Sotades on Kings*
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Select Epigrams from the Greek Anthology
SELECT EPIGRAMS FROM THE GREEK ANTHOLOGY J. W. MACKAIL∗ Fellow of Balliol College, Oxford. PREPARER’S NOTE This book was published in 1890 by Longmans, Green, and Co., London; and New York: 15 East 16th Street. The epigrams in the book are given both in Greek and in English. This text includes only the English. Where Greek is present in short citations, it has been given here in transliterated form and marked with brackets. A chapter of Notes on the translations has also been omitted. eti pou proima leuxoia Meleager in /Anth. Pal./ iv. 1. Dim now and soil’d, Like the soil’d tissue of white violets Left, freshly gather’d, on their native bank. M. Arnold, /Sohrab and Rustum/. PREFACE The purpose of this book is to present a complete collection, subject to certain definitions and exceptions which will be mentioned later, of all the best extant Greek Epigrams. Although many epigrams not given here have in different ways a special interest of their own, none, it is hoped, have been excluded which are of the first excellence in any style. But, while it would be easy to agree on three-fourths of the matter to be included in such a scope, perhaps hardly any two persons would be in exact accordance with regard to the rest; with many pieces which lie on the border line of excellence, the decision must be made on a balance of very slight considerations, and becomes in the end one rather of personal taste than of any fixed principle. For the Greek Anthology proper, use has chiefly been made of the two ∗PDF created by pdfbooks.co.za 1 great works of Jacobs, -
Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult
ΑΡΣΙΝΟΗ ΕΥΠΛΟΙΑ Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult Carlos Francis Robinson Bachelor of Arts (Hons. 1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2019 Historical and Philosophical Inquiry Abstract Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult By the early Hellenistic period a trend was emerging in which royal women were deified as Aphrodite. In a unique innovation, Queen Arsinoë II of Egypt (c. 316 – 270 BC) was deified as the maritime Aphrodite, and was associated with the cult titles Euploia, Akraia, and Galenaië. It was the important study of Robert (1966) which identified that the poets Posidippus and Callimachus were honouring Arsinoë II as the maritime Aphrodite. This thesis examines how this new third-century BC cult of ‘Arsinoë Aphrodite’ adopted aspects of Greek cults of the maritime Aphrodite, creating a new derivative cult. The main historical sources for this cult are the epigrams of Posidippus and Callimachus, including a relatively new epigram (Posidippus AB 39) published in 2001. This thesis demonstrates that the new cult of Arsinoë Aphrodite utilised existing traditions, such as: Aphrodite’s role as patron of fleets, the practice of dedications to Aphrodite by admirals, the use of invocations before sailing, and the practice of marine dedications such as shells. In this way the Ptolemies incorporated existing religious traditions into a new form of ruler cult. This study is the first attempt to trace the direct relationship between Ptolemaic ruler cult and existing traditions of the maritime Aphrodite, and deepens our understanding of the strategies of ruler cult adopted in the early Hellenistic period. -
The Aesthetics of Dialect in Hellenistic Epigram
The Aesthetics of Dialect in Hellenistic Epigram A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics by Taylor S. Coughlan B.A. Carleton College M.A. University of Wisconsin—Madison March 18, 2016 Committee Chair: Kathryn Gutzwiller, Ph.D. Alex Sens, Ph.D. Lauren Ginsberg, Ph.D. i Abstract This dissertation is a study of dialect choice and dialect mixture in Hellenistic book epigram. The aims of the project are not only linguistic, but also literary; indeed, what motivates the study is an overarching interest in understanding how specific dialect choices can enrich the meaning of the poem in which they appear. Scholars have only recently started to include dialect in their readings of individual epigrams, but no one has systematically studied the entire corpus. In order to more fully understand Hellenistic book epigram and its flourishing during a period of great social, cultural, and literary change, we must confront the genre’s use of dialect or otherwise miss out on an important component in this self-conscious genre’s production of poetic meaning. Following an introduction that sets out the interpretive framework for the dissertation and explores issues of dialect transmission in the manuscript tradition, the study falls into two parts, each comprising three chapters. In the first part, I attempt to situate dialect choice and mixture in its poetic and literary-critical contexts. In the first chapter, I investigate dialect usage in pre- Hellenistic Greek poetry, not including inscribed epigram, arguing that dialect mixture for poetic effect existed in Archaic and Classical poetry. -
