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History 600: Weimar Culture and the Rise of Nazism Fall 2015, Humanities 5245, T 1:20-3:15 Instructor: Prof
History 600: Weimar Culture and the Rise of Nazism Fall 2015, Humanities 5245, T 1:20-3:15 Instructor: Prof. Koshar ([email protected]) Department Website: http://history.wisc.edu/faculty_rk.htm Personal Website: http://rudykoshar.net/ Office hours, 4101 Humanities, Thursdays, 1:30-3:30 & by appt. Did Weimar fail? The answer to this question was once thought to be a classic no-brainer. Historians uniformly praised the innovativeness and vibrancy of Weimar art, literature, architecture, city planning, cinema, and popular culture. But in political histories of the era from 1918 to 1933, the Weimar Republic stood both as the symbol of a failed democracy and as a prelude to Nazism, war, and genocide. Weimar’s association with liberal collapse and the rise of authoritarianism has been enduring. As recently as 2013, an American political commentator in The New Republic warned that a stalemated “Weimar America” faced some of the same challenges that pre-fascist Germany faced. Over the past two decades, an interdisciplinary scholarship has re-examined Weimar politics by focusing not just on elections and parties but also on the symbols and discourses of political culture. This scholarship has uncovered new realms of previously unexplored social and political experience and thereby re-opened the question of Weimar’s failure. In this seminar we study some of the new research themes as well as some of the classic topics: work, class, gender, body politics, citizenship, visual culture, popular culture, and consumption. We’ll use a broad array of primary sources, including novels, films, memoirs, official documents, and more. -
CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three
CHAPTER 2 BERLIN DURING THE WEIMAR REPUBLIC The period of the Weimar Republic is divided into three periods, 1918 to 1923, 1924 to 1929, and 1930 to 1933, but we usually associate Weimar culture with the middle period when the post WWI revolutionary chaos had settled down and before the Nazis made their aggressive claim for power. This second period of the Weimar Republic after 1924 is considered Berlin’s most prosperous period, and is often referred to as the “Golden Twenties”. They were exciting and extremely vibrant years in the history of Berlin, as a sophisticated and innovative culture developed including architecture and design, literature, film, painting, music, criticism, philosophy, psychology, and fashion. For a short time Berlin seemed to be the center of European creativity where cinema was making huge technical and artistic strides. Like a firework display, Berlin was burning off all its energy in those five short years. A literary walk through Berlin during the Weimar period begins at the Kurfürstendamm, Berlin’s new part that came into its prime during the Weimar period. Large new movie theaters were built across from the Kaiser Wilhelm Memorial church, the Capitol und Ufa-Palast, and many new cafés made the Kurfürstendamm into Berlin’s avant-garde boulevard. Max Reinhardt’s theater became a major attraction along with bars, nightclubs, wine restaurants, Russian tearooms and dance halls, providing a hangout for Weimar’s young writers. But Berlin’s Kurfürstendamm is mostly famous for its revered literary cafés, Kranzler, Schwanecke and the most renowned, the Romanische Café in the impressive looking Romanische Haus across from the Memorial church. -
The Changing Depiction of Prussia in the GDR
The Changing Depiction of Prussia in the GDR: From Rejection to Selective Commemoration Corinna Munn Department of History Columbia University April 9, 2014 Acknowledgments I would like to thank my advisor, Volker Berghahn, for his support and guidance in this project. I also thank my second reader, Hana Worthen, for her careful reading and constructive advice. This paper has also benefited from the work I did under Wolfgang Neugebauer at the Humboldt University of Berlin in the summer semester of 2013, and from the advice of Bärbel Holtz, also of Humboldt University. Table of Contents 1. Introduction……………………………………………………………………….1 2. Chronology and Context………………………………………………………….4 3. The Geschichtsbild in the GDR…………………………………………………..8 3.1 What is a Geschichtsbild?..............................................................................8 3.2 The Function of the Geschichtsbild in the GDR……………………………9 4. Prussia’s Changing Role in the Geschichtsbild of the GDR…………………….11 4.1 1945-1951: The Post-War Period………………………………………….11 4.1.1 Historiography and Publications……………………………………11 4.1.2 Public Symbols and Events: The fate of the Berliner Stadtschloss…14 4.1.3 Film: Die blauen Schwerter………………………………………...19 4.2 1951-1973: Building a Socialist Society…………………………………...22 4.2.1 Historiography and Publications……………………………………22 4.2.2 Public Symbols and Events: The Neue Wache and the demolition of Potsdam’s Garnisonkirche…………………………………………..30 4.2.3 Film: Die gestohlene Schlacht………………………………………34 4.3 1973-1989: The Rediscovery of Prussia…………………………………...39 4.3.1 Historiography and Publications……………………………………39 4.3.2 Public Symbols and Events: The restoration of the Lindenforum and the exhibit at Sans Souci……………………………………………42 4.3.3 Film: Sachsens Glanz und Preußens Gloria………………………..45 5. -
