Racial Issues Told Through Broadway Musicals The
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cTlif g'nliimltiis Dl5|inlth Fritfay, April 30, 1993 Otterbein makes ‘Big River’ better than it is By Michael Grossberg The acting is superb. So is tlie lioiiK! tube “civilized.” Dispdich Thcaicr Critic singing (guided by vocal director Riciardson and Moore’s stir THEATER REVIEW Craig Johnson), the lively pit orches ring durts (Mnddy Water, River in Big Riwr falls short of the ait- tra (conducted by music director the Ra'ni and especially Worlds istry and depOi of Into Vie WooiL% Big River, Otterbein College's stii- David DeVenney), Rob John.son’s AjKiii) rellect their grawing lioiids Sweeney Todd, Evita, A Chorm ilent production of the musical picturesque scenic design, Katie of tinst ind friendship. Line and Man of La Mancha — all adaptation of I luck Finn's adven Robbins’ rags-io-nouvean riche- The show’s underlying spiritual first-i’ank Broadway musicals that tures. Directed by John Stefano. style 19th-century costumes and ity is caiveyed with grice and long- have received first-class I’evivals at Jim............................Ron Richardson lighting designer Fred Thayer’s biu'- suffering strength by the black OUerbein College in recent yeai-s. I luck Finn.....................Corey Moore slaves ii Cmssing Over and by iH- ;• Yet, Otterbein’s rousing produc nished sunsets, hazy sunrises and King...............................Keith Weirich ice’s Duighter (’Tonya Watson) in tion of Bitj River, which opened last (h'amatic atmosjiheric effects. Duke................................ Todtl Crain night at Westeiwille’s Cowan Hall, is The cast’s soaidng baritones, the gosjel-style How Blest We Air.. Mark'Twain..............Daryl Toziipone I iwlished and professional that one plmigent tenois and lilting sopranos Hov ble.ssed indeed is Otterbein Tom Sawyer......................losh Gildrie ('iisily overlooks tlie show’s folksy, make Miller’s catchall coimti^-west- to have such a strong supporting- Pap Finn.......................Nick Koeslers fiimiiy-oiiented vulgaiizations. -
Brian Stokes Mitchell Outside at the Colonial
Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund. -
American Spiritual Program Spring 2009
American Spiritual Ensemble Sunday, February 22, 2009 • 4 p.m. Asbury United Methodist Church Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music in the African-American tradition. The concert is sponsored by Asbury United Methodist Church; the Peter and Judy Jackson Music Performance Fund; Salisbury University’s Department of Music, Office of the Dean of the Charles R. and Martha N. Fulton School of Liberal Arts and Office of Multicultural Student Services; the SU Foundation, Inc.; and is made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and the National Endowment for the Arts. AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM Walk Together, Children ............................................................arr. William Henry Smith We Shall Walk Through the Valley in Peace ............................................arr. Moses Hogan Plenty Good Room ......................................................................arr. William Henry Smith Oh, What A Beautiful City! ........................................................................arr. Johnie Dean Mari-Yan Pringle, Jeryl Cunningham, Sopranos I Want Jesus to Walk With Me ....................arr. Eurydice Osterman/Tedrin Blair Lindsay Ricky Little, Baritone Fi-yer, Fi-yer Lord (from the operetta Fi-yer! )......................Hall -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin -
The Dinner Theatre of Columbia
The Dinner TheaTre of Columbia Presents SepTember 11 - november 15, 2015 The Dinner TheaTre of Columbia Presents Ragtime, the Musical Book by Terrence McNally Music by Lyrics by Stephen Flaherty Lynn Ahrens Based on “Ragtime” by E.L. Doctorow Directed & Staged by Toby Orenstein & Lawrence B. Munsey Musical Direction by Ross Scott Rawlings Choreography by Ilona Kesell Set Design by Light Design by Sound Design by David A. Hopkins Lynn Joslin Mark Smedley Costumes by Lawrence B. Munsey Ragtime, the Musical is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors .................................................................. Toby Orenstein & Lawrence B. Munsey Music Director/ Orchestrations............................................................ Ross Scott Rawlings Production Manager ................................................................................. Vickie S. Johnson Choreographer .................................................................................................. Ilona Kessell Scenic Designer ........................................................................................ -
