Gender in Britain - the Long Road to Equality
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Gallery Guide Is Printed on Recycled Paper
THE PLACE IS HERE 22 JUN – 10 SEP 2017 MAIN & FIRST FLOOR GALLERIES ADMISSION FREE EXHIBITION GUIDE THE PLACE IS HERE LIST OF WORKS 22 JUN – 10 SEP 2017 MAIN GALLERY The starting-point for The Place is Here is the 1980s: For many of the artists, montage allowed for identities, 1. Chila Kumari Burman blends word and image, Sari Red addresses the threat a pivotal decade for British culture and politics. Spanning histories and narratives to be dismantled and reconfigured From The Riot Series, 1982 of violence and abuse Asian women faced in 1980s Britain. painting, sculpture, photography, film and archives, according to new terms. This is visible across a range of Lithograph and photo etching on Somerset paper Sari Red refers to the blood spilt in this and other racist the exhibition brings together works by 25 artists and works, through what art historian Kobena Mercer has 78 × 190 × 3.5cm attacks as well as the red of the sari, a symbol of intimacy collectives across two venues: the South London Gallery described as ‘formal and aesthetic strategies of hybridity’. between Asian women. Militant Women, 1982 and Middlesbrough Institute of Modern Art. The questions The Place is Here is itself conceived of as a kind of montage: Lithograph and photo etching on Somerset paper it raises about identity, representation and the purpose of different voices and bodies are assembled to present a 78 × 190 × 3.5cm 4. Gavin Jantjes culture remain vital today. portrait of a period that is not tightly defined, finalised or A South African Colouring Book, 1974–75 pinned down. -
Oi Duck-Billed Platypus! This July! Text © Kes Gray, 2018
JULY 2019 EDITION Featuring buyer’s recommends and new titles in books, DVD & Blu-ray Cats sit on gnats, dogs sit on logs, and duck-billed platypuses sit on …? Find out in the hilarious Oi Duck-billed Platypus! this July! Text © Kes Gray, 2018. Illustrations © Jim Field, 2018. Gray, © Kes Text NEW for 2019 Oi Duck-billed Platypus! 9781444937336 PB | £6.99 Platypus Sales Brochure Cover v5.indd 1 19/03/2019 09:31 P. 11 Adult Titles P. 133 Children’s Titles P. 180 Entertainment Releases THIS PUBLICATION IS ALSO AVAILABLE DIGITALLY VIA OUR WEBSITE AT WWW.GARDNERS.COM “You need to read this book, Smarty’s a legend” Arthur Smith A Hitch in Time Andy Smart Andy Smart’s early adventures are a series of jaw-dropping ISBN: 978-0-7495-8189-3 feats and bizarre situations from RRP: £9.99 which, amazingly, he emerged Format: PB Pub date: 25 July 2019 unscathed. WELCOME JULY 2019 3 FRONT COVER Oi Duck-billed Platypus! by Kes Gray Age 1 to 5. A brilliantly funny, rhyming read-aloud picture book - jam-packed with animals and silliness, from the bestselling, multi-award-winning creators of ‘Oi Frog!’ Oi! Where are duck-billed platypuses meant to sit? And kookaburras and hippopotamuses and all the other animals with impossible-to-rhyme- with names... Over to you Frog! The laughter never ends with Oi Frog and Friends. Illustrated by Jim Field. 9781444937336 | Hachette Children’s | PB | £6.99 GARDNERS PUBLICATIONS ALSO INSIDE PAGE 4 Buyer’s Recommends PAGE 8 Recall List PAGE 11 Gardners Independent Booksellers Affiliate July Adult’s Key New Titles Programme publication includes a monthly selection of titles chosen specifically for PAGE 115 independent booksellers by our affiliate July Adult’s New Titles publishers. -
Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
The Goldsmiths Prize and Its Conceptualization of Experimental Literature
