1 CURRICULUM VITAE DAVID J. ROXBURGH Department of History
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Cochran-Patrick, RW, Notes on the Scottish
PROCEEDINGS of the Society of Antiquaries of Scotland Our full archive of freely accessible articles covering Scottish archaeology and history is available at http://archaeologydataservice.ac.uk/archives/view/psas/volumes.cfm National Museums Scotland Chambers Street, Edinburgh www.socantscot.org Charity No SC 010440 5 SCOTTISE NOTE22 TH N SO H MINTS. IV. E SCOTTISNOTETH N SO H MINTS. WR . Y COCHRAB . N PATRICK, ESQ., B.A., LL.B., F.S.A. SCOT. Any account which can now be given of the ancient Scottish mints must necessarily he very incomplete. The early records and registers are no longe scantw fe existencen ri ye th notice d an , s gatheree which n hca d fro Acte m th Parliamentf so othed an , r original sources, only serv shoo et w how imperfect our knowledge is. It may not, however, he altogether without interest to hring together something of what is still available, in the hope that other sources of information may yet be discovered. The history of the Scottish mints may be conveniently divided into two periods,—the first extendinge fro th earliese f mo th d ten timee th o st thirteenth century; the second beginning with the fourteenth century, and coming down to the close of the Scottish coinage at the Union. It must he remembered that there is little or no historical evidence availabl firse th tr perioefo d beyond wha s afforde i tcoine th y s b dthem - selvesconclusiony An . scome whicb regardino y et hma o t musgt i e b t a certain extent conjectures e liablmodified authentiy h ,an an o t e y b d c information whic stily e discoveredb lhma t I present. -
Mihaela Tirca
UNIVERSITAT DE VALÈNCIA DEPARTAMENT DE FILOLOGIA ANGLESA I ALEMANYA Programa de Doctorat en Llengües, Literatures i Cultures i les seues Aplicacions LITERARY ACTIVISM IN ANGLOWAITI WRITING: GENDER IN NADA FARIS’S LITERATURE Presentada por MIHAELA TIRCA Dirigida por Dra. Carme Manuel Cuenca Dr. Vicent Cucarella Ramon València, Octubre 2020 ACKNOWLEDGEMENTS I would like to begin by expressing my most heartfelt gratitude and special appreciation to Professor Carme Manuel for accepting me to carry out this work under her directions. This thesis would have not been possible without her invaluable guidance toward the analysis of Nada Faris’s literary works and continuous monitoring. I cannot thank her enough for her permanent help into this study. In addition, her motivating words constituted the motor of this thesis. I am profoundly grateful to her for providing me with the means to accomplish this work. I consider myself to be enormously privileged to have been her student throughout all these years. I am deeply indebted to Professor María José Coperías whose constant assistance and instrumental support helped me to carry out this project. I feel extremely honored to have had the opportunity to be under her supervision. I humbly extend my appreciation and thanks to Professor Vicent Cucarella Ramon for kindly agreeing to supervise this thesis. I am also thankful to Nada Faris’s significant suggestions and clarifying notes about her work and for inspiring me every day for a couple of months by sharing the light of a candle. My most profound gratitude goes to my mother and my grandmother who always encouraged me to continue this thesis even when circumstances in my life were the least favorable. -
A Singular Solace: an Ecclesiastical History of Haddington, 1560-2000
A Singular Solace: An Ecclesiastical History of Haddington, 1560-2000 David William Dutton BA, MTh October 2020 This dissertation is submitted in part fulfilment of the requirements of the University of Stirling for the degree of Master of Philosophy in History. Division of History and Politics 1 Research Degree Thesis Submission Candidates should prepare their thesis in line with the code of practice. Candidates should complete and submit this form, along with a soft bound copy of their thesis for each examiner, to: Student Services Hub, 2A1 Cottrell Building, or to [email protected]. Candidate’s Full Name: DAVID WILLIAM DUTTON Student ID: 2644948 Thesis Word Count: 49,936 Maximum word limits include appendices but exclude footnotes and bibliographies. Please tick the appropriate box MPhil 50,000 words (approx. 150 pages) PhD 80,000 words (approx. 300 pages) PhD (by publication) 80,000 words (approx. 300 pages) PhD (by practice) 40,000 words (approx. 120 pages) Doctor of Applied Social Research 60,000 words (approx. 180 pages) Doctor of Business Administration 60,000 (approx. 180 pages) Doctor of Education 60,000 (approx. 180 pages) Doctor of Midwifery / Nursing / Professional Health Studies 60,000 (approx. 180 pages) Doctor of Diplomacy 60,000 (approx. 180 pages) Thesis Title: A Singular Solace: An Ecclesiastical History of Haddington, 1560-2000 Declaration I wish to submit the thesis detailed above in according with the University of Stirling research degree regulations. I declare that the thesis embodies the results of my own research and was composed by me. Where appropriate I have acknowledged the nature and extent of work carried out in collaboration with others included in the thesis. -
