The Tale of a Tail Free

Total Page:16

File Type:pdf, Size:1020Kb

The Tale of a Tail Free FREE THE TALE OF A TAIL PDF Margaret Mahy,Tony Ross | 160 pages | 07 May 2015 | Hachette Children's Group | 9781444010848 | English | London, United Kingdom Full “A Tale Of Tails” Research Tasks In Pokémon GO Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. Title: A Tale of a Tail 18 Oct While Arnold is given the royal treatment by the hotel staff, the Douglases are brushed aside as persona non grata and shoved into a room the size of a closet. The Tale of a Tail the lawyers' meeting to claim the money, Arnold's tail makes the ridiculous prediction of snow in July. The red carpet is suddenly rolled up and they're The Tale of a Tail given the bum's rush out of the hotel. Looking for The Tale of a Tail to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Green Acres — Rate This. Season 5 Episode 4. All Episodes While Arnold is given the royal treatment Director: Richard L. Added to Watchlist. List of television programs by date. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image. Edit Cast Episode cast overview: Eddie Albert Oliver Wendell Douglas Eva Gabor Lisa Douglas Frank Cady Sam Drucker Tom Lester Eb Dawson Alvy Moore Hank Kimball Hank Patterson Fred Ziffel William O'Connell Desk Clerk Vince Barnett Baggage Man Al Molinaro Bellboy Fabian Dean Maintenance Man Roland Winters Certificate: TV-G. Edit Did You Know? Trivia To the lawyer's meeting, Arnold wears a checked sports coat Eb claims was made by Al Capone's old tailor. It comes equipped with a built-in holster for his gat. Quotes Eb Dawson : [ reading story from newspaper ] Arnold will be accompanied to Chicago by Oliver Wendell Douglas, the famous pig lawyer! Oliver Wendell Douglas : [ irritated ] Pig lawyer? Lisa Douglas : And when you went to Harvard they said The Tale of a Tail wouldn't amount to anything. Add the first question. Edit Details Language: English. Runtime: 30 min. Sound Mix: Mono. Color: Color. Edit page. October Streaming Picks. Back to School Picks. Clear your history. Oliver Wendell Douglas. Lisa Douglas. The Tale of a Tail - Nature's Wonderland - Jewish Kids Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. Title: Troll: The Tale of a Tail The troll The Tale of a Tail Trym has only three days to save his father, King Grom, who has turned to stone and had his tail The Tale of a Tail by the evil presence in the forest. Trym and The Tale of a Tail companions must go on a wild and dangerous journey across the troll kingdom of Ervod to save his father's life and return the kingdom to its rightful ruler. Written by Global Genesis Group. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch The Tale of a Tail. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Trym and his companions must go Directors: Kevin MunroeKristian Kamp co- director. Added to Watchlist. Zz - Estreias To see occasionally. Animated movies I have yet to see. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Credited cast: Sonja Ball Jan voice Mark Camacho Trianna 2 voice Angela Galuppo Freia voice Stefan Gauthier Lucas Rick Jones Trym voice Terrence Scammell Grimmer voice Shane P. Edit Storyline The troll prince Trym has The Tale of a Tail three days to save his father, King Grom, who has turned to stone and had his tail stolen by the evil presence in the forest. A very boring rip off of lion king. Sad Wouldn't waste my time on this. Just watch lion king. Was this review helpful to you? Yes No Report this. Add the first question. Edit Details Official Sites: promo. Country: Norway Canada. Language: English. Budget: CAD18, estimated. Runtime: 90 min. Color: Color. Edit page. October Streaming Picks. Back to School Picks. Clear your history. Tale of tails: Colorado mermaid tail maker sued for alleged trademark infringement - BusinessDen Everything that the Almighty created has a purpose. That is especially obvious in connection with the parts of the body. One of the main differences between a human body and an animal's body is that The Tale of a Tail former does not have a