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BIBLIOGRAPHY BIBLIOGRAPHY [ENGLISH] Acheson, James 'Chess with the audience Samuel Beckett's Endgame', Critica^LQuaterJi:, Vol 22, No 2, 1980, p33-45 Altick, Richard D The Art of'Literar>' Research ( ed ), London: W W, Norton & Co , 1981 Alvarez, A 'Absurdity and the Absurd' in Esslin, Martin (ed) The Theatre of the Absurd y Harmondsworth Penguin, 1974,pp 15-50 Alvarez, A Beckett. London The Woburn Press 1974 . Alvarez, A. Beckett . Glasgow Fontana / Collins 1981. Barge, Laura God. The Quest. The Hero Thematic structures in Beckett's Fiction , North Carolina (US. A ), University of North Carolina Press, 1988. Beckett, Samuel Proust New York Grove Press, 1931. p 2-3. Beckett, Samuel, All That Fall. London. Faber and Faber. 1957. Beckett, Samuel, Act Without Words 1 New York; Grove Press, 1958. Beckett, Samuel, Watt. New York; Grove Press, 1959. Beckett, Samuel, Act Without Words H. New York; Grove Press, 1959. Beckett, Samuel, Molloy Malone dies. The Unnamable. London; Calder and Boyars. 1959 Beckett, Samuel, Embers, Krapp's Last Tape, New York; Evergreen Review, Nov - Dec 1959 Beckett, Samuel, Play, London Faber and Faber, 1964 (in volume with two radio plays Words and Music, Cascando ) 309 Beckett, Samuel, lili.ioe , London Faber and Faber. 1967 Beckett, Samuel, Coirie_and (lo. London C'alder and Boyars 1967 Beckett, Samuel, P±\m , L.ondon Faber and Faber, 1967, Beckett, Samuel, Breath , Gambit vol IV, No 16 1970 Beckett, Samuel,More Pricks Than Kicks, London Calder and Boyers, rpt 1970 Beckett, Samuel Endgame 2ed, 1958, rpt London Faber and Faber, 1973. Beckett, Samuel, Not_ ] , London Faber and Faber, 1973. Beckett, Samuel, No's Knife Collected shorter prose 1945-1966, London: Calder and Boyers, rpt 1975 Beckett, Samuel Happy Days 1963, rpt London Faber and Faber 1976. Beckett, Samuel, That Time, New York Grove Press, 1976. Beckett, Samuel, Footfalls , New ^'ork Grove Press. 1976 Beckett, Samuel Waiting For Godot 1956 , rpt London : Faber and Faber, 1981. -^ Beckett, Samuel Waiting For Godot A Tragicomedy in Two Acts, rpt. London Faber and Faber, 1981 Beckett, Samuel Endgame London Faber and Faber Ltd. rpt 1985. Birjadish, Prasad A Background to the study of English Literature for Indian students. Calcutta Macmillan Co , 1965 Brereton, George Principles of tragedy London Routledge and Kegan Paul, 1968. Brewer, Maria Minich Samuel Beckett Post Modern Narrative and The Nuclear Telos, Boundary 2 15 1-2, 1987 Brook Peter, The Empty Space MacGibbon and Kee, 1968 3cg Brook Peter, The Shifting Point (Forty "I'ears of theatrical exploration 1946 - 1987). London Methuen 1988 Brown. John Russell, A_S)iort Guide to Modern British Drama London Heineman Educational Books Butler, Lanee St John and Daws, Rob\n J Rethinking Beckett A Collection of Critical Essays (ed), London The Macniillan Ltd , 1990, Camus, Albert The Myth of Sisyphtjs Harmondsvvorth:Penguin, 1975 ^ Chaudhary, M K , 'Samuel Beckett Freedom from Story telling', Punjab University Research Bulletin, Arts, 1988, Vol - 14, pi 37-146. Chaudhary, M K Samuel Beckett : Freedom from story telling.Punjab University Research Bulletin ( ARTS ) 19 2, 1988 Cohn, Ruby 'The Beginning of Endgame' Modern Drama.(Dec.9). 