5Th Grade Figurative Language
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Proprietary Aspects of Commercial Remote-Sensing Imagery, 13 Nw
Northwestern Journal of International Law & Business Volume 13 Issue 2 Fall Fall 1992 Proprietary Aspects of Commercial Remote- Sensing Imagery Patrick A. Salin Follow this and additional works at: http://scholarlycommons.law.northwestern.edu/njilb Part of the Science and Technology Commons Recommended Citation Patrick A. Salin, Proprietary Aspects of Commercial Remote-Sensing Imagery, 13 Nw. J. Int'l L. & Bus. 349 (1992-1993) This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of International Law & Business by an authorized administrator of Northwestern University School of Law Scholarly Commons. Proprietary Aspects of Commercial Remote-Sensing Imagery PatrickA. Salin * I. INTRODUCTION Remote-sensing is performed by sensors on board a satellite which is usually placed on a low polar orbit so that it may vertically scan the Earth while the Earth is revolving around its axis. Remote-sensing en- ables a very high altitude view of the areas which are covered and since it always follows the same path in a circular movement which is perpendic- ular to the rotation of the Earth, it covers the whole Earth after a few rotations. For example, US Landsat satellites, the initiator in the field, circle the globe fourteen times a day at a 920 km circular and sun-synchronous orbit,1 with a 200 km wide swath.' Their repeat coverage at the Equator is 18 days.3 Resolution of Landsat imagery is 30 m. (i.e. the size of the smallest object which can be identifiable on the basis of picture elements or "pixels"), within a standard image of 185 km by 170 km. -
Investigating the Problems That Result of Using Homophones And
Sudan University of Science and Technology College of Graduate Studies College of Languages Investigating the Problems that Result of Using Homophones and Homographs among Students of the College of Languages ﺗﻘﺼﻲ اﻟﻤﺸﺎﻛﻞ اﻟﻨﺎﺟﻤﺔﻋﻦ اﺳﺘﺨﺪام اﻟﻤﻔﺮدات اﻟﻤﺘﺠﺎﻧﺴﺔ ﻟﻔﻈﺎً و ﺷﻜﻼً ﻟﺪى طﻼب ﻛﻠﯿﺔ اﻟﻠﻐﺎت A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of (M.A) in English Language (Applied Linguistics) Submitted by: Abdulraziq Mohammed Abdulraziq Ibrahim Supervised by: Dr. Hillary Marino Pitia 2018 0 CHAPTER ONE INTRODUCTION 1.0 Background of the Study (Yule George, 2008) stated that, semantics is the study of the meaning of words, phrases, and sentences. In semantic analysis, there is always an attempt to focus on what the words conventionally mean rather than on what an individual speaker might want them to mean on particular occasion. This technical approach is concerned with objective on general meaning and avoids trying to account for subjective or local meaning. Linguistic semantics deals with conventional meaning conveyed by the use of words, phrases and sentences of a language. The researcher shed light on the homophones and homographs linguistic phenomena. The researcher can say homophones when two or more different forms have the same pronunciation also the term homograph is used when one form written and spoken has two or more related meaning. Homographs (literally "same writing") are usually defined as words that share the same spelling, regardless of how they are pronounced. If they are pronounced the same then they are also homophones (and homonyms) – for example, bark (the sound of a dog) and bark (the skin of a tree). -
Durham Research Online
Durham Research Online Deposited in DRO: 11 April 2019 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Sunderland, Luke (2020) 'Visualizing elemental ontology in the Livre des propri¡et¡esdes choses.', Romanic review., 111 (1). pp. 106-127. Further information on publisher's website: https://doi.org/10.1215/00358118-8007978 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Visualizing Elemental Ontology in the Livre des propriétés des choses Luke Sunderland Durham University A major challenge for the humanities and social sciences, according to Bruno Latour, is the need to supersede the model of cultural diversity, which he does not see (as we might expect) as a positive, open-minded stance that valorizes difference. Instead, he holds that to speak of cultural diversity is to suggest that difference is only possible on the level of concepts and vocabulary, stories and beliefs, and to assume that there are objectively knowable truths about the material world that are immune to variation (Inquiry 20). -
ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction
Dr. Hallett ELEMENTS OF FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms that Indentify Components of Narratives “Fiction” is defined as any imaginative re-creation of life in prose narrative form. All fiction is a falsehood of sorts because it relates events that never actually happened to people (characters) who never existed, at least not in the manner portrayed in the stories. However, fiction writers aim at creating “legitimate untruths,” since they seek to demonstrate meaningful insights into the human condition. Therefore, fiction is “untrue” in the absolute sense, but true in the universal sense. Critical Thinking – analysis of any work of literature – requires a thorough investigation of the “who, where, when, what, why, etc.” of the work. Narrator / Narrative Voice Guiding Question: Who is telling the story? …What is the … Narrative Point of View is the perspective from which the events in the story are observed and recounted. To determine the point of view, identify who is telling the story, that is, the viewer through whose eyes the readers see the action (the narrator). Consider these aspects: A. Pronoun p-o-v: First (I, We)/Second (You)/Third Person narrator (He, She, It, They] B. Narrator’s degree of Omniscience [Full, Limited, Partial, None]* C. Narrator’s degree of Objectivity [Complete, None, Some (Editorial?), Ironic]* D. Narrator’s “Un/Reliability” * The Third Person (therefore, apparently Objective) Totally Omniscient (fly-on-the-wall) Narrator is the classic narrative point of view through which a disembodied narrative voice (not that of a participant in the events) knows everything (omniscient) recounts the events, introduces the characters, reports dialogue and thoughts, and all details. -
Enhancing the Students' Rhetoric Attainments in Teaching of College
Sino-US English Teaching, July 2019, Vol. 16, No. 7, 300-305 doi:10.17265/1539-8072/2019.07.003 D DAVID PUBLISHING Enhancing the Students’ Rhetoric Attainments in Teaching of College English Intensive Reading ZHANG Rong-gen Shanghai Publishing and Printing College, Shanghai, China Beginning with various definitions of rhetoric, the paper gives a survey of some common English rhetoric figures found in College English intensive reading, such as metaphor, simile, transferred epithet, allusion, hyperbole, personification, metonymy, antithesis, onomatopoeia, double negative, inversion, rhetoric question, parady, transferred negation, and the like. By elaborating the functions of those rhetoric figures, the paper attempts to enhance the students’ rhetoric attainments and arouse their interest in learning English. Keywords: rhetoric attainments, rhetoric figures, College English teaching Introduction Some students often complain that the teaching of College English intensive reading course is so monotonous. It is really the case. How can a tasteless person feel his delicious food? And a certain rhetoric attainment is the prerequisite for the student to enjoy this “delicious food” of College English intensive reading course. The category of rhetoric is quite broad, one of which definitions is given by Aristotle as the art of public speaking by means of persuasion (Aristotle, 1954, pp. 2-12); and Hartwell extends the definition of rhetoric as the art of using words in speaking or writing (Hartwell & Bentley, 1982, pp. 1-15). That is to say, rhetoric contains both the art of public speaking and the method of composition. According to Chen Wangdao, a modern Chinese rhetorician, rhetoric includes both active rhetoric and passive rhetoric. -
Phonological Effects in Visual Word Recognition: Investigating the Impact of Feedback Activation
Journal of Experimental Psychology: Copyright 2002 by the American Psychological Association, Inc. Learning, Memory, and Cognition 0278-7393/02/$5.00 DOI: 10.1037//0278-7393.28.3.572 2002, Vol. 28, No. 3, 572–584 Phonological Effects in Visual Word Recognition: Investigating the Impact of Feedback Activation Penny M. Pexman Stephen J. Lupker University of Calgary University of Western Ontario Lorraine D. Reggin University of Calgary P. M. Pexman, S. J. Lupker, and D. Jared (2001) reported longer response latencies in lexical decision tasks (LDTs) for homophones (e.g., maid) than for nonhomophones, and attributed this homophone effect to orthographic competition created by feedback activation from phonology. In the current study, two predictions of this feedback account were tested: (a) In LDT, observe homophone effects should be observed but not regularity or homograph effects because most exception words (e.g., pint) and homographs (e.g., wind) have different feedback characteristics than homophones do, and (b) in a phonological LDT (“does it sound like a word?”), regularity and homograph effects should be observed but not homophone effects. Both predictions were confirmed. These results support the claim that feedback activation from phonology plays a significant role in visual word recognition. The role of phonology in visual word recognition has long been In a recent investigation of the role of phonology in visual word an important issue in psycholinguistic research. A considerable recognition, Pexman, Lupker, and Jared (2001) examined homo- amount of research evidence supports the idea that phonology is phone effects in lexical decision tasks (LDTs). Homophones are activated early in the word recognition process (e.g., Berent & words like maid and made, where a single pronunciation maps Perfetti, 1995; Lukatela & Turvey, 2000; Perfetti & Bell, 1991), onto at least two spellings (and two meanings). -