tail, and the latter almost without exception does. When we say "animal," The Tale of a Tail are including beasts, birds and fishes. Not all tails are of the same kind and size: some are long, some short, some bushy, some thin; but whatever the tail, it is an important part of the animal's anatomy. Why does an animal need a tail? For what purpose did the Almighty create almost every animal, beast, bird and fish, with a tail? The answer is that the tail plays an important role, although not in all cases does it The Tale of a Tail the The Tale of a Tail purpose. Whoever has seen an animal at pasture in the field, has certainly The Tale of a Tail how it keeps on swiping its tail to rid itself of those nuisances, the flies. Its tail is very suitable for that job: it is long and thin, and at the end of the tail it is very hairy. A horse has a similar tail, and uses it mainly for the same purpose as the cow and other animals in the same category. Many beasts use their tails for protection. A lion's tail is very powerful. Certain monkeys use their long tail as a The Tale of a Tail leg. In this manner their hands paws are free to tear off fruit from the trees, and busy themselves with other monkey business. Especially important, and strong, is the tail of the Kangaroo, the remarkable creature with the pouch that lives in Australia. The kangaroo can sit The Tale of a Tail its tail, and can protect itself with its fore feet and back-feet at the same time. While supporting itself on its tail, it can kill the largest beast with a kick from its hind feet. The kangaroo also uses its tail to help it jump. Birds use their feathery tail to fly. Their tail serves as a kind of a rudder in the air. It sometimes serves other purposes, such as, for example, in the case of the woodpecker, which sits on its tail as it pecks large holes in the trees. The beaver uses its tail as a danger signal. He gives the water such a resounding whack with his tail, that its echo can be heard over the whole lake, and it The Tale of a Tail the whole beaver colony of danger. For a fish, the tail is absolutely vital. With the help of its tail, the fish swims in any direction it pleases. Amongst the reptiles, such as snakes, lizards, etc. Often the tail saves its life in a different way: If it is caught by its tail, it can let fall a piece of tail, and escape; later on, the piece grows back. Man, the chosen one of all creatures, was not given a tail. Man is "intelligent," using his head mainly, the seat of the brain and intellect. That is why a person walks with his head upright, towards heaven. In many an animal, the head and the tail are on one level; its head is not higher than the other vital parts of its body. Its head, lungs, heart, stomach and tail are almost in one straight line. In a human being, the head is higher, and the lungs lower; the heart lower still, and the stomach and liver even more so. That shows that, first of all, a person should act sensibly use his brains ; then he is a "speaking creature" mouth and lungs. The feelings heart are on a lower level, because the intellect should govern the feelings; and on the lowest rung is his digestive system stomach, liver, etc. But, even with regard to this part of the body, the intellect and humane feelings should master the baser animal instincts in a person. Rabbi Isaiah Hurwitz, - the saintly Shelohin his famous work Shnei Luchos Habris, remarks that the three The Tale of a Tail organs of the body are: the brain, the heart and the liver. The corresponding Hebrew words are Moach brainLev heart and Koved liverof which the first letter of each of these words forms the word Melech - king. If a person acts in accordance with the The Tale of a Tail of his organs in this order, Moach brainLev heart and Koved liverthen he is indeed a "king," the ruler over all creatures.
Recommended publications
  • 1001 Classic Commercials 3 DVDS
    1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30.
    [Show full text]
  • Crossroads Film and Television Program List
    Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge.
