The Familiar Unknown
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The Style of Video Games Graphics: Analyzing the Functions of Visual Styles in Storytelling and Gameplay in Video Games
The Style of Video Games Graphics: Analyzing the Functions of Visual Styles in Storytelling and Gameplay in Video Games by Yin Wu B.A., (New Media Arts, SIAT) Simon Fraser University, 2008 Thesis Submitted In Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Interactive Arts and Technology Faculty of Communication, Art and Technology Yin Wu 2012 SIMON FRASER UNIVERSITY Fall 2012 Approval Name: Yin Wu Degree: Master of Arts Title of Thesis: The Style of Video Games Graphics: Analyzing the Functions of Visual Styles in Storytelling and Gameplay in Video Games Examining Committee: Chair: Carman Neustaedter Assistant Professor School of Interactive Arts & Technology Simon Fraser University Jim Bizzocchi, Senior Supervisor Associate Professor School of Interactive Arts & Technology Simon Fraser University Steve DiPaola, Supervisor Associate Professor School of Interactive Arts & Technology Simon Fraser University Thecla Schiphorst, External Examiner Associate Professor School of Interactive Arts & Technology Simon Fraser University Date Defended/Approved: October 09, 2012 ii Partial Copyright Licence iii Abstract Every video game has a distinct visual style however the functions of visual style in game graphics have rarely been investigated in terms of medium-specific design decisions. This thesis suggests that visual style in a video game shapes players’ gaming experience in terms of three salient dimensions: narrative pleasure, ludic challenge, and aesthetic reward. The thesis first develops a context based on the fields of aesthetics, art history, visual psychology, narrative studies and new media studies. Next it builds an analytical framework with two visual styles categories containing six separate modes. This research uses examples drawn from 29 games to illustrate and to instantiate the categories and the modes. -
Published As: Jackie Smith and Nicole Doerr, “Democratic Innovation in the U.S
Published as: Jackie Smith and Nicole Doerr, “Democratic Innovation in the U.S. and European Social Forums” in A Handbook of the World Social Forums. J. Smith, S. Byrd, E. Reese, and E. Smythe, Eds. Paradigm Publishers. (2012) Chapter 18 Democratic Innovation in the U.S. and European Social Forums Jackie Smith and Nicole Doerr Democratization is an ongoing, conflict-ridden process, resulting from contestation between social movements and political elites (Markoff 1996; Tilly 1984). The struggle to make elites more accountable to a larger public has produced the democratic institutions with which we are familiar, and it continues to shape and reconfigure these institutions. It also transforms the individuals and organizations involved in social change, generating social movement cultures, norms and practices that evolve over time. In this chapter, we conceptualize the World Social Forum (WSF) process as part of a larger historical struggle over people’s right to participate in decisions that affect their lives. As other contributions to this volume have shown, the WSF has emerged from and brings together a diverse array of social movements, and has become a focal point for contemporary movements struggling against the anti-democratic character of neoliberal globalization. Neoliberalism’s threats to democratic governance result from its expansion of the political and economic authority of international financial institutions like the World Bank, International Monetary Fund, and the World Trade Organization; its hollowing out of national states through privatization, the international debt regime, and international trade policies; its privileging of 1 expert and technocratic knowledge over all other sources of knowledge; and its depoliticization of economic policymaking (Brunelle 2007; Harvey 2005; Markoff 1999; McMichael 2006). -
European Strategies of the New Right - the Example of the FPÖ
European Strategies of the New Right - the example of the FPÖ The European politics of the FPÖ (Freiheitliche Partei Österreichs / Freedom Party of Austria) is not only a mirror of the entire diversity of a quite contradictory and in parts very tactical relationship of the entire New Right towards "Europe". Due to the character of the FPÖ as a populistic mass movement, the European politics of the FPÖ is often characterized by short- and medium-term concerns of realpolitik (= pragmatic politics). On the one hand, the aim is to maximize votes with populistic discourses and actions before elections, on the other to serve the economic interests of the industrialists and business circles that maintain close relations to the party. This may at least give a rough idea of the reasons for the relatively jerky changes and the lack of consistency in the position of the FPÖ towards the European Union. Nevertheless, a careful reading of various FPÖ publications reveals a view of Europe that in spite of variations in the tactical and strategic reflections shows a certain degree of continuity. The position of the FPÖ has to be seen in the context of an ideological evolution of the party which needs to be presented here so that its position on Europe can be situated in an ideological context. Continuities of the "Third Camp" In Austria, the FPÖ represents the so-called "Third Camp" that has evolved in the 19th century as a quite heterogeneous camp between national liberalism and German nationalism and has largely merged, in the 30ies of the 20th century, into the Austrian sections of the NSDAP (National- Sozialistische Deutsche Arbeiter-Partei / National-Socialist German Workers' Party). -
