Sacramento Chapter of the American Guild of Organists Newsletter February 2020

Total Page:16

File Type:pdf, Size:1020Kb

Sacramento Chapter of the American Guild of Organists Newsletter February 2020 Sacramento Chapter of the American Guild of Organists Newsletter February 2020 www.facebook.com/groups/391263001675093/ Dean’s Message To my Dear Colleagues, Do you like our newsletter? Do you the music you’ll need is in the Future know someone else who would like and Current Events section. Bring your to read it? In our last board meeting choir director or member along with we unanimously decided to offer the you. Music is not provided so make sure newsletter free of charge to anyone to print out your copy before you come. who wishes to receive it. We’ve already added local choir directors and organ You’ll also find the second half of the AGO Board Members enthusiasts to our list (now over 120 “Overcoming Performance Anxiety” by recipients). Valerie Stipcak, but check out our new Dean column: “Featured Article” launched Ronald Paul Sidhu Have them email me or you can forward by our UK colleague Mark Jameson on [email protected] their email with their name and I’ll add a the Mander organ at St. George in them to the list. As you will see this Penang, Malaysia. And don’t miss Gayla Sub Dean newsletter is crammed with interesting Mott’s review of our very successful 12th Rex Rallanka and useful information for organists, Night Party. [email protected] choir masters, organ enthusiast, Bach lovers among many others! I hope to see you at all the future events Secretary and hear what great things your doing Gayla Mott Happy 80th Birthday Marian Metson! in promoting the organ and supporting [email protected] We feature her great biography in each other as colleagues. this newsletter in anticipation of her Treasurer birthday bash at First Lutheran in Yuba Adrienne Leach City. Check out the flyer attached, and [email protected] details in the events column. Ron Members at Large I hope you can make the very interesting Ryan Enright, Lars Gjerde Tim Brown workshop coming up at & Sue Miller St. Paul’s on Friday evening the 31st of January. He comes to us all the PS Don’t forget to visit our Facebook page – the new link to it is just above! Newsletter way from Clare College, Cambridge, Ron England! Information about parking and (916) 765-6562 [email protected] National Executive Director James E. Thomashower Substitute list [email protected] Lars Gjerde Email: [email protected] National AGO President Phone: (585) 200-8903 Michael Bedford Region IX Councillor Need an AGO Organist to Randy Wurschmidt Matthew Burt play at your service? Email: [email protected] [email protected] Phone: (260) 452-9751 We are compiling a list of all AGO Northern CA substitute organists to be published here Do you want to appear on this list? If so, please email your District Convener for churches to have for quick reference preferred contact information to: [email protected] Michael Varlas when they need an organist. [email protected] and you too can be listed here. 1 Membership Profile Marian Ruhl Metson was Boston, Marian had found a remarkable voice teacher and born in Omaha, Nebraska on decided she wanted to be a professional singer as well February 22, 1940. She will as organist. Ask her sometime about her exciting gigs be celebrating her birthday during this time, but her independent solo life ended when by performing with four she met Graham Metson, a tall, handsome Foreign Service colleagues on the spectacular Officer working in the State Department in Washington Munetaka Yokota organ at DC. After they were married in 1976, she moved to DC her former church in Yuba where she eventually was lucky again, finding the position City. You are all invited! open at Reformation Lutheran Church on Capitol Hill. See attached brochure and When her husband retired from the State Department, Future and Current events they decided to move back to the Boston area, where she column for details. was asked to join the organ faculty at Boston University. They spent ten years living in the beautiful, historic city CHILDHOOD DEVELOPMENT: In 1943 her family moved of Newburyport, where she worked at the Congregational from the midwest to Portland, Oregon, then to California, Church playing an 1867 Stevens organ. During her time living in Oakland and then Petaluma, where she graduated there she recorded four CD’s on historic and modern from high school. Inspired by hearing her mother singing organs in the Boston area for Raven Recordings. and playing the piano, she talked her into beginning piano lessons at the age of four. She continued piano study with After two beastly New England winters she and her various teachers through high school culminating in a solo husband decided it was time to return to California. They recital at Petaluma High School. On the program was the found the perfect house in Auburn near the American Concerto No. 1 in G minor by Mendelssohn with her teacher River Canyon