DOCSLIB.ORG

Works Cited Primary Source

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Works Cited Primary Source 247 Works Cited Primary Source,; : Mahapatra, Jayanata. Close the Sky /Ten by Ten.Calcutta.Dialogue, 1971. , Svayamvara and Other Poems.Calcutta. Writers Workshops971. - - - , A Father's Hours. Calcutta. United Writers,1976 , A Rain of Rites. Athens. University of Georgia Press,1976. — , Waiting.New Delhi.Samkaleen Prakashan,1979. , The False Start. Bombay. Clearing House,1980. Relationship. Cuttack. Chandrabhaga Society,1982. , Life Signs. New Delhi. Oxford University Press,1983. , Dispossessed Nests.Delhi and Jaipur.Nirala Publications, 1986. , Burden of Waves & Fruit. Washington. Three Continents Press, 1988. , Temple. Australia.Dangaroo Press,1989. , A Whiteness of Bones. New Delhi .Penguin Books, 1992. , Shadow Space. Kerala. D.C. Books,1997. - - -, Bare Face. Kerala. D.C. Books,2000. , Random Descent. Orissa. Third Eye Communications,2005. A Discussion With. Sumanyu Satpathy. Many Indians Many Literatures, New Critical Essays. Ed. Shormishtha Panja. Delhi. World View Publications,2001. Journals and Periodicals. Mahapatra, Jayanta . "Hedging the Heart." The Hindu. March 18, 2001. , "Face to Face with the Contemporary Poems" Journal of Literary Studies.Vol. 6June, 1983. As quoted by Bruce King 248 in Modern Indian Poetry in English, pg 86. New Delhi. Oxford University Press,2004. , "Of lowly potato: Indian English Poetry". The Daily Star. Volume: 4 Number: 223. Jan 10, 2004. Contemporary Authors Autobiography Series. ed.Mark Zadronzy.Gale Research Inc.Detroit,Michigan,U.S.A. Vol.1989. "Large Words,A Small Silence" Many Indians Many Literatures, New Critical Essays. Ed. Shormishtha Panja. Delhi. World View Publications, 2001. , Interview: Rabindra Swain& Preston Merchant. Contemporary Poetry Review. Indian Poetry in English Issue. April 2004. Secondary Source : Annaji. What Care I for Lajpat Rai? The Golden Treasury of Indo- Anglican Poetry. Edited by V.K.Gokak. New Delhi. Sahitya Akademy,2004. Basavaraj, Naikar. Ed.Indian English Literature Vol: IV. New Delhi.Atlantic Publishers and Distributors, 2003. Baudlaire, Charles. Selected Poems.Trans. Joanne Richardson. Delhi.Penguin,1986. Burns,Robert. Open the Door to me. As quoted by Yeats in Symbolism Of Poetry. Twentieth Century Literary Criticism Ed.David Lodge. London. Longman,1972. Blake,William. A Selection of Poems and Letters. Edited with an Introduction by J.Bronwski. England.Penguin Books,1958. Butcher, S.H. Aristotle's Theory of Poetry and Fine Arts. Trans.U.S.A.Dover Publication Inc, 1951. Carlyle, Thomas. 'The Hero as a Poet. Dante,Shakespeare.' From Heroes and Hero- worship. English Critical Essays. London. Oxford University Press, 1965. Chindhade,Shirish. Five Indian English Poets. New Delhi. Atlantic Publishers and Distributors,1996. 249 Coleridge, S.T. Biographia Literaria 1817. English Critical Essays. London. Oxford University Press,1965. Daruwala, Keki. 