1966. Cohn, Ruby Back to Beckett New Jersey Princeton University Press, 1973. Cohn, Ruby ed Samuel Beckett: A Collection of Criticism. New York : McGraw Hill / Paperbacks, 1975. Connor. Steven Samuel Beckett Repetition, Theory and Text. Oxford : Basil Blackwell, 1988 Corfanu, Manuela and Roventa-Frumu-sani Daniela, 'Absurd Dialogue and Speech Acts - Beckett's 'En Attendant Godot", Poetics. 'Vol 13, 1984, psl 19-133. Culik, Hugh 'Neurological Disorder and the Evolution of Beckett's Maternal Images.' Mosaic , 22 1, 1989 Daniel, Salem 'The Impact of Pinter's Work' Ariel 17 1, 1986 ps 71-83 310 Dawson, S N Drama and The Dramatic: The Critical Idiom. London: Methuen, 1979 Deshpande, L S 'The Theatre of the Absurd in Marathi -A Profile' in Essay on Comparative Literature and Linguistics ed Amur G S , Nemade B V , Deshpande PS & Shirwadkar K R New Delhi Sterling, 1984 Dobrez, Livio 'Samuel Beckett and the impossibility of literary criticism'. Southern Review, 1983, Vol 13, ps. 74-85 Doherty, Francis Samuel Beckett London Hutchinson University, 1971. Dorsey, John T 'Beckett' in Comparative Literature Studies 20, 24-33. Dubbe, P D , 'Time Future and Time Present in Samuel Beckett's "Waiting for Godot", Triveni. Vol 49, No 4, Jan-Mar 1981, ps 34-36. Edward, Albee Who's Afraid of Virginia Woolt^ 1962. Harmondsworth: Penguin, 1977. Esslin, Martin Samuel Beckett : A collection of critical Essays (ed). New Jersey: y^ Prentice Hall Inc Englewood Cliffs, 1965 Esslin, Martin The Peopled Wound The Plays of Flarold Pinter. London: Methuen, 1970. Esslin, Martin An /Anatomy of Drama London : Temple Smith, 1976. Esslin, Martin Pinter The Playwright London: Methuen, 1982. Esslin, Martin Absurd Drama Harmondsworth: Penguin, 1965, rpt.1982 ^ Esslin, Martin The Theatre of the Absurd 1961, rpt U. S. A. : Penguin, 1985. Evans, Gareth Lloyd The Language of Modern Drama London: J.M. Dent & Sons, -- 1977 Festschrift, A Beckett at 60 London Calder and Boyers, 1967 311 Fletcher, Ber\i S and Fletcher John A Student's Guide to the Plays of Samuel Beckett London Faber and Faber, 1985 Fletcher, John A: Spurling. John I}cckett A St,iidy of his Plays London: Eyre & Methuen 1978 Fletcher, John &. Spurling. John Beckett The Playuright , London. Methuen. 1985. Friedman, Melvin J Samuel Beckett now Critical Approaches to His Novels, Poetry and Plays (ed ) London University of Chicago Press, 1975 Gamini, Salgado English Drama A Critical Introduction . London: Edward Arnold Ltd. 1980. Gascoigne, Bamber Twentieth Century Drama. London: Flutchinson, 1962. Gassner, J and Edward Q, eds The Reader's Encyclopedia of World Drama. London: Methuen, 1970 Gidal, Peter Understanding Beckett , A Study of Monologue and Gesture in the Works of Samuel Beckett London The Macmillan Press Ltd. 1986. Gontarski, S E Journal of Beckett Studies Florida State University.Vol-3, No-1. 1993. Gontarski, SE Journal of Beckett Studies Florida State University. Vol-3. No-2. 1993. Guido, Almansi and Simon Henderson Harold Pinter London: Methuen, 1983. Haymon, Ronald British Theatre since 1955 A Reassessment. Oxford: Oxford University Press, 1979. Henning, Sylvie Debevec Beckett's Critical Complicity Carnival, Contestation and Tradition Kentucky, The University Press of Kentucky, 1988 312- Hill, Leslie Beckett's Fiction in Different Words , Cambridge Cambridge University Press, 19% HinchlitTe, Arnold P The New Theatre New York Twayne Publishers Inc , 1967, HinchlitTe, Arnold P The Absurd London Metheun, 1969. Hinchliffe, Arnold P Harold Pmter London : Macmillan Press, 1976. , Hugh, Kenner Samuel Beckett : A critical study London John Caider, 1962 Hugh, Kenner A. Readers Guide to Samuel Beckett . London: Thames and Hudson, 1973. Hunter, Jim Tom Stoppard's Plays London: Faber and Faber, 1982. lonesco, Eugene 'NOTES on My Theatre' in T D R . 