and she has lived there ever since. Again, playing the orchestra part. While in the seventh grade, as luck would have it, the organ at First Lutheran Church, the organist at her father’s church in Oakland encouraged Yuba City, was being built by Munetaka Yokota, who by her to begin studying organ, and after their move to then had achieved renown after having completed the Petaluma the following year she became organist at the Centennial organ at Chico State. She eventually became United Methodist Church. Several sessions at the College of the principal organist at First Lutheran, where she started the Pacific summer music camp studying with Allan Bacon an adult choir and presided over a distinguished recital inspired her to become an organ major in college. series which continued after the dedication of the organ by David Rothe and Hans Davidsson in 1993. After sixteen COLLEGE AND UNIVERSITY: Her undergraduate years she retired from First Lutheran having found a experience involved a search in finding the right place to satisfying situation at Holy Cross Lutheran in Rocklin. settle in. As a freshman she commuted from Petaluma There she shares organ responsibilities with two other to Santa Rosa Junior College where she studied organ organists, directs the choir and is inspired every Sunday with Gordon Dixon. The following year she moved to by the liturgical worship and preaching. San Francisco attending SF State and receiving credit for studying privately with Harold Mueller, organist at Trinity Marian has performed at national and regional conventions Episcopal. During that time, she met Gil and Madeline of the AGO as well as numerous conventions around the Crane and was a bridesmaid in their wedding. A year later country held by the Organ Historical Society. In northern she transferred to Baldwin Wallace College in Berea, Ohio California, she has performed recitals several times on studying with Warren Berryman and John Christian. While the Centennial Organ at Chico State, First Lutheran, there she was privileged to hear the Cleveland Orchestra Yuba City, the Presbyterian Church in Marysville, Oroville under the leadership of George Szell numerous times. Congregational, St. Paul’s Episcopal and Westminster Continuing in an eastward direction, she started working Presbyterian in Sacramento. She enjoys playing duets on her master’s degree in organ performance at Boston with Rex Rallanka whenever possible! University where she studied with Theodore Marier and Max Miller (remember Uncle Max in TAO?). FOR FUN: While her husband was living, Marian accompanied him to many exotic locations: Japan, Outer PROFESSIONAL OPPORTUNITIES: How lucky can you Mongolia, Sri Lanka Central Asia, and four trips to China. get? Just as she was preparing her final degree recital After his death in 2006 she has traveled with friends, at Boston University she learned that the position of family and HOST organ tours to England, Scotland, Assistant Organist at Memorial Church, Harvard, was Ireland, Germany, Austria, Belgium, Spain, France, available. John Ferris, Organist and Choirmaster, attended Italy, Myanmar, Africa and Peru. As time passes, she is her recital, subsequently gave her an interview, and hired becoming an increasingly fanatic opera NUT, hoping to her. She remained there for seven years, taking leave of hear performances in the major houses in the US and absence while the Fisk Company was replacing the Aeolian Europe while she still can travel. While at home she tends Skinner with a four manual tracker action organ. She to her one third acre yard, cultivating it into an increasingly went to Vienna to study for a semester with Anton Heiller civilized garden. and attend the Haarlem Organ Academy the following summer where she took master classes with Marie Claire Please send your member profile, picture (not required)and short bio of yourself Alain. Luigi Tagliavini and Gustav Leonhardt. While in with organ experience to [email protected] Sacramento Chapter of the American Guild of Organists 2 St. George’s Church, Penang, Malaysia by Mark Jameson London organ builders Mander’s completed and the other facing the chancel, a typical arrangement for organs in in 2018 a new organ in Penang, this information Anglican churches at the time. In 1939, this instrument was rebuilt by an comes from their web site. The compiler unknown builder and what has been described as magnificent casework of this document is in contact with Michael was added, which was paid for by a private donation. Blighton who is now Mander’s Managing Director, John Mander having retired. Dr This organ is just visible William McVicker was the consultant. in a photograph taken some time between 1934 The building of St George’s Church, George and 1941. There being no Town, Penang was started in 1816 and funds available for a new completed in 1818 under auspices of the pipe organ after the war, East India Company, their charter having the church was served by been extended for 20 years in 1813.