Every Act of Life
EVERY ACT OF LIFE Featuring: Terrence McNally, F. Murray Abraham, Lynn Ahrens, Jon Robin Baitz, Christine Baranski, Dominic Cuskern, Tyne Daly, Edie Falco, Stephen Flaherty, John Glover, Anthony Heald, John Benjamin Hickey, Sheryl Kaller, John Kander, Roberta Kaplan, Tom Kirdahy, Larry Kramer, Nathan Lane, Angela Lansbury, Paul Libin, Joe Mantello, Marin Mazzie, Audra McDonald, Peter McNally, Lynne Meadow, Rita Moreno, Jack O’Brien, Billy Porter, Chita Rivera, Doris Roberts, Don Roos, John Slattery, Micah Stock, Richard Thomas, John Tillinger, & Patrick Wilson, the plus the voices of Dan Bucatinsky, Bryan Cranston, & Meryl Streep. “Wonderful . I wasn’t prepared for the emotional release of Every Act Of Life.” – The Paper “Poignant, incredibly inspiring . indispensable.” – The Village Voice “Really entertaining and illuminating . Bravo. – Edge Media “Riveting and revealing.” – Entertainment Weekly “Staggering, heart-warming, and inspiring beyond words.” – Joyce DiDonato “I just loved it. One of the best films I have seen at the festival.” – Rex Reed Short Synopsis: Four-time Tony-winning playwright Terrence McNally’s six ground-breaking decades in the theatre, the fight for LGBTQ rights, triumph over addiction, the pursuit of love and inspiration at every age, and the power of the arts to transform society. Synopsis: The son of an alcoholic beer distributor in southern Texas, Terrence traveled the world as tutor to John Steinbeck's children (Steinbeck’s only advice was, "Don't write for the theater, it will break your heart”); suffered an infamous Broadway flop in 1965 at age 24; and went on to write dozens of groundbreaking plays and musicals about sexuality, homophobia, faith, the power of art, the need to connect, and finding meaning in every moment of life. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
The 2009 Lotte Lenya Competition First Round
The 2009 Lotte Lenya Competition Lauren Worsham’s recent credits include Sophie in Master Class (Pa- permill Playhouse), Clara in The Light in the Piazza (Chamber Version - Kilbourn Hall, Eastman School of Music Weston Playhouse), Cunegonde in Candide (New York City Opera), Jerry Springer: The Opera (Carnegie Hall), Olive in The 25th Annual Putnam Saturday, 18 April 2009 County Spelling Bee (First National Tour). New York workshops/readings: Mermaid in a Jar, Le Fou at New Georges, The Chemist's Wife at Tisch, Mir- ror, Mirror at Playwright's Horizons, and Now I Ask You at Provincetown First Round Playhouse. Graduate of Yale University, 2005. Thanks for all the love and support from Bryan and Management 101. Most importantly, I owe it all to my amazing family. Proud member AEA! www.laurenworsham.com The Kurt Weill Foundation for Music, Inc. administers, promotes, and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings, and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance, and study of musical theater in its various manifestations and media. Established in 1998 by the Kurt Weill Foundation for Music, the Lotte Lenya Competition provides a unique opportunity for talented young singer/actors to show their versatility in musical theater repertoire ranging from opera/operetta to contemporary Broadway, with Competition Administration, for the Kurt Weill Foundation: a focus on the varied works of Kurt Weill. -
Bay Area Cabaret Returns to San Francisco's Most Historic Showroom
BAY AREA CABARET RETURNS TO SAN FRANCISCO’S MOST HISTORIC SHOWROOM, THE FAIRMONT VENETIAN ROOM Presents Ninth Season of Nationally Renowned Vocalists Season opens October 28 with “Supremes” Legend Mary Wilson, continues with Broadway icon Tommy Tune, singer/actor Peter Gallagher, Broadway duo Marin Mazzie and Jason Danieley, actress/recording artist Elaine Paige, actress/singer Nellie McKay performing with Chanticleer, and a season finale Marvin Hamlisch Tribute. San Francisco, CA (September 14, 2012) --- Bay Area Cabaret, the local non-profit organization devoted to presenting audiences with top performers who expand the definition of cabaret, has announced its lineup for the 2012-2013 season. Opening the season Sunday, October 28, 2012 is Motown legend and founding member of “Supremes,” Mary Wilson, followed Sunday, November 11, 2012 by 9-time Tony Award winning singer/dancer/director/choreographer Tommy Tune, and December 9, 