University of Queensland Press St
UNIVERSITY OF QUEENSLAND PRESS ST. LUCIA The War Aims of Imperial Germany: Professor Fritz Fischer and his Critics by JOHN A. MOSES Price: $1.40 University of Queensland Papers Departments of Government and History Volume I Number 4 UNIVERSITY OF QUEENSLAND PRESS St. Lucia 24 September 1968 WHOLLY SET UP AND PRINTED IN AUSTRALIA BY WATSON FERGUSON AND COMPANY, BRISBANE, QUEENSLAND 1968 REGISTERED IN AUSTRALIA FOR TRANSMISSION BY POST AS A BOOK FOREWORD The author's aim in presenting this monograph on the war aims of Imperial Germany is twofold : in the firstplace it is vitally necessary for Australian students to be informed of new developments in all branches of scholarly research performed overseas otherwise our standards will lag behind those of Europe and North America. As a student in German universities from 1961 to 1965 the author was able to witness the current war-guilt debate at first hand and was impressed by the fact that even in such a heavily worked over topic as the First World War, dramatic new evidence was still being unearthed. The second reason for this monograph on the debate is to point up its significance for the historical discipline in general. It shows that "facts" can be interpreted in many different lights and that as Oscar Wilde once pointed out the truth is rarely pure and never simple. In other words the debate shows that it is unwise to be dogmatic about anything in history if only because there is rarely a situation where all the relevant facts are available. And finally, the debate, since it is being carried on largely by German historians, represents a case study as to how false and incomplete images of the past can dominate people's beliefs, attitudes and behaviour, especially in political matters. -
A Study of the Space That Shaped Weimar Berlin Carrie Grace Latimer Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The lotP s of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin Carrie Grace Latimer Scripps College Recommended Citation Latimer, Carrie Grace, "The lotsP of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin" (2014). Scripps Senior Theses. Paper 430. http://scholarship.claremont.edu/scripps_theses/430 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE PLOTS OF ALEXANDERPLATZ: A STUDY OF THE SPACE THAT SHAPED WEIMAR BERLIN by CARRIE GRACE LATIMER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MARC KATZ PROFESSOR DAVID ROSELLI APRIL 25 2014 Latimer 2 TABLE OF CONTENTS Acknowledgements 3 Introduction 4 Chapter One: Berlin Alexanderplatz: The Making of the Central Transit Hub 8 The Design Behind Alexanderplatz The Spaces of Alexanderplatz Chapter Two: Creative Space: Alfred Döblin’s Berlin Alexanderplatz 23 All-Consuming Trauma Biberkopf’s Relationship with the Built Environment Döblin’s Literary Metropolis Chapter Three: Alexanderplatz Exposed: Rainer Werner Fassbinder’s Film 39 Berlin from Biberkopf’s Perspective Exposing the Subterranean Trauma Conclusion 53 References 55 Latimer 3 Acknowledgements I wish to thank all the people who contributed to this project. Firstly, to Professor Marc Katz and Professor David Roselli, my thesis readers, for their patient guidance, enthusiastic encouragement and thoughtful critiques. -
Rabbi David Fränckel, Moses Mendelssohn, and the Beginning of the Berlin Haskalah
