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s Table of Contents Updated 8 May Table of Contents Conference at a Glance 3 Reasons to Attend 4 Conference Overview 5 Art Gallery, XYZN: Scale 8 Art Papers 9 Computer Animation Festival 10 Courses 11 Emerging Technologies 14 Production Sessions 15 Real-Time Live! 17 SIGGRAPH Mobile 18 Talks 20 Technical Papers 23 Exhibitor Tech Talks 34 Exhibitor List 36 General Information 38 Technical Materials 39 Registration Fee Information 40 SIGGRAPH 2013 Conference Committee 41 Co-Located Events 42 www.siggraph.org/s2013 SIGGRAPH 2013 Advance Program | Table of Contents 2 s Table of Contents Updated 8 May Conference at a Glance Conference schedule subject to change. Conference Registration Categories F Full Conference Access S Select Conference Access E+ Exhibits Plus E Exhibits Only Ex Exhibitors Sunday, 21 July Monday, 22 July Tuesday, 23 July Wednesday, 24 July Thursday, 25 July Registration/ 8 am-6 pm 8:30 am-6 pm 8:30 am-6 pm 8:30 am-6 pm 8:30 am-1pm Merchandise Pickup Center SIGGRAPH Store 8 am-6 pm 8:30 am-6 pm 8:30 am-6 pm 8:30 am-6 pm 8:30 am-5 pm F S ACM SIGGRAPH Award Presentations 10:45-11:30 am F S ACM SIGGRAPH Award Talks 2-3:30 pm ACM Student Research 2-3:30 pm Competition Final Presentation F S E+ Ex Art Gallery noon-5:30 pm 9 am-5:30 pm 9 am-5:30 pm 9 am-5:30 pm 9 am-1 pm F Art Papers 9 am-12:15 pm F S Ex Birds of a Feather Throughout the week Business Symposium 8:30 am-5:30 pm (Additional fee required) F S Computer Animation Festival 6-8 pm 6-8 pm 6-8 pm 10:45 am-12:30 pm Electronic Theater F S Computer Animation Festival 9 am-5 pm 9 am-5 pm 9 am-5 pm Daytime Selects F Courses 9 am-5:15 pm 2-5:15 pm 9 am-5:15 pm 9 am-5:15 pm 9 am-5:15 pm F S Dailies 6-8 pm F S E+ Ex noon-5:30 pm 9 am-5:30 pm 9 am-5:30 pm 9 am-5:30 pm 9 am-1 pm Emerging Technologies F S E+ E Ex Exhibition 9:30 am-6 pm 9:30 am-6 pm 9:30 am-3:30 pm F S E+ E Ex Exhibitor Tech Talks 9:30 am-6 pm 9:30 am-6 pm 9:30 am-3:30 pm F S E+ E Ex Exhibits Fast Forward 3:45-5:15 pm F Geek Bar 9 am-5:15 pm 9 am-5:35 pm 9 am-5:35 pm 9 am-5:35 pm 9 am-5:15 pm International Center 9 am-6 pm 9 am-6 pm 9 am-6 pm 9 am-6 pm 9 am-3:30 pm F S E+ E Ex Job Fair 9:30 am-6 pm 9:30 am-6 pm 9:30 am-3:30 pm F S Ex Keynote Speaker 11:30 am-1 pm F Panels 3:45-5:15 pm 2-3:30 pm Posters noon-5:30 pm 9 am-5:30 pm 9 am-5:30 pm 9 am-5:30 pm 9 am-5:30 pm Poster Sessions 12:15-1:15 pm 12:15-1:15 pm F S Production Sessions 10:45 am-3:30 pm 9-10:30 am 10:45 am-12:15 pm 9 am-5:15 pm 10:45 am-2 pm 3:45-5:15 pm 3:45-5:15 pm 3:45-5:15 pm F S Real-Time Live! 5:30-7 pm F Reception 8-10 pm F SIGGRAPH Mobile 9 am-5:15 pm F S E+ Ex Studio noon-5:30 pm 9 am-5:35 pm 9 am-5:35 pm 9 am-5:35 pm 9 am-1 pm F Talks 9-10:30 am 2-3:30 pm 9 am-12:15 pm 9 am-5:35 pm F Technical Papers 9 am-5:55 pm 9 am-5:35 pm 9 am-5:35 pm 9 am-5:15 pm F S Technical Papers 6-8 pm Fast Forward www.siggraph.org/s2013 SIGGRAPH 2013 Advance Program | Conference at a Glance 3 s Table of Contents Updated 8 May Reasons to Attend SIGGRAPH 2013 If you study, expand, create, use, and/or love computer graphics and interactive techniques, you need to be in Anaheim in July. It’s your only chance this year to meet, learn from, and schmooze with colleagues and friends from 83 countries. Intellectually engaging Creatively challenging Culturally edifying Big fun 5 full days and nights of learning the latest from the greatest and showing them what’s next, real, and effective. The result: You and