Body Work and the Work of the Body
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EXHIBITS an Evolution
CHAPTER 2 EXHIBITS An Evolution Frances Kruger, Not Finished After All These Years Liz Clancy, and Museums have many important functions, but exhibits are what most Kristine A. Haglund people come to see. In addition to educating and entertaining, exhibits bring visitors in the door, generating revenue that supports Museum operations. More than a century after John F. Campion spoke at the Museum’s opening exercises on July 1, 1908, his observation that “a museum of natural history is never finished” is especially true in the world of exhibits (Fig. 2.1)—and in fact needs to stay true for the Museum to remain relevant (Alton 2000). Times change, expectations change, demographics change, and opportuni- ties change. This chapter is a selective, not-always-chronological look at some of the ways that the Museum’s exhibits have changed with the times, evolving from static displays and passive observation to immersive experi- ences to increased interactivity and active visitor involvement. Starting from a narrow early focus, the Museum went on to embrace the goal of “bringing the world to Denver” and, more recently, to a renewed regional emphasis and a vision of creating a community of critical thinkers who understand the lessons of the past and act as responsible stewards of the future.1 Figure 2.1. Alan Espenlaub putting finishing touches on the Moose-Caribou diorama. 65 DENVER MUSEUM OF NATURE & SCIENCE ANNALS | No. 4, December 31, 2013 Frances Kruger, Liz Clancy, and Kristine A. Haglund Displays and Dioramas Construction of the Colorado Museum of Natural History, as the Museum was first called, began in 1901. -
Body Worlds: Towards an Interdisciplinary Approach to Science Exhibitions
Making Meaning of von Hagens’ Body Worlds: Towards an Interdisciplinary Approach to Science Exhibitions by Michelle Melodie Dubek A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Curriculum Teaching and Learning Ontario Institute for Studies in Education University of Toronto © Copyright by Michelle Melodie Dubek 2013 Making Meaning of von Hagens’ Body Worlds: Towards an Interdisciplinary Approach to Science Exhibitions Michelle Melodie Dubek Doctor of Philosophy Department of Curriculum Teaching and Learning Ontario Institute for Studies in Education University of Toronto 2013 Abstract Body Worlds is a traveling exhibition of plastinated human cadavers that offers the general public an opportunity to experience the human body in a unique way. It has been met with controversy and awe; public reactions and responses have been mixed. This case study research explored visitor responses to this controversial science exhibition, and examined the meaning visitors made of their experience. Specifically, the following research questions directed this study: Within the context of the Body Worlds exhibition: (a) What meaning did visitors make and how did they respond to the exhibits? (b) What tensions and issues arose for visitors? and (c) What did this type of exhibition convey about the changing role of science centres and the nature of their exhibitions? The primary sources of data for this study were 46 semi-structured interviews with visitors to the exhibition, observation notes, and 10 comment books including approximately 20 000 comments. Data suggested that the personal, physical, and sociocultural contexts (Falk & Dierking, 2000) contributed to visitor meaning meaning-making. -
Body Worlds and the Victorian Freak Show
“Skinless Wonders”: Body Worlds and the Victorian Freak Show Nadja Durbach Journal of the History of Medicine and Allied Sciences, Volume 69, Number 1, January 2014, pp. 38-67 (Article) Published by Oxford University Press For additional information about this article http://muse.jhu.edu/journals/jhm/summary/v069/69.1.durbach.html Access provided by Middlebury College (28 Jul 2014 12:06 GMT) “Skinless Wonders”: Body Worlds and the Victorian Freak Show NADJA DURBACH Department of History, University of Utah, Carolyn Tanner Irish Humanities Building, 215 South Central Campus Drive, Room 310, Salt Lake City, Utah 84112. Email: [email protected] ABSTRACT. In 2002, Gunther von Hagens’s display of plastinated corpses opened in London. Although the public was fascinated by Body Worlds, the media largely castigated the exhibition by dismissing it as a resuscitated Victorian freak show. By using the freak show analogy, the British press expressed their moral objection to this type of bodily display. But Body Worlds and nineteenth-century displays of human anomalies were linked in more complex and telling ways as both attempted to be simultaneously entertaining and educational. This essay argues that these forms of corpo- real exhibitionism are both examples of the dynamic relationship between the popular and professional cultures of the body that we often errone- ously think of as separate and discrete. By reading Body Worlds against the Victorian freak show, I seek to generate a fuller understanding of the his- torical and enduring relationship between exhibitionary culture and the discourses of science, and thus to argue that the scientific and the spectac- ular have been, and clearly continue to be, symbiotic modes of generating bodily knowledge. -
