Charles Fletcher Lummis Papers 1888-1928 MS.1
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Charles F. Lummis Papers
http://oac.cdlib.org/findaid/ark:/13030/kt9z09r4s7 No online items Guide to the Charles F. Lummis Papers Processed by Cyndi Shein and Michelle Weng; machine-readable finding aid created by Cyndi Shein Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine, California 92623-9557 Phone: (949) 824-7227 Fax: (949) 824-2472 Email: [email protected] URL: http://special.lib.uci.edu © 2007 The Regents of the University of California. All rights reserved. Guide to the Charles F. Lummis MS-R033 1 Papers Descriptive Summary Title: Charles F. Lummis papers Date: 1877-1928, Date (bulk): bulk 1904-1914 Collection Number: MS-R033 Creator: Lummis, Charles Fletcher, 1859-1928 Extent: 5.6 linear feet (14 boxes and 1 oversized folder) Languages: The collection is in English. A few letters are in Spanish. Repository: University of California, Irvine. Library. Special Collections and Archives. Irvine, California 92623-9557 Abstract: Charles F. Lummis explored and documented the culture and history of the Southwest in his writings and photography from 1884 until his death in 1928. A resident of Los Angeles for most of his life, Lummis was city editor of the Los Angeles Daily Times, city librarian of the Los Angeles Public Library, an advocate of Native American rights, and founder of the Landmarks Club and the Southwest Museum. This collection contains a portion of his prolific correspondence to friends and colleagues, documents his tenure as Los Angeles Public Librarian, provides a sample of his photography, and offers a rare glimpse into his college interests and activities. -
Charles Lummis Photographs
http://oac.cdlib.org/findaid/ark:/13030/kt1q2nc9w8 No online items Guide to the Charles Lummis Photographs Kelley Wolfe Bachli Special Collections, Honnold/Mudd Library Libraries of The Claremont Colleges 800 Dartmouth Avenue Claremont, CA 91711 Phone: (909) 607-3977 Fax: (909) 621-8681 Email: [email protected] URL: http://libraries.claremont.edu/sc/ © 2006 Claremont University Consortium. All rights reserved. Guide to the Charles Lummis 1 Photographs Guide to the Charles Lummis Photographs Collection number: h1985.12 Special Collections, Honnold/Mudd Library Libraries of The Claremont Colleges Claremont, California Processed by: Kelley Wolfe Bachli Date Completed: November 2006 Encoded by: Kelley Wolfe Bachli © 2004 Claremont University Consortium. All rights reserved. Descriptive Summary Title: Charles Lummis photographs Dates: circa 1888-1905 Creator: Lummis, Charles Fletcher, 1859-1928 Collection Size: 5 flat boxes Repository: Claremont Colleges. Library. Special Collections, Honnold/Mudd Library. Claremont, CA 91711 Abstract: The bulk of the Charles Lummis Photographs are of Peru, Native Americans in New Mexico, central Mexico, the San Fernando Mission in California, and portraits of friends and acquaintances of Lummis. Physical location: Please consult repository. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights All requests for permission to publish must be submitted in writing to Special Collections. Preferred Citation [Identification of item], Charles Lummis photographs. Special Collections, Honnold/Mudd Library, Claremont University Consortium. Acquisition Information Gift of Don Meadows, 1985 Processing Information The Charles Lummis Photographs originally came to Honnold/Mudd Library Special Collections as part of the Marion Parks Papers. For clarity between the Parks and Lummis materials, it was decided to divide the Parks collection two distinct collections: Marion Parks Papers and Charles Lummis Photographs. -
THE CLEVELAN ORCHESTRA California Masterwor S