The Goldsmiths Prize and Its Conceptualization 35 of Experimental Literature The Goldsmiths Prize and Its Conceptualization of Experimental Literature Wojciech Drąg University of Wrocław Abstract: In the aftermath of a critical debate regarding the Man Booker Prize’s adoption of ‘readability’ as the main criterion of literary value, Goldsmiths College established a new literary prize. The Goldsmiths Prize was launched in 2013 as a celebration of ‘fiction that breaks the mould or extends the possibil- ities of the novel form.’ Throughout its six editions, the prize has been awarded to such writers as Ali Smith, Nicola Barker and Eimear McBride, and has at- tracted a lot of media attention. Annually, its jury have written press features praising the shortlisted books, while invited novelists have given lectures on the condition of the novel. Thanks to its quickly won popularity, the Goldsmiths Prize has become the main institution promoting – and conceptualizing – ‘ex- perimental’ fiction in Britain. This article aims to examine all the promotional material accompanying each edition – including jury statements, press releases and commissioned articles in the New Statesman – in order to analyze how the prize defines experimentalism. Keywords: Goldsmiths Prize, literary prizes, experimental literature, avant-gar- de, contemporary British fiction Literary experimentalism is a notion both notoriously difficult to define and generally disliked by those to whose work it is often applied. B.S. Johnson famously stated that ‘to most reviewers [it] is almost always a synonym for “unsuccessful”’ (1973, 19). Among other acclaimed avant-garde authors who defied the label were Raymond Federmann and Ronald Sukenick (Bray, Gib- bon, and McHale 2012, 2-3). -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Textual Transformations in Contemporary Black Writing in Britain
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 2; April 2014 Copyright © Australian International Academic Centre, Australia Textual Transformations in Contemporary Black Writing in Britain Jawhar Ahmed Dhouib Department of English, University of Gabes PO Box 6000, Ali Jmel, Gabes, Tunisia E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.2p.120 Received: 21/02/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.2p.120 Accepted: 08/04/2014 Abstract While the first wave of Caribbean immigrant writers brilliantly explored race-related issues, black Britons like Andrea Levy, Zadie Smith and Caryl Phillips, among others, have sought to depart from earlier fiction, motivated in their project by the changing white face of Britain. In this article, I would like to argue that cultural change in Britain has deeply influenced literary production and has, consequently, laid the ground for a series of textual transformations. To capture instances of creative excess in contemporary black writing in Britain, I will bring under examination Caryl Phillips’s (2009) novel In the Falling Snow. My intention is to show to what extent Phillips’s work surpasses the ‘noose of race’ and already-familiar representations of multicultural Britain to celebrate a ‘post-racial’ society. Keywords: Caryl Phillips, Caribbean diaspora, contemporary black writing, multiculturalism, polyculturalism 1. Introduction Novels by pioneer West Indian writers in Britain, chief among whom are V.S. Naipaul, Samuel Selvon, George Lamming and Wilson Harris, to name but a few, have offered a lively palette of stories, bittersweet anecdotes, vivid experiences and profound meditations on the journey from the Caribbean to the metropolis. -
The Novel Girl, Woman, Other by Bernardine Evaristo
119 ACTA NEOPHILOLOGICA UDK: 821.111.09-31Evaristo B. DOI: 10.4312/an.53.1-2.119-131 Stigma as an Attribute of Oppression or an Agent of Change: The Novel Girl, Woman, Other by Bernardine Evaristo Darja Zorc-Maver Abstract The purpose of this paper is to describe the processes of stigmatization and oppression of women as presented by Bernardine Evaristo in her book Girl, Women, Other. The book features twelve female characters who are very different from each other, but what they have in common is that they each, in their own way, face stigma, misunderstanding and social exclusion. The social construction of stigma causes various kinds of social inequali- ties of the stigmatized. Through the fictional narratives of the stigmatized and the reflec- tion of their position in the novel, stigmatized women become the bearers of change and not merely the victims of oppression. Key words: stigma, racism, oppression, gender, Bernardine Evaristo Acta_Neophilologica_2020_FINAL.indd 119 23. 11. 2020 07:19:52 120 DARJA ZORC-MAVER In 2019 the prestigious Booker Prize for Fiction went to two women writers for their new novels, the Canadian literary icon Margaret Atwood (The Testa- ments) and the first black British woman author of fiction to win it, Bernardine Evaristo (Girl, Woman, Other). The prize, a proven literarysuccès d’estime, is a big achievement for black British women that now have an internationally acclaimed contemporary literary voice. This is a contemporary panoramic, polyphonic novel, written partly in prose and partly as a poem or simply a poem in prose, without using initial capital letters in sentences and full-stops apart from the endings of individual (sub)chapters, which describes the fictional lives of mostly black wom- en in Britain. -