2, 1-4 1962-63. ^- ' Jha, A 'Christopher Fry and The Theatre of the Absurd' in The Indian Journal of English < Studies. 8. ps 106-122 Kalb Jonathan Beckett in Performance , Cambridge Cambridge University Press, 1989. Kennedy, Andrew K Six dramatists in search of a language.London: Cambridge University Press, 1975 Kennedy, Andrew K Samuel Beckett Carnbridge Cambridge University Press, 1989. Kerensky, Oleg The New British Drama London Hamish Hamilton Publication, 1977, King, John Spotlight on British Theatre East Sussex: Cassel Ltd., 1984. Knowles, Ronald The Birthday Party and The Caretaker: Text and Performanance London Macmillan Education Ltd , 1988 Lance, St John Butler Samuel Beckett and The Meaning of Being. London: Macmillan Press, 1984 313 Lawrence, HaiA-ey Samuel Beckett Poet and Critic Princeton, New Jersey, Princeton University Press 1Q70 Lawrence, Haney 'Art and the Existential in waiting' in P M L A , 75,137,1960. Lawrence, Graver & Federman Raymond Samuel Beckett ; The Critical Heritage. London Routledge and Kegan Paul 1979 Le\7, Shimon, Samuel Beckett's Self-Referential Drama: The Three I's. London. Macmillam Press Ltd 1990 L.umley, Fredrick New Trends in 20th Century Drama A Survey since Ibsen and Shaw. London Barie and Rocklife, 1969 Mcmiiian, Dougald and Fehsenfeld, Martha Beckett In The Theatre . London: 1988. Maxwell, D. E S A Critical History of Modern Irish Drama I89I-1980 . Cambridge: Cambridge University Press, 1984 McGue, Jim. 'Beckett at Eighty', Agenda. 24:4 and 25:1, 1987, ps. 72-75, McGue, Jim 'Beckett at Eightyone', Agenda. 25:2, 1987, ps. 91-95. Mercier, Vivian Beckett / Beckett, New York: Oxford University Press, 1977. Morrison Malcolm. Voice and Speech in the Theatre ( 4 ed.). London: A&C Black Ltd. 1977 Nicoll, F. The Theory of Drama. New Delhi: S, N Malhotra Doaba House, 1969. Nykrog, Per In the ruins of the past Reading Beckett Intertextually. Comparative Literature 36 4, 1984 O'clair, Sharon 'The Contentless - Passion of an unfruitful wind' Irony and Laughter in Endgame. Criticism. 28:2. 1986 ps 165-178 3i4 Odonovan, Partick, Beckett's Monologues The Context and Conditions of Representation The Modern Language Review , 81:2, 1986, ps 318-326. Paine, Sylvia Beckett. Nabokav. Nin Motives and Modernism London: National University Publication 1981 Pandey, S & Taraporewala, F (ed) Contemporary Indian Drama New Delhi: Prestige, 1990 Pilling, John Samuel Beckett , London: Routledge and Kegan Paul, 1976. Pinter, Harold Plays: Two The Caretaker, The Collection & The Lover. Night School. The Dwarfs. London: Methuen , 1977. Postlewait, Thomas, 'Self-performing voices of Mind, Memory and Time in Beckett's Drama' Twentieth Century Literature. Vol 24, 1978, No.4, ps.473- 491. Prasad, Kimbahune et al. (ed). Understanding Absurd Drama. Aurangabad: Kirti Prakashan, 1995 Rabinovitz, Rubin. 'Samuel Beckett's Figurative Language', Contemporary Literature. 26:3, 1985, ps 317-330. Rana Nayar, 'Albee's Seasscape A Theatre of the Unconscious', Punjab University Bulletin (Arts) 22 2 1991 ps. 55-61. Ricks, Christopher. Beckett's Dying Words Oxford : Clarendon Press, 1990. Robinson, Michael The Long Sonata Of The Dead , A Study of Samuel Beckett.
