Doctor Who: the World Tour an Audience with Peter Capaldi & Jenna Coleman Hosted by Adam Spencer

Total Page：16

File Type：pdf, Size：1020Kb

Monday July 14, 2014 Doctor Who: The World Tour An Audience with Peter Capaldi & Jenna Coleman Hosted by Adam Spencer Twelfth Doctor Peter Capaldi and his onscreen companion Jenna Coleman (Clara Oswald) will be live on stage at the State Theatre, Sydney for a one-time-only fan event on Tuesday 12th August. Following on from last year's smash-hit 50th anniversary celebrations for Doctor Who, BBC Worldwide is thrilled to be bringing the stars of the show to Australia as part of a major global tour to launch the latest series and introduce fans to the new Doctor. Join the stars for an exclusive Q&A hosted by long-time Doctor Who fan, Adam Spencer, and be the first in Australia to see Peter Capaldi as the Twelfth Doctor with a special screening of the feature-length premiere episode of the new series. Fans will also be given the opportunity to put some of their own questions to the stars. Doctor Who: The World Tour will see Peter Capaldi and Jenna Coleman circumnavigate the globe, visiting seven cities across five continents in 12 days. The tour will kick off in Cardiff, Wales on August 7, before heading to London (UK), Seoul (South Korea), Sydney (Australia), New York (US), Mexico City (Mexico) and finishing in Rio de Janeiro (Brazil) on August 19. Says Helen Pendlebury, Head of Live Entertainment, BBC Worldwide Australia & New Zealand: ‘Australia has some of the most passionate Doctor Who fans in the world and we are delighted to offer them access to the Twelfth Doctor and his companion when they visit Sydney as part of Doctor Who: The World Tour.’ Sign-up to www.doctorwho.tv/worldtour for pre-sale information. Tickets will be available for general sale through Ticketmaster from 11.00am on Monday 21st July. -Ends- For further information please contact Phoebe Price, Communications Executive, BBC Worldwide ANZ 02 9744 4507| 0403 457 533 | [email protected] NOTES TO EDITORS About BBC Worldwide Australia & New Zealand Australia & New Zealand (ANZ) is a priority territory for BBC Worldwide, focusing on growth across all its core business areas. Based in Macquarie Park, Sydney, BBC Worldwide ANZ wholly owns five channels: UKTV, BBC Knowledge and CBeebies in Australia; UKTV and BBC Knowledge in New Zealand; and is responsible for the distribution and promotion of BBC World News which transmits in both countries. In August 2014 it will launch a new premium channel BBC First, showcasing premiere drama and comedy on the Foxtel platform in Australia. BBC Worldwide ANZ distributes great British content from the BBC and other producers to all free-to-air and most subscription channels in Australia and New Zealand. It works with partners to bring BBC Worldwide DVDs, magazines, digital apps, innovative products and live events to the local market, as well as offering advertising opportunities for the BBC’s world renowned bbc.com news site and lonelyplanet.com. Australia is the most successful territory for the global BBC iPlayer. bbcworldwide.com twitter.com/bbcwpress .

Copy Link

Recommended publications

Milk to Create Vfx for New Doctor Who Series
MILK TO CREATE VFX FOR NEW DOCTOR WHO SERIES London, 3rd December 2013: VFX house Milk Visual Effects – the company behind the visual effects created for the BBC’s Doctor Who 50th Anniversary special episode: Day of the Doctor - has been commissioned by the BBC to create the visual effects for the forthcoming eighth series of Doctor Who, starring new Doctor Peter Capaldi. The new series will be broadcast in 2014. Milk is currently working with the BBC to create the VFX for the much anticipated one-hour Doctor Who Christmas Special: The Time of the Doctor - in which Matt Smith’s Doctor will regenerate into Peter Capaldi’s incoming Thirteenth Doctor - due to air on BBC One on Christmas Day. Doctor Who series eight will start shooting in January 2014. The news comes hot on the heels of the BBC’s landmark Doctor Who 50th anniversary special: The Day of The Doctor - for which Milk created the jaw-dropping VFX work in stereoscopic 3D. Broadcast on BBC One and around the world on Saturday 23rd November the special episode set a Guinness World Record as the largest simulcast of a TV drama in history. The team at Milk (previously as The Mill’s TV department prior to Milk’s launch in June 2013) has been creating the visual effects for Doctor Who since its regeneration in 2005. During this time they have scooped a raft of awards including a BAFTA, a VES (Visual Effects Society) Award and an RTS Award for their VFX work. Will Cohen, Milk’s CEO said: “Many of us on the team have been privileged to enjoy a 10 year love affair with Doctor Who, so to be able to carry on collaborating with the BBC Wales team on telling these incredible stories fills us with joy and provides us with an opportunity as VFX artists to help push the boundaries of what can be done visually on television.” Cohen added: ”A new series with a newly regenerated Doctor is in many ways like starting working on the show all over again.
