Nnual Report a for the Oregon Historical Society 2
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The Oregon Benchmark Experience
ACHIEVING BETTER HEALTH OUTCOMES: The Oregon Benchmark Experience Howard M. Leichter and Jeffrey Tryens (To request a bound copy of this report, click here. To see a complete list of Milbank reports, click here. When ordering, be sure to specify which report you want, your name, mailing address, and phone number.) Table of Contents Foreword Acknowledgments Executive Summary Introduction Measuring Progress Benefits of the Oregon Approach A Short History of Oregon Shines and the Benchmarks High Hopes Disillusionment Rebuilding Using the Benchmarks State Agency Budgets and Management Benchmarks as Bridges Summing Up A Tale of Three Benchmarks Childhood Immunizations Early Prenatal Care Teen Pregnancy in Tillamook County The Benchmark Experience in Other States Learning From Oregon Oregon's Evolving System Improving the Oregon Model Conclusion Appendixes A. Benchmark Programs in Six Other States B. Oregon Progress Board Publications Notes References Foreword The development and publication of statistical indicators of the health status and well-being of populations has been increasing in the United States and internationally. These indicators still have less influence on health policy than the publication of data about leading economic indicators has on business decisions. However, indicators of health status are attracting attention among officials at all levels of government as well as among private-sector executives making decisions about such issues as where to locate or relocate operations. The state of Oregon in 1989 began to devise indicators of well-being, calling them benchmarks, as part of a long- term project to improve the economy of the state initiated by then-governor Neil Goldschmidt. The Oregon Progress Board (OPB), a public body whose members are leaders of the community, business, and government, manages the benchmarking process. -
The Juilliard School
NEW ISSUE — BOOK-ENTRY ONLY Ratings: Moody’s: Aa2 S&P: AA See “RATINGS” herein In the opinion of Orrick, Herrington & Sutcliffe LLP, Bond Counsel, based upon an analysis of existing laws, regulations, rulings and court decisions, and assuming, among other matters, the accuracy of certain representations and compliance with certain covenants, interest on the Series 2018A Bonds (as such term is defined below) is excluded from gross income for federal income tax purposes under Section 103 of the Internal Revenue Code of 1986. In the further opinion of Bond Counsel, interest on the Series 2018A Bonds is not a specific preference item for purposes of the federal alternative minimum tax. Bond Counsel is also of the opinion that interest on the Series 2018A Bonds is exempt from personal income taxes imposed by the State of New York or any political subdivision thereof (including The City of New York). Bond Counsel expresses no opinion regarding any other tax consequences related to the ownership or disposition of, or the amount, accrual or receipt of interest on, the Series 2018A Bonds. See “TAX MATTERS” herein. $42,905,000 THE TRUST FOR CULTURAL RESOURCES OF THE CITY OF NEW YORK Refunding Revenue Bonds, Series 2018A (The Juilliard School) The Refunding Revenue Bonds, Series 2018A (The Juilliard School) (the “Series 2018A Bonds”) will be issued and secured under the Revenue Bond Resolution (The Juilliard School), adopted by The Trust for Cultural Resources of The City of New York (the “Trust”), as of March 18, 2009, as supplemented, including as supplemented by a Series 2018A Resolution Authorizing not in Excess of $50,000,000 Refunding Revenue Bonds, Series 2018A (The Juilliard School), adopted by the Trust on October 11, 2018 (collectively, the “Resolution”). -
