Curriculum Vitae Chila Kumari Burman
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Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
Gallery Guide Is Printed on Recycled Paper
THE PLACE IS HERE 22 JUN – 10 SEP 2017 MAIN & FIRST FLOOR GALLERIES ADMISSION FREE EXHIBITION GUIDE THE PLACE IS HERE LIST OF WORKS 22 JUN – 10 SEP 2017 MAIN GALLERY The starting-point for The Place is Here is the 1980s: For many of the artists, montage allowed for identities, 1. Chila Kumari Burman blends word and image, Sari Red addresses the threat a pivotal decade for British culture and politics. Spanning histories and narratives to be dismantled and reconfigured From The Riot Series, 1982 of violence and abuse Asian women faced in 1980s Britain. painting, sculpture, photography, film and archives, according to new terms. This is visible across a range of Lithograph and photo etching on Somerset paper Sari Red refers to the blood spilt in this and other racist the exhibition brings together works by 25 artists and works, through what art historian Kobena Mercer has 78 × 190 × 3.5cm attacks as well as the red of the sari, a symbol of intimacy collectives across two venues: the South London Gallery described as ‘formal and aesthetic strategies of hybridity’. between Asian women. Militant Women, 1982 and Middlesbrough Institute of Modern Art. The questions The Place is Here is itself conceived of as a kind of montage: Lithograph and photo etching on Somerset paper it raises about identity, representation and the purpose of different voices and bodies are assembled to present a 78 × 190 × 3.5cm 4. Gavin Jantjes culture remain vital today. portrait of a period that is not tightly defined, finalised or A South African Colouring Book, 1974–75 pinned down. -
Jyotimeerasyal.Pdf
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 13:11 November 2013 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. C. Subburaman, Ph.D. (Economics) Assistant Managing Editor: Swarna Thirumalai, M.A. Diasporic Issues in the Works of Meera Syal Jyoti Sharma, Ph.D. Research Scholar =============================================================== Meera Syal Courtesy: http://www.rottentomatoes.com/celebrity/meera_syal/ Language in India www.languageinindia.com ISSN 1930-2940 13:11 November 2013 Jyoti Sharma, Ph.D. Research Scholar Diasporic Issues in the Works of Meera Syal 273 Abstract Diasporic subjectivity, a pertinent topic of discussion in contemporary literature, is inevitably marked by desire to return to the lost origin. Displacement, whether forced or self- imposed is is in many ways a calamity. The study of trans-cultural literature might be the study of the way in which cultures recognize themselves through their projections of ‘otherness’. The diasporic production of cultural meanings occurs in many areas, such as contemporary music, film, theatre and dance, but writing is one of the most interesting and strategic ways in which diaspora might disrupt the binary of local and global and problematize national, racial and ethnic formulations of identity. The diasporic Indian writers of the first generation have already established their credentials by winning numerous literary awards and honours. But recently the ranks of the second generation of Indian writers in the west have swelled enormously and many among them have won international recognition. -
Successful Partnership with Lloyds Banking Group
The Phoenix Collegiate Newsletter Spring 2016 Edition No: 16 Successful partnership with Lloyds Banking Group The third year of our very successful On 7th June Phoenix partnership with Lloyds Banking Group is well staff and parents under way with a range of activities that are joined Lloyds/Halifax having an impact upon all of our students. staff at lunchtime to IN THIS EDITION raise £2,064. Phoenix is now enrolled on Lloyd’s Discover What Important dates for Matters programme which enables students in A range of charities Years 9 & 10 to attend workshops to develop the benefitted from Spring/Summer terms 2016 ... page 2 strengths and qualities that will help them to achieve this event including their goals. Acorns, Birmingham Governors .............................. page 2 Children’s Hospital In addition, in September, twelve Lloyds Banking and Sandwell Group employees delivered a series of workshops Parents for Disabled Hubs news ....................... pages 2-9 to our Year 12 students as part of our Stepping Up Children. programme. “We are privileged Key Stages news This programme is designed to equip students with to be working the skills and attributes they will need to access their incl Duke of Edinburgh ... pages 9-12 in partnership with Lloyds Bank. Their work with chosen pathway at the end of Year 13. Phoenix has provided our students with valuable Students evaluating the day were highly experience of working within the financial services Pastoral news ...................... page 13 complimentary –‘Amazing day! Amazing people!’ sector. Whilst developing their self-confidence and …‘It helped me a lot and I can use the tips in the work related skills demanded by all employers, Charity events ..................... -
The World Rides Lancashire Dalesrail: Black and Asian History Along the Line Aidan Turner-Bishop