    [Show full text]
  • 1968-May.Pdf
    -.. -4 --,- - ANOK - mw~ AE OooWN 40_ f .A l -- -_ - _-; - I, " -, - 4--':.LL-9jL - ~·~:o~~_·r+·T~R ~ ~~~ __ - ~.,, ~~~-- L_-··-__et_r4- · ,---- 7,~ -;ami: is as Ad~,~4'f~ - rW.-. .r9 a :cr mok,~~~~~~~c. --.z-.TB 3A1aW ,5l.11 I -. -1 i" \.J . ., t ' q:i t gI~ 1wDn'' fI 1 it U 0 C IA R E TT s 20 - =l~awlaqlk j Oh b vd guideIF VOO DOO may, 1968 =·\ Transformer Wesley Mo ore Attenuator Jim Tagga rt University Insuranc Commercial Gary Blau Generator Ed "The H ick" Salzburg Agency, Inc. Screw-Up John Jurewicz BoYL5ToN ST. W5sToN Antenna Rich Rosen (oYP? PRUDENTYL CENTER) Resistor Raisa Berlin Video Valve Mike Brom berg Autonobile and Motoreycle Triode Scotly Rho( es Insutrance Ionisphere Charles Deber, Ph.D., Hs. C. Sybsystem Art Polansl :y Noise Generator Mark Mariinch Ghosts Alan Chapi nan ALL RISKS ACCEPTED FOR LIABILITY, Flicks Finder and Lavin FIRE/THEFT AND COLLISION COVERAGE Nielsen Trv Simnn-'Steve Gallant Static Harold Federow Phosphor PhosphorusS "FOR PERSONAL SERVICE, CALL ON VooDoo is published 9 times ayear(Oct. thru May, and US AT THE UNIVERSITY" in August) by the VooDoo Managing Board, 84 Massa- TELEPHONE: 536 - 9555 chusetts Avenue, Cambridge, Massachusetts, 02139; en- tered as Second Class Mail at the Boston Post Office, I i , ' ;L ·r 111~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _ Year subscription Three Dollars. Volume 51, Number 8, --Z - L-C May, 1968. Thank God. ON V. D. GUIDE'S COVER THIS WEEK ... rFF Shown on V.D. Guide's cover this week are the rising new stars Connie Linkes and Rod Fellas, hard at work on their new show, "Annie, Gotcha 'Gain" premiering &PIZZAthis week on Channel 69, Tuesdays at 8:30.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • GO-May-13.Pdf
    Schedule Program Guide For TCN/GO Sun May 13, 2012 06:00 THUNDERBIRDS Repeat WS G Alias Mr. Hackenbacker Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS WB SUNDAY WS G Hosted by Lauren Phillips and Andrew Faulkner. 07:00 TAZ-MANIA Repeat G Heartbreak Taz/Just Be "Cuz" Problems arise when Constance Koala confides her love for Taz to Mr. Thickly, who tries to intervene on Constance's behalf. 07:30 ANIMANIACS Repeat G Hello Nice Warners/La Behemoth/Little Old Slappy Tells the story of what happens when the Warners siblings are cast in a new film by the comedy genius, Mr. Director. 08:00 THE LOONEY TUNES SHOW Repeat WS G Newspaper Thief When Daffy discovers his newspaper is missing, he accuses the neighbors of stealing it and sets out to catch "the thief" by setting an elaborate trap during Bugs' dinner party. 08:30 CAMP LAZLO Repeat WS G Scoop of the Day / Boxing Edward Lumpus becomes obsessed with reading Dave and Ping Pong newspaper even though it is "for campers only." 09:00 THUNDERCATS Repeat WS PG Song Of The Petalars Lizard assassins hunt the team. Cons.Advice: Mild Violence 09:30 YOUNG JUSTICE WS PG Misplaced Cons.Advice: Mild Violence, Supernatural Themes 10:00 BATMAN: THE BRAVE AND THE BOLD Repeat WS PG Sidekicks Assemble! Aqualad, Robin and Speedy have had it with being bossed around and demand a piece of the action, but they get more than they bargained for.
    [Show full text]
  • CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries.