'On Writing in English: an Indian poet's perspective:' The Daily Star Vol. 5 no 86. Aug 21, 2004 Das, B.K. The Humanities Review Jan-June 1981. Quoted by B.K.Das in Indian Literature Today. Volume II. New Delhi Prestige Books, 1994. Indian Literature Today. Volume II. New Delhi Prestige Books, 1994. The Poetry of Jayanta Mahapatra. Delhi. Atlantic Publishers and Distributers,2001. Das. Jibanananda, Satti Tatar Timir as quoted in Sisir Das A History of Indian Literature Vol.11, pg 384,New Delhi. Sahitya Akademi ,2000. Srestha Kabita. Kolkata. Varabhi ,1961 rpt.2003. Das, Sisir Kumar. A History of Indian Literature 1800-1910. New Delhi. Sahitya Akademi, 2000. Day, Aidan. Romanticism. New York. Routledge,1996.Rpt.2001. Derozio,Henry Vivian.The Harp of India .The Golden Treasury of Indo-Anglican Poetry,pg 53. Ed. V.K.Gokak. New Delhi.Sahitya Akademy,2004. Devy ,G.N.Ed. Indian Literary Theory and Interpretation. Hydrabad. Orient Longman,2002. Eliot ,T.S. The Complete Poems and Plays. London .Faber &Faber, 1969. Selected Essays 1917-1932. New York . Harcourt Brace and Company, 1932 Ellman, Richard. Yeats The Man And The Masks. London.Penguin Books, 1985. Ezekiel, Nissim. 'Naipauls' India and mine.'.Quoted in Five Indian English Poets, pg 37.Shirish Chindhade. New Delhi. Atlantic Publishers and Distributors,1996. Collected Poems. Delhi. Oxford University Press,1989. Forster, E.M. A Passage To India. New Delhi. A.I.T.B.S.Publishers and Distributors,1996. 250 Furtado, Joseph. The Old Irani. The Golden Treasury of Indo-Anglican Poetry.Pg.165 Ed. V.K.Gokak. New Delhi. Sahitya Akademy, 2004. Gassner, John. Preface to fourth Edition . Aristotle's Theory of Poetry and Fine Arts. U.S.A. Dover Publication Inc., 1951. Ghosh,Kashiprashad .The Moon in September. As quoted by K.R. Srinivasa Iyengar in Indian Writing in English. Pg 37. New Delhi. Sterling Publishers Private Limited, 2002. Gokak, V.K. Ed.The Golden Treasury of Indo-Anglican Poetry. New Delhi. Sahitya Akademi,2004. Hunt,Leigh. 'An Answer To The Question What Is Poetry?' 1844. English Critical Essays. London.Oxford University Press,1965. Inamdar, F.A. 'The Symbolic Mode in Poetry -A Critique of Jayanta Mahapatra.' Indian writings in English Ed. Manmohan K.Bhatnagar. New Delhi. Atlantic Publishers and Distributors, 2001. Iyengar, K.R.S. Indian Writing in English. New Delhi. Sterling Publishers Private Limited,2002. Jayaprada , C.L.L. 'Jayanta Mahapatra the poet' Indian Literature Today. Vol II. Ed. R.K.Dhawan. New Delhi. Prestige Books, 1994. Joshi, Arun. The Strange Case Of Billy Biswas. New York. Asia Publishing House,1971. Joyce, James. A Portrait of the Artist as a Young Man. Calcutta.I.A.B.Books,1992. Keats , John. The Complete Poems of John Keats.Ed.John Barnard. London. Penguin Books,1993 Rept.1998. Khullar, Ajit. 'Relationship Analysis and Influences,' as quoted in B.K. Das The Poetry of JAYANTA MAHAPATRA. Pg 30.Delhi. Atlantic Publishers and Distributors, 2001. King , Bruce. Modern Indian Poetry in English.New Delhi. Oxford University Press,2004. Kolatkar, Arun. Between Jejuri and the Railway Station.Twelve Modern Indian Poets.Ed. Arvind Krishna Mehrotra.Kolkata Oxford University Press, 1995. Lai ,P. Kavita Manifesto. Calcutta. Writer's Workshop,1958. Lewis, CD. The Poetic Image. London.Jonathan Cape,1992. Littlewood,S.R. Ed. Essays in Criticism .Second Series. London. Macmillian & Co,1960. Lodge , David. Ed. Twentieth Century Literary Criticism.London.Longman, 1972. Mehrotra, Arvind