Recommended publications
  • Acknowledgments
    Albany Symphony | David Alan Miller, conductor Tessa Lark, violin | Peter Kolkay, bassoon Ryan Roberts, oboe | Weixiong Wang, clarinet ACKNOWLEDGMENTS Producer: Silas Brown, Michael Torke Session Producer for West, East, South: Doron Schachter Mastering: Silas Brown Recorded at the Troy Savings Bank Music Hall Michael Torke March 6, 2017 (West, South, and East) SKY January 7, 2019 (Sky) Publisher: Adjustable Music; Bill Holab Music, Modern Works Music Publishing, agents. West, South, and East commissioned by Paul Underwood. This recording was made possible by a generous gift from Marsha Nickerson, a former member of the Albany Symphony Photo of Michael Torke: Bryan Hainer WWW.ALBANYRECORDS.COM TROY1784 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. for less obvious solo instruments. This collection of concertos is my attempt to explore those THE COMPOSER options. Michael Torke’s music has been commissioned by such orchestras as For Sky, a concerto for violin, I took Bluegrass, a style I was not familiar with, studied its The Philadelphia Orchestra, the New York Philharmonic, and the San vernacular, and then imposed classical forms onto it. In the solo part, you hear banjo picking, Francisco Symphony; by such ballet companies as New York City Ballet, a slow Irish reel (harkening back to the music of those who settled Kentucky), and triple time Alvin Ailey, and the National Ballet of Canada; by such opera companies fiddle licks.
    [Show full text]
  • LIU Post Chamber Music Festival 2014 33Rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL with the PIERROT CONSORT July 14 to July August 1, 2014
    LIU Post Chamber Music Festival 2014 33rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL WITH THE PIERROT CONSORT July 14 to July August 1, 2014 SUSAN DEAVER & MAUREEN HYNES, FESTIVAL FOUNDERS SUSAN DEAVER, FESTIVAL DIRECTOR DALE STUCKENBRUCK, ASSISTANT DIRECTOR chamber ensembles ♦ chamber orchestras festival artists & participants concert series ♦ conducting program concerto competition ♦ master classes DEPARTMENT OF MUSIC LIU Post 720 Northern Blvd., Brookville, New York 11548-1300 www.liu.edu/post/chambermusic Phone: (516) 299-2103 • Fax: (516) 299-2884 e-mail: [email protected] TABLE OF CONTENTS Mission Statement & History of the LIU Post Chamber Music Festival 3 Descriptions of Festival Programs 4-5 Credit Programs – Undergraduate, Graduate & High School Enrichment Artistry Program for young professionals & preformed chamber ensembles Performance Program for college & conservatory musicians Music Educator’s Program for Advancement of Chamber Music Advanced Program for students ages 15 to 18 Seminar Program for students ages 9 to 14 Conducting Program Classes Offered at the Festival 5 Musicianship Classes, Individual Master Classes, Chamber Music Performance Classes, Master Classes with Special Guest Artists and Educational Residencies Chamber Orchestras and Larger Ensembles 6-7 Concerto Competition 7 Festival Concerts 8 General Information 9 Facilities, Housing, Transportation, Food Service, Student and Faculty ID, Distribution of Orchestral and Chamber Music, Orientation and the Festival Office Tuition and Program
    [Show full text]
  • Richard O'neill
    Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society
    [Show full text]
  • Interview with David Alan Miller
    The Classical Beat By Stephen Dankner INTERVIEW WITH MAESTRO DAVID ALAN MILLER Looking as if a few choice, slightly seedy blocks were snatched up from Greenwich Village and plunked down in Albany’s central city district, Lark Street is a fascinating, hip place. With a row of laid-back watering holes, eateries and latte dens, it was a good place to sit down for awhile with David Alan Miller, the conductor and Music Director of the Albany Symphony Orchestra over a cup of coffee. Miller is a young and energetic man, charming and likeable, irrepressible and ardent. He has the same messianic zeal that Leonard Bernstein had – a mission to convince you of his love for music – all kinds of it – and to prove to you, through the force of his high strung but always cheerful personality, that classical music is really important – it’s not just entertainment or an indulgence for an elite class of sedate listeners. No, it’s absolutely necessary. Listen to him for just a few minutes and you’ll be convinced; I have rarely encountered a more articulate spokesman for the cause. Miller has a talent for speaking off the cuff; his knowledge of music history and the full repertoire of classical music enable him to fire off facts, figures and opinions at his popular pre-concert conversations. It’s clear that audiences love him, judging by the filled seats for the talks one hour before the ASO concerts. Right about now he’s thinking seriously about next season. All orchestras have to schedule their programs at least a year in advance.
    [Show full text]
  • Program Book Final 1-16-15.Pdf
    4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries.
    [Show full text]
  • 559188 Bk Harbison US
    559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 8 John CORIGLIANO Conjurer Vocalise Evelyn Glennie, Percussion Hila Plitmann, Soprano Albany Symphony Bronze mask, Benin, David Alan Miller from the collection of John Corigliano Photo: Richard Howe 559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 2 John Corigliano (b. 1938) David Alan Miller Conjurer • Vocalise David Alan Miller has established a reputation as one of the leading The American John Corigliano continues to add to one of American conductors of his generation. Frequently in demand as a guest the richest, most unusual, and most widely celebrated conductor, he has conducted the orchestras of Baltimore, Detroit, bodies of work any composer has created over the last forty Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh, years. Corigliano’s numerous scores, including three San Francisco, Minnesota and Chicago as well as the New World symphonies and eight concertos among over one hundred Symphony and the New York City Ballet. He is also founder and Artistic chamber, vocal, choral, and orchestral works, have been Director of New Paths in Music, a festival in New York City dedicated to performed and recorded by many of the most prominent presenting the works of significant non-American composers who are not orchestras, soloists, and chamber musicians in the world. yet well known in the United States. As Music Director of the Albany Recent scores include One Sweet Morning (2011) written Symphony, a position he has held since 1992, David Alan Miller has for the tenth anniversary of 9/11 and performed by mezzo- proven himself a creative and compelling orchestra builder.
    [Show full text]
  • Orchestra Personnel
    FROM SUFFRAGE TO STONEWALL 2019 DAVID ALAN MILLER HEINRICH MEDICUS MUSIC DIRECTOR DAVID ALAN MILLER, HEINRICH MEDICUS MUSIC DIRECTOR Grammy®Award-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. Music Director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. He and the orchestra have twice appeared at “Spring For Music,” an annual festival of America’s most creative orchestras at New York City’s Carnegie Hall. Other accolades include Columbia University’s 2003 Ditson Conductor’s Award, the oldest award honoring conductors for their commitment to American music, the 2001 ASCAP Morton Gould Award for Innovative Programming and, in 1999, ASCAP’s first-ever Leonard Bernstein Award for Outstanding Educational Programming. Frequently in demand as a guest conductor, Mr. Miller has worked with most of America’s major orchestras, including the orchestras of Baltimore, Chicago, Cleveland, Detroit, Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh and San Francisco, as well as the New World Symphony, the Boston Pops and the New York City Ballet. In addition, he has appeared frequently throughout Europe, Australia and the Far East as guest conductor. He made his first guest appearance with the BBC Scottish Symphony in March, 2014. Mr. Miller received his Grammy Award in January, 2014 for his Naxos recording of John Corigliano’s “Conjurer,” with the Albany Symphony and Dame Evelyn Glennie.
    [Show full text]
  • This Land Sings: Inspired by the Life and Times of Woody Guthrie
    This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F.
    [Show full text]
  • New on Naxos | September 2013
    NEW ON The World’s Leading ClassicalNAXO Music LabelS SEPTEMBER 2013 © Grant Leighton This Month’s Other Highlights © 2013 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | SEPTEMBER 2013 8.572996 Playing Time: 64:13 7 47313 29967 6 Johannes BRAHMS (1833–1897) Ein deutsches Requiem (A German Requiem), Op. 45 Anna Lucia Richter, soprano • Stephan Genz, baritone MDR Leipzig Radio Choir and Symphony Orchestra Marin Alsop Brahms’s A German Requiem, almost certainly triggered by the death of his mother in 1865, is one of his greatest and most popular works, quite unlike any previous Requiem. With texts taken from Luther’s translation of the Bible and an emphasis on comforting the living for their loss and on hope of the Resurrection, the work is deeply rooted in the tradition of Bach and Schütz, but is vastly different in character from the Latin Requiem of Catholic tradition with its evocation of the Day of Judgement and prayers for mercy on the souls of the dead. The success of Marin Alsop as Music Director of the Baltimore Symphony Orchestra was recognized when, in 2009, her tenure was extended to 2015. In 2012 she took up the post of Chief Conductor of the São Paulo Symphony Orchestra, where she steers the orchestra in its artistic and creative programming, recording ventures and its education and outreach activities. Marin Alsop © Grant Leighton Companion Titles 8.557428 8.557429 8.557430 8.570233 © Christiane Höhne © Peter Rigaud MDR Leipzig Radio Choir MDR Leipzig Radio Symphony Orchestra © Jessylee Anna Lucia Richter Stephan Genz 2 NEW ON NAXOS | SEPTEMBER 2013 © Victor Mangona © Victor Leonard Slatkin Sergey RACHMANINOV (1873–1943) Symphony No.
    [Show full text]
  • NEW on NAXOS | MARCH 2018 INCLUDES WORLD PREMIERE RECORDINGS © Carlos Simon
    NEW ON The World’s Leading ClassicalNAXOS Music Label MARCH 2018 This Month’s Other Highlights © 2018 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.NaxosMusicGroup.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | MARCH 2018 INCLUDES WORLD PREMIERE RECORDINGS © Carlos Simon 8.559807 Playing Time: Price Code: NXP 78:20 David Alan Miller and Michael Daugherty 6 36943 98072 9 (b. 1954) About David Alan Miller Michael DAUGHERTY GRAMMY® Award-winning conductor David Alan Miller has Dreamachine 1† established a reputation as one of the leading American conductors Trail of Tears 2† • Reflections on the Mississippi3 of his generation. Music director of the Albany Symphony since Evelyn Glennie, Percussion 1 1992, Miller has proven himself a creative and compelling orchestra Amy Porter, Flute 2 • Carol Jantsch, Tuba 3 builder and masterful interpreter of American contemporary music. Albany Symphony • David Alan Miller In 2001, Miller won the ASCAP Morton Gould Award for Innovative Programming, and in 1999, ASCAP’s first-ever Leonard Bernstein † WORLD PREMIERE RECORDING Award for Outstanding Educational Programming. GRAMMY® Award-winning composer Michael Daugherty explores Key Features: the relationships between machines, humanity and nature in three • Naxos has a very successful series of Michael Daugherty unique concertos. Dreamachine for solo percussion and orchestra recordings, which had won numerous recognitions including is a colorful tribute to the imagination of inventors who dreamed six GRAMMY® Award wins, particularly Best Classical of new machines, both real and surreal. The flute concerto Trail of Contemporary Composition in 2011 for his piano concerto Deus Tears dramatizes the tragic governmental forced relocation of Native ex Machina (8.559635) and in 2017 for the cello concerto Tales Americans in 1838 and meditates on how the human spirit discovers of Hemingway.
    [Show full text]
  • Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall
    This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F.
    [Show full text]
  • Forty Leaders Weigh in on 'State of Architecture'
    C olumbia U niversity RECORD May 9, 2003 3 Wallach Art Gallery Exhibition Traces History of Russian Documentary Photography Moscow has been a powerful much more complex than has magnet for many Russian pho- been previously acknowledged. tographers of the 20th century. The works of these photogra- “Moscow: City, Spectacle, phers remain intensely com- Capital of Photography,” an pelling to the modern eye. exhibition on display in the Contemporary Russian photog- Wallach Art Gallery through raphers, such as Lev Melikhov, June 21, presents the work of Valerii Stigneev and Sergei Leon- 31 photographers, whose tiev, engage the legacy of the images have defined the visual Soviet documentary photography. experience of Moscow from But for them the documentary is a 1920s to the present. complex and multivalent genre, Diverse in form and strategy, which incorporates subjectivity, the 90 photographs chosen for the ambiguity and reflexivity and exhibition trace the history of comments on social and cultural Russian documentary photogra- issues without losing sight of the phy and offer insight into individ- position from which that com- ual practices. From Aleksandr mentary is made. In the recent Rodchenko's constructivist photographs by Vladimir visions and Evgenii Khaldei's Kupriyanov, Igor Moukhin, Anna humanist landscapes to Igor Gorunova and Pakito Infante, the Moukhin's scenes of urban spec- "real" space of Moscow is tacle and alienation in the works replaced by an imaginary and of Russia’s key 20th-century pho- optical space of virtuality. tographers, Moscow ventures The works in the exhibition are beyond the expected image as a on loan from Moscow's Cultural site of famous landmarks, archi- Center Dom and many are being tectural treasures and dramatic shown outside Russia for the first lifestyles.
    [Show full text]