Download (PDF, 5.52MB)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Finding the Archibald Episode 3 Credits
FINDING THE ARCHIBALD EPISODE 3 CREDITS PRESENTER & NARRATOR Rachel Griffiths SERIES DIRECTOR Ariel White SERIES PRODUCER Dan Goldberg EXECUTIVE PRODUCER Rachel Griffiths Adam Kay PRODUCER Lucille Schnierer ADDITIONAL DIRECTING Steve Westh OFFLINE EDITORS Rani Chaleyer Robert Werner ADDITIONAL EDITORS Kingsley Drew Vladimir Jovicic SOCIAL HISTORY CONSULTANT Dr Chris McAuliffe The Australian National University JUNIOR PRODUCTION MANAGER Rachael Hayes ARCHIVISTS Anna Cater Miriam Kenter Susan MacKinnon SCRIPT EDITOR Paul Clarke DEVELOPMENT DIRECTOR Nel Minchin 1 DEVELOPMENT PRODUCER Jon Donaldson DEVELOPMENT SOCIAL HISTORIAN Felicity Blake DIRECTOR OF PHOTOGRAPHY Nathan Barlow Noel Jones Toby Ralph DRONE OPERATORS Cam Batten ADDITIONAL CAMERAS Aldi Godjali Andy Phillips Brigham Edgar Bruno Kataoka Dan McGrath Grace Holt Ian Peterson James Rose Marcus Degiorgio Matthew Romanis Myles Roberts Paul Freimanis Stephen Kadlec Tim Keith Wayne McPherson STILLS PHOTOGRAPHER Ben Symons Emma Murray Gina Milicia Hugh Stewart SOUND RECORDISTS Brenden Huyssen Dale Nelson Dan McMahon James Henderson James Yeremeyev Janine Van Gessell Paul Walker Peter Graham Richard Boxhall Terry Chadwick 2 ONLINE & GRADE Rob Sarroff ZigZag Post MOTION DESIGN Coolchange Creative AUDIO POST PRODUCTION David Williams Soundfirm Melbourne BUSINESS AFFAIRS Susan Schmidt LEGALS Stephen Boyle PRODUCTION ASSISTANT Renuka Chalk INDIGENOUS CONSULTANT Libby Collins STYLIST Kim Hurwitz HAIR & MAKEUP Aoife Murray Bozica Jurkovic Brooke Pomare Corinne Rees Hannah Bond Kate Radford Katrina Raftery Kim Anderson Melanie White THE REAL THING Composed by John Young © Pisces Pub Pty Ltd By kind permission of Warner Chappell Music Australia Pty Ltd “The Real Thing” performed by Russell Morris Exclusive license to EMI Recorded Music Australia Pty Ltd Licensed courtesy of Universal Music Australia Pty Limited The Producers recognise all Aboriginal & Torres Strait Islander peoples as the traditional owners of the lands on which this series was made. -
11Th Australian Space Forum Wednesday 31 March 2021 Adelaide, South Australia
11th Australian Space Forum Wednesday 31 March 2021 Adelaide, South Australia 11th Australian Space Forum a 11th Australian Space Forum Wednesday 31 March 2021 Adelaide, South Australia Major Sponsor Supported by b 11th Australian Space Forum c Contents Welcome from the Chair of The Andy Thomas Space Foundation The Andy Thomas Space Foundation is delighted to welcome you to the 11th Australian Space Forum. Contents 11th Australian Space Forum The Foundation will be working with partners Wednesday 31 March 2021 1 Welcome and sponsors, including the Australian Space Adelaide, South Australia — Chair of The Andy Thomas Agency, on an ambitious agenda of projects Space Foundation to advance space education and outreach. Adelaide Convention Centre, — Premier of South Australia We are reaching out to friends and supporters North Terrace, Adelaide, South Australia — Head of the Australian who have a shared belief in the power of Forum sessions: Hall C Space Agency education, the pursuit of excellence and a Exhibition: Hall H commitment to diversity and inclusion. We 6 Message from the CEO The Foundation was established in 2020 for look forward to conversations during the 8 Forum Schedule the purpose of advancing space education, Forum – as well as ongoing interaction - about raising space awareness and contributing our shared interests and topics of importance 11 Speaker Profiles to the national space community. We to the national space community. are delighted that the South Australian 28 Company Profiles We hope you enjoy the 11th Australian Government has entrusted us with the future Space Forum. 