Architecture and the Representations of Kingship During the Reign of the Safavid Shah ʿabbas I
ARCHITECTURE AND THE REPRESENTATIONS OF KINGSHIP DURING THE REIGN OF THE SAFAVID SHAH ʿAbbAS I Kishwar Rizvi Authority in Islamic cultures was conceived of as being both imperial and theocratic. The caliph or sultan was given the title “shadow of God on Earth” and his role was to uphold the law and dispense justice in a manner that assured loyalty toward his leadership and harmony through- out his dominions. The person of the sultan was universally believed to be the repository of ultimate power, yet the way in which this power was represented varied according to specific geographic and historical criteria. In all cases, however, the ruler’s rightly-guided authority was formulated through judicial, military, and artistic means. That is, the representation of power was constructed by clerics, historians, poets, painters and archi- tects of the court. This imperial image was monumentalized through his- torical compendia, architecture and the arts of the book, which have left us ample material through which the vision and, occasionally, the person- ality, of a ruler may be studied. The early modern period in Islamic history is full of the names and exploits of great kings, from Timur Lang (Tamerlane) to Mehmet the Con- queror. In the sixteenth century the reigns of three kings stand out, namely that of Suleyman (r. 1520–66) in Ottoman Turkey, Akbar (r. 1556–1605) in Mughal India, and ʿAbbas I (r. 1587–1629) in Safavid Iran. All three are renowned for the manner in which they defined their respective empires through the patronage of works of art and architecture. -
ROCCO-CUAJ-PDF.Compressed.Pdf
The career of Timur (1336-1405) as Amir its construction is evidence of a building of Central Asia was marked by an campaign carried out first and foremost in ambitious quest for power and legitimacy pursuit of competition in traditional terms within two traditions: the Chaghataytid, with past examples: the subsequent Turco-Mongol one, and the Islamic.1 residences Timur erected were gardens Scholars have long agreed that a part of studded with pavilions which therefore this enterprise of legitimisation was preserved a nomadic flavour, tents for pursued by means of architectural accommodation being erected and the patronage.2 Others have posited that delights of nature fully enjoyed.4 Timur’s choice to establish Samarqand as A ruined monumental ayvan – a a capital city was evidence of him giving span of some twenty-two meters and a up the Mongol nomadic principle of height of over thirty metres, the largest mobility and his recognition of the extant Islamic ayvan – is all that has importance of sedentariness to imperial survived from the Aq Saray (Fig. 1A, 1B rule.3 In the city of Shahrisabz or Kesh, and 2A, 2B). By definition, an ayvan is a an important centre already under the large vaulted hall which may be walled ancient Sogdians (sixth to eleventh on three sides and opening directly on century BC) and close to his birthplace, the outside on the fourth. The side Timur built the Aq Saray (literally, “White opposite to the one opening to the Palace”, probably denoting its noble, outside can present, like it seems it was royal nature). -
Semantic Innovation and Change in Kuwaiti Arabic: a Study of the Polysemy of Verbs
` Semantic Innovation and Change in Kuwaiti Arabic: A Study of the Polysemy of Verbs Yousuf B. AlBader Thesis submitted to the University of Sheffield in fulfilment of the requirements for the degree of Doctor of Philosophy in the School of English Literature, Language and Linguistics April 2015 ABSTRACT This thesis is a socio-historical study of semantic innovation and change of a contemporary dialect spoken in north-eastern Arabia known as Kuwaiti Arabic. I analyse the structure of polysemy of verbs and their uses by native speakers in Kuwait City. I particularly report on qualitative and ethnographic analyses of four motion verbs: dašš ‘enter’, xalla ‘leave’, miša ‘walk’, and i a ‘run’, with the aim of establishing whether and to what extent linguistic and social factors condition and constrain the emergence and development of new senses. The overarching research question is: How do we account for the patterns of polysemy of verbs in Kuwaiti Arabic? Local social gatherings generate more evidence of semantic