Eden to Be Questioned
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Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
DAAP Graduate Wins Academy Award
newsrecord.org@NewsRecord_UC /TheNewsRecord @thenewsrecord pg. 4 | UCPD officers pg. 7 | Nine questions save student’s life with Trevor Moore Wednesday, March 6, 2019 New poetry club at UC ANDREA WARD | CONTRIBUTOR of the Cincinnati Poetry Collective, a new poetry Chairs and lime-green club at the University of couches are arranged in Cincinnati. Organizers Ryan a large circle next to the Talbot, Malik Aguiniga and stacks in the Elliston Poetry Ava Whitson, all of whom Room in Langsam Library. are second-year students at Roughly 30 students talk UC, founded the club to fill and laugh while music plays a poetry hole on campus, in the background, and they said. different scenes flash from The three of them met in a projection that stretches fall 2018 when they sat next across the ceiling and the to each other during a small far wall. introductory poetry class A podium placed next to taught by Kimberly Grey. a stack closes the circle. “All throughout the There’s enough room for class, we kind of slowly someone to stand behind opened up with each other,” it without bumping elbows said Aguiniga, the vice with a shelf that houses president of the club and a a portion of the room’s communications student. poetry collection. Nineteen Talbot, Aguiniga and students stand behind the Whitson have been writing podium this evening, and since childhood, but Grey’s each of them share some of class cemented their shared their poetry. Poetry Continued This is the first open mic on Page 2 Hannah Beachler, a University of Cincinnati DAAP graduate, won an Academy Award for Best Production Design. -
Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; Supervising Directors: Hamilton Luske and Ben Sharpsteen
August 27, 2019 (XXXIX: 1) Hamileton Luske and Ben Sharpsteen (supervising directors): PINOCCHIO (1940, 88m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTORS Sequence directors: Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; supervising directors: Hamilton Luske and Ben Sharpsteen WRITING: Based on the story by Carlo Collodi; adapted by Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia, and Bill Peet PRODUCED BY Walt Disney ART DIRECTION Ken Anderson, Hugh Hennesy, John Hubley, Dick Kelsey, Kendall O'Connor, Charles Philippi, Thor Putnam, Terrell Stapp, Mel Blanc...'Giddy' Gideon (hiccup) / Cleo McLaren Stewart, and Al Zinnen Billy Bletcher...Donkeys Don Brodie...Carnival Barker MUSIC Leigh Harline and Paul J. Smith Stuart Buchanan...Carnival Barker Walter Catlett...J. Worthington Foulfellow ANIMATION DIRECTORS: Art Babbitt, Milt Marion Darlington...Birds Kahl, Ward Kimball, Eric Larson, Fred Moore, Frankie Darro...Lampwick Wolfgang Reitherman, Bill Tytla Cliff Edwards...Jiminy Cricket Dickie Jones...Pinocchio / Alexander AWARDS: Charles Judels...Stromboli / The Coachman In 1941, the film won two Academy Awards for Best John McLeish...Carnival Barker Music, Original Song (Leigh Harline and Ned Jack Mercer...Carnival Barker Washington) for "When You Wish Upon a Star" and Clarence Nash...Figaro /Rough House Animatronic / Best Music, Original Score (Leigh Harline, Paul J. Donkeys Smith, and Ned Washington). In 1994, it was selected Patricia Page...Marionettes by the National Film Preservation Board to enter the Thurl Ravenscroft...Monstro the Whale National Film Registry. -
Evelyn Venable Scrapbook Collection
http://oac.cdlib.org/findaid/ark:/13030/kt6489r0tn No online items Finding Aid for the Evelyn Venable Scrapbook Collection Processed by Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2006 The Regents of the University of California. All rights reserved. Finding Aid for the Evelyn 279 1 Venable Scrapbook Collection Descriptive Summary Title: Evelyn Venable Scrapbook Collection Collection number: 279 Creator: Venable, Evelyn Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Physical location: COLLECTION STORED OFF-SITE: Advance notice required for access. Access Collection is open for research. Publication Rights Property rights in the physical objects belong to the Performing Arts Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish if the Performing Arts Special Collections does not hold the copyright. Preferred Citation [Identification of item], Evelyn Venable Scrapbook Collection, 279, Music Library Special Collections, University of California, Los Angeles. Biography Evelyn Venable was born in Cincinnati, Ohio on October 18, 1913, the only child of Professor Emerson Venable and Dolores Cameron. Evelyn's acting career began in her junior year, when at the age of 14 she was cast to play Juliet in her high school's production of "Romeo and Juliet". -
OFFICIAL BALLOT You Ain't Heard Nothin' Yet!
OFFICIAL BALLOT You ain't heard nothin' yet! May the Force be with you. There's no place like home. Frankly, my dear, I don't give a damn. Show me the money! American Film Institute is grateful to for their support of AFI’s ongoing celebration of the cinema centennial. Dear Juror: You have been chosen to participate in a historic moment in American film. Ten years ago, AFI invited leaders from across the film community—artists, scholars, critics and historians—to select the 100 greatest American movies of all time. It was an event designed to celebrate the cinema centennial and to catalyze a national conversation about the movies. And it worked. AFI’s 100 Years…100 Movies and the annual specials that have followed continue to draw attention to the classics of American film—driving audiences to watch and re-watch the movies and stimulating discussion from the watercooler to the Internet. This year, to honor the 10th Anniversary of the AFI’s 100 Years… Series, AFI is repolling the experts and asking, “What are the greatest American films of all time? And which is the greatest?” AFI’s 100 Years…100 Movies—10th Anniversary Edition will allow us to add the past decade of American films to the debate, as well as to consider a changing cultural perspective. This is a poll we will conduct every ten years across the 21st century, so now is the time to cast your vote for the decade and help AFI begin the conversation for a new generation. The celebration begins here—with you.