The Logic of Invention
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Appendix a Case: 1:18-Cv-00357-TSB-KNM-MHW Doc #: 262 Filed: 05/03/19 Page: 1 of 301 PAGEID #: 23358
Appendix A Case: 1:18-cv-00357-TSB-KNM-MHW Doc #: 262 Filed: 05/03/19 Page: 1 of 301 PAGEID #: 23358 UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF OHIO WESTERN DIVISION OHIO A. PHILIP RANDOLPH INSTITUTE ) et al., ) No. 1:18-cv-357 ) Plaintiffs, ) OPINION AND ORDER ) v. ) ) LARRY HOUSEHOLDER et al., ) ) Defendants. ) Before: Moore, Circuit Judge; Black and Watson, District Judges. TABLE OF CONTENTS I. BACKGROUND ……………………………………………………….………..…………….. 5 A. General Overview of the Facts ……………………………………………………...… 5 B. Procedural History ………………………………………………………………….... 28 II. SUMMARY OF THE EVIDENCE PRESENTED AT TRIAL …………………………...… 30 A. Plaintiffs’ Fact Witnesses …………………………………………………………… 30 B. Defendants’ Fact Witnesses …………………………………………………………. 45 C. Plaintiffs’ Expert Witnesses ……………………………………………………….… 55 D. Defendants’ and Intervenors’ Expert Witnesses ………………………………...…… 93 III. STANDING ……………………………………………………………………………….. 114 A. Vote-Dilution Claims …………………………………………………………...….. 115 B. First Amendment Associational Claim ……………………………………………... 134 C. Article I Claim ………………………………………………………………...……. 139 IV. JUSTICIABILITY, THE POLITICAL QUESTION DOCTRINE, AND THE ROLE OF THE FEDERAL COURTS IN REDISTRICTING ………………………………………………..… 139 A. Justiciability and The Political Question Doctrine ……………………………….… 139 B. Evidentiary Metrics and Statistics ………………………………………………..… 149 C. Pragmatic and Historical Considerations …………………………………………… 154 V. LEGAL STANDARDS AND APPLICATION ……………………………………………. 166 A. Equal Protection Vote-Dilution Claim …………………………………………...… -
In Their Own Words: Voices of Jihad
THE ARTS This PDF document was made available from www.rand.org as CHILD POLICY a public service of the RAND Corporation. CIVIL JUSTICE EDUCATION Jump down to document ENERGY AND ENVIRONMENT 6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS The RAND Corporation is a nonprofit research NATIONAL SECURITY POPULATION AND AGING organization providing objective analysis and PUBLIC SAFETY effective solutions that address the challenges facing SCIENCE AND TECHNOLOGY the public and private sectors around the world. SUBSTANCE ABUSE TERRORISM AND HOMELAND SECURITY Support RAND TRANSPORTATION AND INFRASTRUCTURE Purchase this document WORKFORCE AND WORKPLACE Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Learn more about the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND monographs undergo rigorous peer review to ensure high standards for research quality and objectivity. in their own words Voices of Jihad compilation and commentary David Aaron Approved for public release; distribution unlimited C O R P O R A T I O N This book results from the RAND Corporation's continuing program of self-initiated research. -
Violent Jihad in the Netherlands
Violent Jihad in the Netherlands Current trends in the Islamist terrorist threat Violent Jihad in the Netherlands Current trends in the Islamist terrorist threat 2 Contents Foreword 5 Introduction 7 The murder of Theo van Gogh: consequences and effects 7 General trends in the development of jihadism 9 Framework of terms and definitions 10 1 From exogenous threat to home-grown terrorism 13 1.1 What is a jihadist network? 13 1.2 Historical development of network formation 15 1.2.1 The traditional phase: migration of jihadists 15 1.2.2 The proliferation phase: recruitment 16 1.2.3 The ‘home-grown’ phase: radicalisation and jihadisation 17 1.3 Three types of jihadist networks 17 2 Decentralisation and local implantation of international jihad19 2.1Al-Qaeda: from ‘network of gynetworks’ 19 to trademark and ideolo 2.2 Ideology of global violent jihad 21 2.3 Decentralisation of international jihad 22 2.4 Local implantation of international jihad 26 3 Radicalisation and the emergence of local networks 29 3.1Radicalisation, recruitment and jihadisation 29 3.2 The religious context of radicalisation 30 3.3 The socio-political context of radicalisation 33 3.4 The cultural and socio-psychological context of radicalisation 35 3.5 Emergence of local autonomous cells and networks 37 3.6 Backgrounds and functioning of local autonomous networks 38 3.7 The significance of the Hofstad network 39 4 Virtualisation of jihad 43 4.1The Internet as a propulsion of the jihad movement 43 4.2 Al-Qaeda as a virtual database (top-down) 44 4.3 The virtual umma (grass -