����������������������� �������������� ��������������������������������������������� ������������������������ �������������������������������������� �������� ������������������������������� ��������������������������� ��������������������������������������������������� �������������������� ������������������������������������������������������� �������������������������� ��������������������������������������������� ������������������������ ������������������������������������������������� ���������������������������� ����������������������������� ����� ������������������������������������������������ ���������������� ���������������������������������������� ��������������������������� ���������������������������������������� ��������� ������������������������������������� ���������� ��������������� ������������� ������ ������������� ��������� ������������� ������������������ ��������������� ����������� �������������������������������� ����������������� ����� �������� �������������� ��������� ���������������������� Welcome to the Cleveland Museum of Art The Cleveland Orchestra’s performances in the museum California Masterworks – Program 1 in May 2011 were a milestone event and, according to the Gartner Auditorium, The Cleveland Museum of Art Plain Dealer, among the year’s “high notes” in classical Wednesday evening, May 1, 2013, at 7:30 p.m. music. We are delighted to once again welcome The James Feddeck, conductor Cleveland Orchestra to the Cleveland Museum of Art as this groundbreaking collaboration between two of HENRY COWELL Sinfonietta -
Chapter 23: Literature: Poetry
Mount Shasta Annotated Bibliography Chapter 23 Literature: Poetry Mount Shasta as a symbol of high ideals, as a symbol of God's domain, as a symbol of purity, and as an inspiring presence, are just some of the varied themes which run through the 19th and 20th Century poems about this majestic mountain. In 1854 John Rollin Ridge, a Cherokee Indian who later became editor of the Sacramento Bee newspaper, wrote one of the earliest Mt. Shasta poems; entitled Mount Shasta it became one of the most famous California poems. Ridge's message was one for the entire state, and the poem contains lines such as "And well this Golden State shall thrive, if like Its own Mount Shasta, Sovereign Law shall lift Itself in purer atmosphere—so high..." The well-known abolitionist poet John Greenleaf Whittier, in 1863, used Shasta as a symbol of God's works: "Amidst the glorious works of thine, The solemn minarets of Pine, And awful Shasta's icy shrine,-Where swell thy hymns from wave and gale..." Many Mt. Shasta poems are less abstract and more personal in sentiment. Joaquin Miller, who lived from 1854-57 near Mt. Shasta, and who visited many times thereafter, wrote several poems about his old home mountain. In his Shadows of Shasta poem, reprinted in this section, one sees his recurring theme of the 'Shadows,' or dark secrets, he saw inflicted on the lives of the Indians at the hands of the whites: "In the place where the grizzly reposes, Under peaks where a right is a wrong...." See also Section 20. -
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Culver City, CA Permit No. 69 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year (U.S. First Class), $18.00/year in U.S. currency (Foreign) Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 38, No. 2 March 2002 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 Jill Michtom [email protected] (818) 368-1957 Beginner’s Classes Calendar Jay Michtom [email protected] (818) 368-1957 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Time Contact Location Club Directory Steve Himel [email protected] (949) 646-7082 CABRILLO INT'L FOLK Tue 7:00-8:00 (858) 459-1336 Georgina SAN DIEGO, Balboa Park Club Contributing Editor Richard Duree [email protected] (714) 641-7450 DANCERS Thu 7:30-8:30 (619) 445-4907 -
Dark Tourism in the Land of Sunshine: A
