Evelyn Venable Scrapbook Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Devices for Enlivening the Presentation of Shakespeare in The
184 THE VIRGINIA TEACHER [Vol. IV, Nos. 7-8 tion by putting out the very light of history structed. Thus we have activities in which and science. If ever any nation had a great the pupils can take a real part and gain valu- mission, it is ours. Let us not deceive our- able information through their contact with selves; the examples and the precepts of Jeffer- the actual construction far better than through son and Lincoln cannot be abandoned. If a mere general discussion, with no model to thinkers arise and teachers bestir themselves base their knowledge upon. our great democracy shall yet not fail. There is a great need for the use of ac- William E. Dodd tivities in the study of literature. No subject offered in the high school curriculum can plead a greater need. Although there has DEVICES FOR ENLIVENING been in the past a noticeable neglect along this line, it is thought that the educators of THE PRESENTATION OF the present day are waking up to the advant- SHAKESPEARE IN THE ages derived from the use of activities and are giving their much-needed influence to pro- HIGH SCHOOL mote this phase of education. The study of literature is no longer looked upon as a science. \ vHE subject matter of English con- It is now regarded primarily as an art, to be sists primarily of activities, not of learned by practice rather than by generali- information. It provides a means zation. The field of activities open in the for the development of ideals, attitudes, skill, study of literature is full and will be discussed and habits rather than for the acquisition of a in concrete form later. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
DAAP Graduate Wins Academy Award
newsrecord.org@NewsRecord_UC /TheNewsRecord @thenewsrecord pg. 4 | UCPD officers pg. 7 | Nine questions save student’s life with Trevor Moore Wednesday, March 6, 2019 New poetry club at UC ANDREA WARD | CONTRIBUTOR of the Cincinnati Poetry Collective, a new poetry Chairs and lime-green club at the University of couches are arranged in Cincinnati. Organizers Ryan a large circle next to the Talbot, Malik Aguiniga and stacks in the Elliston Poetry Ava Whitson, all of whom Room in Langsam Library. are second-year students at Roughly 30 students talk UC, founded the club to fill and laugh while music plays a poetry hole on campus, in the background, and they said. different scenes flash from The three of them met in a projection that stretches fall 2018 when they sat next across the ceiling and the to each other during a small far wall. introductory poetry class A podium placed next to taught by Kimberly Grey. a stack closes the circle. “All throughout the There’s enough room for class, we kind of slowly someone to stand behind opened up with each other,” it without bumping elbows said Aguiniga, the vice with a shelf that houses president of the club and a a portion of the room’s communications student. poetry collection. Nineteen Talbot, Aguiniga and students stand behind the Whitson have been writing podium this evening, and since childhood, but Grey’s each of them share some of class cemented their shared their poetry. Poetry Continued This is the first open mic on Page 2 Hannah Beachler, a University of Cincinnati DAAP graduate, won an Academy Award for Best Production Design. -
Deceptionthe Llotnnnra of Ann» Bolryn Pnaannn
! Theatres under Uiei dlreclion'mmm." U. S. Zionist Plan Mine. Culp Walter Film Do AMEtttCA'8 EOKEMQBT THBATEEB AND HIT8. PHREOTlQW OF LK>; '"" Rcappcars Hampden Says Imports of Hugo Rlesenfeld AMi .1. .1 siit'BFl With A/ctors Here an HBrf*. Ripeiied Soprano At Not Injure f>nt. 1'arV W Is 30 Like Nullificatioii, Broadhurst RIVOLHt^K THE WINTER GARDEN'S EV08. AND BAT. MAT.. 50« t» $2.50..POP BROADHURff: Contlmtoua .AJ.,1. In Noon lo Ilt30 P. M. PTAH_C»it... Ui«_Kw<r BjiectacleJMAT. IBauer. Gabrilowitsch and Kreis- Produccr Dcelarea Tariff Would Greatest TODAY Rosenblatt Savs ler on Laughing Hit l fteate Also Beethoven Con- .ause Retaliation Ahroad and IN THE NI6HT WATGHrtt.OO. oert Program IuJ^Macbeth-' Harm U. S. Industry MSSUfCSHOW HampdeN Magistralc Asserts Judge No more distinguishcd nrtisls could Couveiitioual Production of American actors and actressea are OF 1931. OPENING TO-N1GHT -IMACBETrl h«ve been choscn for tho season's