GSAS Dissertation Kurianowicz Letzte Version
The Unknown Future: Premonitions between Prophecy and Pathology, 1750 to 1850 Tomasz Kurianowicz Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Tomasz Kurianowicz All Rights Reserved Abstract The Unknown Future. Premonitions between Prophecy and Pathology, 1750 to 1850 Tomasz Kurianowicz My dissertation The Unknown Future examines the notion of Ahnung or Ahndung (in English: premonition) in German literature, philosophy, anthropology, and the sciences around 1800. Focusing on the heated debates among philosophers, writers and intellectuals as to whether humans can attain knowledge about the future, I trace the notion of Ahnung as it traverses various discourses. In doing so, I draw on Stephen Greenblatt’s idea of a new historicism and expand studies written by Stefan Andriopoulos, Joseph Vogl, Eva Horn, Michael Gamper and other scholars, explicitly referring to and expanding the literary theory concerning “poetologies of knowledge.“ Specifically I show how after 1750 religious models of prophecy were no longer easily accepted. At the same time, new statistical and mathematical models of prognosis were rising -- even as doubts remained about their ability to fully grasp the progression of time. Within these conflicts between traditional religious models and the new exact sciences, the concept of ‘premonition’ seemed to offer various thinkers and writers evidence for a prognostic capability of the soul that challenged rational, mathematical and statistical models of probability as the sole means for predicting the future. The hope was that premonitions could provide a supersensory knowledge based on fleeting, opaque glimpses into the progression of time. -
Populist Zeitgeist
Cas Mudde1 The Populist Zeitgeist Populism seems to become stronger the more intellectuals criticize it.2 SINCE THE 1980S THE RISE OF SO-CALLED ‘POPULIST PARTIES’ HAS GIVEN rise to thousands of books, articles, columns and editorials. Most of them are of an alarming nature, as these ‘new populists’ are gener- ally seen as a threat to liberal democracy. Though authors are not always sure what exactly characterizes these parties, they do agree that parties like the Austrian Freedom Party (FPÖ), the French National Front (FN), or the Dutch List Pim Fortuyn (LPF) are ‘pop- ulist’. Another point on which most commentators agree is that ‘populism is understood as a pathological form, pseudo- and post- democratic, produced by the corruption of democratic ideals.’3 German scholars in particular consider right-wing populists, in line with the theory of Erwin K. Scheuch and Hans-Dieter Klingemann, to be a ‘normal pathology’ of western democracies.4 1 Earlier versions of this article have been presented to the Faculty of Political and Social Sciences of the University of Antwerp, the Department of Politics of the Univer- sity of Reading and at the workshop ‘Populism and Democracy’ at the University of Nottingham. I want to thank all participants for their comments. In addition, I want to thank Hans-Georg Betz, Dani Filc and Peter Mair for their valuable comments on earlier versions. Special thanks go to Jan Jagers, whose intellectual input has been crucial in the final revisions. Finally, I am grateful for the generous financial support from the British Academy and the Carnegie Trust for the Universities of Scotland. -
The Black International in Europe from 1945 to the Late 1980S
Political models to make Europe (since modern era) The Black International in Europe from 1945 to the late 1980s Olivier DARD ABSTRACT The subject of a European “Black International” of neo-fascist or neo-Nazi inspiration was very popular among journalists during the “Years of Lead” (1970-1980). Although the European radical Right tried after 1945 to establish a neo-fascist International, known as the European Social Movement, the attempt ended in failure. The absence of a structured organization did not however diminish the important international links present especially from the 1960s to the 1980s. From doctrines with common themes and references to publications in publishing houses, along with radio and press agencies, the European radical Right expressed itself through circulations, networks and transfers. This did not take the form of a “black orchestra” so dear to its detractors during the 1970s, but rather of an informal albeit active International. The Venice conference's signatories: Jean Thiriart, Adolf von Thadden, Oswald Mosley, an unknown person, Giovanni Lanfre. During the 1970s, a series of journalistic essays proclaimed the existence of a “neo-fascist” or “neo-Nazi” International, said to have been formed in the mold of the Organisation armée secrète (OAS) [Secret Army Organization], a terrorist organization that had fought to uphold French Algeria. Its history apparently extended to Europe and Latin America, where this “OAS International” allegedly found supporters and built support bases. Rejecting this vision fuelled on sensationalism does not prevent one from exploring the long-standing relations of the European radical Right at the international level. The interwar period was characterized by an attempt to establish a fascist International (1934 Montreux fascist conference), and the Spanish Civil War saw the arrival of volunteer contingents to fight alongside the Francoists. -
Curriculum Vitae-Hank Johnston
