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Ingenuous Investigators”: Antonio Vallisneri’S Correspondents and The
Ivano Dal Prete Italian Academy for Advanced Studies in America Columbia University Fellows Seminar October 24, 2012 “Ingenuous Investigators”: Antonio Vallisneri’s Correspondents and the Making of Natural Knowledge in 18 th -century Italy 1. History of Science in the Postmodern Age In the last two centuries, science has been regarded as the most important agent of change and progress in our society. The narrative of how and why it came to be such a commanding force contributed powerfully to this perception. The rise of modern science has long been portrayed as the triumph of human reason over superstition and authority; its history, a gallery adorned with the images of heroes like Copernicus, Galileo or Darwin who upheld self-evident facts against the prejudices of their times; experimental results and the laws of nature, the only objective “truths” that human beings could attain and agree upon. This narrative still largely informs popular views of the scientific enterprise; yet, the image of science as a disinterested pursuit of truth has come increasingly under question during the last decades, to the point that mistrust of science as a source of objectivie knowledge is considered a defining feature of postmodernity. The history of science as an 1 academic discipline has long participated in this trend,1 but it was not until the 1980s that it ceased to identify with the development of ideas and theories, as formulated by the most illustrious scientists. In their influential 1985 book Leviathan and the Air Pump , Steven Shapin and Simon -
From Lady Mary to Lady Bute: an Analysis of the Letters
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1964 From Lady Mary to Lady Bute: An Analysis of the Letters Russell Atkins Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Atkins, Russell, "From Lady Mary to Lady Bute: An Analysis of the Letters" (1964). Plan B Papers. 363. https://thekeep.eiu.edu/plan_b/363 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. FROM LADY MARY TO LADY BUTE: AN ANALYSIS OF THE LETTERS (TITLE) BY Russell Atkins PLAN B PAPER SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE English 455 IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1964 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. , /~.3 b_ 'P DATE\- ADVISER DEPARTMENT HEAD , c INT.RODUCTI ON In 1739 Lady Mary Wortley :M:ontagu departed England for Italy leaving behind her fifty years of aristocratic living. The reasons for Lady Mary's self-imposed exile have been a subject of speculation for scholars from that day to the present. Thanks to the research efforts of Robert Halsband it can now be stated that the principal reason was the love affair between Lady Mary and a twenty-five-year old Italian prince, Count Francesco Algarotti. -
Frederick the Great's Sexuality – New Avenues of Approach
History in the Making, volume 8, 2021 Frederick the Great’s Sexuality – New Avenues of Approach JACKSON SHOOBERT Frederick the Great’s sexual orientation provides an interesting case study; one that dissects the nature of power, temporality, and sexuality within the confines of elite Prussian eighteenth- century society. Analysis of this subject is significantly complicated by a deep web of adolescent repression which culminated in a level of prudence that still leaves modern scholars without a conclusive definition of Frederick’s sexuality.1 The sexuality of any human forms an important portion of their personality. Ignoring this facet for the sake of a convenient narrative is detrimental to understanding historical characters and the decisions they make.2 Examining how Frederick expressed his sexuality and the inferences this renders about his character will generate a more nuanced understanding without being confined in a broad categorisation as a homosexual. For Frederick, this aspect has been neglected in no small part due to methods he undertook to hide portions of his nature from contemporaries and his legacy. A thorough investigation of the sexuality of Frederick the Great and its interrelations with his personality is therefore long overdue. Frederick the Great, one of the most eminent men of his time, was not an obviously heterosexual man. His sexuality, which has only truly become a legitimate subject for inquiry within the last 60 years, has always been an integral component of his character, permeating from his adolescence unto his death. Despite ground-breaking works by German and Anglo authors in the last decade, the research has barely scraped the surface of what can be learned from Frederick and his sexuality. -