Descriptive Writing.Pdf
Let's f)escribe Descriptive writing rto: of writing thar i i atempts ro share with the reader j": *n;; m u s, u s e w ord "; with*:i:,r.T* the color, #:j::: age, size, ::: s de a,i n g "::'":J::jshape, scent, sound,^:::rr9,i" materiar, ,""r".l,lttnllrlJTHrfi:ffi temperature' The use of descriptive words and phrases esting and gives rur.., the writing more inter- the reader a tetter understaniing of and settings' problems, characters, Descriptive writing makes the subjeJt.o.n.-utiu"."urnir, when this happens, easier for the readei to ;lffi"#:t become invotved with the characters unoit.i. Read the folrowing exampre of descriptive writing. Then answer the questions. My rittle brother Andrew had a very large, flrffy, brlc-k -{ white blaze dog. The dog,s name was decorated her forehead uno Murphy. onJorrr". r.gr.-uer shiny coat glistened. Murphy was^very smart. By the time she was one yelr_grd, Murphy was already weil things when instructed Her ravorit"iov ::il:lr:f;ffT;:;lrTjfl.iTf# 'u, a sort, red, Murphy tu'1very friendly doug' very quier and serdom tiiendliness' Murphy would lT :l barked or growred. In her t'n to uiyon" who came near. prayful pant leg or sleeve Murphy might tug on your if given the chance. rhor" who play' knew h", uno"rrtood that she just Strangers' however' were often wanted to frightened u, ,rr" ,igrr, ,r this.big, shaggy dog running at rrom this;;"d";:""t ffi'ilTl; lll;Ji3J,,??T::ifl**1iJ.",,l::?; '.'"; Murphy ivas l. -
Literary Terms-Key
Malcolm Literary Terms ________________________ English 11 Name 1. Allegory – A story with 2 levels of meaning: literal and symbolic 2. Alliteration – Repetition of a consonant sound at beginning of words. 3. Allusion – Reference to well-known people, places, events, work of literature, etc. 4. Ambiguity – When a statement contains 2 or more possible meanings. (“I promise I’ll give you a ring tomorrow.”) 5. Ambivalence – The state of having 2 opposing feelings toward a person or thing at the same time. (“Can’t live with you, can’t live without you.”) 6. Analogy – The comparison of a new idea to a well-known idea to aid in comprehension 7. Anecdote – A brief story about an interesting, unusual, or humorous event 8. Antagonist – Character or force in conflict with the main character. (The Joker, The Green Goblin) 9. Antanaclasis – Stylistic repetition of a word utilizing different definitions of the word each time (“We must all hang together, or assuredly we will all hang together.”) 10.Antithesis – The use of phrases with opposite meanings in close conjunction. (“One small step for man; one giant leap for mankind.”) 11.Aphorism – A general truth or observation about life, often witty. (An apple a day keeps the doctor away.) 12.Apostrophe – figure of speech in which the writer directly addresses the reader or an absent/abstract idea. (Build thee more stately mansions, oh my soul.) 13.Aside – In drama, a short passage that an actor speaks to the audience and the other characters pretend they cannot hear. 14.Assonance – repetition of vowel sounds. (Ashley asked for applesauce after her anchovies.) 15.Autobiography – Work of nonfiction in which the author writes about his/her own life. -
Imagery in the Journals Written by the Writing I Students of the English Department of Widya Mandala Catholic University Surabaya
Imagery in the Journals Written by the Writing I Students Of the English Department Of Widya Mandala Catholic University Surabaya Nonce Trisnawaty Abstract. Many students think that writing is a daunting task and, therefore, they cannot write a good composition and journal writing is assigned for writing improvement. One of the aspects in writing a journal is imagery. Imagery is the use of concrete words to replace the abstract ones in order to enable the readers to imagine in everything experienced by the author. This study explored the kinds of imagery which are found in the journals written by the Writing I students of Widya Mandala Catholic University Surabaya. The subjects were eleven students of Writing I. Each student submitted 4 journals. A checklist was used to organize the imagery in the journals. Not all writing journals that were analyzed exposed imagery. Visual and auditory imagery were found. There were forty seven examples of visual imagery and six examples of auditory imagery. The olfactory, gustatory and tactile imagery were not found. Key words: imagery, journal, writing I class Introduction Writing is a way in which people can communicate thoughts and feelings with others graphemically. It is a complex process of language communication and also a creative thinking process (Zuo Huangqi, 2002, p. 197). Hansen (2006) states that writing skills can be the ticket to better college grades and greater academic achievement, even if the students do not study harder and know the material better than others do. Writing allows students to keep permanent records such as journals, and it lets students demonstrate their knowledge on an examination. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Domestic
