Hamilton Fringe Festival 2021
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It's Happeninghere
HAMILTON IT’S HAPPENING HERE Hamilton’s own Arkells perform at the 2014 James Street Supercrawl – photo credit: Colette Schotsman www.tourismhamilton.com HAMILTON: A SNAPSHOT Rich in culture and history and surrounded by spectacular nature, Hamilton is a city like no other. Unique for its ideal blend of urban and natural offerings, this post-industrial, ambitious city is in the midst of a fascinating transformation and brimming with story ideas. Ideally located in the heart of southern Ontario, midway between Toronto and Niagara Falls, Hamilton provides an ideal destination or detour. From its vibrant arts scene, to its rich heritage and history, to its incredible natural beauty, it’s happening here. Where Where Where THE ARTS NATURE HISTORY thrive surrounds is revealed Hamilton continues to make Bounded by the picturesque shores One of the oldest and most headlines for its explosive arts scene of Lake Ontario and the lush historically fascinating cities in the – including a unique grassroots landscape of the Niagara region outside of Toronto, Hamilton movement evolving alongside the Escarpment, Hamilton offers a is home to heritage-rich architecture, city’s long-established arts natural playground for outdoor lovers world-class museums and 15 institutions. Inspiring, fun and – all within minutes of the city’s core. National Historic Sites. accessible, the arts in Hamilton are yours to explore. • More than 100 waterfalls can be • Dundurn Castle brings Hamilton’s found just off the Bruce Trail along Victorian era to life in a beautifully • Monthly James Street North the Niagara Escarpment, a restored property overlooking the Art Crawls and the annual James UNESCO World Biosphere Reserve harbour while Hamilton Museum of Street Supercrawl draw hundreds of that cuts across the city. -
Hist Art 3901 Course Change.Pdf
COURSE CHANGE REQUEST Last Updated: Haddad,Deborah Moore 3901 - Status: PENDING 12/31/2020 Term Information Effective Term Summer 2021 Previous Value Summer 2017 Course Change Information What change is being proposed? (If more than one, what changes are being proposed?) to offer a 100% distance learning offering of 3901 What is the rationale for the proposed change(s)? The course ran in AU20 during the pandemic and received a course assurance. The department would like the flexibility to run the course as a "DL" course in the future. What are the programmatic implications of the proposed change(s)? (e.g. program requirements to be added or removed, changes to be made in available resources, effect on other programs that use the course)? The department will be able to offer the course as "DL" during the summer (with college approval) and students who are off-campus during the summer will be able to take the course and further their degree requirements. The course is also a Film Studies major course option and it will help students in that program as well. Is approval of the requrest contingent upon the approval of other course or curricular program request? No Is this a request to withdraw the course? No General Information Course Bulletin Listing/Subject Area History of Art Fiscal Unit/Academic Org History of Art - D0235 College/Academic Group Arts and Sciences Level/Career Undergraduate Course Number/Catalog 3901 Course Title World Cinema Today Transcript Abbreviation World Cinema Course Description An introduction to the art of international cinema today, including its forms and varied content. -
2019 City Enrichment Fund SUMMARY