Tales from DalesRail The World rides Lancashire DalesRail: Black and Asian history along the line Aidan Turner-Bishop DalesRail may not be operating in 2020 but that doesn’t stop us sharing our many interesting experiences about our journeys. We hope you will share your interesting stories, favourite walks, fascinating anecdotes and pictures about DalesRail. Please send them to [email protected] or [email protected]. Lancashire DalesRail runs from Blackpool and Preston, through Blackburn and Clitheroe, to join the scenic Settle & Carlisle railway at Hellifield and then on to the Border city of Carlisle. ‘Black’ history of people of African and Asian heritage may seem a long way from the wild slopes of Mallerstang and the lush fields of the Ribble and Eden valleys but this isn’t so. African and Asian people have lived and worked in the area for over a thousand years since the days of the Roman Empire as we shall discover. There is a Chinese saying that “a journey of a thousand li (miles) begins with a single step”. In our case this starts at Blackpool North station. Blackpool is the setting for Gurinder Chadha’s 1993 comedy film Bhaji on the beach, written by Meera Syal, in which a group of British women (mainly Punjabis of various faiths) enjoy a busy day out at the Blackpool Illuminations. Artists from over the world have starred in Blackpool. They include Dame Shirley Bassey, Nat King Cole, and Sammy Davis Junior. Nat King Cole The African-American historian, writer, politician, journalist, and Baptist minister George Washington Williams (1849-1891) is buried in Layton cemetery, Blackpool. -
1 Plays, Books
PLAYS, BOOKS - WRITTEN, PUBLISHED and PERFORMED; PRIZES. 1950s (Circa) And After Today – play written for amateur drama group ‘The Query Players’ to which A.W belonged. Never performed. Precursor to Chicken Soup with Barley. 1951 The Reed That Bent. A novel. Unpublished but used as the basis for ‘Chips With Everything’. Begun 30 April finished 17 August. The novel itself was drawn from assembled letters written to friends and family during 8 weeks of ‘square bashing’ as an RAF National Service conscript. 1955 Pools. A short story. Begun 16th October, finished following month. 1956 The Kitchen. No date on written MS. Probably begun in this year. Entered for The Observer Play competition in original form of two acts with no Interlude. No prizes. 1957 Life Is Where You Live. Musical written for Primrose Jewish Youth Club of which A.W. was the ‘drama director.’ Fiona Castiglione, the granddaughter of the composer, Rutland Boughton, wrote four or five songs then gave up! June 1957. Chicken Soup With Barley. First notes, circa early October 1957. The play (first entitled ‘When the Wind Blows’) begun 8 October 1957. 1958 Chicken Soup With Barley. First presented at The Belgrade Theatre, Coventry, 7 July for one week, directed by John Dexter. Subsequently at The Royal Court, London on14th July for one week as part of a four week ‘Guest Repertory Season’. Roots. Begun 20th June. 2nd typed draft completed 29 October. I’m Talking About Jerusalem. Begun 9 December. (1st typed draft dated 1st December 1959. 3rd typed draft dated 11th May 1960. Pools. Printed in The Jewish Quarterly, Winter 58/59. -
Wrote 6-Episode Radio Chat Show for CPL Productions/BBC R4 Featuring Two New Celebrity Guests Each Week
MEERA SYAL Current GOSSIP AND GODDESSES WITH GRANNY KUMAR: wrote 6-episode radio chat show for CPL Productions/BBC R4 featuring two new celebrity guests each week. Episode One TX’ed Wednesday 10th February 2021. AYAHS: writing historical drama series with Tanika Gupta for BBC Studios. STRIKERS IN SARIS: writing screenplay for Bright Pictures Ltd. MRS ROY: developing new comedy drama with Smita Bhide. Optioned to Two Brothers Pictures. Television HOUSE OF HIDDEN MOTHERS: Meera’s third novel was published by Transworld in June 2015. The rights were optioned to Drama Republic and it was developed for ITV. HEAL ME: outline amd pilot script for original serial set in Scotland for Touchpaper/Rob Pursey/BBC. GOODNESS GRACIOUS ME: Meera wrote new material for and starred in a Reunion Special for the BBC2 50th Anniversary in 2014. LIFE ISN’T ALL HA HA HEE HEE: second novel published by HarperCollins October 99. TV and Film rights optioned to Hat Trick. Adapted into 3 part drama (co-wrote first two episodes with Abi Morgan) for Hat Trick/ BBC. Producer Jo Willett, director Andy De Emmony. TX May 2005. GOODNESS GRACIOUS ME: Co-created, wrote and acted in five series across BBC Radio 4 and BBC Two. First radio series a Sony Radio Award Winner ‘97. First tv series – BAFTA nominated. RIMA and EMMA awards. 1998 British Comedy Award Winner for best comedy series. Successful stage tour from February / March ‘99. SUGAR AND SPICE: co-written with Jonathan Harvey two episodes of new series for BBC/Jon Plowman. NINA: Written comedy script. BBC/ Geoffrey Perkins. -
“Reciprocal Legitimation” Between Shakespeare's Works and Manga
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 14 (29), 2016; DOI: 10.1515/mstap-2016-0019 ∗ Yukari Yoshihara Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga Abstract: In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses. Keywords: Pop culture, Japan, gender, cultural hierarchy, manga, animation Introduction In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film (1 min. 30 seconds) titled Ophelia, not yet. The animation visually cites John Everett Millais’s painting of Ophelia (1852) with cheeky twists: in this animation, Ophelia looks like the Ophelia by Millais, but she does not die because she can swim, being a national backstroke champion.1 My garments were pulling me down deep under the water. Suddenly I remembered, I am a national backstroke champion, am I not? Soaked clothes spread wide were dragging me down, but Not yet, not yet, it is not time for a watery death . ∗ University of Tsukuba. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex MPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details THE HANDSWORTH TIMES: PART ONE OF A NOVEL IN PROGRESS WITH SYNOPSIS AND CRITICAL INTRODUCTION Sharon Duggal Master of Philosophy in Creative Writing July 2013 UNIVERSITY OF SUSSEX Statement: I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature:……………………………………...................................... Sharon Duggal UNIVERSITY OF SUSSEX Degree: Master of Philosophy in Creative Writing Name: Sharon Duggal Title: The Handsworth Times: Part One Of A Novel In Progress With Synopsis And Critical Introduction Summary: My submission for Master of Philosophy in Creative Writing comprises an original piece of creative writing together with an in-depth critical introduction to my creative work. The creative element offers the first part of a novel in progress, entitled The Handsworth Times, about a working class British Asian family in inner city Birmingham, set around the time of social unrest in the early 1980s. The family are reacting to the death of Billy, the youngest member of the family. -
Diasporic Experience in Meera Syal's Anita and Me
DIASPORIC EXPERIENCE IN MEERA SYAL’S ANITA AND ME POORNIMA M. D. DR. V. UNNIKRISHNAN Ph. D. Scholar Professor Department of English Department of English Karpagam University Karpagam University Coimbatore, Tamil Nadu (INDIA) Coimbatore, Tamil Nadu (INDIA) This paper depicts the diasporic experiences of Indian migrants in the novel Anita and Me which was written by Meera Syal. Syal is a British English writer who was born to Punjabi parents in Wolverhampton. She uses her personal experiences as an Indian descendant in the novel. She has written two novels Anita and Me and Life Isn’t All Ha Ha Hee Hee. The novel Anita and Me is said to be a semi-autobiographical novel. Syal has brought out the diasporic aspects such as culture shock, alienation, assimilation, common history and myth, formation of ethnic group, longing for home ambience and longing to visit the imagined ancestral home, maintaining religious beliefs and so on. Acculturation and assimilation play a vital role while depicting the diasporic experiences and the novel also depicts the difference between experience of the first and the second generation migrants. Encounter of Eastern and Western ways of life produces hybrid characteristics among the Indian migrants. It is brought out through the attires of Indian characters; their food habits also enfold them in their ethnic community. This paper also represents restrictions that these migrants face in the host land. Keywords: Diasporic experiences, assimilation, adoption, cultural differences Introduction: C.Vijayasree remarks that when women writers write about diaspora, they discover several challenged ‘spaces within the diaspora, address multiple forms of oppression and render definitive versions of diaspora impossible.’(61). -
PDF Download Dada and Surrealism for Beginners Kindle
DADA AND SURREALISM FOR BEGINNERS PDF, EPUB, EBOOK Peter Bethanis | 128 pages | 11 Oct 2007 | For Beginners | 9781934389003 | English | United States Dada and Surrealism for Beginners PDF Book An English-language version of the first book was published in by Leviathan Press of San Francisco and Pathfinder Press of New York, to no particularly great impact. Even though Atget had been experimenting with photos of shop windows for a decade, his work would come to prominence in the s. The For Beginners series has its origins in two Spanish-language books, Cuba para principiantes and Marx para principiantes by the Mexican political cartoonist and writer Rius , pocket books which put their content over in a humorous comic book way but with a serious underlying purpose. This book is telling you about Dada. She and Raoul Hausmann were among the first artists to work in photomontage. Categories : Educational comics Historical comics Non-fiction comics Book publishing companies based in Connecticut Comic book publishing companies of the United States Publishing companies established in In the early s questions of control arose after some members of the cooperative sold U. Social Psychology introduces the key concepts of the field through an acclaimed storytelling approach that makes research relevant to students. Ball preferred to use "sound poems" to be performed by Dada stage artists. At times, critics like to pigeonhole certain artists as part of one movement or another. This gives context to later understand those voices. Surrealism and Psychoanalysis The Surrealists were interested in the unconscious as a creative source. Each of the beautiful piles of realistic sushi looking high quality page sticky notepads, sits on its own handmade sushi cardboard table included. -
Shakespeare and Contemporary Adaptation: the Graphic Novel
SHAKESPEARE AND CONTEMPORARY ADAPTATION: THE GRAPHIC NOVEL By MARGARET MARY ROPER A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy with Integrated Studies The Shakespeare Institute College of Arts and Law The University of Birmingham December 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the process of adaptation of Shakespeare’s plays into the graphic novel medium. It traces the history of these adaptations from the first comic books produced in the mid-twentieth century to graphic novels produced in the twenty-first century. The editions used for examination have been selected as they are indicative of key developments in the history of adaptation of Shakespeare’s plays into the medium. This thesis explores how the plays are presented and the influences on the styles of presentation. It traces the history of the form and how the adaptations have been received in various periods. It also examines how the combination of illustrations and text and the conventions of the medium produce unique narrative capacities, how these have developed over time and how they used to present the plays.