Krishna. Ed.Twelve Modern Indian Poets. Kolkata. Oxford University Press, 1995. Moraes , Dom. Letter to my Mother quoted in K.R.S.Iyengar Indian Writing in English Pg 655. New Delhi. Sterling Publishers Private Limited/2002. Naik M.K. A History of Indian English Literature. New Delhi .Sahitya Akademi, 2004. Naikar,Bhasavraj. Ed Indian English Literature. Vol: IV New Delhi. Atlantic Publishers and Distributors, 2003. Noronha,Leslie de. Loneliness.The Golden Treasury of Indo-Anglican Poetry. Ed. V.K.Gokak. New Delhi. Sahitya Akademy,2004. Parthasarathy R. Ed. Ten Twentieth Century Indian Poets. Delhi. Oxford University Press,1976. Poddar,Arabinda.Ed. Collected Essays.Institute Of Advanced Studies. Simla ,1972. Preminger ,Alex Ed.Princeton Encyclopedia of Poetry and Poetics. London. Macmillian and Basingstoke,1976. Radice ,William. Preface to Selected Poems Rabindranath Tagore. Trans. Delhi.Penguin Books,1995. Raghavan, N. As quoted in R.K.Swain The poetry of Jayanta Mahapatra. Pg 16.New Delhi. Prestige Books, 2000. Ramanujan ,A.K. The Collected Poems. Delhi. Oxford University Press, 1993. Sean O'Casey. Three Plays.Great Britain.Macmillian & Co.Ltd,1961. Shakespeare,William. The Complete Works. London and Glasgow. The English Language Book Society and Collins,1965. Shelley, P.B. 'Defence of Poetry.' English Critical Essays. London.Oxford University Press,! 965. 252 Singh, B. M. Introduction in Water Imagery in Yeats's Work. New Delhi.Anmol Publications, 1992. Spurgeon , Caroline.Shakespeare's Imagery and what it tells us. Cambridge and NewYork. Cambridge University Press,1988. Stanley, F.Rajiva. Poem for a Birthday. As quoted in K.R.S.Iyengar. Indian Writing in English. New Delhi. Sterling Publishers Private Limited.2002. Swain, R.K. The Poetry of Jayanta Mahapatra . New Delhi. Prestige Books, 2000. Tagore, Rabindranath. Selected Poems. Trans. William Radice. India. Penguin Books,1995. - - - , Sanchoita. Biswabharati,1993. Tennyson, Alfred. Selected Poems. England.Paperback. Penguin Classics,!.991. Wordsworth, William.The Works of William Wordsworth. Poetry Library. Cumberland House.London.1994. Yeats,W.B. Selected poetry. Ed. Norman A. Jeffares. London. Macmillion &Co,1962. Yeats.W.B. As quoted in "Historical Consciousness in Jayanta Mahapatra's Relationship" By B.K. Das in Indian English Literature Vol: IV Pg 40.Ed. Basavaraj Naikar. Atlantic Publishers and Distributors, New Delhi ,2003. Online References. Bly Robert. When Sleepers Awake. Ed. Joyce Perseroff. University of Michigan 1984.0nline.Internet. 28April,2006. http://www.math.buffalo.edu/sww/poetry7/bly robert.html Chandler, Daniel. Semiotics for Beginners: Intertextuality. University of Wales. Aberystwth. Internet. 28April,2006. www.aber.ac.uk/media / Docu / S4B / semiotics.html Das Kamala In Love. Poetry Forum.Internet. 26April,2006. serendip.brynmawr.edu/forum/viewforumphp Descartes Rene. Meditations on First Philosophy. Internet Classics Complete Online Texts.Internet. 21 July 2006. www.leiniger.de/e-texts/e-lists.html FrostRobert. West Running Brook. Internet. 28April,2006. www.internalorg/view poemhtml. Hood, Thomas. Flowers. A Victorian Anthology 1837-1895 . Ed. Edmund Clarence Stedman 1985.Internet.27 September,2006.