INSTITUTO SUPERIOR DE CONTABILIDADE E ADMINISTRAÇÃO DO PORTO POLITÉCNICO DO PORTO MASTER’S DEGREE M INTERCULTURAL STUDIES FOR BUSINESS n Dark Tourism in the land of and Sunshine: An intercultural business model for the routes of death and disaster in Portugal Ana Cristina Resende Rodrigues 06/2020 Dark Tourism in the land of Sunshine: A business model for the routes of death . 2020 / ntercultural Ana Rodrigues i disaster in Portugal 06 INSTITUTO SUPERIOR DE CONTABILIDADE E ADMINISTRAÇÃO DO PORTO POLITÉCNICO DO PORTO MASTER’S DEGREE M INTERCULTURAL STUDIES FOR BUSINESS n Dark Tourism in the land of and Sunshine: An intercultural business model for the routes of death and disaster in Portugal Ana Cristina Resende Rodrigues routes of death Master Dissertation present to Instituto Superior de Contabilidade e Administração do Porto to obtain the Master's Degree in Intercultural Studies for Business, under the supervision of Professor Clara Maria Laranjeira Sarmento e Santos. Dark Tourism in the land of Sunshine: A 2020 / Ana Rodrigues. intercultural business model for the disaster in Portugal 06 ii Dedication I would like to dedicate this dissertation to my grandfather Manuel Martins Resende, who passed away on December 18, 2017. One of the most important persons in my life, who has always supported me along the way. I will carry you in my heart, until I find you again. iii Acknowledgements This Master's dissertation was supported by some very important people without whom it would not have become true and to whom I will always be grateful. As such, I wish to express my gratitude to all those who, in some way, allowed this dissertation to take place. -
Mary Austin, "The High Priestess of Regional Literature": a Review Essay
New Mexico Historical Review Volume 55 Number 4 Article 6 10-1-1980 Mary Austin, "The High Priestess of Regional Literature": A Review Essay Necah Stewart Furman Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Furman, Necah Stewart. "Mary Austin, "The High Priestess of Regional Literature": A Review Essay." New Mexico Historical Review 55, 4 (2021). https://digitalrepository.unm.edu/nmhr/vol55/iss4/6 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. MARY A US TIN, "THE HIGH PRIESTESS OF REGIONAL LITERATURE": A REVIEW ESSAY NECAHSTEWARTFURMAN LITERARY AMERICA 1903-1934: THE MARY AUSTIN LETTERS. Edited by T. M. Pearce. Westport, Conn.: Greenwood Press, 1979. Pp. xv, 296. Illus., appen dix, index. $17.95. ROOM AND TiME ENOUGH: THE LAND OF MARY AUSTIN. Lines by Mary Austin. Edited and Introduction by Augusta Fink. Photographs by Morley Baer. Flagstaff, Ariz.: Northland Press, 1979. Pp. vi, 75. Illus. $20.00. RECENT PUBLICATIONS INDICATE a resurgence of interest in the life and works of Mary Hunter Austin. The person most responsible for this revival is T. M. Pearce, who has contributed the largest share to the collection of writings about Mary Austin with publication of his Beloved House in 1940, Mary Hunter Austin in 1970, and with Literary America 1903-1934: The Mary Austin Letters in 1979. While Pearce's previous studies have been largely biographical in nature, Literary America helps to place Austin in perspective among her peers as one of the most highly-respected writers of the first three decades of the twentieth cen tury. -
Grant Jensen Write-In Candidacy a Garage and Fetl the Bowl of Cooked Rogers, Kathy Amoshka, Donna Before Migrating West to San Francisco Spaghetti" Type of Affair
--- . ' . ' ' ;/r .• . ene \, .. - California Zephyr to feature rock, country, bluegrass here Thursday The country and western, • five versatile and talented musicians The result is a sound uut appeals to was born and raised in Modesto and rock·'n·roU, bluegrass and good-time who have toured the country circuit of hard-core country music fans and .lo has played in all kinds of musical country music of California Zephyr the Western states as well as numerous country-rock listeners, from those who groups, running the gamut f1om· folk, will be featured in the BC outdoor nightclubs around the Bay Area. Each remember the music of Oklahoma ·in jugband, and bluegrrn to rnck. theatre on Thursday, October S at has turned to country, bluegrass and the thinJCl to those who like the Arnopole helptd