CURRICULUM VITAE HANK JOHNSTON Professor of Sociology Hansen Chair of Peace and Nonviolence Studies Publisher and managing editor, Mobilization: An International Quarterly Department of Sociology 220 Nasatir Hall San Diego State University San Diego, CA 92182-4423 Phone: 619.594.1323, Fax: 619.594.2835 [email protected] EDUCATION Ph.D., Sociology. University of California, San Diego M.B.A., New York University. AREAS OF SPECIALIZATION Social movements and nonviolent protest, with emphasis on civil resistance, peaceful transitions from repressive state regimes, and the violence-nonviolence spiral in ethnonationalist movements. Also, the cultural analysis of mobilization processes. Social change, with emphasis on state building, peaceful democratic transitions, world- systems and globalization theory. Social psychology, with emphasis on symbolic interaction, framing perspectives, discourse analysis, and ethnic conflict/conflict resolution. Comparative ethnic relations, with concentration in minority nationalism, ethnonationalist movements, ethnic relations and state building, both in the U.S. and internationally. ACADEMIC EMPLOYMENT Professor of Sociology, San Diego State University, San Diego, CA 92182-4423. Hansen Chair of Peace and Nonviolence Studies. Courses regularly taught: Social Psychology, Social Movements, Political Sociology, Social Change, Social Theory, Minority Group and Ethnic Relations. New Course: Nonviolence, Peace, and Social Change. Founding Editor and Publisher. Mobilization: An International Quarterly, Department of Sociology, San Diego State University, San Diego, CA. 92182-4423. Mobilization is a highly ranked sociology journal based on citation indices. It has been published contin- uously at the Center for the Study of Social Movements, Department of Sociology, San Diego State University, since 1996. Hank Johnston 2 Series Editor, Mobilization Series on Protest, Social Movements and Culture. -
Modern Architecture & Ideology: Modernism As a Political Tool in Sweden and the Soviet Union
Momentum Volume 5 Issue 1 Article 6 2018 Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union Robert Levine University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/momentum Recommended Citation Levine, Robert (2018) "Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union," Momentum: Vol. 5 : Iss. 1 , Article 6. Available at: https://repository.upenn.edu/momentum/vol5/iss1/6 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/momentum/vol5/iss1/6 For more information, please contact [email protected]. Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union Abstract This paper examines the role of architecture in the promotion of political ideologies through the study of modern architecture in the 20th century. First, it historicizes the development of modern architecture and establishes the style as a tool to convey progressive thought; following this perspective, the paper examines Swedish Functionalism and Constructivism in the Soviet Union as two case studies exploring how politicians react to modern architecture and the ideas that it promotes. In Sweden, Modernism’s ideals of moving past “tradition,” embracing modernity, and striving to improve life were in lock step with the folkhemmet, unleashing the nation from its past and ushering it into the future. In the Soviet Union, on the other hand, these ideals represented an ideological threat to Stalin’s totalitarian state. This thesis or dissertation is available in Momentum: https://repository.upenn.edu/momentum/vol5/iss1/6 Levine: Modern Architecture & Ideology Modern Architecture & Ideology Modernism as a Political Tool in Sweden and the Soviet Union Robert Levine, University of Pennsylvania C'17 Abstract This paper examines the role of architecture in the promotion of political ideologies through the study of modern architecture in the 20th century. -
Another Europe: Conceptions and Practices of Democracy in the European Social Forums/Edited by Donatella Della Porta
Another Europe Given the recent focus on the challenges to representative democracy, and the search for new institutions and procedures that can help to channel increasing participation, this book offers empirical insights on alternative conceptions of democracy and the actors that promote them. With a focus on the conceptions and practices of democracy within contempo- rary social movements in Europe, this volume contributes to the debate on the dif- ferent dimensions of democracy, especially on representation and participation. The book explores the transnational dimension of democracy and addresses a relevant, and little analysed aspect of Europeanization: the Europeanization of social move- ments. From a methodological point of view, the research innovates by covering a group of individuals traditionally neglected in previous studies: social movement activists. The various chapters combine analysis of the individuals’ attitudes and behaviour with that of the organizational characteristics, procedures and practices of democracy. Providing a cross-national comparison on the global justice movement, the theoretical challenges of the new wave of protest and the rich empirical data this book will appeal to students and scholars of sociology, political sociology, social movement studies, and transnational as well as comparative politics. Donatella della Porta is professor of sociology in the Department of Political and Social Sciences at the European University Institute, Italy. Routledge/ECPR studies in European political science Edited by Thomas Poguntke, Ruhr University Bochum, Germany on behalf of the European Consortium for Political Research The Routledge/ECPR Studies in European Political Science series is published in association with the European Consortium for Political Research – the leading organization concerned with the growth and development of political science in Europe. -
