighborhood Plan Spring, 2007 City of Bloomington, Indiana Mayor Mark Kruzan GREEN ACRES NEIGHBORHOOD VISION STATEMENT Green Acres aims to become a sustainable community that embraces neighborliness and forges partnerships within and beyond its borders. ACKNOWLEDGEMENTS An extensive amount of time, effort, and energy was committed by many individuals. The following citizens are recognized for the countless hours and tireless efforts that they contributed in order to turn a neighborhood vision into a plan. THE GREEN ACRES NEIGHBORHOOD ASSOCIATION Betty Byrne Tim Mayer, City Council member Jelene Campbell Kevin Polk Stefano Conard Stanley Routon Diane Dormant Kathy Ruesink Phil Eskew Georgia Schaich, President Noriko Hara Marian Shaaban Nathan Harman Lois Sabo-Skelton Maggie Jesseph Maggie Sullivan Ann Kreilkamp Jiangmei Wu Herschel Lentz Adam Lowe SPECIAL THANKS Chief Jeff Barlow and the City of Bloomington Fire Department for making Fire Station Number Four available for the SWOT exercise. The First United Church for hosting all of the neighborhood plan development workshops. CITY OF BLOOMINGTON, MAYOR Mark Kruzan CITY OF BLOOMINGTON, STAFF Tom Micuda, AICP, Planning Director Josh Desmond, AICP, Assistant Planning Director Scott Robinson, AICP, Long Range/Transportation Manager Nate Nickel, Senior Long Range Planner Rachel Johnson, Long Range Planner Lisa Abbott, HAND Director Vickie Provine, Program Manager I CITY OF BLOOMINGTON TABLE OF CONTENTS 1. INTRODUCTION Neighborhood Planning Initiative....................................2 -
Richard Butsch a HALF CENTURY of CLASS and GENDER In
Butsch, Richard. « A Half Century of Class and Gender in American TV Domestic Sitcoms », Cercles 8 (2003) : 16-34 <www.cercles.com>. ©Cercles 2003. Toute reproduction, même partielle, par quelque procédé que ce soit, est interdite sans autorisation préalable (loi du 11 mars 1957, al. 1 de l’art. 40). ISSN : 1292-8968. Richard Butsch Rider University, Lawrenceville A HALF CENTURY OF CLASS AND GENDER in American TV Domestic Sitcoms Over a half-century of television, domestic situation comedies have reinforced images of the middle class as better than the working class. Similar inequalities have been portrayed for men versus women, black versus white, old versus young, and for other status hierarchies. Already embedded in the larger culture, these stereotypes are used to signify character types that advance dramatic goals. Nevertheless, the pervasiveness of network tele- vision and the persistence over five decades have contributed immeasurably to reproducing these same stereotypes. Women, for example, have been cast as main characters only where the subjects of romance or family are salient; they have been absent from rational discussions in scripts [Gerbner, 1972]. Women’s presence thus signals certain themes. Similarly, traits culturally associated with a lower status, applied to a person of higher status devalues that person. Men are devalued by characte- rizing them as feminine. Such status inversion can then effectively confirm other lower statuses held by the person. Female, black and lower-class adults have been devalued by characterizing them as child-like. Child-like attribu- tions undercut their adult status, confirming their lower status as female, black or lower-class. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
SURPLUS ANIMALS: the CYCLE of HELL a Study of Captive Wildlife in the United States
SURPLUS ANIMALS: THE CYCLE OF HELL A Study of Captive Wildlife in the United States BACKGROUND AND HISTORY As recently as the 1960's, the problem of surplus animals was minimal. Traffic in captive wildlife was limited to a small group of breeders/dealers and wildlife photographers who produced animals for documentary programs such as Disney, Wild Kingdom, and other wildlife series. The Hollywood animal industry was just beginning to burgeon, due to the popularity of such television shows as "Flipper," "Gentle Ben," "Daktari," "Cowboy in Africa," and many more. Unfortunately for the animals, money-hungry entrepreneurs saw an opportunity to make big bucks by exploiting the public's love of animals. In fact, it was Ivan Tors, producer of several of