F. Scott Fitzgerald's Tender Is the Might: a Documentary Volume
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Front Matter
Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF F. SCOTT FITZGERALD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information First page of the surviving typescript of “Two Wrongs.” The anti-semitic slur in the last two lines did not appear in the Saturday Evening Post. Princeton University Libraries. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information TAPS AT REVEILLE *** F. SCOTT FITZGERALD Edited by JAMESL.W.WESTIII © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9780521766036 © 2013 Eleanor Lanahan and Christopher T. Byrne, Trustees under agreement dated 3 July 1975, created by Frances Scott Fitzgerald Smith. Introduction and notes © 2014 James L. W. West III This edition © 2014 Cambridge University Press This publication is in copyright. -
Egree of ILOSTERR OT Si'ney L. Burks, B
S -7 jTRUCTUD TLlJITIC L DEVELL7T IN TX' 50FL QjF 2. z30TT FITZ~GXRiLD Presi'ted to t +e .r&Gute Cou1ci of the '.orth Texas t te Teacners CoLLeje in >artiai FUL il uln ote Ui:ve.;'enI"t s For ti (, L)egree of ILOSTERROT By Si'ney L. Burks, B.A. San ,ngelo, Texas iugust, 1948 I5b8376 L07ETS Chapter Page I. IKTRODUCTIOU AD LMETlOD . II. THIS SIDE O- PA RADISE . 9 H-istorica l Background The Structure of This Side of Iaradise The Thergence of itzgerald t s arly Themes The Emergence o the 2itzgerald Hero The Socio-hist orica1 Talue of This Side of Paradise Int-erest in This Side of Paradise III. THE BEAUTIFUL AiD D21IED. 26 Historic 1 Background The Structure of The Beautiful and Damned Development in Theme and Characterization from This Side of Paradise to The Beautiful and D amned Interest in Te B3eautiful and Damned IV. THE GREA4T aATSl-BY. 0 .. 0 . -. b..0..0. 43 Historical Background The Structure of The Great Gatsby The The3atic c4secu of The Great Gatshy Development o1 Theres and Character- ization from The Beautiful and Damned to Tlhe Great Ga sby V. ITElDER IS THE ]AIGHT 0 .. 0 9 .. .. .. 67 Jistorical Background The Structure of Tender is the i Interest in Tender Is the it iii Oha peter ia-ge Vi. T AF LA$T TYYON . - - - - - 85 ''istorical Background Structural and Thematic Aspects of The LastTycoon VII. TEi A THORITY OF FA ILU . - -93 BIB LIO CRAPIHY. .-------- 1G0 iv CHAPTER I INTRODUCTION 4Ai JMET1EQD Given a proper understanding of Fitzgerald's themes, the structure of his novels is available to anyone with sufficient interest, industry, and critical equipment to understand it. -
Modernist Portraits
Unit 11 MODERNIST PORTRAITS Experimentations in Style, World War I to World War II Authors and Works I How did the stylistic innovations of modernist prose affect the way later authors used language Featured in the Video: and narrative structure? Gertrude Stein, Tender Buttons (series of still lives) I How were the myths of the “public enemy” F. Scott Fitzgerald, Tender Is the Night, The Great shaped by historical and cultural changes during Gatsby (novels), “Babylon Revisited” (short story) the modern era? How is this related to shifting Ernest Hemingway, A Farewell to Arms (novel), “The notions of the American success story? Snows of Kilimanjaro” (short story) I How did modernity transform the traditional notions of American self-reliance and indepen- Discussed in This Unit: dence? How did authors consider and rework mod- Susan Glaspell, Trifles (play) ern social relations in their writing? Sherwood Anderson, Winesburg, Ohio (series of short stories) Wallace Stevens, “The Snow Man,” “The Emperor of Ice-Cream,” “Disillusionment of Ten O’Clock,” Learning Objectives “Sunday Morning,” “Gubbinal,” “Thirteen Ways of Looking at a Blackbird” (poems) After students have viewed the video, read the head- Marianne Moore, “Poetry,” “Nevertheless,” “In notes and literary selections in The Norton Anthol- Distrust of Merits” (poems) ogy of American Literature, and explored related Nella Larsen, Quicksand (novella) archival materials on the American Passages Web John Dos Passos, The Big Money (novel) site, they should be able to Hart Crane, “Chaplinesque,” The Bridge (poems) 1. recognize the different types of formal experi- mentation in the fiction of modernist writers such as Stein, Hemingway, Anderson, and Dos Overview Questions Passos, as well as in the poetry of Stevens, Moore, and Crane; I What issues shaped Americans’ thinking during 2. -
Contemporary Nostalgia
Contemporary Nostalgia Edited by Niklas Salmose Printed Edition of the Special Issue Published in Humanities www.mdpi.com/journal/humanities Contemporary Nostalgia Contemporary Nostalgia Special Issue Editor Niklas Salmose MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Niklas Salmose Linnaeus University Sweden Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) from 2018 to 2019 (available at: https://www.mdpi.com/journal/ humanities/special issues/Contemporary Nostalgia). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-556-0 (Pbk) ISBN 978-3-03921-557-7 (PDF) Cover image courtesy of Wikimedia user jarekt. Retrieved from https://commons.wikimedia.org/ wiki/File:Cass Scenic Railroad State Park - Shay 11 - 05.jpg. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Niklas Salmose Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Reprinted from: Humanities 2019, 8, 144, doi:10.3390/h8030144 ................... -
Sample Chapter
PROOF Contents General Editor’s Preface x Acknowledgements xi Note on Quotations xii List of Abbreviations xiii Introduction 1 Part I ANALYSING THE GREAT GATSBY AND TENDER IS THE NIGHT 1 Beginnings 5 Gorgeous Gatsby: The Great Gatsby, pp. 7–8 5 On the Edge: Tender is the Night, pp. 11–12 11 Gatz into Gatsby: The Great Gatsby, pp. 94–6 14 Lucky Dick: Tender is the Night, pp. 130–2 19 Conclusions 25 Methods of Analysis 27 Suggested Work 28 2 Society 29 The Fifth Guest: The Great Gatsby, pp. 19–21 29 The Vanishing Hosts: Tender is the Night, pp. 43–6 34 Gatsby’s Guests: The Great Gatsby, pp. 60–2 40 Quick Odyssey: Tender is the Night, pp. 88–9 48 Conclusions 54 Methods of Analysis 56 Suggested Work 57 vii 9780230292222_01_prexiv.indd vii 6/24/2011 2:56:35 PM PROOF viii Contents 3 Money 59 Buying Power: The Great Gatsby, pp. 29–30 59 Shopping Spree: Tender is the Night, pp. 64–5 64 Courtship and Money: The Great Gatsby, pp. 141–2 68 Marriage and Money: Tender is the Night, pp. 175–8 74 Conclusions 80 Methods of Analysis 84 Suggested Work 85 4 Gender 87 Blocked Energies: The Great Gatsby, pp. 12–15 87 Under Whose Sway?: Tender is the Night, pp. 313–15 94 Lies and Driving: The Great Gatsby, pp. 58–9 100 Dick’s Debacle: Tender is the Night, pp. 303–5 104 Conclusions 109 Methods of Analysis 110 Suggested Work 111 5 Trauma 113 Blood in the Dust: The Great Gatsby, pp. -
The American Flapper
The American Flapper Male Fiction or Real Emancipated Women of the 1920s? Diplomarbeit Zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Geisteswissenschaftlichen Fakultät der Karl-Franzens-Universität Graz vorgelegt von Susanne KASTBERGER Am Institut für Amerikanistik Begutachter: tit. Univ. – Prof. Univ. – Doz. Mag. Dr. Walter Hölbling Graz, 2013 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Schrift eigenständig verfasst und alle ihre vorausgehenden oder begleitenden Arbeiten durchgeführt habe. Die in der Schrift verwendete Literatur sowie das Ausmaß der mir im gesamten Arbeitsvorgang gewährten Unterstützung sind ausnahmslos angegeben. Die Schrift ist noch keiner anderen Prüfungsbehörde vorgelegt worden. ____________________________________ Acknowledgements First and foremost, I would like to thank my supervisor Prof. Walter Hölbling for his dedicated support, for his time, patience and helpful feedback towards all my questions. A huge thank you also goes to my parents Barbara and Wolfgang who always supported me emotionally and financially in the actualization of my dreams, as well as to my sisters Petra, Lisa and Kathrin for always motivating me at times when I needed them most. Thank you also to my best friends Judith and Sophie, for believing in me, offering me loving support and encouragement, and for always making me smile, at least one time a day. Last but not least, I would like to express my gratitude to my long-suffering boyfriend Mathias for his unshakable belief in me as well as for his incomparable support during the realization of this thesis. Without you, the completion of this thesis would not have been possible. Table of Contents 1. -
Kate Chopin, Edith Wharton, F. Scott Fitzgerald, and Ernest Hemingway
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Escape as Motif and Theme in Modern American Fiction: Kate Chopin, Edith Wharton, F. Scott Fitzgerald, and Ernest Hemingway Charles Steven Ellis Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES ESCAPE AS MOTIF AND THEME IN MODERN AMERICAN FICTION: KATE CHOPIN, EDITH WHARTON, F. SCOTT FITZGERALD, AND ERNEST HEMINGWAY. By CHARLES STEVEN ELLIS A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Summer Semester, 2014 Charles Steven Ellis defended this dissertation on May 16, 2014. The members of the supervising committee were: John Fenstermaker Professor Directing Dissertation David Johnson University Representative William Cloonan Committee Member Eric Walker Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To all those who knew this day would come. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................. v CHAPTER 1: INTRODUCTION ................................................................................. 1 CHAPTER 2: KATE CHOPIN AND PERSONAL ESCAPES ................................ -
Criticism of the Jazz Age in F. Scott Fitzgerald's Selected Short Stories
CRITICISM OF THE JAZZ AGE IN F. SCOTT FITZGERALD'S SELECTED SHORT STORIES DISSERTATION FOR M. PHIL IN ENGLISH LITERATURE BY ATTIA ABIO UNDER THE SUPERVISION OF PROF. AZIZUDDIN TARIO DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1992 wamDS2475 CONTENTS PREFACE CHAPTER I ; THE AGE - THE LEGEND 1 CHAPTER II : THE GENRE 15 CHAPTER III : ALL FOR LOVE 38 CHAPTER IV : MONEY, THE GTH SCENE 67 CHAPTER V THE PEERS—TinC FABULIST 90 CHAPTER VI : CONCLUSION 106 BIBLIOGRAPHY 136 P R i: F A C E PREFACE Turn, gentle Hermit of the dale And guide my lonely way To where yon taper cheers the vale With hospitable ray. My father wrote this in my first autograph book. If he had been alive, he would have been very happy to see this dissertation, particularly because it was a challenge for me in many ways: Firstly, I decided to do M.Phil almost two decades after my M.A., and secondly, the subject was such that even the primary sources were not available at hand. When I was searching for a topic, I came across an article in one of the Dailies on the 50th death anniversary of F.Scott Fitzgerald. Since he was comparatively new to mc particularly with regard to his short stories, I decided to have a tryst with 'the legend', the 'Prince Charming of the Jazz Age', and pay him a tribute in my own humble way. I have already mentioned the scarcity of material, and had it not been for the ASRC, Hyderabad, and The American Centre, Delhi, I could not even have begun this work. -
F. Scott Fitzgerald's St. Paul : a Writer's Use of Materials / Patricia Kane
Patricia Kane F. SCOTT FITZGERALD, one of America's best-known support in his fiction. The St. Paul of Fitzgerald's stories, authors who is sometimes called the chronicler of the although grounded in a good sense of place, is more Jazz Age, was born in St. Paul in 1896. Two years later symbolic than actual. It was part of his material, and he his family moved from the city, and he was ten before molded it for the ends of his art. His use of the city they returned to St. Paul. In the next ten years, they corresponds in part to his experience of it, hut he freely moved often, but they lived always in houses on the altered or reinterpreted his perceptions to suit the periphery of the city's "best " residential district. characters and themes of his fiction. Fitzgerald completed his first book. This Side of Fitzgerald's St. Paul was not the entire city. What he Paradise, while living at 599 Summit Avenue. He wrote knew of St. Paul, he knew well, but he only knew, and exuberantly about the acceptance of his book to a friend only wanted to know, a small part. The geographic area ("Ain't I smart!"), and at the top ofthe letter he located of his interest xvas about a mile square, centered on himself Summit Avenue. The St. Paul of the second decade of the twentieth century was also a city of immigrants, of "In a house below the average poor people, of servants. There are literary records of On a street above the average those groups, but not in Fitzgerald's fiction. -
The Roaring Twenties and the Great Depression Seen Through the Eyes of F
10010 The Roaring Twenties and the Great Depression seen through the eyes of F. Scott Fitzgerald Bachelor’s project in English Supervisor: Domnhall Martin Eoin Mitchell May 2019 Bachelor’s project Bachelor’s NTNU Faculty of Humanities Faculty of Humanities Faculty Norwegian University of Science and Technology of Science University Norwegian 10010 The Roaring Twenties and the Great Depression seen through the eyes of F. Scott Fitzgerald Bachelor’s project in English Supervisor: Domnhall Martin Eoin Mitchell May 2019 Norwegian University of Science and Technology Faculty of Humanities Faculty of Humanities Candidate number: 10010 1 INTRODUCTION 1 1.1 Background 1 1.2 Research focus 1 2. THE LIFE AND CAREER OF F. SCOTT FITZGERALD 2 3. SUMMARIES OF THE SHORT STORIES 2 3.1 Winter Dreams 2 3.2 Rich Boy 3 3.3 Babylon Revisited 3 4. DISCUSSION 4 5. CONCLUSION 9 6. WORKS CITED 10 Candidate number: 10010 2 