Appendix "A" to Item 1 of Grant Sub-Committee Report 19-002 Page 1 of 19 2019 City Enrichment Fund SUMMARY No. of 2019 Bu get Category Apps 2019 Requested 2019 Approved Budget vs Approved Community Services CS-A Hunger/Shelter 10 $ 416,324 $ 368,015 CS-B Everyone Safe 9 $ 294,291 $ 287,903 CS-C Everyone Thri es 9 $ 299,588 $ 269,256 CS-D No Youth Left Behind 7 $ 180,209 $ 159,702 CS-E Everyone Age in Place 20 $ 485,352 $ 455,101 CS-F Community Capacity Grows 11 $ 214,373 $ 190,492 CS-G Someone to Talk to 7 $ 247,728 $ 141,317 CS-H Emerging Needs 22 $ 553,916 $ 357,383 Community Services Total 95 $ 2,164,360 $ 2,691,781 $ 2,229,169 -$64,809 -2.99% Agriculture AGRA Program & E ents 18 $ 178,615 $ 133,356 Agriculture Total 18 $ 143,361 $ 178,615 $ 133,356 $10,005 7.67% Arts ART-A Arts - Operating 34 $ 3,977,467 $ 2,437,364 ART-B Arts - Festival 10 $ 300,070 $ 181,486 ART-C Arts - Capacity Building 9 $ 113,000 $ 58,597 ART-D Arts - Creation & Presentation 35 $ 238,877 $ 96,295 Arts Total . -s - 88 $ 2,770,542 $ 4,629,414 $ 2,773,742 -$3,200 -0.12% Environment ENV-A Capacity Building - $ - $ - ENV-C Project and Programs 8 $ 180,364 $ 120,764 Environment Total 8 $ 146,390 $ 180,364 $ 120,764 $25,626 22.30% Page 1 of 19 Appendix "A" to Item 1 of Grant Sub-Committee Report 19-002 Page 2 of 19 No. -
General Issues Committee Agenda Package
City of Hamilton GENERAL ISSUES COMMITTEE REVISED Meeting #: 19-004 Date: February 20, 2019 Time: 9:30 a.m. Location: Council Chambers, Hamilton City Hall 71 Main Street West Stephanie Paparella, Legislative Coordinator (905) 546-2424 ext. 3993 Pages 1. CEREMONIAL ACTIVITIES 1.1 Vic Djurdjevic - Tesla Medal Awarded, by the Tesla Science Foundation United States, to the City of Hamilton in Recognition of the City Support and Recognition of Nikola Tesla (no copy) 2. APPROVAL OF AGENDA (Added Items, if applicable, will be noted with *) 3. DECLARATIONS OF INTEREST 4. APPROVAL OF MINUTES OF PREVIOUS MEETING 4.1 February 6, 2019 5 5. COMMUNICATIONS 6. DELEGATION REQUESTS 6.1 Tim Potocic, Supercrawl, to outline the current impact of the Festival to 35 the City of Hamilton (For the March 20, 2019 GIC) 6.2 Ed Smith, A Better Niagara, respecting the Niagara Peninsula 36 Conservation Authority (NPCA) (For the March 20, 2019 GIC) Page 2 of 198 7. CONSENT ITEMS 7.1 Barton Village Business Improvement Area (BIA) Revised Board of 37 Management (PED19037) (Wards 2 and 3) 7.2 Residential Special Event Parking Plan for the 2019 Canadian Open Golf 40 Tournament (PED19047) (Ward 12) 7.3 Public Art Master Plan 2016 Annual Update (PED19053) (City Wide) 50 8. PUBLIC HEARINGS / DELEGATIONS 8.1 Vic Djurdjevic, Nikola Tesla Educational Corporation, respecting the Tesla Educational Corporation Events and Activities (no copy) 9. STAFF PRESENTATIONS 9.1 2018 Annual Report on the 2016-2020 Economic Development Action 64 Plan Progress (PED19036) (City Wide) 10. DISCUSSION -
2030 Commonwealth Games Hosting Proposal – Part 1
Appendix B to Report PED18108(b) Page 1 of 157 2030 Commonwealth Games Hosting Proposal – Part 1 – October 23, 2019 – Appendix B to Report PED18108(b) Page 2 of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
Life Lease Housing Advantage
“There’s a vintage that comes with age and experience.” BON JOVI THE VOICE OF ST. ELIZABETH MILLS Vol. 5 2018 Live Every Day Like You’re On Resort-style Living at Upper Mill Pond Vacation See more on page TWO LOCAL LOVE LIFE LEASE IN THE VILLAGE WHO’S WHO ZESTful EVENTS Ten Reasons to Life Lease 8 Great Reasons Meet The Special Canada Day Live in Hamilton Housing to Buy at Sabatino’s Celebration What a great place to live! Advantage Upper Mill Pond They fell in love with Special Canada Day Celebration at Upper Mill Pond The Village at St. Elizabeth Mills Where the smart money is. Buy now at pre-construction prices! Don’t’ Miss Out! FOUR SIX SEVEN SEVEN EIGHT VOL. 5 2018 The Village News The Voice of St. Elizabeth Mills LIVINGWITHZEST.COM Fitness Club Part of the state-of-the-art Health Club, the Fitness Centre is outfitted with the latest cardio and gym equipment within a bright and beautiful setting that will make you look forward to working out. LIVE EVERY DAY LIKE IT’S A VACATION It isn’t just the incredible Health Club. It isn’t just the Juice Bar in the lobby or the stunning recreational space. Pool & Spa It’s the attitude of fun and action that makes Upper Mill Pond The stunning swimming pool at the perfect place to live. Upper Mill Pond offers 5-star luxury with bright windows that overlook the beautiful grounds and lots of places to relax with friends. Suites at Upper Mill Pond are on sale now. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
Crazy Ex-Girlfriend and Feminist Politics of Offence