Load more

Recommended publications
  • POSTCOLONIAL WRITINGS- II Semester
    POSTCOLONIAL WRITINGS [ENG2C08] STUDY MATERIAL II SEMESTER CORE COURSE MA ENGLISH (2019 Admission onwards) UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION CALICUT UNIVERSITY- P.O MALAPPURAM- 673635, KERALA 190008 ENG2C08-POSTCOLONIAL WRITINGS SCHOOL OF DISTANCE EDUCATION UNIVERSITY OF CALICUT STUDY MATERIAL SECOND SEMESTER MA ENGLISH (2019 ADMISSION ONWARDS) CORE COURSE: ENG2C08 : POSTCOLONIAL WRITINGS Prepared by: SMT. SABINA K MUSTHAFA Assistant Professor on Contract Department of English University of Calicut Scrutinized by: Dr. K.M.SHERRIF Associate Professor & Head Department of English University of Calicut ENG2C08-POSTCOLONIAL WRITINGS CONTENTS SECTION A: POETRY 1. A K RAMANUJAN: “SELF-PORTRAIT” 2. DOM MORAES: “A LETTER” “SINBAD” 3. LEOPOLD SENGHOR: “NEW YORK” 4. GABRIEL OKARA: “THE MYSTIC DRUM” 5. DAVID DIOP: “AFRICA” 6. ALLEN CURNOW: “HOUSE AND LAND” 7. A D HOPE: “AUSTRALIA” 8. JACK DAVIS: “ABORIGINAL AUSTRALIA” 9. MARGARET ATWOOD: “JOURNEY TO THE INTERIOR” 10. DEREK WALCOTT: “RUINS OF A GREAT HOUSE” 11. EE TIANG HONG: “ARRIVAL” 12. ALMAGHIR HASHMI: “SO WHAT IF I LIVE IN A HOUSE MADE BY IDIOTS?” 13. KAMAU BRATHWAITE: “NEGUS” SECTION B 1. WOLE SOYINKA: THE ROAD 2. GIRISH KARNAD: HAYAVADANA 3. TIMBERLAKE WERTENBAKER: OUR COUNTRY’S GOOD SECTION C 1. CHINUA ACHEBE: THINGS FALL APART 2. V. S NAIPAUL: A HOUSE FOR MR. BISWAS 3. MARGARET LAWRENCE: THE STONE ANGEL 4. KHALED HOSSEINI: THE KITE RUNNER INTRODUCTION POSTCOLONIALISM We encounter a remarkably wide range of literary texts that come from parts of the world as varied as India, West Indies, Africa, Canada, Australia and South America against the backdrop of colonialism and resistance to colonialism, cultural legacies of colonialism as well as those who want to actively engage with the process of decolonization or think through the process of decolonization.
    [Show full text]
  • Nissim Ezekiel's Literary Skill in Depicting Indian
    Research Paper Peer Reviewed Monthly Journal AIJRRR Impact Factor: 5.002 ISSN :2456-205X NISSIM EZEKIEL’S LITERARY SKILL IN DEPICTING INDIAN SENSIBILITY AND SOCIAL REALITY WITH A HUMANISTIC STRAIN IN HIS POETRY: AN APPRAISAL Dr. S. Chelliah Professor, Head and Chairperson, School of English & Foreign Languages, Department of English & Comparative Literature, Madurai Kamaraj University, Madurai. Abstract This paper attempts to describe Nissim Ezekiel as the pioneer of “New Poetry” by his greater variety and depth than any other poet of the post-independence period and shows how Ezekiel brought a sense of discipline, self-criticism and mastery to Indian English Poetry through use of simplicity of thought and lucid language style in modern poetry. No doubt, the Indian element in Ezekiel’s poetry derives its strength from his choice of themes and allusions and his poetry does pasteurized the social aspects of Indian with a humanistic strain raising a bitter voice against the thoughts of injustice and inequality. Finally, it attests to the common fact that Ezekiel had been encouraging the Indian sensibility and Indian context through his poetic outpourings in verse forms. Key Words: Indian Sensibility, Humanity, Introspection, Realistic Experiences, in justice. Indian English poetry is generally found to be remarkable for profound experimentation and vivid presentation of contemporary reality. The so-called political situation due to the partition of the country assassination of the Mahatma, the rapid urbanization and sound industrialization of the nation, the total disintegration of village community, the essential problem of cultural identity and the swift changes in cultural and societal values and issues did significantly compel the attention of the new poets all and sundry.
    [Show full text]
  • Odisha Review Dr
    Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive ..