your organization will be inspired and informed. Ready for a successful and rewarding year. Experts In Residence Essential Resources Consolidate new knowledge and skills by working directly with The SIGGRAPH 2013 Exhibition presents hardware, software, the experts in the field: and services from over 160 of the leading organizations in the industry. Some of them have exactly what you’re looking for, and 152 Technical Papers all of them have good stories to tell about what they do and why. In Exhibitor Tech Talks, they explain how. 120+ Posters World-Class Animation and Visual Effects 75+ Talks (includes Studio and SIGGRAPH Mobile) You’ll see the best of the past year’s work in animated 56+ Birds of a Feather sessions storytelling, scientific visualization, games, and feature films: 23 Courses 80+ Computer Animation Festival pieces 12 Studio projects 45 Dailies presentations 11 Studio workshops 17 Production Sessions 7 Art Papers 10 Real-Time Live! demos And explore ingenious left-brain, right-brain projects in the 15 Art Gallery works Pyrotechnics and 16 Emerging Technologies demos. SIGGRAPH 2013 is just across a major boulevard from Disneyland. Even if you don’t spend some time in the Magic Kingdom, you will probably enjoy its spectacular audio/visual show at 10 pm. Disney displays serious fireworks every night. www.siggraph.org/s2013 SIGGRAPH 2013 Advance Program | Reasons to Attend 4 s Table of Contents Updated 8 May Conference Overview SIGGRAPH 2013 Experience astounding images, and learn how they were created. Interact with tomorrow’s digital systems, and understand them. Meet the leading international innovators in computer graphics and interactive techniques, and share their knowledge. At SIGGRAPH 2013, you’ll find all the data, techniques, people, and inspiration you need for another successful year of research, development, creativity, and production. Conference Registration Categories One-Day registration includes one day admission to all conference programs and events and the Exhibition (Tuesday - Thursday). F Full Conference Access Does not include reception ticket or Full Conference DVD-ROM. S Select Conference Access E+ Exhibits Plus E Exhibits Only Ex Exhibitors F Reception Monday, 22 July, 8-10 pm Anaheim Convention Center, Arena Outdoor Plaza Celebrate another year of achievement, plan future collaborations, and share delicious desserts and toast-worthy beverages under the Southern California stars at the SIGGRAPH community’s highest-energy, most-anticipated social event of 2013. F S #siggraph #awards ACM Student Research Competition ACM SIGGRAPH Awards Presentations Fifteen student posters are selected for judging at SIGGRAPH (Immediately preceding the Keynote Session) 2013. The panel of distinguished judges selects five semi-finalists, who present their work to the judges. Three winners present their posters to SIGGRAPH 2013 attendees. F S #siggraph #awards ACM SIGGRAPH Award Talks F S E+ Ex #siggraph #artgallery The Steven Anson Coons Award for Outstanding Creative Contributions to Computer Graphics Art Gallery Presented during odd-numbered years, this award recognizes XYZN: Scale long-term creative impact on the field of computer graphics. Unique perspectives that focus on the ability to iteratively scale digital representations at will: in-out-up-down, back and forth, The Computer Graphics Achievement Award + and -. These core functions enable us to change size and Awarded annually to recognize a major