On Body and Soul Guilherme Werlang Universidade Federal Fluminense, Brazil, [email protected]
Tipití: Journal of the Society for the Anthropology of Lowland South America ISSN: 2572-3626 (online) Volume 4 Issue 1 Special Issue in honor of Joanna Overing: In the Article 6 World and About the World: Amerindian Modes of Knowledge May 2006 On Body and Soul Guilherme Werlang Universidade Federal Fluminense, Brazil, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/tipiti Part of the Anthropology Commons Recommended Citation Werlang, Guilherme (2006). "On Body and Soul," Tipití: Journal of the Society for the Anthropology of Lowland South America: Vol. 4: Iss. 1, Article 6. Available at: http://digitalcommons.trinity.edu/tipiti/vol4/iss1/6 This Article is brought to you for free and open access by Digital Commons @ Trinity. It has been accepted for inclusion in Tipití: Journal of the Society for the Anthropology of Lowland South America by an authorized editor of Digital Commons @ Trinity. For more information, please contact [email protected]. Tipití (2006) 4(1&2):103–127 © 2006 SALSA 103 ISSN 1545-4703 Printed in USA On Body and Soul GUILHERME WERLANG Universidade Federal Fluminense (Brazil) [email protected] Since thought is inseparable from action and motivation, we are not so much dealing with different “logics” or rationalities as with total modes of being, of inventing self and society. —Roy Wagner (1981 [1975]:117) ... the Piaroa do not tend to oppose, in the way we do, thinking and acting. We cannot use our gloss of “mind” and “body” to capture their way of understanding this distinction. They, in fact, have no term for “body.” —Joanna Overing (1996:14) INTRODUCTION This paper discusses the plausibility of notions of “body” and “soul” within the dual universe of the Marubo from Southwestern Amazonia.1 At two levels the discussion implies “an acquaintance with the epistemologies and ontologies of other cultures” (Overing 1985:7). -
Our Lady Peace Clumsy Mp3, Flac, Wma
Our Lady Peace Clumsy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Clumsy Country: Canada Released: 1997 Style: Alternative Rock MP3 version RAR size: 1535 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1307 mb Rating: 4.3 Votes: 907 Other Formats: VQF DXD MP4 TTA AIFF ADX VOX Tracklist 1 Superman's Dead 4:17 2 Automatic Flowers 4:05 3 Carnival 4:48 4 Big Dumb Rocket 4:24 5 4am 4:18 6 Shaking 3:38 7 Clumsy 4:30 8 Hello Oskar 3:03 9 Let You Down 3:54 10 The Story Of 100 Aisles 3:45 11 Car Crash 5:08 Companies, etc. Phonographic Copyright (p) – Sony Music Entertainment (Canada) Inc. Copyright (c) – Sony Music Entertainment (Canada) Inc. Manufactured By – Sony Music Entertainment (Canada) Inc. Distributed By – Sony Music Entertainment (Canada) Inc. Recorded At – Arnyard Studios Mixed At – Arnyard Studios Mastered At – Gateway Mastering Credits Art Direction – Catherine McRae , Helios , Our Lady Peace Design, Artwork [Cover Retouch] – Helios Engineer [2nd] – Terrance Sawchuck* Engineer [Additional Engineering] – Angelo Caruso Management – Eric Lawrence, Robert Lanni Mastered By – Bob Ludwig Music By – Arnold*, Jeremy*, Mike*, Raine* Performer – Duncan Coutts, Jeremy Taggart, Mike Turner , Raine Maida Photography By [Cover & Tray Photo] – Kevin Westenberg Photography By [Individual Band Photos] – O.L.P.* Photography By [Inside Photos] – Neil Hodge, Sonia D'Aloisio Producer, Recorded By, Mixed By – Arnold Lanni Words By – Raine* Notes Like Our Lady Peace - Clumsy but with different barcode P.& C. 1997 Sony Music Entertainment (Canada) Inc. "Columbia" is a trademark of Sony Music Entertainment (Canada) Inc. -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
Dickens' Holiday Classic