    [Show full text]
  • E-Newsletter
    DELHI Bhasha Samman Presentation hasha Samman for 2012 were presidential address. Ampareen Lyngdoh, Bconferred upon Narayan Chandra Hon’ble Miniser, was the chief guest and Goswami and Hasu Yasnik for Classical Sylvanus Lamare, as the guest of honour. and Medieval Literature, Sondar Sing K Sreenivasarao in in his welcome Majaw for Khasi literature, Addanda C address stated that Sahitya Akademi is Cariappa and late Mandeera Jaya committed to literatures of officially Appanna for Kodava and Tabu Ram recognized languages has realized that Taid for Mising. the literary treasures outside these Akademi felt that while The Sahitya Akademi Bhasha languages are no less invaluable and no it was necessary to Samman Presentation Ceremony and less worthy of celebration. Hence Bhasha continue to encourage Awardees’ Meet were held on 13 May Samman award was instituted to honour writers and scholars in 2013 at the Soso Tham Auditorium, writers and scholars. Sahitya Akademi languages not formally Shillong wherein the Meghalaya Minister has already published quite a number recognised by the of Urban Affairs, Ampareen Lyngdoh of translations of classics from our Akademi, it therefore, was the chief guest. K Sreenivasarao, bhashas. instituted Bhasha Secretary, Sahitya Akademi delivered the He further said, besides the Samman in 1996 to welcome address. President of Sahitya conferment of sammans every year for be given to writers, Akademi, Vishwanath Prasad Tiwari scholars who have explored enduring scholars, editors, presented the Samman and delivered his significance of medieval literatures to lexicographers, collectors, performers or translators. This Samman include scholars who have done valuable contribution in the field of classical and medieval literature.
    [Show full text]
  • Mahatma Gandhi University
    MODEL I BA Programme in English Language and Literature Syllabi for Core Courses COURSE-1 METHODOLOGY OF HUMANITIES AND LITERATURE Course Code ENCR1 Title of the course METHODOLOGY OF HUMANITIES AND LITERATURE Semester in which the I course is to be taught No. of credits 4 No. of contact hours 108 1. AIM OF THE COURSE o The course is intended to introduce the student to the interrelationship between paradigms of social formation 2. OBJECTIVES OF THE COURSE On completion of the course, the student should be able; o To know and appreciate the location of literature within humanities o To establish connections across frontiers of disciplines o To critically engage with culture , gender and marginality o To become acquainted with narration and representatio 3. COURSE OUTLINE Module (1) 54 HOURS A : Understanding the humanities - the scientific method – how humanities explore reality – the natural and social sciences – facts and interpretation –study of natural and subjective world- tastes, values and belief systems B: Language ,culture and identity- language in history- language in relation to caste, class, race and gender- language and colonialism. 53 C: Narration and representation- what is narration-narrative modes of thinking- narration in literature, philosophy and history- reading. Module (2) 54 HOURS The following essays are to be dealt with intensively in relation with the methodological questions raised above(module 1) 1.Peter Barry : “Theory before ‘theory’ – liberal humanism”. Beginning Theory: An Introduction to Literary and Cultural Theory. New York,Manchester. 1995. 11-38 2.Sudhir Kakar, Katharina Kakar. “The Hierarchical Man” The Indians: Portrait of a People.
    [Show full text]
  • About the Contributors
    207 About the Contributors Deepanjali Mishra earned her PhD in English from Utkal University, Bhubaneswar. Motivating and Talented English Professor driven to inspire students to pursue academic and personal excellence. Consistently driven towards extensive research and exceptional track record towards contribution to various publication work. Energetic, highly career oriented and focused for attainment of goal. Her Area of interest includes Feminism and Gender Stud- ies, Sociology, Linguistics, Management. She has over 15 years of teaching and research experience. She has published a book titled I Am a Woman with Bahri Publishers New Delhi. She is the guest editor of Research Chronicler, Literaria and Indian Journal of Communication. She has published over 26 research papers in reputed international journals and has presented her papers in various International conferences in India and abroad like IIT, IIM, South Korea, China, and Nepal. * * * Stephanie Bianchi holds a Bachelor in Molecular Biology with special- ization in Genetic Engineering from the University of Graz, Austria. Master in Molecular and Cellular Neurobiology from the University of Bordeaux, France and University of Coimbra, Portugal. Co-founder and Co-director of Mindful Guatemala Foundation. Certified Mindfulness and Meditation Trainer. Madhumita Chanda teaches English Language and Professional Values and Ethics in the Dept. of Humanities, Heritage Institute of Technology, Kolkata. She is also attached to the Dept. of Comparative Language and Literature, C.U. as Guest Teacher. Her doctoral thesis is on Contemporary Translation Theories. She has published a book on translation theory and practice and many research papers in various national and international journals on comparative literature and translation studies.
