'Our Post-Christian Age': Historicist-Inspired Diagnoses Of
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In Tune! for Details
INN TUUNNEE! I T ! Newsletter of the Piano Technicians Guild, San Francisco Chapter May 2010 Calendar of Events President's Message Next Chapter Meeting 7:30pm Tuesday, May 4 Israel Stein Piedmont Piano (the new one) 1728 San Pablo Ave. (at 18th St.) Oakland, CA 94612 510-547-8188 I wish to thank San Francisco PTG chapter members for voting in the recent election, and for entrusting me Business Meeting: with the Presidency of the chapter. I will work hard to Overview and explanation of future chapter fulfill your expectations. This was the first contested technicals and stand-alone technical events – election within anyone’s memory – and I hope that we we'll be looking for feedback from you, the will have more such in the future. Competition forces members. the candidates to put their best foot forward – and We'll vote on whether or not to reimburse a many good ideas were advanced by all. I believe that chapter alternate at PTG Annual Conventions, good ideas and good intentions expressed by a and if yes - what to cover. (The chapter member willing to stand for election should not be delegate is reimbursed for round trip airfare or wasted just because the chapter chose someone else. car mileage, 2 days' hotel stay, convention So I invited Frank French and Zhi Wei Huang to a registration and 2 days' per diem @ $35 ea.) planning meeting held at my house recently, and Vote on 2010 chapter dues remission for offered them the opportunity to make their ideas a Golden Gate chapter members wishing to join reality. -
Evolving Performance Practice of Debussy's Piano Preludes Vivian Buchanan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 6-4-2018 Evolving Performance Practice of Debussy's Piano Preludes Vivian Buchanan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Musicology Commons Recommended Citation Buchanan, Vivian, "Evolving Performance Practice of Debussy's Piano Preludes" (2018). LSU Master's Theses. 4744. https://digitalcommons.lsu.edu/gradschool_theses/4744 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. EVOLVING PERFORMANCE PRACTICE OF DEBUSSY’S PIANO PRELUDES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The Department of Music and Dramatic Arts by Vivian Buchanan B.M., New England Conservatory of Music, 2016 August 2018 Table of Contents Abstract……………………………………………………………………………..iii Chapter 1. Introduction………………………………………………………………… 1 2. The Welte-Mignon…………………………………………………………. 7 3. The French Harpsichord Tradition………………………………………….18 4. Debussy’s Piano Rolls……………………………………………………....35 5. The Early Debussystes……………………………………………………...52 Bibliography………………………………………………………………………...63 Selected Discography………………………………………………………………..66 Vita…………………………………………………………………………………..67 ii Abstract Between 1910 and 1912 Claude Debussy recorded twelve of his solo piano works for the player piano company Welte-Mignon. Although Debussy frequently instructed his students to play his music exactly as written, his own recordings are rife with artistic liberties and interpretive freedom. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
DOKUMENTATION Hans-Ehrenberg-Preis 2011
HANS-EHRENBERG-PREIS 2011 "GOTT UND DIE POLITIK" WEGE DER VERSÖHNUNG IM ÖFFENTLICHEN LEBEN Dokumentation der Verleihung des Hans-Ehrenberg-Preises am 22. November 2011 in der Christuskirche Bochum __________________________________________________________________________________ Evangelischer Kirchenkreis Bochum Evangelische Kirche von Westfalen Hans-Ehrenberg-Gesellschaft _________________________________________________________________ Inhalt 2 Begrüßung Peter Scheffler | Superintendent 3 Theologischer Impuls Traugott Jähnichen | Professor für Christliche Gesellschaftslehre an der Ruhr-Uni Bochum 5 Preisverleihung Albert Henz | Vizepräsident der Evang. Kirche von Westfalen 6 Podiumsgespräch Antje Vollmer | Publizistin; Vizepräsidentin des Deutschen Bundestages a.D. Margot Käßmann | Prof. Dr. h.c. an der Ruhr-Universität Bochum Reinhard Mawick | Pressesprecher der Evang. Kirche in Deutschland Mitglieder aus Organisationen Ehemaliger Heimkinder BEGRÜSSUNG PETER SCHEFFLER | SUPERINTENDENT Am 1. Advent 1947 - Hans Ehrenberg war gerade erst aus dem englischen Exil nach Westfa- len zurückgekehrt; er war allerdings nicht von uns, seiner Kirche, zurückgerufen worden, auch seine Pfarrstelle in Bochum hat er nicht zurück erhalten - am 1. Advent 1947 schrieb Hans Ehrenberg in Bielefeld das Vorwort zu einem kleinen Buch. Jahrelang hatte er dieses Buch im Kopf getragen, jetzt, zwei Jahre nach dem Zusammen- bruch der Zivilisation schrieb er es zu Ende. Der Titel des Buches: "Vom Menschen". In diesem kleinen Buch findet sich folgende Erinnerung an das Jahr 1939 - jenes Jahr, in dem Ehrenberg mit seiner Familie nach England entkommen war: Damals, schreibt Ehrenberg, "am Anfang des Krieges wurde häufig betont, dass man kein Recht habe, sich Nazi-Deutschland gegenüber schlechtweg als den Repräsentanten des Christentums aufzuspielen. Man war sich weitgehend bewusst, dass es das Malen in Weiß und Schwarz nicht geben dürfe. Man konnte für sich selbst nur eine Art von Grau, näher zum Weiß oder näher zum Schwarz, und daher nur ein relatives Recht (…) in Anspruch nehmen. -