UNIVERSITY OF CALIFORNIA, SAN DIEGO Domestic Dispatches: The Moral Imperative of Modernity, Writing, and the Evolving Role of Female Missionaries A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Anthropology by Emily Frances King Committee in Charge: Professor Suzanne Brenner, Chair Professor Joseph Hankins Professor Saiba Varma 2017 The thesis of Emily Frances King is approved and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2017 iii Dedication This thesis is dedicated to my family. Thank you for telling me family stories, and constantly finding new articles and photographs in old boxes that made this thesis longer than I anticipated. Thank you for always making me laugh at horrible puns. Thank you for your unwavering support and love. This thesis wouldn’t have been possible without you. iv Table of Contents Signature Page……………………………………………………………………………iii Dedication……………………………………………………………………...................iv Table of Contents………………………………………………………………………….v List of Figures…………………………………………………………………………….vi Acknowledgements………………………………………………………………………vii Abstract of the Thesis..………………………………………………………………….viii I-Introduction……………………………………...………………………………………1 II-The Myth of Teleological Progress…………………………………………………......6 -
Homophone Density and Word Length in Chinese 1. the Issue
[Type text] [Type text] [Type text] Homophone Density and Word Length in Chinese San Duanmu and Yan Dong Abstract Chinese has many disyllabic words, such as 煤炭 meitan ‘coal’, 老虎 laohu ‘tiger’, and 学习 xuexi ‘study’, most of which can be monosyllabic, too, such as 煤 mei ‘coal’, 虎 hu ‘tiger’, and 学 xue ‘study’. A popular explanation for such length pairs is homophone avoidance, where disyllabic forms are created to avoid homophony among monosyllables. In this study we offer a critical review of arguments for the popular view, which often rely on cross-linguistic comparisons. Then we offer a quantitative analysis of word length pairs in the Chinese lexicon in order to find out whether there is internal evidence for a correlation between homophony and word length. Our study finds no evidence for the correlation. Instead, the percentage of disyllabic words is fairly constant across all degrees of homophony. Our study calls for a reconsideration of the popular view. Alternative explanations are briefly discussed. 1. The issue: elastic word length in Chinese Chinese has many synonymous pairs of word forms, one short and one long. The short one is monosyllabic and the long one is made of the short one plus another morpheme. Since the long form has the same meaning as the short (evidenced by their mutual annotation in the dictionary), the meaning of its extra morpheme is either redundant or lost. Some examples are shown in (1), where Chinese data are transcribed in Pinyin spelling (tones are omitted unless relevant). In each case, the extra part of the long form is shown in parentheses. -
Students' Ability in Understanding Homophone
JL3T Journal of Linguistics, Literature & Language Teaching STUDENTS’ ABILITY IN UNDERSTANDING HOMOPHONE IN ENGLISH Aprilisa Astri IAIN Langsa [email protected] Ruly Adha IAIN Langsa [email protected] ABSTRACT This research was aimed at finding out the ability of students to understand homophone in English. The research was qualitative descriptive research. The subject of the research was the seventh- semester students of the English Department of IAIN Langsa, academic year 2018/2019, that consisted of 32 students. The researchers used documentation as an instrument for collecting the data. The documentation was the result of the test given by a lecturer. The test given by the lecturer consisted of 20 questions about homophone in English. The question was in the form of phonetic transcription. The question consisted of two parts. In the first part, the students must mention two different words from a homophony sound. In the second part, the students must fill in the blank with a correct homophone word by relating to the pronunciation at the end of sentences. After conducting the research, the researchers found that 24 students got low mark because they were only able to answer one until ten questions correctly; 2 students got medium mark because they only answered 11 questions correctly, and six students got high mark because they can answer 12 until 17 questions correctly. Therefore, it can be said that the ability of students to understand homophone in English was not good enough. The problem faced by the students was that they still did not comprehend the concept of homophone in English.