finn] to not being deprived of a livelihood as a DeceptionThe llotnnnrA of Ann» Bolryn pnaannn. Mem- Mack's Proviso Woiild Play Serves Make restilt of the hcavy importations of A Param-ount Pict.urit Willie & Eugene Howard "L1LIOM" BOOTH concert. by the Beot.hoven Association of lilm was tho Ilv F7an* Moinar. GEORGEffiiZ"rfo&VaS Have Given Power Over than tUoHO who ory the Hopkins "Ven- foreign productionn opin- SPECIAL MUSIC PROGRAM mOB. »:15. MAT. TO-M'W. 2:15. A THEATRE OUILD Produrtlon. appoared at Acolian ion exprcHticd yesterday by L. Auerbach, FIRST MATINEE TO-MORROWl. World Fund 11*11 last cvoning, Hnrold Bauer, Onsip lure a Little More vico-prcsident of the Export and Im- Thealre. -
Early Cosmetic Contact Lenses for Hollywood Film Actors
83 Hist Ophthal Intern 2015,1: 83-86 Early Cosmetic Contact Lenses for Hollywood Film Actors Robert F. Heitz, MD, PhD. Strasbourg Summary The first use of contact lenses to alter the look of actors in Hollywood goes back to the year 1939. That year, the optometrist Reuben Greenspoon from Berverley Hills had presented a demonstration of ocular molding on the living eye for educational films. Later on he adapted colored contact lenses to the actor Henry Hull for the movie Miracles of Sales and also to the actor Walter Hampton for North West Mounted Police. The next year Greenspoon modified on that manner the aspect of the eyes of Orson Welles and of Joe Cotton for the famous film Citizen Kane. In 1945, Greenspoon modifies the eyes of actor Herbert Marshal into blind eyes in The Enchanted Cottage. Reuben Greenspoon became the expert and the reference for the adapta- tion of cosmetical contact lenses for the entertainment industry of Hollywood. Key Words: Cosmetic contact lenses, film actors, Reuben Greenspoon. film producer Jerry Fairbanks in 1935 and Reuben Greenspoon, optometrist in produced with the cooperation of the editor of Beverly Hills (California), acquired a reputa- Popular Science Magazine. The series (1935- tion for supplying cosmetic contact lenses for 1949) was filmed in Magnacolor, as a enter- Hollywood film actors.1 tainment production to chronicle the progress of science, industry and popular culture du- Paramount's "Popular Science" (1940) ring the first half of the 20th Century. 3 In fact, the relationship between lens Miracle of Sale (1939) technology and the movie industry began when two patients, Jerry Fairbanks and Bob The first motion picture in which cos- Carlisle produced and directed respectively a metic contact lenses were used to create a film series named 'Popular Science’ and re- special eye effect was 'Miracles for Sale' pro- leased by Paramount Pictures. -
Eden to Be Questioned
** THE EVENING STAR, Washington, D. C. Two Hammers A-6 MONDAY. MAY 14, 19M Waiters Sparkman Calls Seek Union Posts Talmadge Says Eden to Be Questioned Red China Calls Two Hammel’s Restaurant '¦ Mr\&'' ¦, f-* employes announced their can- jr ,r,,, ~^x«WPy didacy today for office in forth- On Frogman Case Today Health Issue coming elections of the Waiters He Would Vote Congress LONDON, May (jP).—Prime Its Union, stay W .; 'JB Local 781. 14 i end in Scotland to fly back if Minister govern- W / mapped night ?••$ jPslg ,£'!’*¦* v Jffig HE Running for president is Eden to London last and prepare HONG KONG, May 14 (IP).— Wilmer Alexander. James Vranas; ment strategy for tonight’s his speech for tonight’s debate, Redi China has summoned its parliament : Unimportant is running for a position on thej showdown session on During the day he was to meet iNational Peoples’ Congress to For his handling of the strange with cabinet leaders executive board. Balloting will, Stevenson case and brief tmeet next month and has called place headquar- . of the missing British frogman them strategy. Hr,* By JACK BELL take at union Former Gov. Herman Tal- on his Laborite ffor biannual local elections during AiiiMMßi ; *WMs ters, 1005 E N.W., and the Soviet warships. Leader Hugh. Gaitskell also Associated Press Staff Wrtter street of Frl- 1 madge of Georgia, leading can- was tthe last half of this year, the —U '* Jtf >* .-:•« day. May 25. Sir Anthony was needed for a expected to call in his “shadow Communist( New China - .lag Senator Sparkman. -
Histoph Vol.1 Issue 1 Defin Histoph Layout 1