RABBI DAVID FRÄNCKEL, MOSES MENDELSSOHN, AND THE BEGINNING OF THE BERLIN HASKALAH. REATTRIBUTING A PATRIOTIC SERMON (1757) Addenda Gad Freudenthal On December 10, 1757, R. David Fränckel (1707–1762), Chief Rabbi of Berlin Jewry, delivered in German a sermon on the occa- sion of Frederick the Great’s victory at Leuthen five days earlier (5 December). Volume 1 of EJJS carried my article describing the genesis of this so-called “Leuthen Sermon” and established that (contrary to previous consensus) it was written by David Fränckel and not by his former student Moses Mendelssohn (1729–1796).1 Rather, it was written in Hebrew by Fränckel and only translated into German by Mendelssohn. In an appendix, I described the very rich aftermath of the sermon: after having been very elegantly translated into English (we do not know by whom) and published by the ephemeral London publisher W. Reeve in 1758, the translation was reprinted no less than four times in New England. Mr. Shimon Steinmetz from Brooklyn (N.Y.) kindly drew my attention to three earlier relevant items that had escaped my atten- tion. He also supplied copies of them. I herewith thank him warmly for his generous and erudite help and share his findings with readers of EJJS: [1] As early as March 1758, The Scots Magazine, published in Edinburgh, carried the following entry in the section “New Books”: A thanksgiving-sermon from Psal xxii. 23.24 for the King of Prussia’s victory Dec. 5. Preached on the sabbath of the 10th, in the synagogue of the Jews in Berlin. -
Staying Optimistic: the Trials and Tribulations of Leibnizian Optimism
Strickland, Lloyd 2019 Staying Optimistic: The Trials and Tribulations of Leibnizian Optimism. Journal of Modern Philosophy, 1(1): 3, pp. 1–21. DOI: https://doi.org/10.32881/jomp.3 RESEARCH Staying Optimistic: The Trials and Tribulations of Leibnizian Optimism Lloyd Strickland Manchester Metropolitan University, GB [email protected] The oft-told story of Leibniz’s doctrine of the best world, or optimism, is that it enjoyed a great deal of popularity in the eighteenth century until the massive earthquake that struck Lisbon on 1 November 1755 destroyed its support. Despite its long history, this story is nothing more than a commentators’ fiction that has become accepted wisdom not through sheer weight of evidence but through sheer frequency of repetition. In this paper we shall examine the reception of Leibniz’s doctrine of the best world in the eighteenth century in order to get a clearer understanding of what its fate really was. As we shall see, while Leibniz’s doctrine did win a good number of adherents in the 1720s and 1730s, especially in Germany, support for it had largely dried up by the mid-1740s; moreover, while opponents of Leibniz’s doctrine were few and far between in the 1710s and 1720s, they became increasing vocal in the 1730s and afterwards, between them producing an array of objections that served to make Leibnizian optimism both philosophically and theologically toxic years before the Lisbon earthquake struck. Keywords: Leibniz; Optimism; Best world; Lisbon earthquake; Evil; Wolff The oft-told story of Leibniz’s doctrine of the best world, or optimism, is that it enjoyed a great deal of popularity in the eighteenth century until the massive earthquake that struck Lisbon on 1 November 1755 destroyed its support. -
I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best. -
Cultural Consensus, Political Conflict: the Problem of Unity Among German Intellectuals During World War I
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2006 Cultural Consensus, Political Conflict: The Problem of Unity among German Intellectuals during World War I Benjamin Taylor Shannon University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the History Commons Recommended Citation Shannon, Benjamin Taylor, "Cultural Consensus, Political Conflict: The Problem of Unity among German Intellectuals during World War I. " Master's Thesis, University of Tennessee, 2006. https://trace.tennessee.edu/utk_gradthes/4498 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Benjamin Taylor Shannon entitled "Cultural Consensus, Political Conflict: The Problem of Unity among German Intellectuals during World War I." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in History. Vejas Liulevicius, Major Professor We have read this thesis and recommend its acceptance: A. Denise Phillips, John Bohstedt Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Benjamin Taylor Shannon entitled "Cultural Consensus, Political Conflict: The Problem of Unity among German Intellectuals during World War I." I have examined the finalpaper copy of this thesis for formand content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in History. -
German Culture 1910- Music