Aryan Jesus and the Kirchenkampf: an Examination of Protestantism Under the Third Reich Kevin Protzmann
Aryan Jesus and the Kirchenkampf: An Examination of Protestantism under the Third Reich Kevin Protzmann 2 Often unstated in the history of National Socialism is the role played by Protestantism. More often than not, Christian doctrine and institutions are seen as incongruous with Nazism. Accordingly, the Bekennende Kirche, or Confessing Church, receives a great deal of scholarly and popular attention as an example of Christian resistance to the National Socialist regime. Overlooked, however, were the Deutsche Christen, or German Christians. This division within Protestantism does more than highlight Christian opposition to Nazism; on balance, the same cultural shifts that allowed the rise of Adolf Hitler transformed many of the most fundamental aspects of Christianity. Even the Confessing Church was plagued with the influence of National Socialist thought. In this light, the German Christians largely overshadowed the Confessing Church in prominence and influence, and Protestantism under the Third Reich was more participatory than resistant to Nazi rule. Like the National Socialists, the Deutsche Christen, or German Christians, have their roots in the postwar Weimar Republic. The movement began with the intention of incorporating post-war nationalism with traditional Christian theology.1 The waves of nationalism brought about by the dissolution of the German Empire spread beyond political thought and into religious ideas. Protestant theologians feared that Christianity retained many elements that were not “German” enough, such as the Jewishness of Jesus, the canonicity of the Hebrew Bible, and the subservient nature of Christian ethics.2 These fears led to dialogues among the clergy and laity about the future and possible modification of Christian doctrine. -
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2006 VOLUME 43, NUMBER 5
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2006 VOLUME 43, NUMBER 5 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 43, Number 5 September/October 2006 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Convention 2007 . .Shirley Nix . .268 Letters to the Publisher Review of the Augustinermuseum Exhibit . .Mark Reinhart . .270 Chapter News Organ Rallies . .Vincent Morgan . .271 UPCOMING PUBLICATION Pianist Biographies . .Mark Reinhart . .273 DEADLINES The ads and articles must be received The Evolution of the Music Roll . .AMICA Bulletin, Jan. 1974 . .274 by the Publisher on the 1st of the David C. Ramey . .Art Reblitz . .277 Odd number months: January July Aeolian, Go Ring-A-Dem Bells . .Denis Condon & Suzanne Magassy . .281 March September May November Convention 2006 . .Shirley Nix . .286 Bulletins will be mailed on the 2nd week Player Piano . .From Morning Call . .288 of the even months. E. Robert Schmitz . .From New York Herald Tribune . .290 Dr. Michael A. Kukral, Publisher When Europe Went to War . .Eric Felton . .291 216 Madison Blvd. Terre Haute, Indiana 47803-1912 Roll Over Debussy . -
Tbe Confessional Pastor and His Struggle the Rev
Tbe Confessional Pastor and His Struggle THE REv. HANS EHRENBERG, PH.D. ANY accounts of the Church conflict in Germany have M been published in this country; they have been either historical records or attempts to show the fundamental theological and political principles in-rolved. The present study has a different object, viz., to draw out the lessons of the conflict for the practical or pastoral life of the Church herself. This implies that our attempt must be to survey and sum up the facts as well as the truths of the struggle from the standpoint of one who is engaged in the struggle, i.e., to lay bare its hmer elements. Thus my essay is to present the German Church struggle in such a way that other churches see it as part and parcel of Church history and Church life in general and, hertte, also of their own. Following upon an ,introduction treating the fundamental aspect under which all churches should consider the German church conflict, I present in this essay what I may call the three dramatis persona of the "Church drama" :-the Confessional Pastor, the Heretic (the "German Christian"), and the Confessing Congregation. The study closes on the problem-still unsolved, in the Confessional Church, and the like in all churches--of a Confessional Church Government. Readers of this study are asked to forget, for the time being, all the special traditions of their own churchdom, if they are Anglican, or Nonconformist, or even German (of course pre-Hitler German). For the life and death struggle of a church concerns the "church within the church," and, hence, it is the l?truggle of the Church. -