[Show full text]
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
[Show full text]
Transcript of Doctor
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief, I’m Eric Molinsky. There’s a bar called The Way Station, which is near my home in Brooklyn. From the outside, it looks like a normal bar. But when you go in, something pops right out at you. A blue Police Box. ANDY: Every day I open up the shutters and I see her sitting in the corner it's just like I feel like home. That’s because the owner of the bar, Andy Heidel, is a huge Doctor Who fan. Even if you’ve never watched Doctor Who, you probably know that police box has something to do with it. You might also notice that Doctor Who is playing on the back wall, all the time – usually an episode from the mid 2000s when David Tennant played the Doctor. Every fan has “their Doctor.” David Tennant is Andy’s favorite. He’s my favorite Doctor too. ANDY: And nobody can say I'm sorry like Tennant like if I if I'm dying I'm on my deathbed I make a wish foundation that is for him to come and told me I'm sorry. THE DOCTOR: I’m sorry. I’m so sorry So what does the Police Box have to do with Doctor Who? On the show, it’s a ship called the TARDIS. And it may look like a police box on the outside but it’s optical illusion meant to disguise the giant space ship on the inside.
[Show full text]
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape.
[Show full text]
The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g.
[Show full text]
Royal Hall of Industries & Hordern Pavilion Sydney Saturday 21St
Royal Hall of Industries & Hordern Pavilion Sydney Saturday 21st & Sunday 22nd November Pre-sale tickets available from 11am on 1st July Tickets on general sale from 11am on 6th July Sydney, 26th June 2015: BBC Worldwide Australia & New Zealand is delighted to announce the first ever official Doctor Who Festival in Australia, which will take place in Sydney at the Royal Hall of Industries & the Hordern Pavilion on Saturday 21st & Sunday 22nd November 2015. The Doctor Who Festival will be attended by the Twelfth Doctor, Peter Capaldi and lead writer and executive producer Steven Moffat with more talent announced in due course. Fans of all ages will be able to celebrate the heritage and magic of the show with exclusive access to props, costumes and talent from both in-front-of and behind the camera. A week after the Doctor Who Festival in London, Australian fans will have the chance to hear from key cast members in a series of onstage talent Q&A’s, with limited photo and autograph opportunities available. A series of interactive workshops with Doctor Who’s resident creative team will give visitors the chance to learn about the television production process and what it takes to be a Doctor Who monster. Fans can also test their knowledge for the chance to win some great prizes in the ultimate Doctor Who Quiz, and get some exclusive Doctor Who merchandise. This festival is a must-attend for Doctor Who fans, with more exciting announcements to come. And in a first for New Zealand fans, Peter Capaldi will then head to Auckland, New Zealand on the 24th November for an intimate evening with fans.