German Culture 1910- Music During the mid 1920s, cabaret was a popular entertainment within cities Berlin and Munich, as the lift of censorship and hedonism of a society which had “lost everything” was lived out within these cabaret shows. Pre- viously under an authoritarian government, both entertainment and social activities were tightly regulated, causing many citizens to love the relaxed social attitudes of Weimar. The first cabaret in Germany dated back to 1901, however in the rule of Kaiser Wilhelm II, German cabarets were strictly forbidden to perform and promote its bawdy humour, provocative dancing and political satire. After the Weimar governments lifting of cen- sorship, cabarets began to transform and flourish, with entertainment in berlin through cabarets and nightclubs dominated by sex and politics, (with stories, jokes, songs and dancing all laced with sexual innuendo, also following no political line, meaning any party or leader was open to criti- cism or mockery). Especially after decades of restrictive, authoritarian gov- ernment, Weimar was a period of social liberalisation. Post 1924 economic revival saw many people seeking new forms of leisure activities, one being cabaret. Cabaret led to people being more open about their sexuality and gender too. Photos show Josephine Baker, an American dancer naked on stage and a revue at the Apollo theatre in Berlin, with chorus girls only covering themselves partly by flowers. This is significant in Germany con- sidered the previous culture of the Kaiser, this was unheard of. However Weimar Germany and the culture of cabaret also led to social divisions be- tween families and of classes in Germany too. -
Das Reich Der Seele Walther Rathenau’S Cultural Pessimism and Prussian Nationalism ~ Dieuwe Jan Beersma
Das Reich der Seele Walther Rathenau’s Cultural Pessimism and Prussian Nationalism ~ Dieuwe Jan Beersma 16 juli 2020 Master Geschiedenis – Duitslandstudies, 11053259 First supervisor: dhr. dr. A.K. (Ansgar) Mohnkern Second supervisor: dhr. dr. H.J. (Hanco) Jürgens Abstract Every year the Rathenau Stiftung awards the Walther Rathenau-Preis to international politicians to spread Rathenau’s ideas of ‘democratic values, international understanding and tolerance’. This incorrect perception of Rathenau as a democrat and a liberal is likely to have originated from the historiography. Many historians have described Rathenau as ‘contradictory’, claiming that there was a clear and problematic distinction between Rathenau’s intellectual theories and ideas and his political and business career. Upon closer inspection, however, this interpretation of Rathenau’s persona seems to be fundamentally incorrect. This thesis reassesses Walther Rathenau’s legacy profoundly by defending the central argument: Walther Rathenau’s life and motivations can first and foremost be explained by his cultural pessimism and Prussian nationalism. The first part of the thesis discusses Rathenau’s intellectual ideas through an in-depth analysis of his intellectual work and the historiography on his work. Motivated by racial theory, Rathenau dreamed of a technocratic utopian German empire led by a carefully selected Prussian elite. He did not believe in the ‘power of a common Europe’, but in the power of a common German Europe. The second part of the thesis explicates how Rathenau’s career is not contradictory to, but actually very consistent with, his cultural pessimism and Prussian nationalism. Firstly, Rathenau saw the First World War as a chance to transform the economy and to make his Volksstaat a reality. -
Enlightened Despotism
ENLIGHTENED DESPOTISM FRITZ HARTUNG 2s 6d PUBLISHED FOR THE HISTORICAL ASSOCIATION BY ROUTLEDGE AND KEGAN PAUL [G. 36] ENLIGHTENED DESPOTISM THIS PAMPHLET IS GENERAL SERIES NUMBER 36 First published 1957 Reprinted 1963 FRITZ HARTUNG Copyright by the Historical Association Printed in Great Britain by Cox and Wyman Ltd., London, Reading and Fakenham Non-members may obtain copies 2s. 6d. each (post free], and members may obtain extra copies at is. 6d. each (postfree) from the Hon. Secretary of the Associa- tion, 59A, Kennington Park Road, London, S.E.li The publication of a pamphlet by the Historical Association does not necessarily imply the Association s official approbation of the opinions expressed therein Obtainable only through booksellers or from the offices of the Association 1957 Reprinted 1963 ENLIGHTENED DESPOTISM SAINT AUGUSTINE once said: " If no one enquires of me, I know; if I want to explain to an enquirer, I do not know ". That is also the position of historians who have to deal with " En- lightened Absolutism ", or (as it is usually called in English) " Enlightened Despotism". When, some forty years ago, lecturing on modern constitutional history, I had for the first PREFACE time to deal with the subject in detail, it was still possible to treat it as a clearly defined and unambiguous notion. It was, It is a privilege for the Historical Association to have the opportunity of publishing this pamphlet by Professor Fritz Hartung, in an English version prepared by Miss in fact, the only stage which in the controversy about the H. Otto and revised by the present writer.