2012 by television, film, and Broadway star Peter Gallagher. The series continues in 2013 with “Broadway’s golden couple,” Marin Mazzie and Jason Danieley on February 17, 2013, “Britain’s first lady of musical theatre” Elaine Paige on March 1, 2013, and a performance by singer/actress Nellie McKay featuring San Francisco’s Grammy-winning a capella male chorus Chanticleer on March 23, 2013. Rounding out the season is a tribute to the late Marvin Hamlisch, with special guests to be announced, on June 2, 2013, which would have been the legendary composer’s 69th birthday, with special guests to be announced. After several seasons of presenting shows in a variety of elegant showrooms, Bay Area Cabaret found a permanent home two years ago when it was invited to reopen the Fairmont Hotel’s historic Venetian Room, which had been dark as an entertainment venue for over 21 years. -
Creative New York by Michael Kane, Robin Keegan, Neil Kleiman, and Beth Siegel
creative new york By Michael Kane, Robin Keegan, Neil Kleiman, and Beth Siegel also an economic powerhouse comparable to the city’s biggest industries. While the combined strength of the city’s creative sector may not trump the impact of the financial services sector, it isn’t far off. The city’s creative economy consists of 12,066 businesses and non- profits (5.8 percent of all employers in the five bor- oughs) and provides employment to 309,142 peo- ple (8.1 percent of all city workers). In recent years, the sector has added jobs at a considerably faster rate than the overall city economy: between 1998 and 2002, employment in New York’s creative core grew by 13.1 percent (adding 32,000 jobs) while the city’s overall job totals increased by 6.5 percent during this period. Among the city’s nearly unparalleled concentra- tion of creative core enterprises, New York has more than 2,000 arts and cultural non-profits and over 500 art galleries, roughly 2,300 design services businesses, more than 1,100 advertising-related firms, nearly 700 book and magazine publishers, and 145 film production studios and stages. Robin Keegan is a fel- No other place in the U.S. even comes close to low and Neil Kleiman The theaters on and off Broadway are perhaps New York City’s matching the city’s creative assets. In fact, 8.3 percent is former director of most recognized cluster of a creative workforce. of all creative sector workers in the U.S. are based in the Center for an New York. -
2013 Winners — Broadway.Com Audience Choice Awards
HOME / 2013 WINNERS / ABOUT / BUZZ / VIDEO / PAST WINNERS And the Winners Are... Winners are marked below in bold. FAVORITE NEW MUSICAL A Christmas Story: The Musical (Book by Joseph Robinette; Music and Lyrics by Benj Pasek and Justin Paul) Bring It On: The Musical (Book by Jeff Whitty; Music by Tom Kitt and Lin-Manuel Miranda; Lyrics by Amanda Green and Lin-Manuel Miranda) Kinky Boots (Book by Harvey Fierstein; Music and Lyrics by Cyndi Lauper) Matilda (Book by Dennis Kelly; Music and Lyrics by Tim Minchin) Motown: The Musical (Book by Berry Gordy Jr.) FAVORITE NEW PLAY *Breakfast at Tiffany’s byby RichardRichard GreenbergGreenberg Lucky Guy by Nora Ephron The Nance by Douglas Carter Beane The Performers by David West Read Vanya and Sonia and Masha and Spike by Christopher Durang FAVORITE MUSICAL REVIVAL *Annie Jekyll & Hyde The Mystery of Edwin Drood Pippin Rodgers & Hammerstein’s Cinderella FAVORITE PLAY REVIVAL Cat on a Hot Tin Roof Harvey The Heiress *Macbeth Who’s Afraid of Virginia Woolf? FAVORITE LONG-RUNNING SHOW The Book of Mormon The Lion King Newsies The Phantom of the Opera *Wicked FAVORITE TOUR Anything Goes The Book of Mormon Les Miserables The Lion King *Wicked FAVORITE ACTOR IN A MUSICAL Bertie Carvel, Matilda Will Chase, The Mystery of Edwin Drood Santino Fontana, Rodgers & Hammerstein’s Cinderella *Billy Porter,, Kinky Boots Anthony Warlow, Annie FAVORITE ACTRESS IN A MUSICAL Annaleigh Ashford, Kinky Boots Stephanie J. Block, The Mystery of Edwin Drood Victoria Clark, Rodgers & Hammerstein’s Cinderella Patina Miller, Pippin *Laura Osnes,, Rodgers & Hammerstein’s Cinderella FAVORITE ACTOR IN A PLAY Norbert Leo Butz, Dead Accounts *Alan Cumming, Macbeth Tom Hanks, Lucky Guy Nathan Lane, The Nance Jim Parsons, Harvey FAVORITE ACTRESS IN A PLAY Jessica Chastain, The Heiress Scarlett Johansson, Cat on a Hot Tin Roof Patti LuPone, The Anarchist *Bette Midler, I’llI’ll EatEat YouYou Last:Last: AA ChatChat withwith SueSue MengersMengers Sigourney Weaver, Vanya and Sonia and Masha and Spike FAVORITE DIVA PERFORMANCE *Stephanie J.