innovation and change with respect to the key verbs than other kinds of contexts. The results of the semantic analysis indicate that meaning is both contextually and collocationally bound and that a verb’s meaning is activated in different contexts. In order to uncover the more local social meanings of this change, I also report that the use of innovative or well-attested senses relates to the community of practice of the speakers. The qualitative and ethnographic analyses demonstrate a number of differences between friendship communities of practice and familial communities of practice. The groups of people in these communities of practice can be distinguished in terms of their habits of speech, which are conditioned by the situation of use. -
Note on the Antiquity of the Wheel Causeway. by F
THE ANTIQUIT WHEEE TH F LYO CAUSEWAY9 12 . TV. NOTE ON THE ANTIQUITY OF THE WHEEL CAUSEWAY. BY F. HAVERFIELD, M.A., F.S.A. On 1895y 13t r JamehMa D , s Macdoimlcl rea thio t d s Societ papeya r e allegeoth n d Roman roa n Roxburghshirei d , commonly callee th d Wheel Causeway. He admitted that the Causeway was a real road of some sort, butreasonr fo , s which see mo t e satisfactory deniee h , d that it possessed any claim to be considered a Roman road. He did not, however, go on to discuss its history, and his silence produced a doubtless unintentional impression tha t i migha vert e yb t modern affair, first dignified by some over-enthusiastic antiquary with the title Causeway. I was rash enough, myself, to suggest as much in an article which I wrote two or three years ago on the Maiden Way (Transactions of the Cumberland Westmorlandd an Arch. Society, xiv. ' Wheelri432) A . g ' Whee Heada d l an Whee'Kirkd an close , ar 'l e by Causeway mighI ( t thought) have been named after them. This suggestion I find to be wrong : both road and name can lay claim to a respectable antiquity, and it may not be amiss to put together a few details about them. Thoug Middle t Roman useroae s th no h th n s wa di i e t i , Age pasa s sa fro headwatere mth Norte th f ho s Tyn Northumberlann ei heade th o -dt waters of the Jed and other tributaries of the Teviot. -
DOCTORAL THESIS Teaching Cultural Heritage Through Craft In
DOCTORAL THESIS Teaching Cultural Heritage through Craft in Kuwaiti Primary Schools for Girls Malajmi, Fatema Award date: 2013 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 Teaching Cultural Heritage through Craft in Kuwaiti Primary Schools for Girls By Fatema MAlajmi, BA, MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD School of Education University of Roehampton 2013 ABSTRACT Students in Kuwait are not taught art history in schools and know very little about their cultural heritage. This study developed a formal curriculum unit which introduced a traditional women’s craft into the art curriculum for girls in Kuwait. The aim was to use art history to increase their understanding of their cultural heritage and of their female identities and roles in society. The action research methodology involved collaboration with three local primary art teachers, a professional weaver and a Kuwaiti education expert. -
Mathematics and Meaning in the Structure and Composition of Timurid Miniature Painting
PERSICA XIX, 2003 MATHEMATICS AND MEANING IN THE STRUCTURE AND COMPOSITION OF TIMURID MINIATURE PAINTING Sarah Chapman University of Edinburgh INTRODUCTION Even at first glance many Timurid miniature paintings reveal a strong sense of pattern and organization on which much of their overall dynamism depends. One can see the repetition of geometric shapes created by the figures, the very static and linear nature of much of the architecture, and the feeling of proportion and harmony in their composition. The obvious deliberation in their structure suggests that they may have been precisely planned and may even adhere to some kind of mathematical formula. The formal qualities of Persian miniature painting have been remarked on many times, and many techniques and conventions have been identified by scholars. Of particular rel- evance to this investigation are the studies of Guest,1 Zain,2 Adle,3 and Stchoukine.4 Guest identifies the importance of text panels in the calculation of important measurements and relationships within Persian painting, and discusses the repetition of certain measurements and distances as “a kind of counterpoint throughout the design.”5 Zain further investigates the relationship between text and painting, identifies certain formulaic tendencies in the building of Timurid compositions, and discusses the presence of a “hidden structural line” in many paintings which “guide” our experience as a viewer.6 Adle and Stchoukine both investigate the ‘mathematical’ nature of Persian painting in some detail: Adle finds, like Guest, the repetition of certain measurements and goes on to describe a modular system for the organization of hunting and sporting scenes especially. -