Bodies for Science. the Display of Human Statues for Educational Purposes Francesca Monza1, Silvia Iorio2 1 Department of Medicine and Aging Sciences, “G
Medicina Historica 2018; Vol. 2, N. 3: 145-151 © Mattioli 1885 Original article: history of medicine Bodies for science. The display of human statues for educational purposes Francesca Monza1, Silvia Iorio2 1 Department of Medicine and Aging Sciences, “G. d’Annunzio” University of Chieti and Pescara; 2 Unit of History of Medicine Department of Molecular Medicine, Sapienza - University of Rome, Italy Abstract. Every time von Hagens’ plastinated bodies are exposed, they cause polemics, controversies and an inevitable echo in the media. It is not clear whether what raises greater scandal and ethical doubts is the exposure of real bodies, corpses for anatomical demonstration, or the fact that the Body Worlds Exhibition attracts crowds of visitors, resulting in huge financial revenues. Contextualized within the history of medicine, if it were only the display of “prepared” corpses to be called into question, the issue should not cause outcry, as we are merely in the presence of the latest technique, plastination, in the long evolution of medical and anatomical teaching. Such statues, created in anatomical cabinets, were used in the past as a compendium for courses of anatomical studies. The bodies were prepared using complex techniques, treated with great care and postured as if they were “alive” in order to make them more understandable and effective for teaching. A related theme - with important ethical implications - is how these bodies were made available to anatomical institutes. In Britain there was the very interesting case of Jeremy Bentham (1748-1832), father of utilitarian- ism: he donated his body for research purposes and display. This philosopher was ahead of his time not only regarding the display of bodies for scientific purposes, but also the formula for the donation of bodies to sci- ence, now the only really viable solution for the use of the human body in educational and scientific settings. -
Tracing the Body in Body Worlds, the Anatomical Exhibition of Real Human Bodies
ANATOMY OF SPECTATORSHIP: TRACING THE BODY IN BODY WORLDS, THE ANATOMICAL EXHIBITION OF REAL HUMAN BODIES by Rebecca Scott Bachelor of Arts, Simon Fraser University, 2005 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the School of Communication © Rebecca Scott 2008 SIMON FRASER UNIVERSITY Summer 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Rebecca Scott Degree: MA Titles: Anatomy of Spectatorship: Tracing the Body in Body Worlds, the Anatomical Exhibition of Real Human Bodies Examining Committee: Chair: Dr. Peter Chow-White Assistant Professor, School of Communication Dr. Kirsten McAllister Assistant Professor School of Communication Dr. Zoe Druick Associate Professor School of Communication Dr Kimberly Sawchuk Associate Professor Department of Communication Studies Concordia University Date: ii SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the pUblic at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
WHITNEY SCHMIDT AMARAL IATSE LOCAL 800 & 871 970-209-8600 [email protected]
WHITNEY SCHMIDT AMARAL IATSE LOCAL 800 & 871 970-209-8600 [email protected] www.whitneyamaral.com GRAPHIC DESIGNER YOU Season 3 MODERN FAMILY Season 6 - 11 LA --> VEGAS Pilot BROKEN ANGEL Netflix Series ABC / FOX Television Series FOX Television Series Warner Brothers Feature Film (Turkey) MR. MAYOR Season 1 HAPPY ACCIDENT Pilot LINDA FROM HR Pilot ALL AGES NBC Television Series ABC / FOX Television Series FOX Television Series Short Film RED BIRD LANE Pilot OUR PEOPLE Pilot THE SKINNY THE VAN PELT FAMILY HBO MAX Series FOX Television Series Refinery 29 / Wifey.TV Web Series Short Film THE AMAZING RACE Season 33 YOU’RE THE WORST Season 2 - 4 POLITICS OF LOVE CBS Television Series FXX Television Series Nuclear Mango Feature Film PRODUCTION DESIGNER BOY GENIUS ONE MILLION STRONG ALEXI BOTTLE ME UP Six Foot Pictures Feature PSA Featuring Susan Sarandon Short Film Music Video THE SKINNY JONAH HILL SPOOF SPINSTER THE SIX STEPS TO SUCCESS Refinery 29 / Wifey.TV Web Series Internet Video on Perez Hilton Short Film Coca-Cola Filmmaking Contest Worked as Art Director TODAY WE HEARD THE NEWS I’M A CELEBRITY / PIZZA HUT HAPPY HOUR Bankrupt Films Music Video Heidi Montag Videos & Commercial Music Video THE BLUES Short Film SAATCHI & SAATCHI SPOOF ALL AGES THE VAN PELT FAMILY Bankrupt Films Internal Video Short Film Short Film SKITTLES, STARBURST & GEICO EL PEZ THIRD GRADE REUNION Spec Commercials Short Film Original Stage Musical ART DEPARTMENT COORDINATOR MODERN FAMILY Season 6 - 11 YOU’RE THE WORST Season 2 - 4 LIFE IN PIECES Pilot IRONSIDE -