Literature in the UK.Pages
Page 1 of 7 St Augustine's Centre, Halifax English for Life in the UK Episode 31 - Literature in the UK - part 1 September 2020 (Mark) Hello and welcome to the podcast English for Life in the UK. This podcast is for intermediate-level learners of English and is produced by a group of volunteer teachers, from the St Augustine's Centre in Halifax, Yorkshire, where we provide a range of support and advice to those in need and, particularly, to asylum seekers, refugees and migrants. The aim of this podcast is to help anyone wanting to improve their English and, at the same time, learn more about life in this country. Before we start today's episode, just a reminder that, at the moment, we are asking for your help to find out more about what you want from our podcast, what you .. how you think it could be improved, what you like about it, what subjects you'd like us to cover in the future. So, we have devised a survey which you can find on our website: www.staugustinescentrehalifax.org.uk That's spelt s-t-a-u-g-u-s-t-i-n-e-s-c-e-n-t-r-e-h-a-l-i-f-a-x You'll find the survey towards the bottom of the home page where it says "survey here". Alternatively, you can email us. We have an email address: [email protected] And if you contact us, then we will send you a link to the survey or you can just tell us in the email, what you think. -
Hugh Skinner
HUGH SKINNER Films: Mamma Mia: Here We Go Again! Young Harry Ol Parker Universal Pictures Steven Berkoff's Tell Tale Heart Sunny Stephen Cookson CK Films Kill Your Friends Johnny Owen Harris Al-Film Les Miserables Joly Tom Hooper Working Title Films Any Human Heart Leo Michael Samuels Carnival Films Day Of The Dead Kyle Millennium Films/Nu Image Steve Minor Television: W1A 1 - 3 Will Humphries John Morton BBC Harlots George Howard Various Monumental Pictures Fleabag Harry Harry Bradbeer / Tim Kirby Two Brothers Pictures The Windsors 1 - 2 Prince William Adam Miller Channel 4 Poldark Unwin Will Sinclair Mammoth Screen Bugsplat! James Waddington Guy Jenkin Celtic Productions Our Zoo Dr Barnaby Ford Andy De Emmony/Saul Metzstein BBC / Big Talk The Wipers Times Barnes Andy De Emmony David Parfitt Law & Order: UK Ian Naylor Marisol Torres Kudos Any Human Heart Lionel Mountstuart Michael Samuels Carnival Film & TV Tess Of The D'Urbevilles Felix Clare David Blaire BBC Bonkers Daniel Juliet May / Jim Doyle Mersey TV Theatre: The Trial David/Block Richard Jones Young Vic Theatre Company Cherry Orchard Yepikhodov Katie Mitchell Young Vic Theatre Company Therese Raquin Camille Jonathan Munby Bath Theatre Royal American Psycho Lewis Rupert Gould Almeida Theatre Pastoral Manz Steve Marmion Soho Theatre Wild Oats Harry Mark Rosenblatt Bristol Old Vic You Can't It With You Tony Kirby Paul Hunter Royal Manchester Excahnge 66 Books Balladeer Tamara Harvey / Josie Rourke Bush Theatre Where's My Seat? Conor Tamara Harvey Bush Theatre Tis Pity she's a Whore -
Oce20568 Sunderland Literature Festival A5 Booklet.Qxp
Sunderland Literature Festival 2015 Welcome to the Sunderland Literature Festival, Important information our annual celebration of the written word, has something for everyone. • Children under 8 years must be The programme features many local accompanied by an adult at all events artists and authors, with highlights • For details regarding ease of access to including Kate Adie, Bethan Roberts any of the events please contact the and Bryan and Mary Talbot. host venue The majority of the events are FREE. • Latecomers will be admitted at the If you need further information about any organisation’s discretion event please enquire at the venue where