conceive, produce 8 p.m. as the Community Services country-rock mus.ic after playing in "outlaw" music of Waylon Jennings and perform in the award-winning con"cert seriel opens the 1978-79 rock bands, and each band member and WiUie Nelson, or those who like theatrical production, "Hard &eason. Admission is S2. rus 11ightly different roots in music, good-time music. Tra~·elin '," which told the life story of rangi_ng from c!assic.11 to country to Woody Guthrie and which scr~·ed as California Zephyr is composed of jau. ;·b•·r's leader, Alan Arnopole, the basis for a movie about the dust-bowl folksinger. Members of the band are at home on "pie kin' and grinnin '" ins1rumen1s like the banjo, washboard, guitar, upright bm, washtub liass, kazoo, dulcimer, mandolin and fiddle as well REN EGO RE, BC's newest hllunted house, w_ill open Friday, Oct. -
Reflections on the United States National Museum-Gates
136 JOURNAL OF CALIFORNIA AND GREAT BASIN ANTHROPOLOGY Loendorf, Lawrence L. Reflections on the United States 1984 Documentation of Rock Art at Petroglyph Canyon, Montana. University of North Da National Museum-Gates kota, Department of Anthropology and Ar Expeditions to the American chaeology, Contribution 207. Southwest, 1901 and 1905 1990 A Dated Rock Art Panel of Shield Bearing Warriors m Southcentral Montana. Plains MAX G. PAVESIC Antiiropologist 35(127):45-54. Dept. of Anthropology, Boise State Univ., Boise, ID 83725. 1994 Traditional Archaeological Methods and Thek Applications at Rock Art Sites. In: New Light on Old Art, David S. Whitiey American archaeology has reached a level and Lawrence L. Loendorf, eds., pp. 95- of intellectual maturity which allows the study 103. Los Angeles: University of Califor and analysis of its development. While most nia, Los Angeles, Institute of Archaeology studies have stressed the growth of the disci Monograph 6. pline, few have emphasized the sociohistorical Paik, John A. context or the motivations of the individuals in 1990 The Sknanton Peooglypb HUl Site (24PH- volved. The United States Natioruil Museum- 2072): A Ceremonial Complex in North- Gates Southwest expeditions serve as a focus of em Montana. Archaeology In Montana these historical variables, and this report dis 31(2):41-49. cusses community lifestyle, expedition partici pants, and financial agreements to clarify the Rabiega, Greer organization and success of the endeavors. MS A Study of the Artifacts and Debitage Created During the Production of Indirect Percussion Petroglyphs. MS m possession of the author. TURN of the centuty American archaeology wit Schaafsma, Polly nessed a shift in regional studies from the 1980 Indian Rock Art of the Southwest. -
W-165 Southwest Museum of the American Indian 234 Museum Drive Los Angeles, California 90065 Phone 323-221-2164, Extension 255
Guide to Catholic-Related Records in the West about Native Americans See User Guide for help on interpreting entries CALIFORNIA, LOS ANGELES new 2006 Institute for the Study of the American West- Autry National Center, Braun Library W-165 Southwest Museum of the American Indian 234 Museum Drive Los Angeles, California 90065 Phone 323-221-2164, Extension 255 http://www.southwestmuseum.org Hours: By appointment only, Monday-Friday, 9:00-5:00 Access: No restrictions Copying facilities: Yes Holdings of Catholic-related records about Native Americans: Inclusive dates: ca. 1860-present Volume: Approximately 1 cubic foot Description: 5 collections include Native Catholic records: Manuscript Collections /1 “Hodge, Frederick Webb, Manuscript Collection, Ms. 7“ Inclusive dates: 1906-1955 Volume: At least 8 letters Description: Correspondence with Franciscans: A. Haile, Reverend Berard, O.F.M., 1953-1955, 4 letters, re: 1630 Memorial of Fray Alonso de Benevides, O.F.M., Navajo and Apache Indians, and Bureau of American Ethnology Archives B. Glauber, Reverend Ludger, O.F.M., 1922; 1 letter; re: Reverend Berard Haile, O.F.M., Navajo Indians, and Navajo Reservation; C. Van Valkenburgh, Richard f.; 1953-1954; 4 letters; re: health of Reverend Berard Haile, O.F.M. and Apache Indians and their land claims D. Weber, Reverend Anselm, O.F.M. 1. 1906; 1 letter; re: conference papers at International Congress of Americanists and Reverend Leopold Ostermann, O.F.M. 2. 1919; 1 letter; re: health of Reverend Anselm Weber, O.F.M., Reverend Albert T. Daeger, O.F.M., Zuni Indians, and the Navajo Reservation /2 “James, George Wharton, Collection, Ms. -