[Show full text]
Os Caminhos Criativos Que Fizeram De Doctor Who Um Seriado De Sucesso
ANA CAROLINA VERGILIO FALCÃO BIGGER ON THE INSIDE: OS CAMINHOS CRIATIVOS QUE FIZERAM DE DOCTOR WHO UM SERIADO DE SUCESSO Assis 2015 ANA CAROLINA VERGILIO FALCÃO BIGGER ON THE INSIDE: OS CAMINHOS CRIATIVOS QUE FIZERAM DE DOCTOR WHO UM SERIADO DE SUCESSO Trabalho de Conclusão de Curso, TCC, apresentado ao Instituto Municipal de Ensino Superior de Assis – IMESA e à Fundação Educacional do Município de Assis – FEMA, como requisito para obtenção do título de Bacharel em Comunicação Social, com habilitação em Publicidade e Propaganda. Orientanda: Ana Carolina Vergilio Falcão Orientador: Sidney de Paulo Assis 2015 ANA CAROLINA VERGILIO FALCÃO BIGGER ON THE INSIDE: OS CAMINHOS CRIATIVOS QUE FIZERAM DE DOCTOR WHO UM SERIADO DE SUCESSO Trabalho de Conclusão de Curso, TCC, apresentado ao Instituto Municipal de Ensino Superior de Assis – IMESA e à Fundação Educacional do Município de Assis – FEMA, como requisito para obtenção do título de Bacharel em Comunicação Social, com habilitação em Publicidade e Propaganda. BANCA EXAMINADORA Orientador: ______________________________________________________ Sidney de Paulo, Mestre - Fema 2º Examinador: ___________________________________________________ Ana Luisa Antunes Dias, Mestre - Fema Assis, de de 2015. AGRADECIMENTOS Marcia Melo, por exercer a função de mãe, melhor amiga, conselheira e por ser uma das pessoas mais incríveis que eu conheço. Lucinha Vergilio, pela paz e sinceridade que me passou ao longo de todos os anos de minha vida. Matheus Castilho, pelas influências musicais, pelos conselhos criativos e por incentivar ao máximo o trabalho que segue. Giovanna Beda, por ser melhor amiga e me apoiar com todas as forças nesse trabalho, mesmo estando do outro lado do continente. Aos amigos virtuais, fãs de Doctor Who que, de um modo ou de outro, contribuíram para que a evolução desse trabalho acontecesse da melhor forma possível.
[Show full text]
Topps DW Signature Series Checklist FINAL
Topps Doctor Who Signature Series - Base Cards 1 The First Doctor 34 Androgar 67 Professor Alison Docherty 2 The Second Doctor 35 Davros 68 Danny Pink 3 The Third Doctor 36 Jenny, The Doctor's Daughter 69 Alonso Frame 4 The Fourth Doctor 37 Adric 70 Missy 5 The Fifth Doctor 38 Gwen Cooper 71 Ood Sigma 6 The Sixth Doctor 39 The Master 72 Psi 7 The Seventh Doctor 40 Rosita 73 Leela 8 The Eighth Doctor 41 General Sanchez 74 Roman Groom 9 The Ninth Doctor 42 Francine Jones 75 John Benton 10 The Tenth Doctor 43 Slitheen 76 Cathica Santini Khadeni 11 The Eleventh Doctor 44 The Teller 77 Winifred Bambera 12 The Twelfth Doctor 45 Diagoras 78 Cybermen 13 Bill 46 Oliver Morgenstern 79 Craig Owens 14 Clara Oswald 47 Nyssa 80 Kate Stewart 15 Amy Pond 48 The Silent 81 The Beast from The Pit 16 Rory Williams 49 Victoria Waterfield 82 The Valeyard 17 River Song 50 Vislor Turlough 83 Gantok 18 Rose Tyler 51 Toby Zed 84 Group Captain Ian Gilmore 19 Mickey Smith 52 Ianto Jones 85 Ashildr 20 Martha Jones 53 Ms. Delphox 86 Clive Jones 21 Donna Noble 54 Weeping Angel 87 Kirsty McLaren 22 Captain Jack Harkness 55 Strax 88 Von Weich 23 Osgood 56 Jenny Flint 89 Arnold Golightly 24 Sarah Jane Smith 57 Madame Vastra 90 Cline 25 Jo Grant 58 Zygon 91 Jamie McCrimmon 26 Susan Foreman 59 Mels 92 Ace 27 Malohkeh 60 Hila Tacorien 93 Colony Sarff 28 Captain Knight 61 Romana 94 The Controller 29 Jackie Tyler 62 Lilith 95 Mel 30 Mordred 63 Kahler-Tek 96 Pete Tyler 31 The Master 64 Kahler-Jex 97 Clifford Jones 32 Dalek 65 Steven Taylor 98 Richard Nixon 33 Blon Fel-Fotch
[Show full text]
Respondus & Canvas Guide Faculty Guide