    [Show full text]
  • Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
    AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 10, Issue-VI, December 2019 ISSN: 0976-8165 Silences in the Poetry of Jayanta Mahapatra Dr. N. K. Sharma Lecturer in English (Retd.) Hindu College (P.G) Sonepat, Haryana. Article History: Submitted-04/11/2019, Revised-14/12/2019, Accepted-16/12/2019, Published-31/12/2019. Abstract: Silences are all-pervasive in the poetry of Jayanta Mahapatra and they originate from myriad sources. The chief sources of silences are loneliness, darkness, ash, stone, past, ancient history and myths.They have enormouscreative potential which constitutes Jayanta’s poetic vision. Silences are more evocative than speechand are the most effective meansof communication. They radically slash the role of words in loneliness and darkness. Silences act like an antenna for the poet to reveal his subconscious mind fearlessly which he had previously withheld in social discourse. They have given him an ample opportunity to authentically redefine his relationships with the members of his family, friends and others. Silences help Jayanta Mahapatra to correlate the present with the ancient past by means memories or reveries. Silences of the ancient myths help the poet to dramatize the modern tragic times in a frank and unbiased manner. Keywords: Silence, Loneliness, Darkness, Ash, Stone and Myth.
    [Show full text]
  • M.A. English Semester III CC 5 Indian Writing in English-I Unit I Nissim Ezekiel „Case Study‟, „Poet, Lover, Birdwatcher‟
    M.A. English Semester III CC 5 Indian Writing in English-I Unit I Nissim Ezekiel „Case Study‟, „Poet, Lover, Birdwatcher‟. Kamala Das The Freaks The Wild Bougainville Jaisurya. A.K. Ramanujan Obituary Anxiety Chicago Zen Unit II ArunKolatkar (From anthology “Jejuri”) Heart of Ruin The Priest‟s Son YeshwantRao The Railway Station (All the above poems to be found in “Indian English Poetry” ed. Vilas Sarang (Orient Longman) ImtiazDharkar Purdah 1 8 January 1993. Unit III: Mahesh Dattani: Dance Like a Man Unit IV: AmitavGhosh: Hungry Tide Books for further Reading: 1. An Illustrated History of Indian Literature in English ed. Arvind Krishna Mehrotra (New Delhi: Orient Longman, 2003) 2. B King, Modern Indian Poetry in English (New Delhi, 1987) ____,Three Indian Poets: Nissim Ezekiel, A.K. Ramanujan, Dom Moraes ( New Delhi, 1991) A L McLeod, (ed.) 3. R.K. Narayan: Critical Perspectives (New Delhi, 1994) 4. W. Walsh, R. K. Narayan: A Critical Appreciation (London,1982) 5. Mahesh Dattani‟s Plays: Critical Perspectives ed. AngelieMultani (Delhi: Pencraft, 2007) 6. AmitavGhosh: Critical Perspectives ed. Brinda Bose (Delhi: Pencraft, 2005) CC6 Literary Criticism – I Unit I – Aristotle: Poetics Unit II William Wordsworth: The Preface to Lyrical Ballads S. T. Coleridge: BiographiaLiteraria, Ch. 13,14 M. Arnold: Function of Criticism at the Present Time Unit III T. S. Eliot: Tradition and Individual Talent I. A. Richards: Four Kinds of Meaning; William Empson: Seven Types of Ambiguity Unit IV J. C. Ransom: Criticism, Inc. Wimsatt&Bearedsley: The Intentional Fallacy and The Affective Fallacy R. S. Crane: The Concept of Plot and the Plot of ‘Tom Jones’ Recommended reading: 1.