the aforementioned television shows, who first had the idea to capture an orca for a theme park. Now approximately 1620 dolphins and whales have been captured for exhibition in hotels and theme parks around the world in the name of entertainment. Hundreds have died. To capitalize on the Hollywood animal craze, a small group of middlemen surfaced who bartered for or purchased surplus animals from zoos to supply film productions, animal trainers, and theme parks. During the sixties, the zoo community was breeding excessively and randomly in order to produce "cute" baby animals for public display and as an incentive for people to visit their institutions. Zoos utilized these roving middle men because they were an effective means of disposing of the "cute" little babies at the end of the season-when they weren't cute anymore. The cycle of "surplus" animals had begun. -
Deconstructing Media Sterotypes of the American South
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2009 Y'all Think We're Stupid: Deconstructing Media Sterotypes of The American South Karen C. Hamilton Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Hamilton, Karen C., "Y'all Think We're Stupid: Deconstructing Media Sterotypes of The American South" (2009). Electronic Theses and Dissertations. 491. https://digitalcommons.georgiasouthern.edu/etd/491 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Y’ALL THINK WE’RE STUPID: DECONSTRUCTING MEDIA STEREOTYPES OF THE AMERICAN SOUTH by KAREN C. HAMILTON (Under the Direction of John Weaver) ABSTRACT This study examines the various stereotypes that persist about the American South, giving consideration to the common stereotypes, their persistence, and the response of Southerners and non-Southerners to them. Further, it aims to examine in-depth the methods by which these stereotypes are perpetuated, such as literature, movies, television, and music. Within this dissertation, pieces of literature by traditional Southern authors, like William Faulkner and Tennessee Williams, are examined for the images they employ. Further, films such as Deliverance and Sweet Home Alabama, as well as television shows like The Dukes of Hazzard and The Beverly Hillbillies are analyzed for how they convey stereotypes about the South. -
The Phil Silvers Show
3 The Phil Silvers Show “Doberman’s Sister” November 20, 1956 n CBS itcom heroes were crafty. For a form devoted to scheming of all kinds, S this was practically a job requirement. Each new installment required a fresh plot, in both senses of the word. Lucy dreamed of show-business success; Ralph pictured that pot of gold at the end of the rainbow. Both were forever denied what they wanted most, because what would happen to us if they ever got it? The early sitcom, in its most essential incarnation, 39 40 SITCOM thrived on failure, and on the perpetual return to equilibrium. But what if chaos itself were a sitcom’s default mode? And what if the scheming were less toothless and more disreputable? Could a sitcom be about an amoral con man and still be a sitcom? These were the questions prompted by The Phil Silvers Show (also known as Sgt. Bilko and You’ll Never Get Rich; like any good con man, the show traveled under a number of aliases), which ran on CBS from 1955 to 1959. Phil Silvers was never the ratings titan that I Love Lucy was, nor did it have the afterlife of The Honeymooners. So consider “Doberman’s Sister,” written by Nat Hiken, Leonard Stern, Tony Webster, and Billy Friedberg, as a route map to the sitcom road not taken, one laid out in detail and then mostly abandoned for close to four decades, until another set of clued-in, fearless Jewish comedians picked up where Bilko had left off. Each episode of The Phil Silvers Show, created by former Milton Berle writer Nat Hiken (who had also written for a radio show called The Magnifi- cent Montague that featured an up-and-coming performer named Art Car- ney) was a puzzle for us to unpack. -
Bear Necessities