Excavations at Kelso Abbey Christophe Tabrahamrj * with Contribution Ceramie Th N So C Materia Eoiy B L N Cox, George Haggart Johd Yhursan N G T
Proc Antlqc So Scot, (1984), 365-404 Excavations at Kelso Abbey Christophe TabrahamrJ * With contribution ceramie th n so c materia Eoiy b l n Cox, George Haggart Johd yHursan n G t 'Here are to be seen the Ruines of an Ancient Monastery founde Kiny db g David' (John Slezer, Theatrum Scotlae) SUMMARY The following is a report on an archaeological investigation carried out in 1975 and 1976 on garden ground a little to the SE of the surviving architectural fragment of this Border abbey. Evidence was forthcoming of intensive occupation throughout the monastery's existence from the 16ththe 12th to centuries. area,The first utilized perhaps a masons' as lodge duringthe construction of the church and cloister, was subsequently cleared before the close of the 12th century to accommodate the infirmary hall and its associated buildings. This capacious structure, no doubt badly damaged during Warsthe Independence, of largelyhad beenof abandonedend the by the 15th century when remainingits walls were partially taken down anotherand dwelling erected upon the site. This too was destroyed in the following century, the whole area becoming a handy stone quarry for local inhabitants before reverting to open ground. INTRODUCTION sourca s i f regret o I e t that Kelso oldeste th , wealthiese th , mose th td powerfutan e th f o l four Border abbeys, should have been the one to have survived the least unimpaired. Nothing of e cloisteth r sav e outeth e r parlour remain t whas (illubu , t 4) survives e churcth s beef so hha n described 'of surpassing interest as one of the most spectacular achievements of Romanesque architecture in Scotland' (Cruden 1960, 60). -
Studies and Sources in Islamic Art and Architecture
STUDIES AND SOURCES IN ISLAMIC ART AND ARCHITECTURE SUPPLEMENTS TO MUQARNAS Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. VOLUME IX PREFACING THE IMAGE THE WRITING OF ART HISTORY IN SIXTEENTH-CENTURY IRAN BY DAVID J. ROXBURGH BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Roxburgh, David J. Prefacing the image : the writing of art history in sixteenth-century Iran / David J. Roxburgh. p. cm. — (Studies and sources in Islamic art and architecture. Supplements to Muqarnas, ISSN 0921 0326 ; v. 9) Includes bibliographical references and index. ISBN 9004113762 (alk. papier) 1. Art, Safavid—Historiography—Sources. 2. Art, Islamic—Iran– –Historiography—Sources. 3. Art criticism—Iran—History—Sources. I. Title. II. Series. N7283 .R69 2000 701’.18’095509024—dc21 00-062126 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Roxburgh, David J.: Prefacing the image : the writing of art history in sixteenth century Iran / by David J. Roxburgh. – Leiden; Boston; Köln : Brill, 2000 (Studies and sources in Islamic art and architectue; Vol 9) ISBN 90-04-11376-2 ISSN 0921-0326 ISBN 90 04 11376 2 © Copyright 2001 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
Zakir Naik: What Did I Do to Earn the Tags of ‘Dr Terror’, ‘Hate Monger’? Islamic Scholar Dr
www.Asia Times.US NRI Global Edition Email: [email protected] September 2016 Vol 7, Issue 9 Zakir Naik: What did I do to earn the tags of ‘Dr Terror’, ‘Hate Monger’? Islamic scholar Dr. Zakir Naik wrote an open letter to Indians called ‘Five Questions and an Appeal’ where he lamented about being targeted and labeled a ‘terror preacher’ in India. In the letter, Naik said, “Of 150 countries where I’m respected and my talks are welcomed, I’m being called a terrorist influencer in my own country. What an irony. Why now, when I’ve been doing the same thing for over 25 years?”. Naik, 51, is an Islamic preacher, who founded the Islamic Research Foundation in 1991 when he started Dawah or religious preaching. His lectures mostly revolve around how Islam is superior to all other faiths. While he claims to be an advocate of interfaith dialogue, his preaching’s’ reinforce all the stereotypes which exist against Muslims. Following reports that one of the militants of Dhaka terror attack was inspired by Naik’s misinterpretations of Islam, there are growing demand for strict action against him. In the letter, Naik asks why he has become the enemy number one for the State and Central government. “It has been over two months since the ghastly terror attack in Dhaka, and over one month since I’ve been asking myself what exactly have I done to become the enemy number one of the media as well as the State and Central Gov- ernment,” wrote Naik. × and justice. He also questioned the repeated investigations on him by government agencies.