Modernism and Identity in the Indian Subcontinent: a Sketch of Minnette De Silva and Her Works
Modernism and Identity in the Indian Subcontinent: A Sketch of Minnette de Silva and her Works A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfilment of the requirements for the degree of Master of Science in Architecture In the School of Architecture and Interior design of the College of Design, Architecture, Art and Planning By Anam Akhter (B.Arch) M.S. Architecture University of Cincinnati July 2018 Committee Chair: Jeff Tilman, PhD Committee Member: Rebecca Williamson, PhD i /Abstract Problem: How does national politics affect architecture and how are architects an important influence in not only the design process (as an opposition to the prevalence of ‘process’ in architectural design), but also as politically conscious individuals that can determine and act on social issues and make an impact or contribution? The Thesis focuses on the life and work of post-independent Sri Lanka’s first Modernist architect Ms. Minnette de Silva and her contribution to Regional Modernism which was an attempt to synthesize modernism with vernacular forms and crafts of the country. By looking at de Silva’s work through several lenses like national politics, identity issues, Modernism & CIAM, it will be shown how crucial developments in architecture have taken place (and could take place in the future), due to these influences, and the agency of the architect. More specifically, it will be shown how the question of IDENTITY came about in politics and hence in architecture (due to the influence of the Indian Independence movement whose ethos lay in asserting an ‘Indian-ness’ that was radically different from the colonial power), how de Silva asserted herself as a new voice in Sri Lankan architecture as a modernist trained form the AA, and how the identity of de Silva touched aspects of the ‘exotic’ – which has political connotations in itself, and how modernism figured out in her designs that sought to be modern as well as regional. -
The Romantic Era: Beginnings and Endings
Chapter 23 – The Romantic Era: Beginnings and Endings Illustration 1: "Symphony in White", James McNeil Whistler, 1862 If one were to try to sum up the zeitgeist of the Romantic Era in one phrase, it would be difficult to find a better one than simply, "the celebration of the individual". Not the mysterious and supernatural power of the Church; the individual. Not the grandiosity of the monarchy or even the hope of a representative government; the individual. Not the promise of reason and logic, not the potential of science and industry, not even the common bond of everyman; it is the individual whose voice we hear in the music and art. It is now the individual who is telling his own story and leading us to see the world through his own eyes. How did this happen? Great music and great art always tell stories on many levels. Certainly on one level, the spirit of the artist always speaks in his own unique voice. It is extremely difficult for a creative artist to remove himself from his artistic work—and a few have actually tried. Often the surface story is fairly obvious. A great deal of Medieval music—being religious—is about the Church. In it you can hear the great mysteries, the celebrations, the fears, the faith. Compare that with the modern era, where one can often hear the sense of excitement, confusion, and frustration with technology that seems to have taken over.i In a later era, the story being told is one of the grandeur of royalty, of the glory of the absolute monarchs. -
The Psychology of Creativity
History of Creativity Research 1 The Psychology of Creativity: A Historical Perspective Dean Keith Simonton, PhD Professor of Psychology University of California, Davis Davis, CA 95616-8686 USA Presented at the Green College Lecture Series on The Nature of Creativity: History Biology, and Socio-Cultural Dimensions, University of British Columbia, 2001. Originally planned to be a chapter in an edited volume by the same name, but those plans were usurped by the events following the 9/11 terrorist attack, which occurred the day immediately after. History of Creativity Research 2 The Psychology of Creativity: A Historical Perspective Psychologists usually define creativity as the capacity to produce ideas that are both original and adaptive. In other words, the ideas must be both new and workable or functional. Thus, creativity enables a person to adjust to novel circumstances and to solve problems that unexpectedly arise. Obviously, such a capacity is often very valuable in everyday life. Yet creativity can also result in major contributions to human civilization. Examples include Michelangelo’s Sistine Chapel, Beethoven’s Fifth Symphony, Tolstoy’s War and Peace, and Darwin’s Origin of Species. One might conclude from these observations that creativity has always been one of the central topics in the field. But that is not the case. Although psychology became a formal discipline in the last few decades of the 19th century, it took several generations before the creativity attracted the attention it deserves. This neglect was even indicated in the 1950 Presidential Address that J. P. Guilford delivered before the American Psychological Association. Nevertheless, in the following half century the field could claim two professional journals – the Journal of Creative Behavior and the Creativity Research Journal – several handbooks (e.g., Sternberg, 1999), and even a two-volume Handbook of Creativity (Runco & Pritzker, 1999).