the event will take place. If you haven’t been to the festival or a library service event before, look through the programme and try something new. You’ll be surprised at what’s on offer. We are using a variety of local venues, so you should be able to find something near to where you live. We’re organising some events just for schools. These are listed at the back of the programme. You can find out more from our Schools Library Service. Page 2 Sunderland Literature Festival 2015 Page 3 Sunderland Literature Festival 2015 Into Thin Air Arts Centre Washington 7.30pm Thursday 1 October A new play which explores the increasing pressure on everyone to Tillytoo Tales succeed at everything. A slick, intelligent exploration of how we cope in an Houghton Library 10 – 11am increasingly pressurised world. Presented Sandhill Centre Library 1.30 – 2.30pm by Precious Cargo. Contact Arts Centre Tillytoo Tales (Elizabeth Baker) Washington for ticket information. -
The Royal National Theatre Annual Report and Financial Statements 2007 – 2008 Board
The Royal National Theatre Annual Report and Financial Statements 2007 – 2008 board The Royal National Theatre Chairman Sir Hayden Phillips GCB DL Upper Ground, South Bank, London SE1 9PX Susan Chinn + 44 (0)20 7452 3333 Lloyd Dorfman CBE www.nationaltheatre.org.uk Ros Haigh Kwame Kwei-Armah Company registration number 749504 Rachel Lomax Registered charity number 224223 Neil MacGregor Registered in England John Makinson Caragh Merrick Caro Newling André Ptaszynski Philip Pullman Farah Ramzan Goland The Royal National Theatre is a company limited by guarantee and a registered charity. It was established Rt Hon Lord Smith of Finsbury in 1963 for the advancement of education and, in particular, to procure and increase the appreciation and Edward Walker-Arnott understanding of the dramatic art in all its forms as a memorial to William Shakespeare. These objects are Nicholas Wright set out in the governing document, which is its Memorandum and Articles of Association, and have been Company Secretary Kay Hunter Johnston developed into a set of aims and objectives as described on page 4. Executive Artistic Director Nicholas Hytner Executive Director Nick Starr Finance Director Lisa Burger Associate Directors Sebastian Born Howard Davies Marianne Elliott Tom Morris Bankers Coutts & Co 440 Strand, London WC2R 0QS Auditors PricewaterhouseCoopers LLP 1 Embankment Place, London WC2N 6RH This Annual Report and Financial Statements is available to download at www.nationaltheatre.org.uk If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Company Secretary at the National Theatre. -
Curriculum Vitae Chila Kumari Burman
! ! Curriculum Vitae Chila Kumari Burman Brought up in Liverpool and educated at the Slade School of Art in London, Chila Kumari Burman has worked experimentally across printmaking, painting, sculpture, photography and film since the mid-1980s. She draws on fine and pop art imagery in intricate multi- layered works which explore Asian femininity and her personal family history, and where Bollywood bling merges with childhood memories. The Bindi Girls are a series of female figures composed almost entirely of colourful and glittery bindis, gems and crystals. Meticulously handcrafted and embellished, they suggest a powerful yet playful femininity. From bindis and other fashion accessories to ice cream cones and ice lolly wrappers, Chila often uses everyday materials in her work, giving new meaning to items which others may see as worthless, cheap or kitsch. Ice Cream has a particular significance in her work and references her childhood in Liverpool where her father, who arrived as an immigrant from India in the 1950s, owned an ice cream van and was a popular figure as he drove around selling ice cream for over thirty years. As well as paying homage to her father, her Ice Cream works evoke the awakening of her own creative spirit when as a child she would help out in the ice cream van and became immersed in a world of colour, flavour and materials. Chila Kumari Burman’s work is held in a number of public and private collections including the Victoria and Albert Museum and the Wellcome Trust in London, and the Devi Foundation in New Delhi.