The Roaring Twenties and the Great Depression seen through the eyes of F. Scott Fitzgerald 1. INTRODUCTION 1.1 Background. The dream of material success, the constant quest for the Dream Girl, the pursuit of wealth and social status, all these things represent Fitzgerald’s fiction during the 1920s (Hearn). In the 1930s, America was struck by the stock market crash, and the situation in the country as well as his personal life made him change his focus and style. In this thesis, we look further into the short story collection Babylon Revisited and other stories by F. Scott Fitzgerald. By studying this collection, I intend to look at the context in which the collection was written, and examine how my selected short stories depict the time they were written. -
1. Dear Scott/Dear Max: the Fitzgerald-Perkins Correspondence, Eds
NOTES INTRODUCTION F. SCOTT FITZGERALD, "THE CULTURAL WORLD," AND THE LURE OF THE AMERICAN SCENE 1. Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence, eds. John Kuehl and Jackson R. Bryer (New York: Scribner's, 1971),47. Hereafter cited as Dear Scott/Dear Max. Throughout this book, I preserve Fitzgerald's spelling, punctuation, and diacritical errors as preserved in the edited volumes of his correspondence. 2. F. Scott Fitzgerald, A Life in Letters, ed. Matthew J. Bruccoli (New York: Simon and Schuster, 1994),67. Hereafter cited as Life in Letters. 3. F. Scott Fitzgerald, F. Scott Fitzgerald on Authorship, eds. Matthew J. Bruccoli and Judith S. Baughman (Columbia: University of South Carolina Press, 1996),83. Hereafter cited as Fitzgerald on Authorship. 4. For a superb discussion of the voguish "difficulty" associated with the rise of modernist art, see Leonard Diepeveen, The Difficulties ofModernism (New York: Routledge, 2003),1-42. 5. There is a further irony that might be noted here: putting Joyce and Anderson on the same plane would soon be a good indicator of provin cialism. Fitzgerald could not have written this statement after his sojourn in France, and certainly not after encouraging his friend Ernest Hemingway's nasty parody, The Torrents of Spring (1926). Anderson may be one of the most notable casualties from the period of ambitious claimants, such as Fitzgerald, Hemingway, and William Faulkner, to a place within "the cultural world." 6. Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, tr. Susan Emanuel (Stanford: Stanford University Press, 1996), 142. 7. "The principle of differentiation is none other than the objective and subjective distance of enterprises of cultural production with respect to the market and to expressed or tacit demand, with producers' strate gies distributing themselves between two extremes that are never, in fact, attained-either total and cynical subordination to demand or absolute independence from the market and its exigencies" (ibid., 141-42). -
The F. Scott Fitzgerald Society Newsletter
The F. Scott Fitzgerald Society Newsletter Volume 23 DECEMBER 2013-2014 The Twelfth International F. Scott Fitzgerald Conference: Montgomery, AL Nov. 6-10, 2013 An antique car worthy of Jay Gatsby helped set Along the way, we enjoyed an afternoon at the the backdrop, the local St. James School band Montgomery planetarium, an aperitif at the local played a medley of jazz and Gatsby-inspired Aviator Bar, and a night of wholly un-1920s rock tunes, and the Southern drawl of Sally Carrol ‘n’ roll in which we were treated to the sizzlin’ Happer filled the air during a performance of guitar licks of Richard Martin and learned that Bill “The Ice Palace” at the opening reception for Blazek is the reincarnation of Hank Williams and the 12th International F. Scott Fitzgerald Society that Walter Raubicheck can channel Dion on com- Conference in Montgomery, Alabama. mand. That vivacious evening, hosted by the F. The closing reception, our “Belles and Jelly-Beans Scott and Zelda Fitzgerald Museum and the Ball,” was held on the Harriott II riverboat. There City of Montgomery, got things off to a great were costumes aplenty as men channeled their start, and the events and excitement contin- inner Gatsby and women their inner flapper. As ued over the next four days of Fitztrava- we cruised along the Alabama River, participants ganza/Zeldapalooza.” enjoyed not only the starry evening and the Montgomery skyline, but also a jazz-age cocktail Around 200 people attended all or some of the presentation by Philip Greene, author of To Have various events during the course of the confer- and Have Another: A Hemingway Cocktail Compan- ence, including academic and scholarly ses- ion.