Nehalennia Speciosa (Charpentier, 1840)
Odonatologica 34(4): 335-378 December I, 2005 Nehalennia speciosa (Charpentier, 1840) in Europe: a case of a vanishing relict (Zygoptera: Coenagrionidae) R. Bernard¹ and H. Wildermuth² 1 Department of General Zoology, Adam Mickiewicz University, Umultowska 89, PO-61-614 Poznan. Poland; - [email protected] institute of Zoology, University of Zurich, Switzerland. Correspondence address: Haltbergstrasse 43, CH-8630 Riiti, Switzerland; - [email protected] Received January 21, 2005 / Reviewed and Accepted March 3, 2005 Based all available the former and distribution in is on data, present Europe pre- sented and critically analysed. The sp. is extinct or has only survived atsingle or small clustered and isolated localities in many parts of the western borderlands of its former Eurasian area that extended from Belgiumto Japan. It is continuously declining, es- pecially W and S of the line runningthrough the Baltic States, N and E Poland and S Belarus. The attached basic data from Asia reveal incomplete knowledge, but prob- indicate better situation in the of the The main of ably a eastern part range. aspects the ecology and biology are outlined and discussed. Special attention is paid to the elements in the of the i.e. its habitat helpful understanding deepregress sp., to on a microscale well its The level of and macro- and as as to life-strategy. high stenotopy the highly specialized habitat-related behaviour, resulting in successful use of a nar- vulnerable in face of row niche, are emphasized. These aspects make the sp. the high in Limited abilities the anthropogenic pressure Europe. dispersal augment danger of local extinction. -
Histoire De La Marque Feurich
L’histoire de la marque Les maîtres du Piano ont choisi de défendre les pianos Feurich non seulement pour leur fiabilité et leur sonorité chaude et puissante mais avant tout pour cette tradition européenne qu’ils ont décidée de préserver et de défendre. Petit retour historique sur cette grande marque de piano. FEURICH Facteur de père et fils depuis le XVIIIème, Julius Gustav Feurich fonde la manufacture de pianos FEURICH à Leipzig en 1851. Il est précurseur et devient le premier fabricant allemand à concevoir un piano droit avec étouffoirs "par en dessous". En 1911, une nouvelle manufacture est construite à Leipzig-Leutzsch. 360 ouvriers y fabriquent environ 1000 pianos droits et 600 pianos à queue par an, vendus dans le monde entier. FEURICH fait alors partie de ce qu'on appelle la convention des Cinq : les 5 manufactures allemandes les plus importantes sont associées afin d'offrir aux meilleurs pianistes la possibilité de jouer sur leurs meilleurs pianos de concert. En 1959, après la prise en force de l'entreprise et de ses avoirs par la RDA, il ne reste plus qu'une perspective, l'émigration en Allemagne de l'ouest. C'est alors le début d'une époque très florissante pour la marque et le début de la coopération avec la manufacture Euterpe à Langlau en Mittelfranken. En 1991 la manufacture Euterpe est achetée par le groupe Bechstein et en 1993 les parts de FEURICH sont également rachetées. En 1994 une nouvelle production de Feurich démarre chez l'entreprise Rönisch et Fritz Steinbauer et en 1999 la production Feurich est transférée dans le nouveau bâtiment à Gunzenhausen. -
Russell Kirk and the Rhetoric of Order Eric Grabowsky