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    BOOKS BOOK ON KARANTH Sl Title Writer P&P Lang Year Src\ Ac Note/Cont Muraleedhara Critical exploration of B.V Karanth’s 1. B.V.Karanth Upadhya, Hiriadka. Karnataka Kannada 1996 N.P-783 achievements. (eds) National School of Drama 2. B. V. Karanth Jaidev Taneja Hindi 2001 N.P. Karanth’s life and working theatre Publication, New Delhi WITH REFERENCE ON KARANTH Sl Title Writer WF P&P Lang Year Src\ Ac Note/Cont Drama: The Gift of Tokyo; Institute for the Gods - Culture, Study of Languages and 1. Performance and Suresh Awasthi English 1983 N.P. Page no.iii –reference. Cultures of Asia and Communication in Africa(ILCAA) India. Asides: Themes in New Delhi; National 2. Contemporary Indian Nemichandra Jain English 2003 N.P. School of Drama. Theatre Theatre and the World: New Delhi; Manohar Rustom Bharucha 3. Essays on Performance Publications. English 1990 N.P. Pages: 266, 288, 291-references and Politics of Culture. The Plays of Girish Jayadip Singh New Delhi, Prestige N.P. / 17, 18, 19, 32 – references. 4. English 1999 Karnad. Dodiya. Books. 624 Natarang Pratishthan http://www.natarang.org/documentation.html Page 1 of 7 PERIODICALS Src\ Sl WF Writer Title Magazine Year Pages G/P Plg Note/Cont Ac Two important folktale based plays in Kannada - Chandrashekhar Kambar’s Kavita Nehru Centenary Asian Theatre 168- 1. Article 1991 English N.P Jokumarswami, first staged in 1973 and Nagpal Festival journal 177 Girish Karnad's Hayvadan (Transposed Heads) directed by Karnath were staged. Skandgupt originally written by Jaishankar Prasad, edited by Ram Gopal Bajaj, directed Skandgupt Ki 11th- 17th by B.V.Karanth, staged by Madhya Pradesh Nemichandra Saptahik 2.
  • The Theme of Incest in Mahesh Elkunchwar's Desire in the Rocks

    The Theme of Incest in Mahesh Elkunchwar's Desire in the Rocks

    Aayushi International Interdisciplinary Research Journal (AIIRJ) PEER REVIEW IMPACT FACTOR ISSN VOL- VII ISSUE- X OCTOBER 2020 e-JOURNAL 6.293 2349-638x The Theme of Incest in Mahesh Elkunchwar’s Desire in the Rocks Dr. Prashant M Mannikar Associate Professor & Head, PG Research Dept of English Dayanand College of Arts, Latur. plays from Sultan (1967) to Holi (1970), Elkunchwar wrote the full-length plays Garbo (1973), Desire in Mahesh Elkunchwar is one of the significant the Rocks (Vasanakand) (1974), and Party (1975). Garbo and Desire in the Rocks became controversial Indian playwrights. He has played an important role plays due to the sexual innuendo in Garbo and the in the shaping of modern, Post-Independence Indian incest theme in Desire in the Rocks. Party got much theatre along with other noted playwrights such as applause, was staged successfully, and later on, was Badal Sarcar, Vijay Tendulkar, Mohan Rakesh, made into a film (1984). The theme of creativity, its Girish Karnad, and Satish Alekar. The theatre lovers nature, and source, its relation with the artist, the and scholars in India have noticed this fact. artist's relation with his creation, and society forms a Emphasizing the significance and contribution of running thread in these plays. Elkunchwar, a noted theatre critic Shanta Gokhale Desire in the Rocks has two characters, six observes, “Mahesh Elkunchwar is arguably the best- scenes, and no acts. Desire in the Rocks is set in an known Marathi playwright in the country after Vijay old stone mansion in some distant, remote village on Tendulkar” (270). He writes in Marathi.