    [Show full text]
  • 1. What Is the Title of Colonel Harland Sanders' Autobiography?
    1. What is the title of Colonel Harland Sanders’ autobiography? Ans - Finger Lickin' Good 2. FACUNDO DA ______ gave the world which Brand? Ans – Bacardi 3. Which company's name is derived from Voice Data & Phone? Ans – Vodafone 4. Which airlines parent company is called Interglobe Airlines? Ans – Indigo 5. Which entertainment company publishes an annual report called 'KIDSENSE'? Ans – Disney 6. Which beverage giant gives out 'Wodruff Awards' annually? Ans – Coca-Cola 7. Which Microsoft hardware product, launched in 2000, was created by Seamus Blackley and Kevin Bachus ? Ans – XBOX 8. "Interpret the world" is the tagline of which magazine? Ans – The Economist 9. Which brand of tea is named after its founders Mallik and Dilhan? Ans – Dilmah Tea 10. What is Bacon mail? Ans – Mail for which you have subscribed but get filtered as SPAM 11. Which Hasbro toy line, manufactured by Takara Tomy, is divided into heroic autobots and evil decepticones? Ans - Transformers 12. Which R&D organisation started Projects Garuda, Setu, Veda, Vyasa, Vidwan, Vidur? Ans - Centre for Development of Advanced Computing (C-DAC) 13. Who authored the book, “India: From Midnight to the Millennium” in 1997? Ans – Shashi Tharoor 14. Which Padma Vibhushan awardee was the editor of Fortune magazine from 1943-48? Ans - John Kenneth Galbraith 15. If Michelle Obama is one of the two US first ladies to feature on the cover of Vogue, name the other one? Ans – Hillary Clinton 16. Which US director agreed to an out of court 5 Million dollar settlement with an apparel company for using his picture in their ads? Ans – Woody Allen 17.
    [Show full text]
  • Sl. No. Name of the District Name of the Block Name of the G.P. Name Of
    Status of Irrigation Potential Created during the year 2015-16 in Deep Bore Well Projects Under BKVY - DBSK Scheme Irrigation Name of the Name of Name of Name of Name of the Potential Sl. No. District the Block the G.P. the Village Beneficiary Created in Ha. 12 3 4 5 6 7 1 Angul Angul Badakantakul Jamugadia Muralidhar Sahoo 5 2 Angul Angul Balasinga Balasinga Antaryami Pradhan 5 3 Angul Angul Balasinga Balasinga Basant Ku. Pradhan 5 4 Angul Angul Balasinga Balasinga Kumudini Pradhan 5 5 Angul Angul Balasinga Balasinga Maharag Pradhan 5 6 Angul Angul Balasinga Balasinga Santanu Pradhan 5 7 Angul Angul Kakudia Santarabandha Govinda Ch.Pradhan 5 8 Angul Angul Kakudia Santarabandha Ramesh Ch.Sahu 5 9 Angul Angul Pokatunga Pokatunga Akshaya Pradhan 5 10 Angul Angul Pokatunga Pokatunga Dillip Pradhan 5 11 Angul Angul Pokatunga Pokatunga Gagan Pradhan 5 12 Angul Angul Pokatunga Pokatunga Susanta Ku.Pradhan 5 13 Angul Angul Pokatunga Pokatunga-II Budhadev Dehury 5 14 Angul Angul Pokatunga Pokatunga-II Khirod Pradhan 5 15 Angul Angul Pokatunga Pokatunga-II Niranjan Sahu 5 16 Angul Angul Pokatunga Pokatunga-II Prasanna Dehury 5 17 Angul Angul Tainsi Tainsi Antaryami Pradhan 5 18 Angul Angul Tainsi Tainsi Banita Dehury 5 19 Angul Angul Tainsi Tainsi Dhruba Ch.Sahoo 5 20 Angul Angul Tainsi Tainsi Runakanta Pradhan 5 21 Angul Athamalick Amsarmunda Talamaliha - I Narayan Pradhan 5 22 Angul Athamalick Amsarmunda Talamaliha - I Saroj Pradhan 5 23 Angul Athamalick Amsarmunda Talamaliha - I Srikanta Pradhan 5 24 Angul Athamalick Amsarmunda Talamaliha - I Sachidananda Pradhan 5 25 Angul Athamalick Athamallik Talamaliha - II Sudarsan Sahoo 5 26 Angul Athamalick Athamallik Talamaliha - II Susanta Swain 5 27 Angul Athamalick Athamallik Talamaliha - II Khirendra Sahoo 5 28 Angul Athamalick Athamallik Talamaliha - II Banguru Pradhan 5 29 Angul Athamalick Kurumtap Mandarbahal-II Pitabash Sahoo 5 30 Angul Athamalick Kurumtap Mandarbahal-II Kishore Ch.