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 2010 Russell Kirk and the Rhetoric of Order Eric Grabowsky Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Grabowsky, E. (2010). Russell Kirk and the Rhetoric of Order (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/595 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. RUSSELL KIRK AND THE RHETORIC OF ORDER A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Eric Grabowsky August 2010 Copyright by Eric Grabowsky 2010 RUSSELL KIRK AND THE RHETORIC OF ORDER By Eric Grabowsky Approved July 9, 2010 ________________________________ ________________________________ Dr. Janie M. Harden Fritz Dr. Calvin Troup Associate Professor, Department of Associate Professor, Department of Communication & Rhetorical Studies Communication & Rhetorical Studies (Dissertation Director) (First Reader) ________________________________ ________________________________ Dr. Richard Thames Dr. Ronald C. Arnett, Chair Associate Professor, Department of Department of Communication & Communication & Rhetorical Studies Rhetorical Studies (Second Reader) ________________________________ Dr. Christopher M. Duncan, Dean McAnulty College and Graduate School of Liberal Arts iii ABSTRACT RUSSELL KIRK AND THE RHETORIC OF ORDER By Eric Grabowsky August 2010 Dissertation supervised by Dr. Janie M. Harden Fritz The corpus of historically-minded “man of letters” and twentieth century leader among conservatives, Russell Amos Kirk, prompts one to reflect upon a realist rhetoric of order for conservative discourse in particular and public argumentation in general. -
Rote Liste Und Artenliste Sachsens Eintagsfliegen Artikel-Nr
Rote Liste und Artenliste Sachsens Eintagsfliegen Artikel-Nr. L V-2-2/36 Inhalt Vorwort 03 1 Einleitung 04 2 Definition der Kategorien 06 3 Grundlagen der Gefährdungsanalyse 08 4 Kommentierte Artenliste 13 5 Rote Liste 22 6 Gefährdungssituation 24 7 Literatur 27 8 Anhang 29 Vorwort Kommentierte Artenlisten bieten eine Übersicht Rote Listen gefährdeter Tier- und Pflanzenarten über die in Sachsen vorkommende Artenvielfalt Sachsens werden in Verbindung mit kommen- einer Organismengruppe. Sie vermitteln grund- tierten Artenlisten entsprechend dem Bearbei- legende Informationen zu den Arten, beispiels- tungsstand in loser Folge und nach einheitlicher weise zum Status. Auch die Fakten zu einer Ge- Gliederung herausgegeben. Für die Artengruppe fährdungsanalyse sind hier aufgeführt, deren der Eintagsfliegen Sachsens gab es bisher noch Ergebnis in der Roten Liste zusammengefasst keine Rote Liste. Anregungen für die künftige wird. Aktualisierung nimmt das Sächsische Landesamt Rote Listen gefährdeter Organismen dokumen- für Umwelt, Landwirtschaft und Geologie gern tieren den Kenntnisstand über die Gefährdung entgegen. der einzelnen Arten und über den Anteil gefähr- deter Arten der betrachteten Sippe. Sie sind da- mit sowohl ein Instrument der Umweltindikation als auch der Fachplanung des Naturschutzes, beispielsweise Grundlage für Arten- und Biotop- schutzprogramme. Nicht zuletzt dienen sie zur Information der Öffentlichkeit. Rote Listen erleichtern es auch, Landschaften, Norbert Eichkorn Landschaftsteile und Biotope anhand der Vor- Präsident des Sächsischen kommen gefährdeter Arten zu bewerten. Ein- Landesamtes für Umwelt, tagsfliegen reagieren empfindlich auf Nähr- und Landwirtschaft und Geologie Schadstoffeinträge in Gewässern und stellen somit eine wichtige Indikatorartengruppe für den ökologischen Zustand der Fließgewässer dar. Bei der Einstufung der Gefährdung innerhalb der Artengruppen werden feste Bewertungskriterien angelegt, die den Vergleich mit anderen Bundes- ländern ermöglichen. -
Christopher Dawson
Studia Gilsoniana 3 (2014): 49–62 | ISSN 2300–0066 Leo J. Elders, S.V.D. The Pontifical Academy of St. Thomas Aquinas Rome, Italy CHRISTOPHER DAWSON Professor Jude Dougherty whom we honor by this special collection of essays has devoted his entire career as dean of the faculty of philosophy at the Catholic University of America and as the author of many publica- tions to the study of Western culture, religion and science, and has shown a great affinity with the thought of the illustrious English historian and philosopher Christopher Dawson. As Dawson had done before him, Dougherty in all his works stresses the overruling importance of the classi- cal, humanistic education and the central place and role of religion in our Western culture. One of his latest books, The Logic of Religion, presents an examination of the role of religion from a historical and philosophical point of view1. Well known are also his Western Creed, Western Identity and The Nature of Scientific Explanation,2 in which he shows the value of Aris- totle’s understanding of nature and, at the same time, his own capacity of presenting a masterful overview of complex philosophical issues. Charac- teristic of Jude Dougherty is the wide range of his reading, something we admire also in Christopher Dawson: a huge historical knowledge and an amazing acquaintance with all relevant literature. As Dawson was for many years the editor of the Dublin Review, Jude Dougherty has for more than thirty years directed The Review of Metaphysics. Christopher Dawson was born in 1889 in Wales, and educated at Trinity College, Oxford, and was lecturer in the history of culture at Uni- 1 See Jude P.