accomplishment that: location over time, and at different degrees of resolution. provided a significant advance in the state of the art of computer graphics and is still significant and apparent. F S Ex #siggraph #bof Birds of a Feather (BOF) The Significant New Researcher Award Awarded annually to a researcher who has made a recent Informal presentations, discussions, and demonstrations, significant contribution to the field of computer graphics and designed by and for people who share interests, goals, is new to the field. technologies, environments, or backgrounds. The Distinguished Artist Award for Lifetime Achievement in F S #siggraph #caf Digital Art Computer Animation Festival Awarded annually to an artist who has created a substantial and important body of work that significantly advances aesthetic The past year’s finest achievements in animation, visual effects, content in the field of digital art. and visualization presented in the Electronic Theater and the Daytime Selects. ACM SIGGRAPH Outstanding Service Award This award is given annually to recognize outstanding service to ACM SIGGRAPH by a volunteer over a significant period of time. www.siggraph.org/s2013 SIGGRAPH 2013 Advance Program | Conference Overview 5 s Table of Contents Updated 8 May F #siggraph #courses #siggraph #international Courses International Resources Learn from the experts and gain inside knowledge that’s critical Learn how the industry is evolving worldwide and collaborate to career advancement. Courses range from an introduction with attendees from five continents. The International Center to the foundations of computer graphics and interactive offers informal translation services and space for meetings, techniques to advanced instruction on the most current talks and demonstrations.
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  • 3D ANIMATION Stash Media Inc

    3D ANIMATION Stash Media Inc

    3D ANIMATION STASH MEDIA INC. Editor: StePHen PRICE Publisher: GReg ROBins Associate editor: HEATHER GRIEVE Associate publisher: CHRISTINE STEAD Account manager: APRIL HARVEY Producer: BRANDON DEMARCO Submissions coordinator: ABBEY KERR Music editor: STEVE MARCHESE Proofing editor: MARILEE BOITSON Preview and montage editor: JEFF ZEMETIS Contributing producer: ERIC ALBA Technical guidance: IAN HASKIN Get your inspiration delivered monthly. 3D Every issue of Stash DVD magazine is packed with outstanding animation and VFX for design and advertising. Subscribe now: ANIMATION WWW.STASHMEDIA.TV ISSN 1712-5928 SUBSCRPTIONS: WWW.STASHMEDIA.TV. SUBMIssIONS: WWW.STASHMEDIA.TV/SUBMIT. CONTACT: STASH MEDIA INC. 484-1641 LONSDALE AVENUE, NORTH VANCOUVER, BC V7M 2J5 CANADA LEGAL THINGS: STASH MAGAZINE AND STASH DVD ARE PUBLISHED 12 TIMES PER YEAR BY STASH MEDIA INC. All RIGHTS RESERVED AND CONTENTS COPYRIGHT STASH MEDIA INC. NO PART OF THIS BOOKLET NOR THE STASH DVD MAY BE COPIED WITHOUT EXPREss WRITTEN PERMIssION FROM THE PUBLISHER. CURATED IN NEW YORK, PRINTED IN CANADA. stash 01.02 NIKE “EvOLUTION” TVC :30 (Director’s Cut) Agency: WIEDEN+KENNEDY USA Director: NEILL BLOMKAMP Production/animation/VFX THE EMBASSY www.theembassyvfx.com Building on the success of “Crab”, their previous Nike assignment, Vancouver-based director Neill Blomkamp and The Embassy crew unwrap the ancestral lineage of Nike’s Air Zoom Huarache 2K4 trainer via some technically grueling CG masquerading as stop motion. BTW, this is the director’s cut. For The Embassy For Wieden+Kennedy