83 Hist Ophthal Intern 2015,1: 83-86 Early Cosmetic Contact Lenses for Hollywood Film Actors Robert F. Heitz, MD, PhD. Strasbourg Summary The first use of contact lenses to alter the look of actors in Hollywood goes back to the year 1939. That year, the optometrist Reuben Greenspoon from Berverley Hills had presented a demonstration of ocular molding on the living eye for educational films. Later on he adapted colored contact lenses to the actor Henry Hull for the movie Miracles of Sales and also to the actor Walter Hampton for North West Mounted Police. The next year Greenspoon modified on that manner the aspect of the eyes of Orson Welles and of Joe Cotton for the famous film Citizen Kane. In 1945, Greenspoon modifies the eyes of actor Herbert Marshal into blind eyes in The Enchanted Cottage. Reuben Greenspoon became the expert and the reference for the adapta- tion of cosmetical contact lenses for the entertainment industry of Hollywood. Key Words: Cosmetic contact lenses, film actors, Reuben Greenspoon. film producer Jerry Fairbanks in 1935 and Reuben Greenspoon, optometrist in produced with the cooperation of the editor of Beverly Hills (California), acquired a reputa- Popular Science Magazine. The series (1935- tion for supplying cosmetic contact lenses for 1949) was filmed in Magnacolor, as a enter- Hollywood film actors.1 tainment production to chronicle the progress of science, industry and popular culture du- Paramount's "Popular Science" (1940) ring the first half of the 20th Century. 3 In fact, the relationship between lens Miracle of Sale (1939) technology and the movie industry began when two patients, Jerry Fairbanks and Bob The first motion picture in which cos- Carlisle produced and directed respectively a metic contact lenses were used to create a film series named 'Popular Science’ and re- special eye effect was 'Miracles for Sale' pro- leased by Paramount Pictures. -
Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; Supervising Directors: Hamilton Luske and Ben Sharpsteen
August 27, 2019 (XXXIX: 1) Hamileton Luske and Ben Sharpsteen (supervising directors): PINOCCHIO (1940, 88m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTORS Sequence directors: Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; supervising directors: Hamilton Luske and Ben Sharpsteen WRITING: Based on the story by Carlo Collodi; adapted by Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia, and Bill Peet PRODUCED BY Walt Disney ART DIRECTION Ken Anderson, Hugh Hennesy, John Hubley, Dick Kelsey, Kendall O'Connor, Charles Philippi, Thor Putnam, Terrell Stapp, Mel Blanc...'Giddy' Gideon (hiccup) / Cleo McLaren Stewart, and Al Zinnen Billy Bletcher...Donkeys Don Brodie...Carnival Barker MUSIC Leigh Harline and Paul J. Smith Stuart Buchanan...Carnival Barker Walter Catlett...J. Worthington Foulfellow ANIMATION DIRECTORS: Art Babbitt, Milt Marion Darlington...Birds Kahl, Ward Kimball, Eric Larson, Fred Moore, Frankie Darro...Lampwick Wolfgang Reitherman, Bill Tytla Cliff Edwards...Jiminy Cricket Dickie Jones...Pinocchio / Alexander AWARDS: Charles Judels...Stromboli / The Coachman In 1941, the film won two Academy Awards for Best John McLeish...Carnival Barker Music, Original Song (Leigh Harline and Ned Jack Mercer...Carnival Barker Washington) for "When You Wish Upon a Star" and Clarence Nash...Figaro /Rough House Animatronic / Best Music, Original Score (Leigh Harline, Paul J. Donkeys Smith, and Ned Washington). In 1994, it was selected Patricia Page...Marionettes by the National Film Preservation Board to enter the Thurl Ravenscroft...Monstro the Whale National Film Registry. -
Risoner of Shark Island' Af Lyric, | Hit in Dance Give Varied Brings Tears for Innocent Doctor Who Team's Film Recital Here Treated Booth After Shooting Lincoln
PAGE 4 THE INDIANAPOLIS TIMES MARCH 7, 1930 Coming to Loew's Indiana Has Stars Feature Circle's Twin Bill Milstein to 'Prisoner of Shark Island' af Lyric, | Hit in Dance Give Varied Brings Tears for Innocent Doctor Who Team's Film Recital Here Treated Booth After Shooting Lincoln Fred Astaire, Ginger Rogers Young Russian Violinist Warner Baxter Gives Excellent Characterization of Physician Assisted by Gloria Tip-Tap Way Through to Play Tomorrow Stewart and Other Stars: Eddie Peabody Tops Stage Show, Including ‘Follow the Fleet/ at English’s. Aunt Jemina of ‘Show Boat’ Fame. BY JOHN W. THOMPSON A program ranging from the sev- We Yankees are going to hang our heads in shame at the way our It looks like boom time for the enteenth century Cremonese com- JBffi