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JULY 21, 1928 The Music Trade Review 17

ago, Mr. Nichols played with some of the lead- "Red" Nichols Signs ing bands, including Whiteman, Lopez, Olsen With E. B. Marks Go. Lanin, Reser and most recently Don Vorhees. You CAN'T GO WRONG During this time he was gradually forming his Widely Known Trumpeter to Publish Arrange- own phonograph unit, one that presented some- WITH ANY FEIST'SONG ments Through That House for Next Ten thing entirely new in instrumentation, arrange- Years ments and performance. Recently, he signed a contract with Victor calling for a series of Preparatory to leaving for Europe recently, ten- and twelve-inch records. He is still record- X Edward B. Marks, of the music firm that bears ing prolifically for the Brunswick with his "Five PAMO(\)A* his name, concluded arrangements for one of Pennies." On the Columbia his outfit is known the most important announcements emanating as the "Charleston Chasers," on the Harmony from his concern in several years, that to the as the "Arkansaw Travelers," on the new Vel- VOO'RE A PEAL effect that the Marks Co. 'has signed a ten-year vet-one as "The Red Heads," and on the Voca- agreement with "Red" Nichols whereby the lion as the "Cotton Pickers." The Okeh boasts firm secures the exclusive rights to all of Mr. the services of Miff Mole and his Little Molers, a kindred unit, and the Edison has Red am bON'T CRY 6ABY Miff's Stompers. All of these combinations have proven to be sellers. The Marks Co. is issuing the first of Nichols' LONESOME special arrangements embracing seven of the greatest favorites in its catalog. These are be- THE MOONLIGHT ing offered in a regular "Red Nichols Edition" and embrace such titles as Eddie Leonard's 'GOTTA BIG DATE , _ "Ida, Sweet as Apple Cider," "Roly Boly Eyes," WITH A LITTLE GIRlf* "My Gal Sal," "Original Dixieland One-Step," "Ballin' the Jack," "Jazz Me Blues" and "Shim- Me-Sha-Wabble." Cables received from Mr. ,w^.. WHERE Marks in England report that his description of the Nichols arrangements has met with en- THE SUN GOES DOWN thusiastic approval in that country and the promise at least of substantial orders when the 'CAST NIGHT I DREAMED orchestrations are ready. The Marks salesmen over here anticipate a record sale for all. VOU KISSED ME" Witmark Issues Song H TORE OP VOU& PICTURE WHEN VOU SAID GOODBYE* on Amelia Earhart 1 "Red" Nichols "Lady Lindy, We're All for You," Dedicated to First Woman to Fly the Atlantic Ocean YM WINGIN HOME* Nichols' orchestral arrangements during that time. Mr. Nichols is recognized as one of the 7 premier exponents of modern rhythms. His so- A new, topical song, "Lady Lindy (We're All 'CHIQUITA ' called "hot" arrangements have been the sensa- for You)," inspired by the trans-Atlantic flight tion of the past season. Not only is he un- of Amelia Earhart, has just been released by doubtedly among the best-known "hot" trump- M. Witmark & Sons, New York. The number eters in the world but his genius in extracting is a tuneful waltz and was written by Henry MV the ultimate from modernistic syncopation W. Neely and Harold Levey. The song was amounts to virtuosity. given a big send-off on the occasion of the initial radio appearance of Amelia Earhart in ISITGONWABEtJONG? Coming from California only about five years Madison Square Garden, New York, on (TILL YOU BELONG TOMS) Wednesday, July 11, over WiEAF and a hook-up THE OVER-NIGHT of forty stations. The program was sponsored by the Chrysler Motor Co., when introducing *TOO BUSY' SENSATION the new Chrysler motor car. The new song, dedicated of course to the aviatrix, was sung by Tudson House, tenor, after which Howard bixie DAWN" Wade Kinsey, well-known song leader, re- hearsed the entire audience before the appear- mem 'ries ance of Miss Earhart. It was later played by 'SAY WES'TO-DftV the band when "Lady Lindy" made her en- ( Golden TRemory Days) trance in a new Chrysler car. The Musical Theme of-The Philco Radio Hour_ The Witmark house has issued an attractive ^DOLORES* souvenir edition of the song with a fine portrait of Miss Earhart on the cover. Inasmuch as she is to make a tour of the entire country within the next few weeks a big demand is *(A)AITIN'FOR KATV anticipated by M. Witmark & Sons, who are at work on plans to enable dealers to tie up with her appearances in each locality. (COQUETTE' "Ramona" Makes Record *MY OHIO HOME' in Victor Catalog THERE MUST BE, g "i With the issuing of its August and September bulletin, the Victor Talking Machine Co., Cam- JESSICA [)R/*uNnrf den, N. J., will have established a new record SILVER LINING HENRY MNttt> for the recordings of a popular song. The HARO'D SWORD M.WITMARK^SONS song is "Ramona," published by Leo Feist, Inc., NEW YORK New York, and in addition to the Paul White- INDIAN CRADLE SONG man, Gene Austin and Dolores Del Rio records, Published as follows which are already on the market, the Victor SOLO—TWO KEYS, B flat and C DUET—C Company is issuing the following new records: OCTAVO MALE, FEMALE and MIXED VOICES "Ramona" (in Spanish), by Pulido; "Ramona" LEO. FEIST, INC ENSEMBLE VIOLIN & PIANO, 'CELLO & PIANO, VIOLIN (in French), by Beauchemim; "Ramona" (in TH 'CELLO and PIANO German), by Wittich; "Ramona" (in Polish), 231 W.4O ST., VOCAL ORCHESTRA, B flat and C BAND DANCE—WALTZ by Faut; "Ramona" (in Italian), by Cibelli; "Ramona" (in Greek), by Demetriades, and NEW YORK, N.Y. M. WITMARK & SONS, New York "Ramona" (violin and guitar) by Morino.