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Milk to Create Vfx for New Doctor Who Series
MILK TO CREATE VFX FOR NEW DOCTOR WHO SERIES London, 3rd December 2013: VFX house Milk Visual Effects – the company behind the visual effects created for the BBC’s Doctor Who 50th Anniversary special episode: Day of the Doctor - has been commissioned by the BBC to create the visual effects for the forthcoming eighth series of Doctor Who, starring new Doctor Peter Capaldi. The new series will be broadcast in 2014. Milk is currently working with the BBC to create the VFX for the much anticipated one-hour Doctor Who Christmas Special: The Time of the Doctor - in which Matt Smith’s Doctor will regenerate into Peter Capaldi’s incoming Thirteenth Doctor - due to air on BBC One on Christmas Day. Doctor Who series eight will start shooting in January 2014. The news comes hot on the heels of the BBC’s landmark Doctor Who 50th anniversary special: The Day of The Doctor - for which Milk created the jaw-dropping VFX work in stereoscopic 3D. Broadcast on BBC One and around the world on Saturday 23rd November the special episode set a Guinness World Record as the largest simulcast of a TV drama in history. The team at Milk (previously as The Mill’s TV department prior to Milk’s launch in June 2013) has been creating the visual effects for Doctor Who since its regeneration in 2005. During this time they have scooped a raft of awards including a BAFTA, a VES (Visual Effects Society) Award and an RTS Award for their VFX work. Will Cohen, Milk’s CEO said: “Many of us on the team have been privileged to enjoy a 10 year love affair with Doctor Who, so to be able to carry on collaborating with the BBC Wales team on telling these incredible stories fills us with joy and provides us with an opportunity as VFX artists to help push the boundaries of what can be done visually on television.” Cohen added: ”A new series with a newly regenerated Doctor is in many ways like starting working on the show all over again. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Transcript of Doctor
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief, I’m Eric Molinsky. There’s a bar called The Way Station, which is near my home in Brooklyn. From the outside, it looks like a normal bar. But when you go in, something pops right out at you. A blue Police Box. ANDY: Every day I open up the shutters and I see her sitting in the corner it's just like I feel like home. That’s because the owner of the bar, Andy Heidel, is a huge Doctor Who fan. Even if you’ve never watched Doctor Who, you probably know that police box has something to do with it. You might also notice that Doctor Who is playing on the back wall, all the time – usually an episode from the mid 2000s when David Tennant played the Doctor. Every fan has “their Doctor.” David Tennant is Andy’s favorite. He’s my favorite Doctor too. ANDY: And nobody can say I'm sorry like Tennant like if I if I'm dying I'm on my deathbed I make a wish foundation that is for him to come and told me I'm sorry. THE DOCTOR: I’m sorry. I’m so sorry So what does the Police Box have to do with Doctor Who? On the show, it’s a ship called the TARDIS. And it may look like a police box on the outside but it’s optical illusion meant to disguise the giant space ship on the inside. -
The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g. -
Royal Hall of Industries & Hordern Pavilion Sydney Saturday 21St
Royal Hall of Industries & Hordern Pavilion Sydney Saturday 21st & Sunday 22nd November Pre-sale tickets available from 11am on 1st July Tickets on general sale from 11am on 6th July Sydney, 26th June 2015: BBC Worldwide Australia & New Zealand is delighted to announce the first ever official Doctor Who Festival in Australia, which will take place in Sydney at the Royal Hall of Industries & the Hordern Pavilion on Saturday 21st & Sunday 22nd November 2015. The Doctor Who Festival will be attended by the Twelfth Doctor, Peter Capaldi and lead writer and executive producer Steven Moffat with more talent announced in due course. Fans of all ages will be able to celebrate the heritage and magic of the show with exclusive access to props, costumes and talent from both in-front-of and behind the camera. A week after the Doctor Who Festival in London, Australian fans will have the chance to hear from key cast members in a series of onstage talent Q&A’s, with limited photo and autograph opportunities available. A series of interactive workshops with Doctor Who’s resident creative team will give visitors the chance to learn about the television production process and what it takes to be a Doctor Who monster. Fans can also test their knowledge for the chance to win some great prizes in the ultimate Doctor Who Quiz, and get some exclusive Doctor Who merchandise. This festival is a must-attend for Doctor Who fans, with more exciting announcements to come. And in a first for New Zealand fans, Peter Capaldi will then head to Auckland, New Zealand on the 24th November for an intimate evening with fans. -
Who Is Christopher Eccleston Dating Now and Celebrity Dating Histories at Celebscouples
Aug 14, · As of , Christopher Eccleston’s is not dating anyone. Christopher is 56 years old. According to CelebsCouples, Christopher Eccleston had at least 1 relationship previously. He has not been previously renuzap.podarokideal.rution: Movie Actor. On Christopher Eccleston was born in Pendleton, Greater Manchester. He made his 6 million dollar fortune with Death and the Compass, Jude, Thor: The Dark World. The actor is currently single, his starsign is Aquarius and he is now 56 years of age. Christopher Eccleston Facts & Wiki. The year-old British actor, Christopher Eccleston was previously married to Mischka. They got married in November and also had two children Albert and Esme together. However, after four years of their marriage, they got a divorce in December After their divorce, he has never been spotted with any other woman. Furthermore, he has never been involved in any affairs to date Born: Feb 16, Jun 09, · Actor Christopher Eccleston has praised the 'benchmark' TV wedding of Down's Syndrome sufferers Ralph and Katie on The A Word. Yet rather than his relative getting married it . Jun 02, · Christopher Eccleston has endless love for BBC drama The A Word, and is full of praise for his co-stars. But there’s one performance he’s very critical of: his own. But there’s one. Jul 09, · More about Christopher Eccleston. Christopher Eccleston was born on February 16th, in Salford. This makes him currently 56 years old. After graduating from the Central School of Speech and Drama in London, Christopher pursued a career as an actor. He first rose to prominence for starring as as Derek Bentley in the film Let Him Have It (). -
Respondus & Canvas Guide Faculty Guide
Respondus & Canvas Guide Faculty Guide MTECH Office of Teaching and Learning Respondus & Canvas Guide Canvas Guides What is Respondus? Respondus is a software program used to create and edit exams. Test questions can be imported from word processing documents and exported to various learning management systems including Canvas. The Repondus Interface Review the numbered and lettered items for further details each item in the interface. Figure 1 1. Top Menu – This menu allows includes options to edit questions directly in Canvas and control some settings for the test as well as the publish options. 2. Current Personality - When working with Respondus be sure to set the personality to Instructure Canvas before working with any content. 3. Open or Create screen – The introduction screen includes several options for building your tests. a. Open – Open a Respondus file b. Create – Create a new Respondus file. c. Test Bank Network – Locate a publisher test bank and select questions for an exam d. Exam Wizard – Create an exam by copying items from other Respondus files. e. Import Questions –Questions can be imported from a Word or text file. f. Archive Wizard – Create a Respondus archive file. Page 2 Last update 5/30/18 Respondus & Canvas Guide Canvas Guides Preparing the Quiz File to Import into Respondus Respondus can accept Microsoft Word documents (*.doc & *.docx), plain text (*.txt), rich text (*.rft), and comma delimited (*csv) file formats. The test questions and answers must be formatting properly so the correct answers are marked by Respondus. Follow the steps below to make sure multiple choice questions are formatted properly. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Lorna Jowett Is a Reader in Television Studies at the University Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR 1 The Girls Who Waited? Female Companions and Gender in Doctor Who Lorna Jowett Abstract: Science fiction has the potential to offer something new in terms of gender representation. This doesn’t mean it always delivers on this potential. Amid the hype surrounding the 50th anniversary of Doctor Who, the longest running science fiction series on television, a slightly critical edge is discernable in the media coverage concerning the casting of the twelfth Doctor and issues of representation in the series. This paper examines Doctor Who in the broader context of TV drama and changes to the TV industry, analysing the series’ gender representation, especially in the 2005 reboot, and focusing largely on the female ‘companions’. Keywords: gender representation, television, feminism, BBC. When I put together an earlier version of this paper two years ago, I discovered a surprising gap in the academic study of Doctor Who around gender. Gender in science fiction has often been studied, after all, and Star Trek, another science fiction television series starting in the 1960s (original run 1966-69) and continued via spin-offs and reboots, has long been analysed in terms of gender. So why not Doctor Who? Admittedly, Doctor Who’s creators have no clear philosophy about trying to represent a more equal society, as with the utopian Trek. The lack of scholarship on gender in Doctor Who may also be part of a lack of scholarship generally on the series—academic study of it is just gaining momentum, and only started to accumulate seriously in the last five years. -
A Young-Old Face : out with the New and in with the Old Hewett, RJ
A young-old face : out with the new and in with the old Hewett, RJ Title A young-old face : out with the new and in with the old Authors Hewett, RJ Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/34862/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. PART ONE THE DOCTOR AND HIS COMPANIONS 1 1 A Young-Old Face Out with the New and in with the Old in Doctor Who Richard Hewett Introduction ‘I approve of your new face, Doctor - so much more like mine.’ This line, spoken by the now ancient, enervated and seemingly dying Davros in ‘The Magician’s Apprentice’, is just one of many age-related barbs directed at the Twelfth Doctor during Peter Capaldi’s reign, serving as a constant reminder that the Time Lord is no longer (if, indeed, his on-screen self ever was)1 a young man. Throughout his tenure, friends and foes alike highlighted the latest incarnation’s wrinkled, somewhat cadaverous visage, grey hair, and scrawny body, the Doctor being variously described as a ‘desiccated man crone’ (‘Robot of Sherwood’), a ‘grey-haired stick insect’ (‘Listen’), and a ‘skeleton man’ (‘Last Christmas’). -
Doctor Who Assistants
COMPANIONS FIFTY YEARS OF DOCTOR WHO ASSISTANTS An unofficial non-fiction reference book based on the BBC television programme Doctor Who Andy Frankham-Allen CANDY JAR BOOKS . CARDIFF A Chaloner & Russell Company 2013 The right of Andy Frankham-Allen to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Copyright © Andy Frankham-Allen 2013 Additional material: Richard Kelly Editor: Shaun Russell Assistant Editors: Hayley Cox & Justin Chaloner Doctor Who is © British Broadcasting Corporation, 1963, 2013. Published by Candy Jar Books 113-116 Bute Street, Cardiff Bay, CF10 5EQ www.candyjarbooks.co.uk A catalogue record of this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Dedicated to the memory of... Jacqueline Hill Adrienne Hill Michael Craze Caroline John Elisabeth Sladen Mary Tamm and Nicholas Courtney Companions forever gone, but always remembered. ‘I only take the best.’ The Doctor (The Long Game) Foreword hen I was very young I fell in love with Doctor Who – it Wwas a series that ‘spoke’ to me unlike anything else I had ever seen. -
<Jmmjm* • >. •/ VOTE NOW the 12 Covers We Produced to Mark Doctor
VOTE NOW <jMmjm* The 12 covers we produced to mark • >. •/ Doctor Who's 50th anniversary have Jbeen shortlisted for cover of the year at •the PPA Awards. To cast your vote, go to E ppa.co.uk/events/ppaawards2014 >.uk/events/ppaawardsZOl4 # COMDC m tfl«i»J? Rad^mefg^wnes WIN SRStf DOCTOR WHO: THE DAY OF THE DOCTOR Steven Moffat recalls writing G HEanwe Doctor Who's 50th birthday DAVIDTEHHWTIS special, and how Peter Capaldi s Sam THE DOCTO Fiftv years of the show that changed TV boyish charms won him over \ B«10 ItNWNI H»U SHIlh JOHN HURT STtVtH MOfWT Jtk Hk I DON'T THINK I've ever worked on Of course the Doctor is always capable of • anything that was as difficult, darkness - he makes terrible decisions through «ip fi terrifying and as much of a respon- out the show - but this war involved the deadli M sibility as writing the 50th anni- est of decisions because the stakes were so much ^^feZ ^k versary episode of Doctor Who. higher. The Doctor is a good man, always doing ^^tW Am I wanted everybody to love it. I things for a good cause, but at this point he is no knew that was impossible, but I wanted people longer the happy-go-lucky wanderer; he's a dark - from those who had never seen it, to the warrior. The Doctor has always been able to absolute diehard fans who hate every episode solve problems. Here he admits defeat, saying, I've written - to love it. So it was monstrously "I'm going to have to descend to the level of my stressful and very hard: the uncastable cast, the enemies in order to fix this." impossible brief, the unwritable script..