Anatomy of Spectatorship: Tracing the Body in Body Worlds, the Anatomical Exhibition of Real Human Bodies
ANATOMY OF SPECTATORSHIP: TRACING THE BODY IN BODY WORLDS, THE ANATOMICAL EXHIBITION OF REAL HUMAN BODIES by Rebecca Scott Bachelor of Arts, Simon Fraser University, 2005 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the School of Communication © Rebecca Scott 2008 SIMON FRASER UNIVERSITY Summer 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-58543-6 Our file Notre référence ISBN: 978-0-494-58543-6 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. -
Gagosian Gallery
Garage May 10, 2020 GAGOSIAN Always On My Mind As we enter a new era, artist Alex Israel looks back at a decade of work and the fast-changing technology and culture that influenced it. Alex Israel Alex Israel, Self-Portrait, 2013, Sunset Strip, Billboard Photo: Michael Underwood Today’s is a new world, forever changed by the spread of a novel coronavirus. When I began writing this essay over the December 2019 holiday break, the idea was to walk readers through my thinking (hence the title) and to trace the evolution of my work from early projects to recent paintings. I was writing both to contextualize my practice relative to the shifting media landscape that had inspired it—the previous “new world”—and to punctuate a decade of artistic production. While I wasn’t able to finish the text in time for distribution at my London opening in January, as I’d hoped, I continued to write in the new year, finally finding the hours to hone and polish at the start of quarantine last month. But since then, in just a matter of weeks, everything has shifted in ways that we are all still processing. While it’s hard to know what to say or think about this moment, suddenly, almost magically, the previous one appears clearer than ever in my rearview mirror. What used to resemble a living, breathing ecosystem now feels like a time capsule, and whether what happens next is a new chapter, a new book, or (perhaps most likely) a new language altogether, one thing’s for sure: it’s happening. -
'People Who Died' Adds to the List - from Inside Th
Jim Carroll: 'People Who Died' adds to the list - From Inside th... 1 of 3 Search TV Listings, Movie Listings, Etc... HOME TV MOVIES NEWS & BLOGS CELEBRITIES PHOTOS VIDEO DVD FORUMS News From Inside the Box Korbi TV Show Recaps TV Gal American Idol Lost All Blogs tv listings & movie times FIND IT FAST Enter Zip Code TV News | Celebrity News | Movie News | TV Ratings | American Idol | Lost ADVERTISEMENT RSS TWITTER « previous next » Jim Carroll: 'People Who Died' adds to the 2 list tweets retweet By Brill Bundy | September 14, 2009 5:15 PM DIGG FACEBOOK FARK YAHOO BUZZ STUMBLEUPON SHARETHIS E-MAIL It's only fitting that ever since hearing news of Jim Carroll's death, his punk rock litany of all the friends he'd lost and how -- "People Who Died" -- should be going through our heads: Mary took a dry dive from a hotel room ZAP2IT TWITTER TALK Bobby hung himself from a cell Zap2ItLost "Light vs. Dark" returns with Sawyer's encounter with a singularly-minded boar in "Outlaws": http://bit.ly/ZIiop in the tombs 54 minutes ago Judy jumped in front of a Zap2itRick Show of hands, anyone who thinks NBC subway train believes in "Day One" enough to order it to series after the Eddie got slit in the jugular vein 4-hour run? about 2 hours ago zap2itbrill I don't know why I think this is awesome, but I Recorded for his 1980 album "Catholic Boy" (thanks to a record deal set up do: James Franco joining 'General Hospital.' Yes, that for him by Rolling Stones' Keith Richards), the array of demises is a perfect James Franco. -
Recent Ethical and Technical Issues Of