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1 2 3 4 IN THE CIRCUIT COURT OF THE STATE OF OREGON FOR THE COUNTY OF YAMHILL 5 6 MEEKER, ANTHONY, 7 Plaintiff, Case No. CV 110197 8 v. FIRST AMENDED COMPLAINT KITZHABER, JOHN, Governor for the State (Declaratory and Injunctive Relief 9 of Oregon, BROWN, KATE, Secretary of State Requested: Violation of Civil Rights under for the State of Oregon, 42 USC §1983; Article 1 § 2; Equal 10 Protection; Due Process; Violation of ORS Defendants. 188.010) 11 Attorney Fees per 42 USC § 1988 12 13 Plaintiff alleges: 14 PARTIES 15 1. 16 Anthony Meeker (hereinafter “Plaintiff”) is a resident of the State of Oregon and resides 17 in Yamhill County at 20401 Madrona Ln., Amity Oregon 97101. Plaintiff is a qualified elector 18 in the State of Oregon. Plaintiff is qualified to exercise his right to vote in Oregon in his 19 respective federal congressional district elections. 20 2. 21 Defendant John Kitzhaber is the current Governor of the State of Oregon with the duty 22 and responsibility to oversee all administrative agencies and enforce the laws of the State. 23 Page 1 of 6 TYLER SMITH & ASSOCIATES, P.C. 181 N. Grant St. STE 212, Canby, Oregon 97013 FIRST AMENDED COMPLAINT 503-266-5590; Fax 503-266-5594 1 Defendant Kate Brown is the Secretary of State for the State of Oregon and is responsible for the 2 conduct of all elections and administration of election laws. 3 JURISDICTION AND VENUE 4 3. 5 Plaintiff at all times relevant to this lawsuit has been a resident of Yamhill County. -
Individuals Oregon Arts Commission Governor Arts Award Recipients
Individuals Oregon Arts Commission Governor Arts Award Recipients - 1977 to 2007 Sorted alphabetically by last name Note: some information is not available First Name First Name (2) Last Year Governor Organization City Description Obo (d) Addy 1993 Barbara Roberts Portland African drummer and performer John Alvord 1989 Neil Goldschmidt Eugene Arts patron Pamela Hulse Andrews 2003 Ted Kulongoski Bend Arts publisher Shannon Applegate 2007 Ted Kulongoski Yoncalla Writer & lecturer Ray Atkeson 1986 Victor Atiyeh Portland Photographer Lorie Baxter 1999 John Kitzhaber Pendleton Community arts leaders Newspaper editor, community Amy (d) Bedford 1988 Neil Goldschmidt Pendleton leader & arts patron Pietro (d) Belluschi 1986 Victor Atiyeh Portland Architect Visual artist & leader in arts Eugene (d) Bennett 2002 John Kitzhaber BOORA Architects Jacksonville advocate Oregon Shakespeare William Bloodgood 2002 John Kitzhaber Festival Ashland Scenic designer Banker & collector of Native Doris (d) Bounds 1986 Victor Atiyeh Hermiston American materials Frank Boyden 1995 John Kitzhaber Otis Ceramicist, sculptor & printmaker John Brombaugh 1996 John Kitzhaber Springfield Organ builder Jazz musician & community arts Mel Brown 2002 John Kitzhaber Portland leader Richard Lewis Brown 2005 Ted Kulongoski Portland Collector & arts patron Louis (d) Bunce 1978 Robert Straub Portland WPA painter Dunbar (d) Jane (d) Carpenter 1985 Victor Atiyeh Medford Arts patrons Maribeth Collins 1978 Robert Straub Portland Arts patron First Name First Name (2) Last Year Governor -
ADVOCATE.Fall 2015.FINAL MASTER
Illustrious Firsts I Monumental Legacies I Scholarships Pay It Forward I Then and Now: Starting Law School TheADVOCATE LEWIS & CLARK LAW SCHOOL I PORTLAND, OREGON I FALL 2015 CENTENNIAL CELEBRATION! Alumni Board of Directors Board of Visitors 2015-16 Table of Contents 2015-16 John E. Bates Features Matthew P. Bergman ’89 Tonya Alexander ’01 Illustrious Firsts: A Timeline . 10 Sidney K. Billingslea ’84 Katheryn Bradley ’86 Monumental Legacies . 16 Bowen Blair ’80 Coby Dolan ’99 Paying It Forward With Scholarships . 20 Monte Bricker Dan Eller ’04, President Then and Now: Starting Law School . 21 Jerry F. Carleton ’07 Courtney Flora ’98 Windows Into the Past . 24 Adina Flynn ’96, Past President Ying Chen ’95 The Right Dean for the Times . 