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Pomen Inspiracije in Duhovnosti V Vizionarski Umetnosti: Možni Koncepti Med Sodobnimi Slovenskimi Umetniki

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Pomen Inspiracije in Duhovnosti V Vizionarski Umetnosti: Možni Koncepti Med Sodobnimi Slovenskimi Umetniki UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za umetnostno zgodovino DIPLOMSKO DELO Dona Pratnekar Maribor, 2017 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za umetnostno zgodovino Diplomsko delo POMEN INSPIRACIJE IN DUHOVNOSTI V VIZIONARSKI UMETNOSTI: MOŽNI KONCEPTI MED SODOBNIMI SLOVENSKIMI UMETNIKI Graduation Thesis SIGNIFACANCE OF INSPIRATION AND SPIRITUALITY IN VISIONARY ART: POSSIBLE CONCEPTS AMONG CONTEMPORARY SLOVENIAN ARTISTS Mentorica: Kandidatka izr. prof., dr. Polona Vidmar Dona Pratnekar Maribor, 2017 ZAHVALA Za strokovno pomoč in nasvete ob pisanju diplomske naloge se zahvaljujem svoji mentorici in vsem strokovnim delavcem in profesorjem, ki so mi pomagali z informacijami in iskanjem pravih ljudi. Zahvaljujem se tudi vsem umetnikom- prijateljem za iskrene filozofske debate o vesolju, življenju in sploh vsem, kar nas tako jasno še danes interesira v življenju. Hvala vsem drugim umetnikom, raziskovalcem in psihonavtom, ki so prispevali svoje izkušnje in mi omogočili drugače težko dostopno literaturo. Posebej se zahvaljujem tudi vsem ostalim, ki so me potrpežljivo podpirali in spodbujali ali kakorkoli drugače pripomogli. Upam, da boste uživali v branju, kakor sem jaz v raziskovanju. Če cenimo iskanje znanja, moramo biti prosti, da mu sledimo kamorkoli nas že to iskanje popelje. Svoboden um namreč ni lajajoči pes, da bi ga lahko pripel na verigo. Adlai Stevenson Jr. IZJAVA O AVTORSTVU Podpisana Dona Pratnekar, rojena 20. 2. 1992, študentka Filozofske fakultete Univerze v Mariboru, dvopredmetnega študijskega programa Umetnostna zgodovina in Angleški jezik in književnost izjavljam, da je diplomsko delo z naslovom Pomen inspiracije in duhovnosti v vizionarski umetnosti: možni koncepti med sodobnimi slovenskimi umetniki pri mentorici, izr. prof. dr. Poloni Vidmar, avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev. Kraj in datum, Maribor, 7. 9. 2017 _______________________ (podpis študentke) POVZETEK Sfero vizionarskega srečujemo na mnogih področjih človeškega bivanja, od znanosti do politike in ne le v umetniškem in duhovnem kontekstu. Vizionarsko slikarstvo in umetniško gibanje se v svojem delovanju gibljeta preko vseh teh sfer, jih povezujeta, prepletata in tolmačita skozi nove in stare simbolne podobe. Diplomsko delo raziskuje vizionarsko umetnost, kot skupek umetniško duhovnih praks, tehnik in konceptov, ki jo oblikujejo v eno izmed mlajših in zmuzljivejših sodobnih umetniških form. Akademsko šolani eksperimentatorji so skozi svobodna psihedelična desetletja prejšnjega stoletja vzpostavili določene smernice, te pa temeljijo na vedno vnovični deviaciji od že poznanega in poglabljanje v še ne raziskano ali že pozabljeno iz začetkov človeške zavesti. Tako se v vizionarski umetnosti stakneta vsa zgodovina in prihodnost svetega in umetnostnega: magija šamanizma, mitskega in orientalskih ved je neločljivo zvezana z napredkom tehnologije in spoznanji znanosti, ki pa tudi sama korenini v alkemični duhovni znanosti. Vizionarska osebnost, energija in izkušnja so vodilni koncepti v vizionarski umetnosti, ki pa jih zasledimo povsod v povezavi z duhovnim, svetim, notranjim in domišljijskim. Slikanje notranjih, arhetipskih motivov vizionarskemu slikarstvu omogoča transpersonalno univerzalnost, ne le v okviru zahodne kulture, temveč vseh ljudskih duhovnih tradicij. S pojavom vizionarskega slikarstva v Sloveniji je določeno število sodelujočih umetnikov dodatno objasnilo koncept vizionarske umetnosti kot duhovne prakse in inspiracijsko podobo vizionarske umetnosti v zahodni internetni civilizaciji. Ključne besede: vizionarstvo, duhovnost, navdih, znanost, šamanizem, stanja zavesti, Ana Baraga, Lili Hribovšek, Nik Anikis Skušek ABSTRACT The aspect of the visionary can be observed not only in the context of art and spirituality, but on many scales of human activity from science to politics. The activities of visionary painting and art movement combine and intertwine all of those aspects and interpret them through symbolic images of old and recent thought. This paper investigates visionary art as a complex structure of practices, techniques and concepts that mark it as one of the recent and trickiest artistic forms of the present day. Main guidelines, established by academic artists throughout the psychedelic decades of past century, are based on artistic and spiritual experiments and experiences which in effect, bend the whole movement towards deviation from known and understood into areas of human consciousness that are still largely unexplored or forgotten. Language of visionary art combines history, prehistory and future of the artistic and spiritual practice: magic, myth, shamanism, alchemy, oriental and other exotic cosmologies get inseparably intertwined with the progress of modern technology and scientific understanding of our world. The inspired visionary personality, energy and experience are the basic concepts that can be traced throughout past and present of art, spirituality, sacred, inner and imaginal fantasy. Creating and manifesting images of collective archetypes grants visionary painting the transpersonal universality of not just western society but to all folk and tribal cosmologic traditions. With the emergence of visionary art in Slovenia, a few of the participating artists help to reveal and form some unique interpretations and manifestations of visionary concepts in the local and global digital civilization. Key words: visionary, spirituality, inspiration, science, shamanism, states of conscesness, Ana Baraga, Lili Hribovšek, Nik Anikis Skušek KAZALO VSEBINE 1 UVOD .............................................................................................................................. 1 2 NAMEN ........................................................................................................................... 5 3 HIPOTEZE ..................................................................................................................... 8 4 METODOLOGIJA ....................................................................................................... 10 4.1 Metode .................................................................................................................. 10 4.2 Viri .......................................................................................................................... 11 5 STANJE RAZISKAV ................................................................................................... 12 6 VIZIONARSKA UMETNOST ..................................................................................... 15 6.1 Zgodovina in ideje, ki so sooblikovale začetek vizionarske prakse ............. 17 6.2 Sodobnost: pomen interneta, plemenske kulture in tranformativnega festivala kot iniciacijskega obreda ........................................................................... 20 6.2.1 Vloga svetlobe, glasbe, plesa, besede in ostalih frekvenc, valovanj, intervalov in vzorcev v vizionarski umetnosti ..................................................... 24 6.2.2 Vizualne podobe v vizionarski umetnosti: naravne oblike in vizualno psihološki vzorci fraktalov in arhetipov ................................................................ 28 6.3 Predmet upodabljanja z osredotočenostjo na slikarstvo ............................... 33 6.3.1 Duhovna oziroma vizionarska občutja, stanja, moči in energije ........... 37 7. SODOBNI SLOVENSKI PREDSTAVNIKI ............................................................ 43 7.1 Ana Baraga, akademska oblikovalka in ilustratorka, rojena leta 1988. ....... 44 7.2 Lili Hribovšek, diplomirana slikarka, rojena leta 1980. ................................... 55 7.3 Nik Anikis Skušek, akademski slikar, rojen leta 1990 .................................... 62 8 POMEN INSPIRACIJE IN DUHOVNOSTI V RAZUMEVANJU VIZIONARSKE UMETNOSTI ................................................................................................................... 71 8. 1 Inspiracija kot znanje ......................................................................................... 72 8.1.1 Vizija in vizionarska osebnost .................................................................... 74 8.2 Vizionarska umetnost kot duhovna praksa ...................................................... 79 8.2.1 Stanja zavesti kot izvor duhovnosti ........................................................... 84 8.2.2 Etneogeni in vizionarski proces .................................................................. 90 9 TRANSPERSONALNOST VIZIONARSKEGA SLIKARSTVA ............................. 97 10 ZAKLJUČEK ............................................................................................................ 101 11 VIRI IN LITERATURA ............................................................................................ 106 SLIKOVNO KAZALO Slika 1: Naslovnica revije Raw Vision št. 79 2003, Alex Grey: Diamon Being, olje na les 2003: https://rawvision.com/articles/net-being-alex-grey, (stanje na 17.5.2017). Slika 2: Autumn Skye Morrison, Light Work, akril na platnu 2016, http://www.autumnskyemorrison.com/paintings/light-work.html, (stanje na 22.6.2017). Slika 3: Sidney Fortner, The New York Visionaries, fotografija New York 1980, v Philip Rubinov Jacobson: A Little Known Brief History of Visionary Art: http://www.mischtechnikseminars.com/a-brief-history-of-visionary-art, (stanje na 17.5.2017). Slika 4: Samuel Clay, Rohan Dixit, Saba Ghole, Luke Iseman, Heather Stewart in Shilo Shiv Suleman,
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