Complete Issue
_____________________________________________________________ Volume 16 March 2001 Number 1 _____________________________________________________________ Editor Editorial Assistants John Miles Foley Michael Barnes Adam Dubé Associate Editor Kristin Funk John Zemke Heather Hignite Heather Maring Marjorie Rubright Slavica Publishers, Inc. For a complete catalog of books from Slavica, with prices and ordering information, write to: Slavica Publishers, Inc. Indiana University 2611 E. 10th St. Bloomington, IN 47408-2603 ISSN: 0883-5365 Each contribution copyright © 2001 by its author. All rights reserved. The editor and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition seeks to provide a comparative and interdisciplinary focus for studies in oral literature and related fields by publishing research and scholarship on the creation, transmission, and interpretation of all forms of oral traditional expression. As well as essays treating certifiably oral traditions, OT presents investigations of the relationships between oral and written traditions, as well as brief accounts of important fieldwork, a Symposium section (in which scholars may reply at some length to prior essays), review articles, occasional transcriptions and translations of oral texts, a digest of work in progress, and a regular column for notices of conferences and other matters of interest. In addition, occasional issues will include an ongoing annotated bibliography of relevant research and the annual Albert Lord and Milman Parry Lectures on Oral Tradition. OT welcomes contributions on all oral literatures, on all literatures directly influenced by oral traditions, and on non-literary oral traditions. Submissions must follow the list-of reference format (style sheet available on request) and must be accompanied by a stamped, self-addressed envelope for return or for mailing of proofs; all quotations of primary materials must be made in the original language(s) with following English translations. -
An Instance of Pathological Love in the Greek Anthology and Elizabethan Poetry Eva Anagnostou-Laoutides
An Instance of Pathological Love in the Greek Anthology and Elizabethan Poetry Eva Anagnostou-Laoutides HE EPIGRAMS OF ASCLEPIADES hold an influential place in the poetic portrayal of the venal aspects of love.1 T This article explores the background and the after-life of Anth.Gr. 5.64, an epigram referring to Danae’s seduction by Zeus. Given that Danae offers a most prominent mythological exemplum of corruptible female mores, her treatment by Asclepi- ades can, in my view, afford us further insights into the por- trayal of prostitution in the Greek Anthology. I argue two things: first, that Asclepiades, well aware of Danae’s association with prostitution, chose nevertheless in 5.64 to shift the emphasis from her status to the intensity of amorous affliction. Thus, he employed Danae to sketch the paradigm of the manic, sex- crazy lover and so demarcated his own contribution to Hel- lenistic poetry.2 Second, that, after centuries of reading Danae as a prostitute, especially in the Christian tradition, the mean- ing of Asclepiades’ epigram was sensed anew by the English poet Thomas Carew (1595–1640) who found in Asclepiades’ 1 For example A. Sens, Asclepiades of Samos. Epigrams and Fragments (Oxford 2010); S. Ihm, Eros und Distanz. Untersuchungen zu Asklepiades in seinem Kreis (Munich 2004) 49–83 and 115–127; cf. K. Gutzwiller, Poetic Garlands. Hellenistic Epigrams in Context (Berkeley 1998) 122–149, and A. Cameron, “Asclepiades’ Girl Friends,” in H. P. Foley (ed.), Reflections of Women in An- tiquity (New York 1981) 275–302, revised in Callimachus and his Critics (Prince- ton 1995) 494–519. -
Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition Joseph M. Lucci University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classical Literature and Philology Commons Recommended Citation Lucci, Joseph M., "Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition" (2015). Publicly Accessible Penn Dissertations. 1864. https://repository.upenn.edu/edissertations/1864 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1864 For more information, please contact [email protected]. Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition Abstract Martial, perhaps the best-known author of Latin epigram, has enjoyed a resurgence of scholarly attention over the past two decades, and much has been made of his self-professed debt to earlier Latin epigrammatists, especially Catullus. Less prevalent, however, has been discussion of how he relates to authors of Greek epigram, which may not be surprising given that Martial passes over the Greek epigrammatic tradition in nearly total silence. This dissertation seeks to explain the silence. Through close readings of specific poems yb Martial, both in themselves and alongside epigrams by his Greek predecessors, I argue that he has fashioned an intentionally ambivalent attitude toward the Greek tradition. Martial contends with a fundamentally Roman literary condundrum – he must negotiate the inevitable and irreconcilable tension between acknowledging the importance of his Greek predecessors and asserting his own claim to superiority over them. But Martial, I suggest, relishes such tensions, depicting Greece and Greek epigram as inconsistent and even bipolar entities which he can then exploit as sources of humor or self-aggrandizement. -
The Cult of Aphrodite the Cult of Aphrodite Under the Ptolemies: the Consolidation and Legitimization of a Dynasty
THE CULT OF APHRODITE THE CULT OF APHRODITE UNDER THE PTOLEMIES: THE CONSOLIDATION AND LEGITIMIZATION OF A DYNASTY By JOCELYN CROSS, B.A., Hons. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jocelyn Cross, January 2021 McMaster University MASTER OF ARTS (2021) Hamilton, Ontario (Classics). TITLE: The Cult of Aphrodite Under the Ptolemies: The Consolidation and Legitimization of a Dynasty AUTHOR: Jocelyn Cross, B.A., Hons. (Carleton University). SUPERVISOR: Dr. S. Corner NUMBER OF PAGES: x, 125. ii Lay Abstract Following the death of Alexander the Great in 323 BCE, his empire was divided between his generals. Ptolemy I obtained control of Egypt, and established a dynasty that endured for over two centuries before falling to Rome. This thesis examines the foundation of the dynasty, and the manner in which Ptolemy I and his early successors secured their power. It focuses on Greek and Egyptian religion, and argues that the cult of Aphrodite was integral to the legitimization and consolidation of the dynasty. Discussion extends beyond Aphrodite to those with whom she was associated, including the Egyptian goddess Isis, and the Ptolemaic queens Arsinoë and Berenice. The aim of the thesis is to highlight the complexities of religious practice, and demonstrate the significance of Aphrodite and the sociopolitical impact of her cult in Egypt and throughout the Hellenistic world. iii Abstract Aphrodite is one of the oldest deities of the Graeco-Roman pantheon, and her cult has a rich and varied history in its development throughout the Mediterranean and beyond. -
Birds and Beasts Greek Anthology
BIRDS AND BEASTS OF THE GREEK ANTHOLOGY BY NORMAN DOUGLAS Hunter of hares, may fortune smile on thee: Such is the gift of Pan. And thou, O fowler, who with lime and reeds Seekest to capture winged and feathered breeds That roost beneath this hill—praise Pan! Pan from his eyrie guards yon sacred copse; Bid him descend to join the chase, that he With hounds and reeds may thy companion be. LEONIDAS OF TARENTUM (F. W. M.). First Published, March 1928 Chapman and Hall Ltd. London Introduction to the Digital Edition This text was prepared for digital publication by David Badke in December, 2003. Author: Norman Douglas (1868-1952) was born in Austria to a Scottish father and a Scottish-German mother. He entered the British Foreign Office in 1893 and served as a diplomat in St. Petersburg. Douglas purchased property on Capri, but after financial difficulties in 1907 he existed in near poverty for almost two decades as he lived at times in Paris, Florence, Lisbon, and London, before returning to Capri in 1946. He wrote novels, autobiographical works and travel books, including The Forestal Conditions of Capri (1904), Siren Land (1911), Fountains in the Sand (1912), Old Calabria (1915), London Street Games (1916), South Wind (1917), In the Beginning (1928), Capri (1930), Summer Islands (1931), Looking Back (1933), Late Harvest (1946), Footnote on Capri (1952), and Venus in the Kitchen (1952). South Wind, a novel which explores the pleasures of the hedonistic life, earned Douglas epithets such as “pagan to the core” and “an unashamed connoisseur of pleasure.” Copyright: The original printed text by Norman Douglas (1868-1952) as published by Chapman and Hall (London) in 1928 is believed to be in the public domain under Canadian copyright law.