Respondus & Canvas Guide Faculty Guide MTECH Office of Teaching and Learning Respondus & Canvas Guide Canvas Guides What is Respondus? Respondus is a software program used to create and edit exams. Test questions can be imported from word processing documents and exported to various learning management systems including Canvas. The Repondus Interface Review the numbered and lettered items for further details each item in the interface. Figure 1 1. Top Menu – This menu allows includes options to edit questions directly in Canvas and control some settings for the test as well as the publish options. 2. Current Personality - When working with Respondus be sure to set the personality to Instructure Canvas before working with any content. 3. Open or Create screen – The introduction screen includes several options for building your tests. a. Open – Open a Respondus file b. Create – Create a new Respondus file. c. Test Bank Network – Locate a publisher test bank and select questions for an exam d. Exam Wizard – Create an exam by copying items from other Respondus files. e. Import Questions –Questions can be imported from a Word or text file. f. Archive Wizard – Create a Respondus archive file. Page 2 Last update 5/30/18 Respondus & Canvas Guide Canvas Guides Preparing the Quiz File to Import into Respondus Respondus can accept Microsoft Word documents (*.doc & *.docx), plain text (*.txt), rich text (*.rft), and comma delimited (*csv) file formats. The test questions and answers must be formatting properly so the correct answers are marked by Respondus. Follow the steps below to make sure multiple choice questions are formatted properly.
[Show full text]
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.
[Show full text]
Lorna Jowett Is a Reader in Television Studies at the University Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR 1 The Girls Who Waited? Female Companions and Gender in Doctor Who Lorna Jowett Abstract: Science fiction has the potential to offer something new in terms of gender representation. This doesn’t mean it always delivers on this potential. Amid the hype surrounding the 50th anniversary of Doctor Who, the longest running science fiction series on television, a slightly critical edge is discernable in the media coverage concerning the casting of the twelfth Doctor and issues of representation in the series. This paper examines Doctor Who in the broader context of TV drama and changes to the TV industry, analysing the series’ gender representation, especially in the 2005 reboot, and focusing largely on the female ‘companions’. Keywords: gender representation, television, feminism, BBC. When I put together an earlier version of this paper two years ago, I discovered a surprising gap in the academic study of Doctor Who around gender. Gender in science fiction has often been studied, after all, and Star Trek, another science fiction television series starting in the 1960s (original run 1966-69) and continued via spin-offs and reboots, has long been analysed in terms of gender. So why not Doctor Who? Admittedly, Doctor Who’s creators have no clear philosophy about trying to represent a more equal society, as with the utopian Trek. The lack of scholarship on gender in Doctor Who may also be part of a lack of scholarship generally on the series—academic study of it is just gaining momentum, and only started to accumulate seriously in the last five years.
[Show full text]
A Young-Old Face : out with the New and in with the Old Hewett, RJ
A young-old face : out with the new and in with the old Hewett, RJ Title A young-old face : out with the new and in with the old Authors Hewett, RJ Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/34862/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. PART ONE THE DOCTOR AND HIS COMPANIONS 1 1 A Young-Old Face Out with the New and in with the Old in Doctor Who Richard Hewett Introduction ‘I approve of your new face, Doctor - so much more like mine.’ This line, spoken by the now ancient, enervated and seemingly dying Davros in ‘The Magician’s Apprentice’, is just one of many age-related barbs directed at the Twelfth Doctor during Peter Capaldi’s reign, serving as a constant reminder that the Time Lord is no longer (if, indeed, his on-screen self ever was)1 a young man. Throughout his tenure, friends and foes alike highlighted the latest incarnation’s wrinkled, somewhat cadaverous visage, grey hair, and scrawny body, the Doctor being variously described as a ‘desiccated man crone’ (‘Robot of Sherwood’), a ‘grey-haired stick insect’ (‘Listen’), and a ‘skeleton man’ (‘Last Christmas’).
[Show full text]