75 Foundation Corporate Sponsors conduct of the Australian Space Forum – and Professional Partners Australia’s most significant space industry Michael Davis AO meeting – and we intend to ensure that the Chair, Andy Thomas Space Foundation 76 Venue Map Forum continues to be the leading national 77 Exhibition Floorplan platform for the highest quality information and discussion about space industry topics. -
Marty Willson-Piper Rolling Stone Review
Marty Willson-Piper of The Church – martywillsonpiper.net Marty Willson-Piper With a career that has spanned over 20 years, Marty has won a world wide audience and has influenced an ocean of guitarists. "Hanging Out In Heaven" , his first solo release in nearly five years continues to prove Marty's knack for a writing finely designed pop songs with witty, intelligent and meaninful lyrics. Rolling Stone Review : The Church - 'After everything…now this' Few rock bands have adored and explored the orchestral vocabulary and singing ring of the electric guitar with the commitment and distinguished touch of the Church. For founding members singer-bassist Steve Kilbey and guitarists Peter Koppes and Marty Willson-Piper, the art of jangle has been a life's work. After Everything Now This is the Australian group's twelfth studio album since 1981 and true to precedent in its rippling gleam. After Everything is also a masterpiece of stealth, a quiet killer in which subtle exquisite shocks of tonal theater -- the doomsday ticktock and gently abrasive fuzz in "Numbers"; the ice-water drip of the arpeggios in "Chromium" -- puncture the reverb without scarring it. The seamless-dream quality of After Everything is no small accomplishment; the Church, with drummer-producer Tim Powles, made the record in studios on three continents. But in these songs of dislocation and disconnection, intoned by Kilbey in a silken-lava baritone, Koppes' and Willson-Piper's guitars are a seductive counterweight, piercing the tension with an elegantly disruptive twang in -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
4KQ Yearbook Weekend Printable List DO YA LOVE ME RAILROAD GIN DEVIL WOMAN CLIFF RICHARD SHILO NEIL DIAMOND WELL ALL RIGHT SANT
4KQ Yearbook Weekend Printable List DO YA LOVE ME RAILROAD GIN DEVIL WOMAN CLIFF RICHARD SHILO NEIL DIAMOND WELL ALL RIGHT SANTANA BIG SHOT BILLY JOEL MA BAKER BONEY M CATS IN THE CRADLE HARRY CHAPIN COOL FOR CATS U.K. SQUEEZE ONE MAN BAND LEO SAYER LOVE IS IN THE AIR JOHN PAUL YOUNG MISS AMERICA MARK LINDSAY SIGNS FIVE MAN ELECTRICAL BAND SMOKE FROM A DISTANT FIRE SANFORD-TOWNSHEND BAND ISLAND NIGHTS MARC HUNTER ISLAND GIRL ELTON JOHN MARGARITAVILLE JIMMY BUFFETT JAMAICA RUM T.M.G. KARA KARA NEW WORLD EVERY 1'S A WINNER HOT CHOCOLATE YES SIR, I CAN BOOGIE BACCARA LIVE WITH FRIENDS RUSSELL MORRIS I JUST WANT TO BE YOUR EVERYTHING ANDY GIBB TOO MANY PEOPLE PAUL McCARTNEY WHAT A FOOL BELIEVES DOOBIE BROTHERS WINTER IN AMERICA DOUG ASHDOWN WISHING WELL FREE YOU'RE MOVING OUT TODAY CAROL BAYER SAGER COLD AS ICE FOREIGNER 606 ROSS RYAN MAGGIE MAY ROD STEWART I DO I DO I DO ABBA I DON'T LIKE MONDAYS BOOMTOWN RATS NEVER MARRY A RAILROAD MAN SHOCKING BLUE LOCOMOTION GRAND FUNK AIN'T NO SUNSHINE BILL WITHERS HOLLYWOOD BOZ SCAGGS YOU AND ME ALICE COOPER FUN FUN FUN JAMIE DUNN WILL I MISSISSIPPI A FOOL IN LOVE JEFF ST JOHN DREAM WEAVER GARY WRIGHT LOOK WOT YOU DUN SLADE ROCK ON DAVID ESSEX SAN FRANCISCO VILLAGE PEOPLE BOHEMIAN RHAPSODY QUEEN ROCKARIA! ELECTRIC LIGHT ORCHESTRA BORDER SONG ELTON JOHN HOOKED ON A FEELING BLUE SWEDE 48 CRASH SUZI QUATRO SAY YOU LOVE ME FLEETWOOD MAC LOST IN FRANCE BONNIE TYLER CARLTON SKYHOOKS AN OLD-FASHIONED LOVE SONG THREE DOG NIGHT HOT SUMMER NIGHTS NIGHT MORE THAN A WOMAN BEE GEES FOLLOW YOU FOLLOW ME GENESIS GIVING -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Daughter Album If You Leave M4a Download Download Verschillende Artiesten - British Invasion (2017) Album
daughter album if you leave m4a download Download Verschillende artiesten - British Invasion (2017) Album. 1. It's My Life 2. From the Underworld 3. Bring a Little Lovin' 4. Do Wah Diddy Diddy 5. The Walls Fell Down 6. Summer Nights 7. Tuesday Afternoon 8. A World Without Love 9. Downtown 10. This Strange Effect 11. Homburg 12. Eloise 13. Tin Soldier 14. Somebody Help Me 15. I Can't Control Myself 16. Turquoise 17. For Your Love 18. It's Five O'Clock 19. Mrs. Brown You've Got a Lovely Daughter 20. Rain On the Roof 21. Mama 22. Can I Get There By Candlelight 23. You Were On My Mind 24. Mellow Yellow 25. Wishin' and Hopin' 26. Albatross 27. Seasons In the Sun 28. My Mind's Eye 29. Do You Want To Know a Secret? 30. Pretty Flamingo 31. Come and Stay With Me 32. Reflections of My Life 33. Question 34. The Legend of Xanadu 35. Bend It 36. Fire Brigade 37. Callow La Vita 38. Goodbye My Love 39. I'm Alive 40. Keep On Running 41. The Hippy Hippy Shake 42. It's Not Unusual 43. Love Is All Around 44. Don't Let Me Be Misunderstood 45. The Days of Pearly Spencer 46. The Pied Piper 47. With a Girl Like You 48. Zabadak! 49. I Only Want To Be With You 50. Here It Comes Again 51. Don't Let the Sun Catch You Crying 52. Have I the Right 53. Darling Be Home Soon 54. Only One Woman 55. -
One Fine Day
www.dancewithgordon.com ONE FINE DAY SONG : “KEEP ON RUNNING” by THE SPENCER DAVIS GROUP. ALBUM : “REVOLUTIONS : THE BEST OF STEVE WINWOOD” (Remastered) ORIGINAL POSITION : FEET TOGETHER WEIGHT ON THE LEFT FOOT. CHOREOGRAPHER : AMANDA BOWDEN& GORDON ELLIOTT. AUST. April 2013. BEATS STEPS: This dance is done in FOUR directions. Introduction: 40 Beats on vocals FORWARD, FORWARD, FORWARD, KICK, BACK, TOUCH, FORWARD, KICK 1, 2 STEP R FORWARD, STEP L FORWARD, 3, 4 STEP R FORWARD, KICK L FORWARD, ! 5, 6 STEP L BACK, TOUCH R TOE BACK, 7, 8 STEP R FORWARD, KICK L FORWARD. ! SLOW COASTER, SCUFF, PIVOT TURN, FORWARD, HOLD 1, 2, 3 SLOW COASTER : STEP L BACK, STEP R TOGETHER, STEP L FORWARD, 4 SCUFF R FORWARD, 5, 6 PIVOT : STEP R FORWARD, TURN 180 ° LEFT TAKE WEIGHT ONTO L, 7, 8 STEP R FORWARD, HOLD. DOROTHY STEP, DOROTHY STEP, DOROTHY STEP, FORWARD, ROCK 1, 2& STEP L FORWARD AT 45 ° LEFT, LOCK R BEHIND LEFT, STEP L TOGETHER, 3, 4& STEP R FORWARD AT 45 ° RIGHT, LOCK L BEHIND RIGHT, STEP R TOGETHER, 5, 6& STEP L FORWARD AT 45 ° LEFT, LOCK R BEHIND LEFT, STEP L TOGETHER, 7, 8 STEP R FORWARD, ROCK BACK ONTO L. SAILOR STEP, SAILOR STEP, SAILOR STEP, FORWARD, SCUFF 1 & 2 SAILOR : STEP R BEHIND LEFT, STEP L TO THE SIDE, STEP R TO THE SIDE, 3 & 4 SAILOR : STEP L BEHIND RIGHT, STEP R TO THE SIDE, STEP L TO THE SIDE, 5 & 6 SAILOR : STEP R BEHIND LEFT, STEP L TO THE SIDE, STEP R TO THE SIDE, 7, 8 ## STEP L FORWARD, SCUFF R FORWARD. -
Chamorro Faces Conflicts In
The Observer VOL. XXIII NO. 131 WEDNESDAY . APRIL 25, 1990 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY’S Chamorro faces conflicts in UNO MANAGUA, Nicaragua (AP) — President-elect Violeta Bar Bush sends aid/ page 5 rios de Chamorro takes office Wednesday already facing divi sion in the ranks of her victori Cesar to encourage a split in ous coalition over government UNO ranks, even though Cesar posts and treatment of is not a Sandinista favorite be Nicaragua’s outgoing Sandin- cause of his Contra connec istas. tions. The United National Opposi Barricada, official newspaper tion faces a test of unity in the of the Sandinista Front, ran an National Assembly while cabi editorial Tuesday saying the net appointees, due to be sworn Sandinistas would of necessity in shortly after Chamorro’s in play a critical role in the auguration, have yet to be offi emerging political landscape in cially announced. this nation of 3.5 million resi The 14-party coalition dents. brought together everyone “ The Sandinista Front, from communists to conserva although it is not part of the tives in the successful effort to new government, and placing oust President Daniel Ortega’s itself strictly within the terrain Sandinistas, in power since of a committed opposition, 1979. But some parties feel cannot renounce playing the they are not getting enough say role of a national arbiter and a in Chamorro administration decisive force in the crisis from policies and appointments. which the new government The first test comes Tuesday emerges,” the editorial said. afternoon, when the new Na Many in UNO’s political coun tional Assembly is due to elect a cil, which represents the 14 president. -
Peter Price | [email protected] | +44 208 929 8434
For more than fve decades, Steve Winwood Winwood’s solo career has yielded a rich catalog of popular has remained a primary fgure in rock ‘n’ roll, songs including “Back In The High Life,” “When You See a respected innovator who has helped to A Chance,” “Valerie,” and “Higher Love”. His most recent create some of the genre’s most celebrated solo album, About Time, has continued that success, earning achievements. Winwood one of his highest Billboard chart entries. Winwood burst into prominence in 1963 with Winwood has since renewed his creative partnership with the Spencer Davis Group and since that time Eric Clapton. Their expansive CD and DVD Live At Madison his celebrated skills as a composer, vocalist, Square Garden was nominated for two Grammy Awards and multi-instrumentalist have developed an and rewarded their many fans with some of the impressive catalog of popular music. most exciting performances of their careers. Subsequent tours of the United States That extraordinary portfolio of music began at the and Japan make clear the lasting age of ffteen as the driving force of the Spencer appreciation fans have for their Davis Group. The group enjoyed a string of unique talents. chart success by way of such enduring classics as “Keep On Running” “Gimme Some Lovin’” Winwood continues to perform and “I’m A Man”. The international success of throughout the world and these singles bolstered Winwood’s confdence record new music, furthering and strengthened his resolve to seek out new his impressive legacy. rhythmic possibilities. In addition to his many achievements as a solo In 1967, Winwood left the Spencer Davis Group artist, Winwood remains and co-founded Traffc.