KATRIN HORN “PERIOD SEX”: CRAZY EX-GIRLFRIEND AND FEMINIST POLITICS OF OFFENCE When cartoon versions of the supporting cast call the main character of The CW’s Crazy Ex-Girlfriend (2015–) exactly that – a crazy ex-girlfriend – in the opening credits of season one, the offended Rebecca Bunch (played by co-creator Rachel Bloom) vehemently protests: “the situation is a lot more nuanced than that!” TV critics mostly agree, calling the show “witty, well-acted, brazenly inventive, and a pleasure to watch” (Bastién 2017) or simply “The Best Show on TV [...] that demonstrates the near-total creative freedom of TV’s latest evolutionary period better than any other” (Zoller Seitz 2016). A Slate-review that proclaims it “one of the most critically acclaimed programs on broadcast television,” however, also notes that Crazy Ex-Girlfriend (CXG) is not “among the lowest [rated], but consistently in the absolute last spot, almost as if it’s trying to make a point” (Wilson 2018). Headlines like “4 reasons why ‘Crazy Ex- Girlfriend’ is the best show you’re not watching (Fitzpatrick 2015) are therefore a staple of the show’s critical reception. The explanation usually given – “Hate the title? Us too […]” (Pandell 2016) – is that show’s title, “a sexist term,” as the credit sequence acknowledges, is so offensive it repels most potential viewers. The embrace of offensiveness in the “Subversive Show with the Terrible Name” (Lenker 2016), however, does not stop there. It instead extents to narrative as well as aesthetic levels. As such, the title is not so much ‘terrible’ as it is telling: it proclaims the show’s reliance on offence, which is used – this article argues – as a tool of feminist critique of contemporary modes of representation of women, romance, and mental illness. -
Arts in the City: Visions of James Street North, 2005-2011
PhD Thesis – V. E. Sage McMaster University – Dept. of Anthropology VISIONS OF JAMES STREET NORTH PhD Thesis – V. E. Sage McMaster University – Dept. of Anthropology Title Page ARTS IN THE CITY: VISIONS OF JAMES STREET NORTH, 2005-2011 By VANESSSA E. SAGE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy McMaster University © Copyright by Vanessa E. Sage, September 2013 PhD Thesis – V. E. Sage McMaster University – Dept. of Anthropology Descriptive Note McMaster University DOCTOR OF PHILOSOPHY (2011) Hamilton, Ontario (Anthropology) TITLE: Arts in the City: Visions of James Street North, 2005-2011 AUTHOR: Vanessa E. Sage, B.A. (Waterloo University), B.A. (Cape Breton University), M.A. (Memorial University of Newfoundland) SUPERVISOR: Dr. Ellen Badone NUMBER OF PAGES: xii, 231 ii PhD Thesis – V. E. Sage McMaster University – Dept. of Anthropology Abstract I argue in this dissertation that aestheticizing urban landscapes represents an effort to create humane public environments in disenfranchised inner-city spaces, and turns these environments into culturally valued sites of pilgrimage. Specifically, I focus on James Street North, a neighbourhood undergoing artistic renewal in the post-industrial city of Hamilton, Ontario, Canada. Based on two years of ethnographic fieldwork in the arts scene on James Street North, my thesis claims that artistic activities serve as an ordinary, everyday material response to the perceived and real challenges of poverty, crime and decay in downtown Hamilton. Aesthetic elaboration is a generative and tangible expression by arts stakeholders of their intangible hopes, desires, and dreams for the city. -
Eastman Professor Wins Second Grammy Award
CampusTHURSDAY, FEBRUARY 12, 2015 / VOLUME 142, ISSUE 3 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Public Eastman Market professor due for wins $7.2 second million Grammy redesign Award BY JAMIE RUDD BY RACHAEL SANGUINETTI SENIOR STAFF SENIOR STAFF The Rochester Public Market PHOTOS COURTESY OF UR COMMUNICATIONS announced in this month’s issue GRAPHIC BY RACHEL HAMMELMAN Eastman Professor Paul of Market Matters that they will Students and administrators appear in an video which seeks to raise awareness of sexual assault. O’Dette was awarded his second begin work this spring on a number Grammy Award for Best Opera of renovations and expansions. Recording. The awards were These changes will include the announced Sunday, Feb. 8, in construction of an additional UR joins ‘It’s On Us’ campaign Los Angeles. open-air shed, more Saturday O’Dette won his first parking, new food stands, more against sexual assault Grammy in 1996 for his work bathrooms and the replacement with classical singer Sylvia of the current enclosed winter McNair on a series of song shed with a brand-new facility. BY ANGELA LAI Michael Silverstein explained sexual assaults to the previously by composer Henry Purcell. These renovations are expected to NEWS EDITOR that since students can often all-male group of investigators But O’Dette calls this award be complete by the end of 2016, unknowingly contribute to the would have more options. especially rewarding. and the Market will remain open The UR Students’ Association culture of sexual assault, “The Esce emphasized the “I was a guest accompanist during construction. -
Arrested Development As Intersectional Cross-Genre
MOCKING THE DOCUMENTARY: An exploration of aesthetic and production elements in Arrested Development as intersectional cross-genre 1" MA Media Studies Television and Cross-Media Cultures Master Thesis __________________________________________________________________________ MOCKING THE DOCUMENTARY: An exploration of aesthetic and production elements in Arrested Development as intersectional cross-genre __________________________________________________________________________ June 2017 Word Count: 22 538 Thesis Supervisor: 2nd Reader: Dr. Toni Pape Dr. Mark Stewart 2" CONTENT TABLES & FIGURES 4 1. INTRODUCTION 1.1. Genre and Genre Theory 5 1.2. Research Ques7ons 6 1.3. Research Object 6 1.4. Methodology 7 1.5. Chapter Structure 7 2. FROM THE REAL TO THE UNREAL 2.1. Introduc7on 9 2.2. DefinIng Documentary 9 2.2.1. Documentary Modes and CharacterIs7cs 11 2.2.2. The Purpose of Documentary 13 2.3. The Rela7onshIp between fact and fic7on 14 2.3.1. Documentary Transforma7on and Muta7on 15 2.3.2. The Entrance of the Mockumentary 16 2.4. ConclusIon 16 3. THE MOCKING OF DOCUMENTARIES 3.1. Introduc7on 17 3.2. DefinIng Mocumentary 17 3.2.1. Conven7ons of Mockumentary 18 3.2.2. Degrees of Mockumentary 19 3.3. The SItcom and Mockumentary 21 3.3.1. Comedy VérIté 23 3.3.2. Humour 24 3.4. ConclusIon 27 4. ARRESTED DEVELOPMENT AS AN INTERSECTIONAL CROSS-GENRE 4.1. Introduc7on 28 4.2. “ThIs Is the Story…” 28 4.3. Arrested Development Through the Lens of Genre 29 4.3.1. How does Arrested Development Comment on Documentary? 29 4.3.2. How does Arrested Development Transform the SItcom? 35 4.3.3. -
Emb(Rae)Cing Awkward: Satire, Ambivalence, and Representation on Youtube
Syracuse University SURFACE Theses - ALL May 2018 Emb(Rae)cing Awkward: Satire, Ambivalence, and Representation on YouTube Kiah E. Bennett Syracuse University Follow this and additional works at: https://surface.syr.edu/thesis Part of the Social and Behavioral Sciences Commons Recommended Citation Bennett, Kiah E., "Emb(Rae)cing Awkward: Satire, Ambivalence, and Representation on YouTube" (2018). Theses - ALL. 198. https://surface.syr.edu/thesis/198 This Thesis is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Theses - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT: Utilizing a mixed methods approach using quantitative content analysis and rhetorical criticism, I examine Issa Rae's web series The Mis-Adventures of Awkward Black Girl and its presence online as a performance of unruliness. The themes of satire, awkwardness, and platform inform my analysis of the series and the conversations that surround it. After a review of the historical, mediated representations of race in the U.S., I argue that Rae navigates constraints on her voice through Crunk Feminism and as an unruly woman. She offers indirect critique of oppressive structures through satire and the performance of awkwardness. Online platforms, like YouTube, contribute to her capability to enact this critique. To this end, I examine not only Rae’s performances in ABG, but also I conduct quantitative content analysis of ABG’s YouTube comments. In this analysis, I focus on expressions of identity, representation, and community. Ultimately, I posit the satirical wielding of awkwardness as a unique educational tactic, which creates space to interrogate stereotypical representations of Black womanhood.