28 David Hittle ’74 Jonathan B. Cole ’76 Three Eminent Ties to Apron Strings . 32 Thomas C. Jensen ’83 Bruce I. Crocker ’76 Centennial Celebration Weekend . 36 Jeannie Lee ’08 Victoria E. Cumings ’04 Honor Roll of Donors . 58 Molly Marcum ’82 Jeffrey B. Curtis ’86 Hon. Keith Meisenheimer ’76 Stephen A. Doherty ’84 Departments Sarah Melton ’08 Barnes H. Ellis Events in the News . 2 Ajit Phadke ’98, Vice President David A. Ernst ’85 Commencement. 6 Justin Sawyer ’01 M. Carr Ferguson Faculty and Staff News . 38 Kenneth “KC” Schefski ’99 Paul T. Fortino Class Notes . 46 Heather Self ’01 Hon. Julie E. Frantz ’75 In Memoriam . 56 Jason Wilson-Aguilar ’96 Hon. Susan P. Graber D. Lawrence Wobbrock ’77 Gary I. Grenley ’75 Volume 38, Number 1, Fall 2015 Edwin A. Harnden The Advocate Recent Graduate Christine Helmer ’74 Lewis &Clark Law School Council Steven J. -
Graphicstudio: Uncommon Practice at USF at Tampa Museum of Art
Graphicstudio: Uncommon Practice at USF at Tampa Museum of Art “Graphicstudio: Uncommon Practice at USF” is the most ambitious and comprehensive show to feature works from the workshop since the survey exhibition of the early years of Graphicstudio at the National Gallery of Art in Washington D.C. in 1991. The exhibit features forty-five years of more than 110 original works by an international array of 45 of the 108 artists who have worked in residence at Graphicstudio. On view February 1 through May 18, 2014, this exhibition was co-organized by the Tampa Museum of Art and the USF Contemporary Art Museum and curated by Jade Dellinger. Highlighting both technical and conceptual breakthroughs, the exhibition includes seminal works spanning Graphicstudio’s forty-five year history (by Robert Rauschenberg, Jim Rosenquist, Ed Ruscha, Allan McCollum, Louise Bourgeois, Jim Dine, and others) with some of its most recent collaborative endeavors by (Christian Marclay, Mark Dion, Teresita Fernández, Los Carpinteros, and Trenton Doyle Hancock). According to Margaret Miller, the Director of Institute for Research in Art – Contemporary Art Museum and Graphicstudio, the exhibition is an opportunity for viewers to see a survey of works that represent leading international artists and affirms that printmaking is a primary medium for many contemporary artists. The exhibition chronicles several aesthetic and technical conversations among artists of different generations. Often times, it is the invention of a new technology that transfixes the artists in residence. As former director, Alan Eaker noted, “It has always been the primary concern of Graphicstudio to make art that was phenomenal and along the way develop the technology to accomplish it.” Founded in 1968 as a non-profit, university-based, collaborative art making facility, Graphicstudio remains unique in its commitment to aesthetic and technical research in the visual arts. -
ARTIFACTS University of Washington / Seattle USA Autumn 2008
ARTIFACTS UNIVERSITY OF WasHINGTON / SEATTLE USA AUTUMN 2008 SCHOOL OF ART DIVISION OF ART / DIVISION OF ART HISTORY / DIVISION OF DESIGN Welcome to the new Artifacts If you are holding this newsletter in your hands, The online version includes the material in the the change of format is obvious. What once was printed newsletter, but it also has all the other ma- tabloid is now letter size. This switch has hap- terial you have come to look forward to: faculty, MORE ONLINE pened for two reasons. One is that we want to staff, and student news; an article about our study by going to the newsletter now make Artifacts available online, and letter abroad programs; alumni notes; photos; and small link at : art.washington.edu size documents fit this format better. The second articles about past and future activities and achieve- reason involves economics and ecology. We must ments. Please let us know what you think of the • Alumni Notes spend less on the newsletter in order to preserve new format, both paper and online, by emailing [email protected]. • Transitions in the SoA funds for other needs, so we are printing both a smaller size and fewer pages. This, of course, also • Study Abroad A link to the online newsletter is at the top of every uses less paper. web page on the SoA website: • Faculty News The printed version of Artifacts will now typically And much more! art.washington.edu contain the notes from the director, the calendar of upcoming events, and our acknowledgement of donors. It will regularly be sent to our donors and SUPPORT the parents of current students. -
November 6, 2013 the Honorable Harry Reid the Honorable John
Oregon November 6, 2013 Gov. John Kitzhaber Chairman The Honorable Harry Reid The Honorable John Boehner South Dakota Majority Leader Speaker of the House Gov. Dennis Daugaard Vice Chairman U.S. Senate U.S. House of Representatives S-221 U.S. Capitol Building H-232 U.S. Capitol Building Washington, DC 20510 Washington, DC 20515 The Honorable Mitch McConnell The Honorable Nancy Pelosi Minority Leader Minority Leader S-230 U.S. Capitol Building H-204 U.S. Capitol Building Washington, DC 20510 Washington, DC 20515 Dear Leader Reid, Leader McConnell, Speaker Boehner, and Leader Pelosi: Almost a year ago, many of our citizens who work in the wind industry were subjected to an unnecessary series of layoffs and hardships because Congress failed to extend the wind energy production tax credit in a responsible and timely manner. Across the nation — from Oregon to Vermont — thousands of Americans working in one of the nation’s most important growth energy industries lost their jobs. We were witness to the hardships that over 5,000 Americans had to endure when they lost their jobs because of the anticipated expiration of the tax credit. After Congress passed the tax credit extension in January, the nation’s wind industry began a very troubled recovery. The clearest example is the loss of investments. In 2012, the wind industry invested nearly $25 billion. In the first six months of 2013, the wind industry installed just one turbine — a 99 percent drop in investments. This Congressionally sanctioned uncertainty has hit the nation’s wind industry incredibly hard. The current wind energy production tax credit is due to expire on December 31, 2013. -
AMENDED COMPLAINT Thomas R
Case 6:13-cv-02256-TC Document 17 Filed 01/22/14 Page 1 of 30 Page ID#: 109 Thomas R. Johnson, OSB No. 010645 Kevin Díaz, OSB No. 970480 [email protected] [email protected] Kristina J. Holm, OSB No. 112607 ACLU FOUNDATION OF OREGON, INC. [email protected] P.O. Box 40585 Misha Isaak, OSB No. 086430 Portland, OR 97240 [email protected] Telephone: 503.227.6928 PERKINS COIE LLP Facsimile: 503.227.6948 1120 N.W. Couch Street, Tenth Floor Portland, OR 97209-4128 Rose Saxe, pro hac vice Telephone: 503.727.2000 [email protected] Facsimile: 503.727.2222 Amanda Goad, pro hac vice [email protected] Jennifer Middleton, OSB No. 071510 AMERICAN CIVIL LIBERTIES UNION [email protected] FOUNDATION JOHNSON JOHNSON & SCHALLER PC 125 Broad Street, 18th Floor 975 Oak Street, Suite 1050 New York, NY 10004 Eugene, OR 97401 Telephone: 212.549.2627 Telephone: 541.683.2506 Facsimile: 212.549.2650 Facsimile: 541.484.0882 Cooperating attorneys on behalf of the ACLU Foundation of Oregon, Inc. Attorneys for Plaintiffs UNITED STATES DISTRICT COURT DISTRICT OF OREGON EUGENE DIVISION PAUL RUMMELL and BENJAMIN WEST; LISA CHICKADONZ and CHRISTINE TANNER; No. 6:13-cv-02256-TC BASIC RIGHTS EDUCATION FUND, Plaintiffs, AMENDED COMPLAINT v. FOR DECLARATORY AND JOHN KITZHABER, in his official INJUNCTIVE RELIEF capacity as Governor of Oregon; ELLEN Pursuant to 42 U.S.C. § 1983 ROSENBLUM, in her official capacity as Attorney General of Oregon; JENNIFER WOODWARD, in her official capacity as State Registrar, Center for Health Statistics, Oregon Health Authority, and RANDY WALRUFF, in his official capacity as Multnomah County Assessor, Defendants. -