    [Show full text]
  • Paper 14; Module 11; E Text
    Paper 14; Module 11; E Text (A) Personal Details Role Name Affiliation Principal Investigator Prof. Tutun University of Hyderabad Mukherjee Paper Coordinator Prof. Asha Kuthari Guwahati University Chaudhuri, Content Writer/Author Abdul Mubid Gauhati University (CW) Islam, Content Reviewer (CR) Dr. Anjali Daimari, Dept. of English, Gauhati University Language Editor (LE) Dr. Dolikajyoti Assistant Professor, Gauhati Sharma, University (B) Description of Module Item Description of module Subject Name English Paper name Indian Writing in English Module title Identity/Home/Space Module ID MODULE 11 Module 11 Identity/Home/Space Introducing the poet: Keki N. Daruwalla (born 1937) is a police officer by profession who has simultaneously managed to pursue the creative art of poetry. He has published twelve volumes of poetry— Under Orion (1970), Apparition in April (1971) and Crossing of Rivers (1976), Winter Poems (1980), The Keeper of the Dead (1982), Landscapes (1987), A Summer of Tigers (1995), Night River (2000), Map Maker (2002), The Scarecrow and the Ghost (2004), Collected Poems 1970-2005 (2006) and The Glass-blower: Selected Poems (2008). He has received the coveted Sahitya Academy Award in 1984 for his anthology The Keeper of the Dead. Daruwalla believes in the subjective response of the poet in producing a work of art and he says that poetry, for him, is first personal, exploratory, at times even therapeutic which helps in coming to terms with one’s interior world. He is also an acclaimed novelist and a short story writer. The striking imaginative power of his verse has established his reputation as a unique poet in the annals of Indian English Literature.
    [Show full text]
  • Bombay Modern: Arun Kolatkar and Bilingual Literary Culture
    Postcolonial Text, Vol 12, No 3 & 4 (2017) Bombay Modern: Arun Kolatkar and Bilingual Literary Culture Anjali Nerlekar 292 pages, 2016, $99.95 USD (hardcover), $34.95 USD (paperback), $34.95 USD (e-book) Northwestern University Press Reviewed by Graziano Krätli, Yale University Anjali Nerlekar’s Bombay Modern is the second book-length study of the Indian poet Arun Kolatkar (1931-2004) to be published within the past couple of years, coming right after Laetitia Zecchini’s Arun Kolatkar and Literary Modernism in India (2014). The two scholars worked independently yet in awareness of each other’s research, which resulted in two books that are distinct and complementary, and equally indispensable to a better understanding of Indian poetic culture in postcolonial Bombay and beyond. Kolatkar is the quintessential posthumous poet. Wary of intercourse with commercial publishers and media in general, he carefully and selectively cultivated the art of reclusion, avoiding all kinds of publicity, shying away from interviews, and publishing very little in his lifetime. Only after he was diagnosed with terminal cancer, and largely thanks to the encouragement of friends - especially the poets Adil Jussawalla and Arvind Krishna Mehrotra, and the publisher Ashok Shahane - did he agree to the publication of two collections, Kala Ghoda Poems and Sarpa Satra, not long before he died in September 2004. These were followed by the New York Review of Books edition of Jejuri (2005); Arun Kolatkarchya Char Kavita (2006; a reprint of four Marathi poems originally published in 1977), and The Boatride & Other Poems (2009), both published by Pras Prakashan. The latter was edited by Mehrotra, who is also responsible for Collected Poems in English (Bloodaxe, 2010), and the forthcoming Early Poems and Fragments (Pras Prakashan).
    [Show full text]