Dickens’ Holiday Classic A VIRTUAL TELLING OF A CHRISTMAS CAROL DECEMBER 19–31, 2020 Inside IN PICTURES Behind the Lens • 3 WELCOME From Artistic Director Joseph Haj • 5 GUTHRIE SPOTLIGHT GUTHRIE SPOTLIGHT Welcome to Dickens’ Holiday Classic • 6 To Our First-Time Patrons • 6 DICKENS’ HOLIDAY CLASSIC Cast, Creative, Film Production and Native Artist Fellows • 11 Biographies • 12 PLAY FEATURES E.G. Bailey and Joseph Haj in Conversation • 15 Changing Tunes in Changing Times • 17 Meet the Native Artist Fellows • 20 A Christmas Carol Memories From Patrons • 23 PLAY FEATURE Backstory • 26 From the Adapters/Directors • 15 SUPPORTERS Annual Fund Contributors • 29 Corporate, Foundation and Public Support • 37 WHO WE ARE Board of Directors and Guthrie Staff •38 GOOD TO KNOW Virtual Viewing Guide • 39 PLAY FEATURE Stories From Productions Past • 23 Guthrie Theater Program Volume 58, Issue 1 • Copyright 2020 818 South 2nd Street, Minneapolis, MN 55415 EDITOR Johanna Buch ADMINISTRATION 612.225.6000 GRAPHIC DESIGNER/COVER DESIGN Brian Bressler BOX OFFICE 612.377.2224 or 1.877.447.8243 (toll-free) CONTRIBUTORS E.G. Bailey, Ernest Briggs, Joseph Haj, guthrietheater.org • Joseph Haj, Artistic Director Margaret Leigh Inners, Katie “KJ” Johns, Tom Mays, Sam Aros Mitchell, Carla Steen. Special thanks to Guthrie The Guthrie creates transformative theater experiences that ignite the patrons for sharing their A Christmas Carol memories. imagination, stir the heart, open the mind and build community through the illumination of our common humanity. The Guthrie program is published by the Guthrie Theater. 2 \ GUTHRIE THEATER • DICKENS’ HOLIDAY CLASSIC IN PICTURES Behind the Lens Two artistic worlds collided for the making of Dickens’ Holiday Classic: theater and film. -
Suzuki's Crystal Ball by Alicia Filipowich
Thursday, February 5,1998 Serving Lei Community College and puthern Alberta for over 30yearS; Suzuki's crystal ball By Alicia Filipowich He's had a bullet fired through his window, his office broken into and his computer hacked into. He was almost forced off the road by a logging truck, all because of his beliefs. Last Wednesday, David Suzuki, dressed in a green suit, brown shirt and black shoes shared his thoughts and beliefs with a crowd of 1,300 at the University of Lethbridge. His talk on nature, its link with the econo my and how it will be affected in the millennium, was sold out a half hour before the show started, with over 200 people still wanting to to get in. Suzuki compared our approach to the year 2000 as "embarking on a suicidal road." In the driver's seat is the economy and we, the population, are headed for a brick wall in a car going 100 km/h, arguing about where we want to sit. The people who want to stop the car or veer its course are locked in the trunk. "If we hit the wall, we'll respond. But it's a hell of a lot harder to pick up the pieces after," said Suzuki, comparing the tragedy to that of Lady Diana's. In the past, people understood that we are deeply embedded in the natural world and used this to create our leg up on other species, technology. This growth of science, said Suzuki, "Has provided more insight which has changed the course of human history." Those born after 1950 have grown up in the largest period of growth and change. -
Sfio S4500 54950
University of Central Florida STARS Central Florida Future University Archives 10-19-1995 Central Florida Future, Vol. 28 No. 17, October 19, 1995 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 28 No. 17, October 19, 1995" (1995). Central Florida Future. 1357. https://stars.library.ucf.edu/centralfloridafuture/1357 • The Golden Knights take on the Rainbow Warriors - details in the Gridiron Report • Changes in GEP to mean smoother ride for students by DORIS BLOODSWORTH tionsarea, therequirementwill read: Staff writer "Take one course from each group. Some majors require a specific The 1996 UCF catalog may course or a higher level course in be sporting more than a new cover; this area. Consult your advisor." ' namely a new General Education The total credits for the area will be Program which reduces the number changed from seven to six. of GEP hours from 40 to 36. 3) In Social Foundations The GEP Implementation area a student wt 11 take either Ameri- Committee made several recom- can Nationat Government or Mi- rnendations to the Faculty Senate cro-Economics or Macro-Econom- • Steering Committ~e Thursday. ics . -
View the Redux Book Here
