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Beck Anne CV Curriculum Vitae For Anne Beck 8832 Glass Chimney Lane Fishers, IN 46037 (317)371-5000 [email protected] MISSION STATEMENT As an experienced performer in the dance and musical theatre fields I share an understanding of the needs and desires of artistic students. I strive to be a motivating, enthusiastic, well-prepared teacher to give my students on all levels the best education and examples of learning. I am committed to promoting the education and advancement of students and I am passionate about sharing in their journeys. I strongly strive to establish a supportive relationship with students, parents and fellow faculty to provide a nurturing environment while reinforcing their independence and self esteem. My classes are inclusive and safe at all times. Having degrees in Dance and also in Massage Therapy from New York State accredited programs, I aim to provide a healthy approach to my lecture and studio work to help prepare the artists for years of professional development. I desire a position with a University program or an institute where students are of the age to take dance and/or performance to serious intentions and a love for the arts. I know I would be a great addition to encourage, challenge, and inspire students, as well as collaborate on a fantastic team and faculty of educators. EDUCATION STATE UNIVERSITY of New York at Buffalo B.A Musical Theatre and Dance Education 1993 Graduated Magna Cum Laude Recipient of Arts and Letters Scholarship 1993 Proficiency in vast Musical Theatre dance styles, History and choreographers including Bob Fosse, Gower Champion, Michael Bennet, Jerome Robbins, Michael Kidd, Tommy Tune. Proficiency in Jazz Techniques including Matt Mattox Technique, Luigi Technique, Jack Cole, Ron Lewis , Gus Giordano and Phil Black. Proficiency in Tap genres including rhythm tap, classical tap/soft shoe, and Broadway tap. Knowledge in classic movie musical icons such as Ann Miller, Gene Kelly, Fred Astaire, Shirley Temple and Nicholas Brothers to name a fe MASTER CLASSES Tony Stevens, Ann Reinking, Savion Glover, Randy Skinner, Nan Giordano, Luigi, Gwen Verdon, Andy Blankenbuhler, Casey Nicholaw BROADWAY DANCE CENTER Studied 15 years from various instructors as dance performer and to further education process post my collegiate studies STEPS on BROADWAY Studied 15 years from various instructors as dance performer and to further education process post my collegiate studies **On Scholarship to earn work/study program. Took unlimited classes per week. 1994-1999 Mentors and Teachers include but not limited to: Tom Ralabate, Lynne Kurdziel-Formato, Alan Onickel, Randy Skinner, Bob Rizzo, Vincent O’Neil, Andy Blankenbuhler, Michael Owens, Tony Stevens Stephen Henderson (Tony Nominee 2010) A Complete list of coaches, teachers and disciplines available upon request EDUCATION SUMMARY: Hours of Intensive formal classroom training in Dance technique, performance, education, research, choreography, history, improvisation, technical theatre, acting, singing, arts in education and anatomy. NON ARTS RELATED EDUCATION: SWEDISH INSTITUTE New York City 2002-2004 Associate Degree of Occupational Massage Therapy 2004 *Valedictorian of Class *Presidents Scholarship Recipient Skilled and licensed massage therapist (LMT) proficient in therapeutic massage, Swedish Massage, Shiatsu, Myofascial Release Techniques, PNF Techniques and Stretching (Proprioceptive Neuromuscular Facilitation), Deep Tissue Massage Also Skilled in Anatomy, Body Maintenance, Injury Prevention, Injury Recovery TEACHING EXPERIENCE BALL STATE UNIVERSITY- Aug 2015- Present Adjunct Instructor Department of Theatre and Dance *specializing in all levels of Jazz, Musical Theatre and Tap *On production staff as Co Director/Choreographer for A Chorus Line-Spring 2018 Jazz: focusing on techniques of Matt Mattox, Luigi, Gus Giordano, Ron Lewis, auditioning, prepping students for professional work, introducing jazz pioneers and iconic trends. History of Jazz Dance and Roots in relationship to Jazz dance vernacular. Also building your dancing as a business and how to market yourself. How to have a long lasting career and body maintenance. Musical Theatre: * focusing on social dances and histories of the Waltz, tango, Maxixe, Castlewalk, Calkwalk, Gavotte. *Historical ties and dances of the ragtime era and turn of the century. *Historical ties and dances of the 20’s (charleston, black bottom, knee jazz, the itch, window washer *Dances of the Swing Era: shorty George, Lindy Hop, Truckin, Peckin etc.. *Dances of the 50’s and Rock and Roll Era *Dances of the 60’s(twist, crocodile, frug. Jerk, pony, *Dances of the 70’s and Disco era *Knowledge and History or Musical Theatre icons early-modern day *Original Broadway Choreography taught from shows 