ISRA MEDICAL JOURNAL Volume 4 Issue 2 Jun 2012 ORIGINAL ARTICLE RECENT ETHICAL AND TECHNICAL ISSUES OF CADAVERIC HUMAN BODIES AND TISSUES FOR EDUCATIONAL PURPOSES IN PAKISTAN: INITIATION OF A DISCUSSION FOR MAKING A POLICY Mansoor Ali Khan1 , Muhammad Ilyas Anjum2 , Afroz S Kazi3 ABSTRACT OBJECTIVE: To initiate a discussion, for devising a standardized nationwide policy for procurement and use of Cadaveric human bodies and tissues for educational purposes and then respectful disposition of the remains. DESIGN: Cohort design. PLACE: A Public Medical College DURATION: 2006 through 2011 METHODS: Available data was grouped into two chronological equal halves, Group–A 2006 to 2008, Group–B 2009 to 2011. The data was analyzed for age, sex, Known identity, Unknown Identity, later identified-claimed and remaining unidentified-unclaimed dead bodies. Studies related to policies for cadaveric procurement, transport, handling, utilization and disposal are presented. RESULTS: A total of 1605 records were analyzed. 54.9 % Cadavers were from 2nd and 3rd decade of life. The males in Group-A were 86.32% and in Group-B were 81.82%. DISCUSSION: About 41.55 % cadavers brought to Anatomy department were with Unknown Identity. But 34.93 % were later identified and claimed. Hence the police department of the region and the Anatomy Department of the institution with the help of print media are providing a great service to the society. The remaining unclaimed bodies are also utilized for dissection or in case of putrefied bodies bones were used for medical education. Even after exhaustive search no published data was available for cadavers brought to a public mortuary in Pakistan, as is presented here. -
'I Don't Accept That Terrorism Has Nothing to Do with Islam': Female
Friday, Aug 11th 2017 11AM 20°C 2PM 20°C 5-Day ForecastFriday, Aug 11th 2017 20°C 20°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder Latest Headlines News World News Arts Headlines France Pictures Most read Wires Discounts Login 'I don't accept that terrorism has Site Web Enter your search nothing to do with Islam': Female Like Follow Daily Mail @dailymailuk Imam who banned burqas in her liberal Follow +1 Daily Mail Daily Mail mosque says UK Sharia courts breed DON'T MISS extremism and must be shut down 'It will shock her fans': Rihanna's Saudi Seyran Ates, female Imam, opened a liberal mosque for all Muslims in Germany billionaire beau Hassan Jameel was 'MARRIED Mosque in Berlin is for women, men, Sunni, Shiite, straight and gay Muslims - the to esteemed art expert only rule is that the burka or niqab is banned before meeting songstress' Ms Ates, 54, is in London to find a venue to open 'all welcome' mosque in the UK Recovering drug She says it was a mistake to open strict, Islamic law Sharia courts in this country addict Paul Danan is She claims hardline courts alienate liberal Muslims and support fundamentalists RESTRAINED on CBB after he lashes out at 'hypocrite' Sarah By CLAUDIA JOSEPH FOR MAILONLINE Harding when she claims he's on 'meds' PUBLISHED: 16:55 BST, 26 July 2017 | UPDATED: 19:46 BST, 26 July 2017 PICTURE EXCLUSIVE: Smiling Cheryl looks 1.4k 7 chic as she's pictured in View comments shares public for FIRST TIME since giving birth five months ago...to pick up A controversial female Imam, who received death threats after opening a liberal a visa at US embassy mosque for all Muslims, says the UK's Sharia courts breed Islamic extremism and Biker babe! Kylie called for them to be shut. -
BODY WORLDS Family Guide
FAMILYGUIDE CONTENTS Planning your visit 3 FAQ 4 Q&A with kids 9 What is Plastination 11 WELCOME—a letter from BODY WORLDS 13 EXHIBITION OVERVIEW 14 The Locomotive System 15 The Nervous System 16 The Respiratory System 17 The Cardiovascular System 18 The Digestive System 19 Embryonic & Fetal Development 20 Post-visit activities 21 Discussion questions 23 Additional resources 24 This material is protected under copyright laws and may not be reproduced in any manner without the express written permission of the Institute for Plastination. MARCH, 2017 US FAMILYGUIDE 2 PLANNING YOUR VISIT BEFORE + Read the note to parents and frequently asked questions in this family guide. + Visit the BODY WORLDS website: www.bodyworlds.com. + Discuss the visit with your children and explain what they are going to see and why. DURING + Consult this Family Guide for an overview of the exhibit. + Seek out the Museum Hosts for answers to your questions about the exhibition. AFTER + Discuss the experience with your family using some of the discussion questions included in this guide as prompts. + Try some of the Post-Visit Activities. + Visit some of the websites listed in the additional resources section. FAMILYGUIDE 3 FREQUENTLY ASKED QUESTIONS What is BODY WORLDS? How do the various BODY WORLDS The exhibition BODY WORLDS, internationally known exhibitions that are being shown differ as BODY WORLDS: The Original Exhibition of Real from each other? Human Bodies, is the first exhibition of its kind to While all of the BODY WORLDS exhibitions focus inform the visitor about anatomy, physiology, and on general anatomy revealed through Plastination, health by viewing real human bodies.