Iphigénie En Tauride
Christoph Willibald Gluck Iphigénie en Tauride CONDUCTOR Tragedy in four acts Patrick Summers Libretto by Nicolas-François Guillard, after a work by Guymond de la Touche, itself based PRODUCTION Stephen Wadsworth on Euripides SET DESIGNER Saturday, February 26, 2011, 1:00–3:25 pm Thomas Lynch COSTUME DESIGNER Martin Pakledinaz LIGHTING DESIGNER Neil Peter Jampolis CHOREOGRAPHER The production of Iphigénie en Tauride was Daniel Pelzig made possible by a generous gift from Mr. and Mrs. Howard Solomon. Additional funding for this production was provided by Bertita and Guillermo L. Martinez and Barbara Augusta Teichert. The revival of this production was made possible by a GENERAL MANAGER gift from Barbara Augusta Teichert. Peter Gelb MUSIC DIRECTOR James Levine Iphigénie en Tauride is a co-production with Seattle Opera. 2010–11 Season The 17th Metropolitan Opera performance of Christoph Willibald Gluck’s Iphigénie en This performance is being broadcast Tauride live over The Toll Brothers– Metropolitan Conductor Opera Patrick Summers International Radio Network, in order of vocal appearance sponsored by Toll Brothers, Iphigénie America’s luxury Susan Graham homebuilder®, with generous First Priestess long-term Lei Xu* support from Second Priestess The Annenberg Cecelia Hall Foundation, the Vincent A. Stabile Thoas Endowment for Gordon Hawkins Broadcast Media, A Scythian Minister and contributions David Won** from listeners worldwide. Oreste Plácido Domingo This performance is Pylade also being broadcast Clytemnestre Paul Groves** Jacqueline Antaramian live on Metropolitan Opera Radio on Diane Agamemnon SIRIUS channel 78 Julie Boulianne Rob Besserer and XM channel 79. Saturday, February 26, 2011, 1:00–3:25 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
Talking Science at the University of Padua in the Age of Antonio Vallisneri
Feingold run04.tex V1 - 07/20/2009 4:10pm Page 117 Talking Science at the University of Padua in the Age of Antonio Vallisneri Brendan Dooley Even for an accomplished scholar like Antonio Vallisneri, it was no simple matter to declaim extemporaneously in Latin before a public possibly demanding the best from a setting where Vesalius and Fabricius had once changed medical education forever in the West. Therefore successful completion of the inaugural lecture was a cause for celebration, so he wrote to the Tuscan grand ducal librarian Antonio Magliabechi in 1700: ‘Today is a holy day for me, since I made my solemn entrance into the university favoured by the applause of all the learned, the podesta` [of Padua] and the captain of the city’. The difficulty of the task was underscored by the special requirements of this setting: ‘I was able to speak for a whole hour with total clarity of memory and self-possession, such that I was myself surprised at my weak nature rendered so daring on this magnificently terrible occasion’. He recalled the unfortunate case of a law professor who failed at the same task ‘and died of woe a few days later’.1 But his work was far from done; and already as the school year began, he considered the daunting task before him: ‘I find the job particularly difficult, moreover, having to learn so many lessons by heart, which arrive at the number of eighty or more’2 As first professor of practical medicine, he was supposed to deliver a given number of lessons over portions of the period between September and June when classes were in session; and following a well-established custom, he walked into class each time without notes. -
Ulisse Aldrovandi and Antonio Vallisneri: the Italian Contribution to Knowledge of Neuropterous Insects Between the 16Th and the Early 18Th Centuries*
Ann. Mus. civ. St. nat. Ferrara Vol. 8 2005 [2007] pp.9-26 ISSN 1127-4476 Ulisse Aldrovandi and Antonio Vallisneri: the Italian contribution to knowledge of Neuropterous Insects between the 16th and the early 18th centuries* Rinaldo Nicoli Aldini 1, 2 1) Istituto di Entomologia e Patologia vegetale, Facolta di Agraria, Universita Cattolica del Sacro Cuore, Via E milia Parmense 84,1-29100 Piacenza (Italy); 2) Scienze degli Alimenti, Polo Scientifico-Didattico di Cesena del Ia Facolta di Agraria, Alma Mater Studiorum, Universita degli Studi di Bologna, Piazza Goidanich 60, 1-47023 Cesena (Italy). e-mail: rinaldo.nicoli@unicatUt The oldest evidence of neuropterous insects in Italian scientific literature dates back at least to the 15th-16th centuries and regards antlions. Documents concerning antiions and green lacewings are present in the outstanding corpus of watercolour illustrations of insects built up in the 16th cen tury by the great