AFCCC-POP8-2 Post Project Research Projects Collection Selected and Converted
AFCCC-POP8-2 Post project research projects Collection Selected and converted. American Memory, Library of Congress. July 1954Outline for a booktentatively called FOLKSONG IN CALIFORNIA by SIDNEY ROBERTSON COWELL PREFACE:data on field recordings, when made, how come, and where deposited. Some mention of previous Calif. collectors, (Lummis and Gordon). Reference to Folkways albums if any. Lacunas in coverage listed here, too: Chinese, Syrian, etc.INTRODUCTORY SECTION of some sort would define folksong in the broadest possible sense, as song circulated in the oral tradition and discoverable in 1938-40. "California" folksong is therefore traditional song of any culture, orally transmitted and sung within the state. Folk music has not been circulated here long enough [?] for California life to have put a characteristic imprint on it, and English-speaking people have been here a relatively short time, so they contribute only a part of the state's wealth of traditional music. (California life has made alight or parodied changes in song texts, of course. And the Spanish guitar has affected a lot of the music, but that is a southwestern thing, not just Californian. This is n't intended to be a hard-and- fast Californian book, exactly; but I do have to have some kind of a framework!) A second general point is that since settlers do seem to come to the same kind of environment (work, climate, landscape) that they left wherever possible, a kind of ecological organization, to borrow a term, of this material seems to work out with surprisingly few left-overs. The mines were a special magnet for a time, strong enough to overcome this tendency, of coarse. -
La Gobernadora” Amelia Stone Quinton, Charles Fletcher Lummis, and the Warner Ranch Indian Removal
The Mischief Record of “La Gobernadora” Amelia Stone Quinton, Charles Fletcher Lummis, and the Warner Ranch Indian Removal By Valerie Sherer Mathes and Phil Brigandi In 1902, conditions were grim for the Indians living on the Warner Ranch in northern San Diego County. A decade- long legal battle over their eviction had ended the year before with a ruling from the United States Supreme Court ordering them from their ancestral homes. Since that ruling, they had been visited by a (,%#*2&(,.%#4&3=&73D%.54%5,&3=)$+#"(;& Indian advocates, and concerned indi- viduals. Most of the attention was focused 35&:1!#;&,-%&-34%&3=&,-%&:1!%r3&!%3!"%& at Warner Hot Springs and the largest vil- lage on the ranch.1 Early in May, Amelia Stone Quinton, the president of the Women’s National Amelia Stone Quinton (1833-1926), co-founder of the Indian Association (WNIA),2 visited the Women’s National Indian Association, had a hand in Indian Rights controversies across the country for D+""#7%;*&4%,&'+,-&,-%&:1!%r3&"%#*%.(& D)2'$+,"#$E)<2$9'-"9'*5$;)<2+'*0$)E$+,'$6<#+&#(+)#$ to discuss their options. An inspector d&82"20F$!"#$R"2&#)F$;H5 Valerie Sherer Mathes, Professor Emerita, City College of San Francisco, is author of numerous academic articles and three books, Helen Hunt Jackson and her Indian Reform Legacy, The Indian Reform Letters of Helen Hunt Jackson, and The Standing Bear Controversy: Prelude to Indian Reform, co-authored with Dr. Richard Lowitt. Phil Brigandi has been researching and writing local history since 1975. Though born and raised in Orange County, he has long had an interest in the Riverside/San Diego County backcountry.