1999- present day. *Original Broadway Choreography of Jerome Robbins, Bob Fosse, Gower Champion, Michael Bennett, Tommy Tune and intense study of these early Director/ CHoreographers *Audition techniques: How to stand out. How to pick up choreography quickly and effectively. Tricks to having great auditions. How to make reels, resumes and submit for auditions when you can not get there live. *How to have a long lasting career and body maintenance. Tap: Beginner tap: introduction to universal vocabulary, basic steps, weight changes, listening with ears and dancing hips over feet for proper weight. Single counts sounds eventually graduating to double and triple. Goal of this class, no matter the incoming level is to let them feel good about a basic tap audition Intermediate tap: Adding sounds to all basic steps. Shim Sham study. Difficulty in time steps and traveling time steps. Picking up choreography. Advanced tap: working on changing styles. Picking up tap from watching or verbal clues. Adding intricate extra sounds via pickups and pullbacks. Longer assessed combinations and fun trick steps/flash steps. Auditions well for the tap choreographer. INTERNATIONAL GUEST FACULTY: Dance Masters Abroad. Musical Theatre and Jazz Instructor Modena, Italy and Sardenia, Italy 2003 Canadian Dance Masters. Jazz, Tap, Musical Th. Instructor 2002,2000 Musical Theatre Master Classes taught. Mexico City. Big League Theatricals. 1996 NATIONAL GUEST APPEARANCE ON FACULTY: Dance Masters of America National Convention New Orleans, LA 2013, 2015,1017 Jazz and Musical Theatre Dance Masters of America National Convention Orlando, Florida 2007, 2012, 2018 Musical Theatre and The Music Theatre Audition Dance Masters of America National Convention New York City 2004, 2009 Jazz and Musical Theatre Dance Masters of America Teachers Training Seminar Buffalo, NY 2000-2015 • Work in accordance to DMA policies and curriculum • Adhere to Dance Masters (DMA) core values • Adhere and administer classes to prep teachers in Musical Theatres genre and jazz syllabus for testing • Prepared teachers nationally and internationally for testing jazz syllabus levels 1,2,3,4 and advanced. • Work well with faculty and administration actively for successful programming and structure • Keep guidelines and follow syllabus Musical Theatre and Jazz Department Heads create • Participate and contribute to staff meetings • Teach within designated subject areas • Teach appropriate musical theatre syllabi, dance history facts, era and social dance history facts, choreographer knowledge and original Broadway dance choreography Summer Student Honors Intensive Program (SHIP) Buffalo, NY 2000-present • Original guest faculty member designing Musical Theatre Program and hired 15 years consecutively • Core faculty member teaching Musical Theatre Dance, Musical Theatre Production, and Musical Theatre Audition Workshop • Teach 13-18 yr old excelled scholarship students from US AND CANADA for week long intensive • Work with program directors on programming and student objectives • Monitor student progress • On Core Faculty to choose scholarship winners in each age group based on discipline, attitude, ability, and talent in the dance field • Ensure confidence in students • Actively involved in curriculum development and scholarship • Choreograph grand musical theatre production number for showcase • Original Broadway choreography master classes • Extensive list of mentored students on career and dance goals/college choices • Wrote several university, collegiate and conservatory letters of recommendations in mentoring process Guest Faculty Member to teach for several Dance Masters National Chapters Musical Theatre, Jazz, Tap, Lyrical, Audition Techniques for over 20 years. Dance Masters of Ohio, Boston, Louisiana, Michigan, New York, Florida, Pennsylvania, St. Louis, Dance Masters of the Bluegrass, and Dance Masters of Connecticut. Carolina Dance Masters 2000, 2002, 2006, 2009, 2014, Musical Theatre Dance, Audition workshops NEW YORK CITY FACULTY Steps On Broadway FACULTY Member- New York City Ongoing 2001-2006 Taught:Adv. Beg Theatre Dance, Adv Theatre Dance, Theatre Dance for Singers, Int/Adv Broadway Musical Theatre Styles, Int/Adv Tap Broadway Dance Centre FACULTY Member New York City Taught Musical Theatre Intensives Ongoing 2001-2006 FOOTLOOSE ON BROADWAY National Marketing Campaign TEACHER 1994-1995 Traveled month prior to National Tour arriving in a city to teach Original Broadway Choreography as a promotion and corporate marketing campaign STUDIO GUEST FACULTY NATIONALLY on and off 1999 - present Avante Dance and Gymnastics Guest Faculty-Columbus, Ohio (Sue Bacchas) Ann Freeman Dance Academy -Hickory, North Carolina (Ann Freeman) Robert Mann Dance Academy -Bayside, New York (Bob Mann)
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