    [Show full text]
  • The Grapes of Wrath: a Retrospect on the Folkish Expression of Justice in Popular Culture and Family
    The Grapes of Wrath: A Retrospect on the Folkish Expression of Justice in Popular Culture and Family by Neville Buch, member of the Classics Books Club, Brisbane Meet Up 25 April 2020 Figure 1: Cover of ‘The Grapes of Wrath’ by John Steinbeck, 1902-1968, By New York: Viking - image, page, Fair use, https://en.wikipedia.org/w/index.php?curid=5177527 The Grapes of Wrath: A Popular Culture Retrospect INTRODUCTION The story of rural folk migrating in times of poverty and social injustice seeped well into my childhood history, through three popular cultural forms of entertainment:- several television series in the 1960s, a series of comedy films from the late 1940s and 1950s, and a novel published in 1939 with a classic Hollywood movie the following year. There was in my own family history points of connection to the longer story, which I would only find out many years later. The story told here will move backwards in time, and the historical settings are different; that is the particular point I am making. Different histories are linked by a common theme, and in this case, we are considering the folkish expression on social justice. Retrospectively, we can also see how popular entertainment works to thin-out the social justice message. What starts as a serious educative process of informing the public on important social justice issues, in the end, becomes a mocking and light reflection on life- changing questions. By going backwards, we dig below the surface for the gold, rather than being satisfied in panning for the golden flakes.
    [Show full text]
  • Deconstructing Media Sterotypes of the American South
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2009 Y'all Think We're Stupid: Deconstructing Media Sterotypes of The American South Karen C. Hamilton Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Hamilton, Karen C., "Y'all Think We're Stupid: Deconstructing Media Sterotypes of The American South" (2009). Electronic Theses and Dissertations. 491. https://digitalcommons.georgiasouthern.edu/etd/491 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Y’ALL THINK WE’RE STUPID: DECONSTRUCTING MEDIA STEREOTYPES OF THE AMERICAN SOUTH by KAREN C. HAMILTON (Under the Direction of John Weaver) ABSTRACT This study examines the various stereotypes that persist about the American South, giving consideration to the common stereotypes, their persistence, and the response of Southerners and non-Southerners to them. Further, it aims to examine in-depth the methods by which these stereotypes are perpetuated, such as literature, movies, television, and music. Within this dissertation, pieces of literature by traditional Southern authors, like William Faulkner and Tennessee Williams, are examined for the images they employ. Further, films such as Deliverance and Sweet Home Alabama, as well as television shows like The Dukes of Hazzard and The Beverly Hillbillies are analyzed for how they convey stereotypes about the South.
    [Show full text]
  • American Moviemakers: Directed by Vincente Minnelli
    American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953.
    [Show full text]
  • Fish out of Water Fish out of Water
    THE FISH OUT OF WATER ISSUE 2ND JETTY Taking Seafood to the Next Level LIQUID GOLD Waterfront Living In the Garden State CASTING CALL The Lure of the Deep DEADWOOD REDUX 5 Minutes with Timothy Olyphant $3.95US 07 THE EDGE INTERVIEW Ever Carradine of Marvel’s Runaways & The Handmaid’s Tale 0 74470 25173 6 GREENBAUM INT BRIO RS LIVE WITH FINE DESIGN FINE FURNISHINGS, INTERIOR DESIGN, AND DECORATION SINCE 1952 1105 Mt. Kemble Ave, (Rt. 202) HQ 101 Washington St. 584 Rt. 17 North (@ Racetrack Rd.) Morristown, NJ Historic Paterson, NJ Ridgewood, NJ 973.425.5500 973.279.3000 201.857.3600 greenbauminteriors.com 2 The Fish Out of Water Issue PUBLISHERS DOUG HARRIS, GRANT KNAGGS ASSOCIATE PUBLISHER JEFFREY SHANES EDITORIAL MANAGING EDITOR MARK STEWART EDITORS CHRISTINE GIBBS, DOUG HARRIS, YOLANDA NAVARRA FLEMING EDITOR AT LARGE ASHLEIGH OWENS FOOD EDITOR MIKE COHEN ASSIGNMENTS EDITOR ZACK BURGESS AUTOMOTIVE EDITOR SARAH LEE MARKS ARTS EDITOR TOVA NAVARRA ART DESIGN DIRECTOR JAMA BOWMAN SALES 908.994.5138 VP BUSINESS DEVELOPMENT JEFFREY SHANES SENIOR MEDIA MARKETING SPECIALIST CHRISTINE LAYNG WEB WEB DESIGN ANDREW J. TALCOTT / OK7, LLC ONLINE MANAGER JOHN MAZURKIEWICZ TRINITAS REGIONAL MEDICAL CENTER CHAIRPERSON SR. ROSEMARY MOYNIHAN, SC PRESIDENT & CEO GARY S. HORAN, FACHE LETTERS TO THE EDITOR EDGE c/o Trinitas Regional Medical Center Public Relations Department 225 Williamson Street | Elizabeth, New Jersey 07202 [email protected] VISIT US ON THE WEB www.edgemagonline.com This is Volume 11, Issue 3. EDGE Magazine is published 5 times a year in February, April, June, September and November. This material is designed for information purposes only.