Bear Necessities Rescue, Rehabilitation, Sanctuary, and Advocacy Edited by Lisa Kemmerer LEIDEN | BOSTON For Author Use Only. 2016 © Koninklijke Brill NV Cover image: An Andean Bear and a Sun Bear, copyright of Lisa Kemmerer. The bear artwork was created by Rox Corbett. This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. isbn 978-90-04-29290-1 (hardback) isbn 978-90-04-29309-0 (e-book) © 2015 by Lisa Kemmerer Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa. Fees are subject to change. This book is printed on acid-free paper. For Author Use Only. 2016 © Koninklijke Brill NV Contents List of Contributors viii Introduction 1 Lisa Kemmerer PART I Bear Basics 1 Bear Basics Lisa Kemmerer 17 2 Bear-Aware for Twenty Years Victor Watkins 35 3 Making a Difference -
Fish out of Water Fish out of Water
THE FISH OUT OF WATER ISSUE 2ND JETTY Taking Seafood to the Next Level LIQUID GOLD Waterfront Living In the Garden State CASTING CALL The Lure of the Deep DEADWOOD REDUX 5 Minutes with Timothy Olyphant $3.95US 07 THE EDGE INTERVIEW Ever Carradine of Marvel’s Runaways & The Handmaid’s Tale 0 74470 25173 6 GREENBAUM INT BRIO RS LIVE WITH FINE DESIGN FINE FURNISHINGS, INTERIOR DESIGN, AND DECORATION SINCE 1952 1105 Mt. Kemble Ave, (Rt. 202) HQ 101 Washington St. 584 Rt. 17 North (@ Racetrack Rd.) Morristown, NJ Historic Paterson, NJ Ridgewood, NJ 973.425.5500 973.279.3000 201.857.3600 greenbauminteriors.com 2 The Fish Out of Water Issue PUBLISHERS DOUG HARRIS, GRANT KNAGGS ASSOCIATE PUBLISHER JEFFREY SHANES EDITORIAL MANAGING EDITOR MARK STEWART EDITORS CHRISTINE GIBBS, DOUG HARRIS, YOLANDA NAVARRA FLEMING EDITOR AT LARGE ASHLEIGH OWENS FOOD EDITOR MIKE COHEN ASSIGNMENTS EDITOR ZACK BURGESS AUTOMOTIVE EDITOR SARAH LEE MARKS ARTS EDITOR TOVA NAVARRA ART DESIGN DIRECTOR JAMA BOWMAN SALES 908.994.5138 VP BUSINESS DEVELOPMENT JEFFREY SHANES SENIOR MEDIA MARKETING SPECIALIST CHRISTINE LAYNG WEB WEB DESIGN ANDREW J. TALCOTT / OK7, LLC ONLINE MANAGER JOHN MAZURKIEWICZ TRINITAS REGIONAL MEDICAL CENTER CHAIRPERSON SR. ROSEMARY MOYNIHAN, SC PRESIDENT & CEO GARY S. HORAN, FACHE LETTERS TO THE EDITOR EDGE c/o Trinitas Regional Medical Center Public Relations Department 225 Williamson Street | Elizabeth, New Jersey 07202 [email protected] VISIT US ON THE WEB www.edgemagonline.com This is Volume 11, Issue 3. EDGE Magazine is published 5 times a year in February, April, June, September and November. This material is designed for information purposes only. -
A Discourse Analysis of Pigs in Motion Pictures
Cinematic “Pigness”: A Discourse Analysis of Pigs in Motion Pictures By Mark von Schlemmer Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Catherine Preston ____________________________ Chairperson Chuck Berg ______________________________ Tamara Falicov ______________________________ Kevin Willmott ______________________________ Barbara Barnett ______________________________ Date defended: July 2, 2010 Acceptance Page This Dissertation Committee for Mark von Schlemmer certifies that this is the approved version of the following dissertation: Cinematic “Pigness”: A Discourse Analysis of Pigs in Motion Pictures Catherine Preston ____________________________ Chairperson Chuck Berg ______________________________ Tamara Falicov ______________________________ Kevin Willmott ______________________________ Barbara Barnett ______________________________ Date Approved: July 28, 2010 ii Abstract The representations of “others” in film have been contentious since filmmaking began. Fraught with misrepresentations, cinema has been held responsible, and occasionally credited, for influencing cultural practices and helping to shape discourses in American society. This study suggests that the media representations of nonhuman animals also have a profound effect on how Americans think about animals and that these representations warrant examination to uncover the naturalized messages and assumptions that are presented about animals. Explored here are the extent to which these images depict animal-ness – moments of authentic nonhuman behavior or experience that are not simply a reflection of humanity but have meaning for the animals themselves. This study highlights the case of “food animals” – specifically pigs. The disjunction between how we represent them – the narratological roles they fill in animal films – and the way that actual pigs are used in American society is vast and disturbing.