treated Dr. Samuel Mudd. who set John Wilkes Booth s leg after ancestors May. Moore are seen Indiana this week with these tip- poser Vitali to Kodaiy. modern Hun- he had shot Lincoln, in "The Prisoner of Shark Island" at the Lyric. and Martin in toppers among tap-tappers, Fred garian writer, is to be presented by When rushed into the comedy steps as well as serious Booth TANARUS.) Astaire and Ginger Rogers, hitting Nathan Milstein, young Rusian vi- home, Dr. Mudd did dance specialties. (By J. W. physician's months of but the deck to Irving Berlin s music in olinist, at English’s tomorrow. It is any other doctor would have horrible punishment, what was put in a dun- “Follow the Fleet.” to mark the last of the regular Mar- But recaptured and done. -
Bragdon Family Papers
BRAGDON FAMILY PAPERS Department of Rare Books, Special Collections, and Preservation Rush Rhees Library Second Floor, Room 225 Rochester, NY 14627-0055 [email protected] URL: http://www.library.rochester.edu/rbscp BRAGDON FAMILY PAPERS Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical note .......................................................................................................................... 3 Scope and Contents note ............................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 7 Boxes 1-5. General correspondence ........................................................................................................... 7 Boxes 6-18. Family Correspondence, first series. ...................................................................................... 8 Boxes 19-26. Family Correspondence, second series ............................................................................... -
Towards a Postmodern Macbeth| Directing Shakespeare in Contemporary Times
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1992 Towards a postmodern Macbeth| Directing Shakespeare in contemporary times Glenn Charles Williams The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Williams, Glenn Charles, "Towards a postmodern Macbeth| Directing Shakespeare in contemporary times" (1992). Graduate Student Theses, Dissertations, & Professional Papers. 3927. https://scholarworks.umt.edu/etd/3927 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY Copying allowed as provided under provisions of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financial gain may be undertaken only with the author's written consent. University of Montana TOWARDS A POSTMODERN MACBETH: DIRECTING SHAKESPEARE IN CONTEMPORARY TIMES By Glenn Charles Williams BS, Liberty University, 1985 Presented in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Montana 1992 Approved A Dean, Graduate School r Dat^/ UMI Number: EP35274 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Walter Hampdii
FEB. 11, 1933 THE INDIANAPOLIS TIMES PAGE 5 ‘STATE FAIR’ AND ‘SIGN OF THE CROSS’ ARE NOW ON VIEW Irene Dunne Plays Role of an English Chorus Girl in ‘The Raynor Lehr Has Large Company of Singers. Dancers Secret of Madame Blanche,’ the Dramatic Fea- and Specialty Entertainers With Him in ‘Small-Town ture on Current Bill at the Palace. Boy/ Now on View at the Lyric Theater. than 100 000 people, among them eight of the screen's leading “O MALL-TOWN BOY." featuring Raynor Lehr and his thirty players Is stars, appear in Fox Film's “State MORF Fair,” now at the Apollo theater. presented as the headline stage attraction on the Lyric stage this The stars of the production are Janet Gaynor, will Rogers, Lew week. Ayres, Sally Eilers, Norman Faster, Dresser, Frank Craven and Other feature RKO vaudeville acts conclude the stage bill. Victor Jory. “Unwrit- 0 ten Law',” co-starring Greta Skeets Gallagher and Miss Mary Brian Gaynor, Rogers, Foster and Miss Dresser are seen as members of is the screen feature on view. a midwest farm - ; JMajk family enjoying their annual outing at the state fair. &olm- “Small-Town Boy" is a play that carries both a moral and love them* Ayres plays a newspaper reporter who covers the fair for his paper, and there is ample room for the speciality songs and dances which Lehr Miss Eilers portrays a carnival trapeze performer, Craven characterizes a offers in conjunction with the presentation. country storekeeper and Jory appears as a barker. Numerous musical numbers and vaudeville specialities are interspersed Henry King, who directed “State during the action of the play.