Statistical Information
STATISTICAL INFORMATION VOTES CAST FOR SENATORS IN 2008, 2010, and 2012 [Compiled from official statistics obtained by the Clerk of the House. Figures in the last column, for the 2012 election, may include totals for more candidates than the ones shown.] Vote Total vote State 2008 2010 2012 cast in 2012 Democrat Republican Democrat Republican Democrat Republican Alabama ....................... 752,391 1,305,383 515,619 968,181 .................... .................... .................... Alaska .......................... 1,51,767 147,814 60,045 90,839 .................... .................... .................... Arizona ........................ .................... .................... 592,011 1,005,615 1,036,542 1,104,457 2,243,422 Arkansas ...................... 804,678 .................... 288,156 451,618 .................... .................... .................... California ..................... .................... .................... 5,218,441 4,217,366 7,864,624 4,713,887 12,578,511 Colorado ...................... 1,230,994 990,755 851,590 822,731 .................... .................... .................... Connecticut .................. .................... .................... 605,204 498,341 792,983 604,569 1,511,764 Delaware ...................... 257,539 140,595 174,012 123,053 265,415 115,700 399,606 Florida .......................... .................... .................... 1,092,936 2,645,743 4,523,451 3,458,267 8,189,946 Georgia ........................ 909,923 1,228,033 996,516 1,489,904 ................... -
THE Ambrkian Arciiitectcrat' Fotjndatlon
THE AMBRKiAN ARCIIITECTCRAt' FOtJNDATlON "That Exceptional One: Women in American Architecture, 1888-1988" is organized and circulated by the American Architectural j Foundation and the AIA Women in Architecture Committee. The exhibition will premiere on • May 15,1988, at die AIA National Convention | and Design Exposition in New York City before traveling nationwide during its three-year tour. The American Institute of Architects, founded in 1857, is a voluntary not-for-profit member- i ship organization representing more than 54,000 architects and architectural profession- i als in nearly 300 state societies and local chapters stretching from Maine to Guam. The mission of the American Architectural ] Foundation, the publicly oriented arm of the ( AIA, is to advance the quality of American j architecture by stimulating the public's aware- ness and understanding of architecture and its related arts. "I cannot, in whole conscience, recommend architecture as a profession for girls. I know some women who have done well at it, but the obstacles are so great that it takes an exceptional girl to make a go of it. If she insisted on becoming an architect, I would try to dissuade her. If then, she was still determined, I would give her my blessing—she could be that exceptional one." Pietro Belluschi, EilA, 1972AIA Gold Medalist, from the 1955New York Life Insurance Company brochure, "Should You Be an Architect?" Contents 5 A Message from the President of The American Institute of Architects 6 A Message from the Chair of the AIA Women in Architecture Committee 7 Preface 9 "That Exceptional One: Women in American Architecture, 1888-1988" 27 AIA Archive of Women in Architecture 41 Selected Bibliography WHHW A Message from the President of The American Institute of Architects The American Institute of Architects is priv- past decade alone, reflecting the priority placed ileged to sponsor this major national exhibi- by the AIA to breaking down once and for all tion on the history of women in architecture. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965.