1 Photo: Alex Hurst REDUX This Redux box set is on the 30 Hertz Records label, which I started in 1997. Many of the tracks on this box set originated on 30 Hertz. I did have a label in the early eighties called Lago, on which I released some of my first solo records. These were re-released on 30 Hertz Records in the early noughties. 30 Hertz Records was formed in order to give me a refuge away from the vagaries of corporate record companies. It was one of the wisest things I have ever done. It meant that, within reason, I could commission myself to make whatever sort of record took my fancy. For a prolific artist such as myself, it was a perfect situation. No major record company would have allowed me to have released as many albums as I have. At the time I formed the label, it was still a very rigid business; you released one album every few years and ‘toured it’ in the hope that it became a blockbuster. On the other hand, my attitude was more similar to most painters or other visual artists. I always have one or two records on the go in the same way they always have one or two paintings in progress. My feeling has always been to let the music come, document it by releasing it then let the world catch up in its own time. Hopefully, my new partnership with Cherry Red means that Redux signifies a new beginning as well as documenting the past. -
Reader Wants Protagonist to Escape His Grief
7 - PARRY SOUND NORTH STAR • Wednesday May 13, 2009 Reader wants protagonist to escape his grief BY CHARLOTTE STEIN the life that is in store for her. but it is Kit who loves him. It is Tamsin a way out of his grief, into healing, and into As a young teen Lewis’ life becomes an who plays with Lewis, and in manipulating life. There were a couple of opportunities escalating spiral of self-destruction. And Lewis she is infuriating her father. And along the way when someone could have The Outcast by Sadie Jones drinking. The time is the 1950s – there Lewis is finding it more and more difficult made a huge difference in Lewis’ life if The Outcast, a first novel by Sadie Jones, was a lot of social drinking – and much to cope – he’s been in trouble for fighting they’d only held him, or expressed their won the prestigious British Costa Book beyond. Lewis takes a drink for the first time and Gilbert is threatening that there will love and concern. Sadie Jones, herself, Award (formerly the Whitbread Award) for “The drink felt hot in his empty stomach. be consequences: “If Lewis was careful, in interviews says repeatedly “he’ll be best First Novel in 2008, and was shortlisted He felt his throat burning dryly…. the he could keep it all under control, and alright, he’ll be alright.” for the Orange Prize. This usually indicates hit of it in his blood and his heart felt it still get by at school, just about. He just I hope he is, and I thank Sadie Jones to me that this is a novel worth reading. -
Art History and Cultural Difference: Alfred Gell's Anthropology Of
Published in: Art History Vol. 28 No. 4 (Autumn 2005) pp. 524-51. Art History and Cultural Difference: Alfred Gell’s Anthropology of Art Matthew Rampley One of the most pressing issues currently confronting the theory and history of art is the question of cultural difference. Specifically, what are the implications of the difference between western and non-Western cultures for the task of visual and artistic analysis? In what ways is it possible to undertake cross-cultural analysis while remaining within the frame of art history – a set of discourses originally formulated to account for the development of Western art? The responses to this question have been varied, ranging from an emphasis on the complete incommensurability of different cultures to ambitious attempts at constructing world art histories. In this article I examine the work of one particular author – the anthropologist Alfred Gell (1945-1997) – and his contribution to discussion on this issue. As I argue, Gell offers some potentially significant ways of rethinking this question, and specifically, his work offers the outline of a possible form of cross-cultural analysis that avoids some of the pitfalls that have beset previous such attempts. I analyse Gell in detail shortly, but before doing so, offer a brief overview of the current state of critical debate on the issue. Questions of Cultural Difference 1 Published in: Art History Vol. 28 No. 4 (Autumn 2005) pp. 524-51. At the root of the topic of cultural difference are a number of inter-related questions. In particular: