Press Release for Doghouse Roses Published by Houghton Mifflin
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Chart Action News
Thursday, April 21, 2016 NEWS CHART ACTION No. 1 Challenge Coin—Cole Swindell New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Zac Brown Band/Castaway/Dot Records— 53 ! Aaron Watson/Bluebonnets/Thirty Tigers— 60 ! Brett Young/Sleep Without You/Republic Nashville— 74 ! !Keith Walker/Friends With Boats— 76 ! Greatest Spin Increase ! Artist/song/label—Spin Increase ! Carrie Underwood/Church Bells/Arista Nashville— 481 ! Zac Brown Band/Castaway/Dot Records— 429 ! Keith Urban/Wasted Time/Capitol Nashville—385 ! Jason Aldean/Lights Come On/Broken Bow— 338 ! !Aaron Watson/Bluebonnets/Thirty Tigers— 309 MusicRow’s Troy Stephenson (L) with Cole Swindell (R) Most Added Cole Swindell is not only an accomplished artist and songwriter of his Artist/song/label—No. of Adds own hits, he’s had a hand in writing for others as well. This week, Cole Zac Brown Band/Castaway/Dot Records—28 received his Challenge Coins for co-writing Luke Bryan’s “Roller Coaster” Aaron Watson/Bluebonnets/Thirty Tigers—26 and Florida Georgia Line and Bryan’s “This Is How We Roll.” To see the Tucker Beathard/Rock On/Dot Records— 18 full list of Challenge Coin recipients, click here. Cole’s new album, You Rachael Turner/Aftershock/Rustic Records—14 Should Be here, will be available on May 6. Read more about it here. Lonestar/Never Enders/Shanachie Entertainment—13 ! Carrie Underwood/Church Bells/Arista Nashville—13 Dan + Shay To Release Sophomore Album In June Charles Kelley/Lonely Girl/Capitol Nashville—13 ! Craig Campbell/Outskirts Of Heaven/Red Bow Records—10 Duo Dan + Shay will released their sophomore album, Obsessed, on June 3 via Warner Bros. -
Daniel Deronda 20 Sarah E
palaver e /p ‘læv r/e n. A talk, a discussion, a dialogue; (spec. in early use) a conference between African tribes-people and traders or travellers. v. To praise over-highly, flatter; to ca- jole. To persuade (a person) to do some- thing; to talk (a person) out of or into something; to win (a person) over with palaver. To hold a colloquy or conference; to parley or converse with. Masthead | Table of Contents | Fall 2013 Fall 2013 Founding Editors We the People of Walmart 4 Finance Students Performance in the United Sarah E. Bode Lauren B. Evans States and Spain: Contrasts and Similarities Ashley Hudson 51 Coney Island Dreaming 7 Charles Wolfe Melanie Whithaus Executive Editor Chief Copy Editor A Systematic Evaluation of Empathy in Dr. Patricia Turrisi Jamie Joyner Been to Hell and Now I’m Back Again: Contemporary Society 58 The Songwriting of Steve Earle 11 Gregory Hankinson Contributing Editors Copy Editors Brian Caskey Michelle Bliss Lauren B. Evans What Would Aristotle Say About Bill Caporales 16 Clinton? Or Why We Excuse Moral Dr. Theodore Burgh Katja Huru Doctorcitos 17 Weakness 64 Dr. Carole Fink Megan Slater Bolivia 18 Rob Wells Ashley Hudson Charlene Eckels Courtney Johnson Staff Readers Exiled from Truth: An Interview with Dr. Marlon Moore Amanda Coffman Gwendolen Harleth: The Extraordinary Dmitry Borshch 68 Dr. Diana Pasulka Michael Combs Heroine of George Eliot’s Daniel Deronda 20 Sarah E. Bode Kathryn Bateman Dr. Alex Porco Lauren B. Evans Alignment and Argument: Karen Head Dr. Michelle Scatton-Tessier Shanon Gentry Active Heroines: When a Heroine is Both Responds to Poems by Dickey and Chappell Amy Schlag Katja Huru Real and Symbolic 27 74 Erin Sroka Jamie Joyner Rachel Jo Smyer Brian Caskey Dr. -
Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
PDF EPUB} I Can't Remember If We Said Goodbye by Steve Earle I Can't Remember If We Said Goodbye by Steve Earle
Read Ebook {PDF EPUB} I Can't Remember If We Said Goodbye by Steve Earle I Can't Remember If We Said Goodbye by Steve Earle. I remember holdin' on to you All them long and lonely nights I put you through Somewhere in there I'm sure I made you cry But I can't remember if we said goodbye. But I recall all of them nights down in Mexico One place I may never go in my life again Was I just off somewhere or just too high But I can't remember if we said goodbye. I only miss you every now and then Like the soft breeze blowin' up from the Caribbean Most Novembers I break down and cry Cause I can't remember if we said goodbye. But I recall all of them nights down in Mexico One place I will never go in my life again Was I just off somewhere or just too high But I can't remember if we said goodbye. Steve Earle - Goodbye Lyrics. I remember holdin on to you All them long and lonely nights I put you through Somewhere in there I'm sure I made you cry But I can't remember if we said goodbye But I recall all of them nights down in Mexico One place I may never go in my life again Was I just off somewhere just too high But I can't remember if we said goodbye I only miss you here every now and then Like the soft breeze blowin up from the Caribbean' Most Novembers I break down and cry But I can't remember if we said goodbye But I recall all of them nights down in Mexico One place I may never go in my life again Oh was I off somewhere may be just to high But I can't remember if we said goodbye But I can't remember if we said goodbye Goodbye Goodbye. -
2017 Summer ~ Fall
2017 SUMMER ~ FALL CATAPULT OCTOBER 8, 2017 Celebrating culture, community and creativity in the Mid-Ohio Valley, Clutch MOV is a vibrant online and print lifestyle magazine featuring the best of what’s happening in our region. Stay in the know with positive, current content, free to read at www.clutchmov.com! follow alon! For uplifting stories all across the Mid-Ohio Valley, follow along on social media! @clutchmov www.clutchmov.com EVENTS TRAVIS TRITT • JUNE 16 CABARET • JUNE 23, 24, 25, 30 & JULY 1, 2 SHAKESPEARE BY THE RIVER: THE MERCHANT OF VENICE • JUNE 29, JULY 1, 2, 7, 8, 9 LA LA LAND • JULY 6 SOUL ASYLUM & CRACKER • JULY 14 STEVE EARLE & THE DUKES • JULY 22 MISSOULA CHILDREN’S THEATRE: CINDERELLA • JULY 29 DAVE CALENDINE: MUSIC OF THE MOUSE • AUGUST 5 RONNIE MILSAP • AUGUST 11 5POINT OUTDOOR ADVENTURE FILM FEST • AUGUST 12 ROBERT CRAY • AUGUST 18 CATAPULT • OCTOBER 8 ROCKY HORROR PICTURE SHOW • OCTOBER 21 DAVID SEDARIS • OCTOBER 29 DOKTOR KABOOM! • NOVEMBER 3 ONE NIGHT IN MEMPHIS • NOVEMBER 4 POLAR EXPRESS • DECEMBER 3 MY FATHER’S DRAGON • DECEMBER 9 CAROL OF THE KING • DECEMBER 15 SCHRADER YOUTH BALLET COMPANY: THE NUTCRACKER • DECEMBER 17 For the most complete and up-to-date listing of upcoming events, visit us online: PEOPLESBANKTHEATRE.COM It’s time for a new identity. One that tells the story of creativity in Ohio and illustrates it. Expression is an essential need. By better illustrating our story, we can better help you express yours. Complete the story at oac.ohio.gov/identity. 30 EAST BROAD STREET, 33RD FLOOR, COLUMBUS, OHIO 43215-3414 | 614-466-2613 OAC.OHIO.GOV | @OHIOARTSCOUNCIL| #ARTSOHIO High quality products for transportation and related industries Mondo Polymers Technologies, Inc. -
MTV Games, Harmonix and EA Announce Superstar Lineup for Rock Band(TM) Country Track Pack(TM)
MTV Games, Harmonix and EA Announce Superstar Lineup for Rock Band(TM) Country Track Pack(TM) Country's Biggest Artists Bring All New Tracks to The Rock Band Platform Including Willie Nelson, Trace Adkins, Miranda Lambert, Sara Evans and More CAMBRIDGE, Mass., June 15 -- Harmonix, the leading developer of music-based games, and MTV Games, a part of Viacom's MTV Networks, (NYSE: VIA, VIA.B), along with distribution partner Electronic Arts Inc. (Nasdaq: ERTS), today revealed the full setlist for Rock Band™ Country Track Pack™, which includes some of country's biggest artists from Willie Nelson, Alan Jackson and Montgomery Gentry to Kenny Chesney, Miranda Lambert, Sara Evans and more! Rock Band Country Track Pack hits store shelves in North America July 21, 2009 for a suggested retail price of $29.99 and will be available for Xbox 360® video game and entertainment system from Microsoft, PLAYSTATION®3 and PlayStation®2 computer entertainment systems, and Wii™ system from Nintendo. Rock Band Country Track Pack, featuring 21 tracks from country music's superstars of yesterday and today, is a standalone software product that allows owners of Rock Band® and Rock Band®2 to keep the party going with a whole new setlist. Thirteen of the on disc tracks are brand new to the Rock Band platform and will be exclusive to the Rock Band Country Track Pack disc for a limited time before joining the Rock Band® Music Store as downloadable content. In addition, Rock Band Country Track Pack, like all Rock Band software, is compatible with all Rock Band controllers, as well as most Guitar Hero® and authorized third party controllers and microphones. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28Th
Media Release FOR IMMEDIATE RELEASE August 25, 2021 Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28th Tickets Available at sweetlandamp.com LaGrange, Ga. August 25, 2021 – Two incredible acts are teaming up for a fantastic night of music at Sweetland Amphitheatre Saturday, August 28th - Steve Earle & the Dukes and Los Lobos. Steve Earle & the Dukes Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protégé of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his debut record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Subsequent releases like The Revolution Starts...Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Los Lobos The journey of Los Lobos began in 1973, as the band earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. Early on, Los Lobos enjoyed critical success, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP And a Time to Dance. In 1987 with the release of the Ritchie Valens biopic, La Bamba, the quintet’s cover of Valens’ signature song topped the charts in the U.S. -
Steve Earle Townes Biography
Steve Earle Townes Biography Steve Earle had two reasons for coming out with this long-planned tribute to Townes Van Zandt now. The first reason is practical. Earle is currently pushing himself to finish a years-in-the-making novel, and he wants to see it in print before the publishing business goes belly up. The second is a more personal concern. Like all artists worthy of the name, Steve Earle loves the truth, and in the case of Van Zandt, he sees that the waters are muddying before his eyes. Very often over periods of years, the truth first becomes myth and myth later becomes truth. In regards to his teacher, hero and friend Townes Van Zandt, Steve Earle was not about to let that happen. “I’m very thankful that when I got out of jail I started meeting people like Jay Farrar and other people his age that knew Townes chapter and verse,” he says. “I’ve always been very thankful for that. But a lot of what powered that is a take on roots music that comes from alternative music, and the crowd that kind of attached itself to Townes was the same kind of people that have White Light / White Heat in the front of their record collection so everybody knows how intense they are when they have a party. I love that record, but I don’t think I’ve listened to it all the way through since I bought it.” “I’m tryin’ not to kill myself,” he laughs. Van Zandt’s reputation has been under something of an overhaul since the dawn of the 1990s. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Steve Earle & the Dukes Return with Guy March
STEVE EARLE & THE DUKES RETURN WITH GUY MARCH 29th, 2019 16-SONG SET COMPRISED OF SONGS WRITTEN BY THE LEGENDARY GUY CLARK ROLLING STONE COUNTRY PREMIERES “OLD FRIENDS” FEATURING EMMYLOU HARRIS, RODNEY CROWELL, TERRY ALLEN, JERRY JEFF WALKER, MICKEY RAPHAEL & MORE TO APPEAR AT THE SXSW MUSIC FESTIVAL NEXT WEEK “...a truly sublime homage.” - Stereogum Steve Earle & The Dukes are set to return with GUY on March 29th, 2019. A return to New West Records, the 16-song set is comprised of songs written by one of his two primary songwriting mentors, the legendary Guy Clark. GUY appears ten years after his Grammy Award winning album TOWNES, his tribute to his other songwriting mentor, Townes Van Zandt. Produced by Earle and recorded by his longtime production partner Ray Kennedy, GUY features his latest, and possibly best, incarnation of his backing band The Dukes including Kelley Looney on bass, Chris Masterson on guitar, Eleanor Whitmore on fiddle & mandolin, Ricky Ray Jackson on pedal steel guitar, and Brad Pemberton on drums & percussion. Today, Rolling Stone Country has premiered Earle’s version of Clark’s “Old Friends.” The closing track on GUY, the song features fellow Guy Clark cohorts Emmylou Harris, Rodney Crowell, Terry Allen, Jerry Jeff Walker, Mickey Raphael, Shawn Camp, Verlon Thompson, Gary Nicholson, and the photographer Jim McGuire. Rolling Stone says, “In the hands of Earle and his band the Dukes, ‘Old Friends’ is a solemn prayer, with Harris harmonizing with Earle on the opening verse.” Hear it HERE. NPR Music previously premiered the album’s first single and lead off track “Dublin Blues” along with a nearly 30-minute conversation between Earle and NPR’s Bob Boilen for an edition of All Songs Considered. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.