naturalist from Bologna, Ulisse Aldrovandi (1522-1605), and then reproduced in his work De animalibus insectis (1602). His illustrations of some adult antlions and a green lace wing are among the earliest to be found in printed works. Between the 16th and the early 18th cen turies, other Italian authors mention or deal with lacewings, mainly the outstanding scientist from Reggio, Antonio Vallisneri (1661-1730), who published bionomical and behavioural observations on anti ions and green lacewings; he was the first to publish the life cycle of an antlion and to describe and illustrate the stalked eggs of green lacewings. Key words - entomology, neuropterology, history, Italy, anti ions, green lacewings, early authors. -
Operatic Reform in Turin
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter tece, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, If unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0600 NOTE TO USERS This reproduction is the best copy available. UMI OPERATIC REFORM IN TURIN: ASPECTS OF PRODUCTION AND STYLISTIC CHANGE INTHEI760S DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Margaret Ruth Butler, MA. -
Newton for Ladies: Gentility, Gender and Radical Culture
ORE Open Research Exeter TITLE Newton for ladies: gentility, gender and radical culture AUTHORS Mazzotti, Massimo JOURNAL British Journal for the History of Science DEPOSITED IN ORE 27 May 2008 This version available at http://hdl.handle.net/10036/28295 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication BJHS 37(2): 119–146, June 2004. f British Society for the History of Science DOI: 10.1017/S0007087404005400 Newton for ladies: gentility, gender and radical culture MASSIMO MAZZOTTI* Abstract. Francesco Algarotti’s Newtonianism for Ladies (1737), a series of lively dialogues on optics, was a landmark in the popularization of Newtonian philosophy. In this essay I shall explore Algarotti’s sociocultural world, his aims and ambitions, and the meaning he attached to his own work. In particular I shall focus on Algarotti’s self-promotional strategies, his deployment of gendered images and his use of popular philosophy within the broader cultural and experimental campaign for the success of Newtonianism. Finally, I shall suggest a radical reading of the dialogues, reconstructing the process that brought them to their religious con- demnation. What did Newtonianism mean to Algarotti? In opposition to mainstream apolo- getic interpretations, he seems to have framed the new experimental methodology in a sensationalistic epistemology derived mainly from Locke, pointing at a series of subversive religious and political implications. Due to the intervention of religious authorities Algarotti’s radical Newtonianism became gradually less visible in subsequent editions and translations. -
Science As a Career in Enlightenment Italy: the Strategies of Laura Bassi Author(S): Paula Findlen Reviewed Work(S): Source: Isis, Vol
Science as a Career in Enlightenment Italy: The Strategies of Laura Bassi Author(s): Paula Findlen Reviewed work(s): Source: Isis, Vol. 84, No. 3 (Sep., 1993), pp. 441-469 Published by: The University of Chicago Press on behalf of The History of Science Society Stable URL: http://www.jstor.org/stable/235642 . Accessed: 08/05/2012 12:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and The History of Science Society are collaborating with JSTOR to digitize, preserve and extend access to Isis. http://www.jstor.org Science as a Career in Enlightenment Italy The Strategies of Laura Bassi By Paula Findlen* When Man wears dresses And waits to fall in love Then Womanshould take a degree.' IN 1732 LAURA BASSI (1711-1778) became the second woman to receive a university degree and the first to be offered an official teaching position at any university in Europe. While many other women were known for their erudition, none received the institutional legitimation accorded Bassi, a graduate of and lecturer at the University of Bologna and a member of the Academy of the Institute for Sciences (Istituto delle Scienze), where she held the chair in experimental physics from 1776 until her death in 1778. -
Science As a Career in Enlightenment Italy: the Strategies of Laura Bassi Author(S): Paula Findlen Source: Isis, Vol
Science as a Career in Enlightenment Italy: The Strategies of Laura Bassi Author(s): Paula Findlen Source: Isis, Vol. 84, No. 3 (Sep., 1993), pp. 441-469 Published by: The University of Chicago Press on behalf of The History of Science Society Stable URL: http://www.jstor.org/stable/235642 . Accessed: 20/03/2013 19:41 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and The History of Science Society are collaborating with JSTOR to digitize, preserve and extend access to Isis. http://www.jstor.org This content downloaded from 149.31.21.88 on Wed, 20 Mar 2013 19:41:48 PM All use subject to JSTOR Terms and Conditions Science as a Career in Enlightenment Italy The Strategies of Laura Bassi By Paula Findlen* When Man wears dresses And waits to fall in love Then Womanshould take a degree.' IN 1732 LAURA BASSI (1711-1778) became the second woman to receive a university degree and the first to be offered an official teaching position at any university in Europe. While many other women were known for their erudition, none received the institutional legitimation accorded Bassi, a graduate of and lecturer at the University of Bologna and a member of the Academy of the Institute for Sciences (Istituto delle Scienze), where she held the chair in experimental physics from 1776 until her death in 1778. -
Music Migration in the Early Modern Age
Music Migration in the Early Modern Age Centres and Peripheries – People, Works, Styles, Paths of Dissemination and Influence Advisory Board Barbara Przybyszewska-Jarmińska, Alina Żórawska-Witkowska Published within the Project HERA (Humanities in the European Research Area) – JRP (Joint Research Programme) Music Migrations in the Early Modern Age: The Meeting of the European East, West, and South (MusMig) Music Migration in the Early Modern Age Centres and Peripheries – People, Works, Styles, Paths of Dissemination and Influence Jolanta Guzy-Pasiak, Aneta Markuszewska, Eds. Warsaw 2016 Liber Pro Arte English Language Editor Shane McMahon Cover and Layout Design Wojciech Markiewicz Typesetting Katarzyna Płońska Studio Perfectsoft ISBN 978-83-65631-06-0 Copyright by Liber Pro Arte Editor Liber Pro Arte ul. Długa 26/28 00-950 Warsaw CONTENTS Jolanta Guzy-Pasiak, Aneta Markuszewska Preface 7 Reinhard Strohm The Wanderings of Music through Space and Time 17 Alina Żórawska-Witkowska Eighteenth-Century Warsaw: Periphery, Keystone, (and) Centre of European Musical Culture 33 Harry White ‘Attending His Majesty’s State in Ireland’: English, German and Italian Musicians in Dublin, 1700–1762 53 Berthold Over Düsseldorf – Zweibrücken – Munich. Musicians’ Migrations in the Wittelsbach Dynasty 65 Gesa zur Nieden Music and the Establishment of French Huguenots in Northern Germany during the Eighteenth Century 87 Szymon Paczkowski Christoph August von Wackerbarth (1662–1734) and His ‘Cammer-Musique’ 109 Vjera Katalinić Giovanni Giornovichi / Ivan Jarnović in Stockholm: A Centre or a Periphery? 127 Katarina Trček Marušič Seventeenth- and Eighteenth-Century Migration Flows in the Territory of Today’s Slovenia 139 Maja Milošević From the Periphery to the Centre and Back: The Case of Giuseppe Raffaelli (1767–1843) from Hvar 151 Barbara Przybyszewska-Jarmińska Music Repertory in the Seventeenth-Century Commonwealth of Poland and Lithuania. -
SUL DIBATTITO TRA BETTINELLI E GOZZI, SU DANTE È Noto Che La
JÓZSEF NAGY* SUL DIBATTITO TRA BETTINELLI E GOZZI, SU DANTE È noto che la decisiva rivalutazione dell’eredità letteraria di Dante è avvenu- ta nell’Ottocento. Nel secolo XVIII possiamo essere testimoni dell’ultima fase di questo processo di canonizzazione durato secoli. La disputa tra Saverio Bettinelli e Gasparo Gozzi (nel 1757-58) fu un momento decisivo in tale processo. Nel presen- te studio intendo rilevare i momenti cruciali del dibattito in questione, mostrando anche i tratti principali del contesto filosofico-letterario in cui esso è emerso. 1. Dantismo e antidantismo dal Cinquecento al Settecento In connessione agli antecedenti della disputa Bettinelli-Gozzi, Andrea Batti- stini – che in più occasioni aveva analizzato la fortuna dell’Alighieri1 – nell’in- troduzione a un’antologia di testi sei- e settecenteschi su Dante2 dà un resoconto generale sulla ricezione dantesca nei secoli XVII e XVIII, chiarendo pure i signi- ficati dei termini oscuro e barbaro. L’accusa di oscurità era stata formulata già nel Cinquecento ed è sopravissuta nel Sei- e Settecento, insieme alle qualificazioni (nei confronti delle parole usate da Dante) come «trite e volgari», «umili, ple- bee e laide», «enimmatiche», «stravolte, rancide, rugginose», «noiose, seccantis- sime», «bizzarre», «intemperanti», «confuse, stravaganti»; nel caso di tali accuse evidentemente si tratta di «un genere di requisitorie ispirate al principio estetico * Università ELTE di Budapest Il presente studio è stato realizzato con l’appoggio della borsa di studio postdottorale János Bolyai dell’Accademia Ungherese delle Scienze. Ringraziamenti al Prof. János Kelemen e al – re- centemente deceduto – Prof. Géza Sallay, dell’Un. ELTE di Budapest. 1 Cfr.