    [Show full text]
  • The Prince and the Reporter How Mom Met Dad at the Marriage of the Century
    The Prince and the Reporter How Mom Met Dad at the Marriage of the Century Part 1: The Prince The invitation came on a Saturday night. It was recorded in a page from the office diary of John Martin Seabrook by his longtime secretary, Betty Gaunt, dated Saturday, February 18, ​ 1956. The entry reads: CFS came over after dinner to talk business. Mrs Kelly called and asked ​ me to the wedding. CFS seemed pleased at my going. That is the only entry for this day, a slow time at Seabrook Farms, where JMS is the thirty-eight-year old President and CEO. Terse though they are, there is lots to unpack in these three sentences. Much will come from them, including, less than three years later, me. *** CFS is C.F. Seabrook, the chairman and majority owner of Seabrook Farms. He is the seventy-seven year old father to thirty-eight-year old JMS, but he is no longer his son’s boss: JMS has been CEO for over a year now. Referring to family members by initials is common practice among the Seabrooks who are in business together, a way of reminding each other that while they are kin, they are also colleagues. To friends, JMS is called “Jack,” but never “John,” his given name. CFS is C.F. to most, and Charlie to none except for his wife, NDS -- Norma Dale Seabrook. The house that CFS comes over to in the diary entry is on Seeley Road, and it belongs to the Old Man, like everything else around it; CF owned altogether almost thirteen thousand acres.
    [Show full text]
  • Proper 23, Year C Oct. 13, 2019 Saint James, Wheat Ridge by the Rev
    1 Proper 23, Year C Oct. 13, 2019 Saint James, Wheat Ridge By the Rev. Becky Jones It was decision day in Hooterville. Six months earlier, attorney Oliver Wendell Douglas had left his Manhattan law practice and, over his Hungarian wife, Lisa’s, horrified objections, they’d moved into the rundown old Haney place in Hooterville, so Oliver could follow his life’s ambition of becoming a farmer. And week after week, hilarity ensued as these transplanted New Yorkers attempted to make a life for themselves in rural America. Those of you of a certain age will no doubt remember the story line and beloved characters from the TV show Green Acres, which aired from 1965 to 1971, starring Eddie Albert and Eva Gabor. It’s among my Top Five favorite TV shows of all time and I still watch the reruns on Hulu, whenever I need a laugh, a gentle boost to my spirits. Those of you NOT of a certain age who don’t remember Green Acres can still watch basically the same TV show now on ABC. It’s called Bless this Mess, and it’s about a couple of clueless New Yorkers who move to a farm in Nebraska. It’s the same story just set 50 years later. But the episode I want to talk about this morning was the Green Acres episode called “The Day of Decision,” which aired Feb. 23, 1966, toward the end of the first season. 2 Lisa – even though New York was where she’d rather stay, even though she got allergic smelling hay – she had reluctantly agreed to give life on the farm six months, and Oliver had agreed that if she still wanted to leave after that amount of time, then they’d pack up and move back to New York.
    [Show full text]